Handbook for Curates Medieval TexTs in TranslaTion ediTorial direcTor thomas f. X. noble University of Notre Dame ediTorial Board Paul dutton Simon Fraser University Geoffrey koziol University of California at Berkeley Carol Lansing University of California at Santa Barbara barbara H. rosenwein Loyola University of Chicago Guido of Monte Rochen Handbook for Curates a Late Medieval Manual on Pastoral Ministry Translated by Anne T. Thayer, with an introduction by Anne T. Thayer and Katharine J. Lualdi The Catholic University of America Press Washington, D.C. Copyright © 2011 the Catholic university of america Press all rights reserved the paper used in this publication meets the minimum requirements of american national standards for Information science—Permanence of Paper for Printed Library Materials, ansi Z39.48-1984. ∞ Library of Congress Cataloging-in-Publication data uido, de Monte rocherii, 14th cent. G [Manipulus curatorum. english] Handbook for curates : a late medieval manual on pastoral ministry / Guido of Monte rochen ; translated by anne t. thayer ; with an introduction by anne t. thayer and katharine J. Lualdi. p. cm. — (Medieval texts in translation) Includes bibliographical references (p. ) and index. isBn 978-0-8132-1869-4 (pbk. : alk. paper) 1. Pastoral theology— Catholic Church--early works to 1800. 2. Catholic Church— doctrines—early works to 1800. I. thayer, anne t. II. Lualdi, katharine J. III. title. Bx1913.G8313 2011 253.088’28209023—dc22 2011012794 Contents foreword vii by Thomas Tentler acknowledgments xi Introduction xiii HandBook for curaTes author’s Letter 3 Prologue 5 Part I: the sacraments and their administration 9 tract 1, on the sacraments in General 9 tract 2, on baptism 15 tract 3, on Confirmation 35 tract 4, on the sacrament of the eucharist 43 tract 5, on the sacrament of orders 108 tract 6, on the sacrament of extreme unction 118 tract 7, on the sacrament of Marriage 123 Part II: the sacrament of Penance 157 Prologue 157 tract 1, on Penance in General 159 tract 2, on Contrition 164 tract 3, on Confession 181 tract 4, on satisfaction 244 Part III: basic Catechesis 271 Chapter 1, on the articles of the faith 272 Chapter 2, on the Petitions of the Lord’s Prayer 280 vi conTenTs Chapter 3, on the ten Commandments of the Law 293 Chapter 4, on the Gifts of the blessed 305 table of the book Called 307 Handbook for Curates appendix: authors and sources Cited in the 315 Handbook for Curates selected bibliography 325 General Index 329 Index of scripture 347 foreword Thomas Tentler to anyone interested in late medieval and early modern religion, from beginning undergraduates to specialists in the field, this trans- lation of Guido of Monte rochen’s Manipulus curatorum (Handbook is a gift of great value. the extraordinary popularity of for Curates) this pastoral guide in the centuries before the reformation is am- ply demonstrated in the editors’ lucid introduction. I urge everyone to begin by reading that introduction because it is an indispens- able preparation for appreciating and, yes, enjoying this important book. I first encountered Guido over forty years ago, in the north Li- brary of the british Museum, looking for material on the theory and practice of confession on the eve of the reformation. I was not disappointed. as he offered what he thought would be most useful to confessors, Guido’s wide-ranging interest in theological fundamentals and his commonsense advice to his priestly reader- ship served me well. decades later katharine Lualdi and anne thayer brought about a different and equally rewarding encounter with Guido. and so, encouraged by the editors’ infectious enthusiasm for their subject, and armed with an early version of their translation, I consulted the holdings of the in the rare book room of the Library Manipulus of Congress. there I began to realize the full extent of this schol- arly gift. I admired a translation that achieved clarity while preserv- ing the flavor of Guido’s rambling prose. following their lead, I looked at the marginalia in copies of the in that library’s Manipulus collection, and I too found medieval and early modern owners us- vii viii foreword ing pointing hands and underlining to signal favorite passages, writ- ing brief comments or summaries, and adding pagination or run- ning heads to make it easier to navigate these pages. eleven of the fourteen copies I consulted were annotated, some extensively, sup- plying independent corroboration (if one were needed) of the edi- tors’ contention that these books did not just occupy shelf space. but most important of all, the gift of a full english translation made me realize how much of Guido I had neglected and how much I could still learn from him. Guido was roughly contemporary with literary and theological giants like Meister eckhart, dante, duns scotus, William of ock- ham, Petrarch, and boccaccio. these authors (and other less famous contemporaries) are remembered, lectured about, and assigned in courses because of the originality of their ideas or their literary ac- complishment. Guido was an authoritative pastoral guide for two centuries after the publication of his manual in 1333 because he was not an intellectual or literary pioneer. His fame was earned because he inspired confidence in his safe reliability. today, historians search- ing for the ever elusive “lived religion” of late medieval and early modern europe value him precisely for those mundane qualities. and yet, as he faithfully represents the teaching of the mas- ters—searching for a theological consensus and filling the text with citations to canon law—an individuality emerges in what he selects and how he presents it. that kind of individuality is also a reason for studying this book. the editors allude to revealing ex- amples—his rule for the requisite consistency of meat broth in a valid, emergency baptism, or his choice of a particularly poi- gnant illustration of the inviolability of the seal of confession. Indeed, the book is replete with such windows on the author and his age. Guido lives in a world charged with spiritual meaning. He speaks un-self-consciously about the confirmation of Christian truth in the natural world. He can find a spiritual sense in ev- ery word, movement, and gesture in the celebration of the mass. He produces lists—of virtues, sins, laws, articles of faith, quali- ties of a good confession—that aim at succinct instruction and foreword ix suggest to me a touching confidence that ordinary curates might convert them into exhortations to behave, repent, and reform. at the same time, the sympathy of a compassionate pastor is con- stant, as he warns in many ways against fostering scrupulosity and despair (without using those terms). the ultimate expression of that consolatory impulse is the often invoked principle that ne- cessity knows no law, that in the crisis of death the rules are sus- pended. and his whole intention in explaining eucharistic myster- ies is to give simple priests a certitude that they can convey to the faithful. surely it is these qualities that in part explain why, as the editors note, so many manuscript editions survive, why a bishop in switzerland would urge parish priests to seek out one of these manuscripts and copy it for their own use, and why it became a best-selling publication in the early years of printing. It is a com- monplace to observe that the Protestant reformation thrived on print. the reminds us that the dissemination Manipulus curatorum of books was central to religious practice in the West long before 1517. the differences in these histories are important—but so are the commonalities. In that context, too, the question of why Gui- do achieved so commanding a place in pastoral literature gives us something to think about. My remarks only suggest the richness to students of late me- dieval and early modern religion of a text at last available in our vernacular. Guido deserves a wider audience and there is now no reason that he shouldn’t get it. We have much to learn from him.
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