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Gustav Mahler PDF

777 Pages·2011·3.32 MB·English
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1 2 3 4 5 6 7 GUSTAV MAHLER 8 9 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 41R 1 2 3 4 5 JENS MALTE FISCHER 6 7 GUSTAV MAHLER 8 9 TRANSLATED BY STEWART SPENCER 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 YALE UNIVERSITY PRESS 40 NEW HAVEN AND LONDON 41R 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 7 First published in English by Yale University Press in 2011 8 9 English translation copyright © 2011 Stewart Spencer 20 Originally published under the title Gustav Mahler: Der fremde Vertrauteby Jens Malte 1 Fischer © 2003 Paul Zsolnay Verlag, Vienna 2 All rights reserved. This book may not be reproduced in whole or in part, in any form 3 (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and 4 except by reviewers for the public press) without written permission from the publishers. 5 For information about this and other Yale University Press publications, please contact: 6 U.S. Office: [email protected] www.yalebooks.com 7 Europe Office: [email protected] www.yalebooks.co.uk Library of Congress Cataloging-in-Publication Data 8 9 Fischer, Jens Malte. Gustav Mahler / Jens Malte Fischer. 30 p. cm. 1 ISBN 978–0–300–13444–5 (cl : alk. paper) 2 1. Mahler, Gustav, 1860-1911. 2. Composers—Austria—Biography. I. Title. ML410.M23F45 2011 3 780.92—dc22 4 [B] 2011011115 5 Set in Minion Pro by IDSUK (DataConnection) Ltd 6 Printed in Great Britain by the MPG Books Group, Bodmin, Cornwall 7 A catalogue record for this book is available from the British Library. 8 9 The Publishers acknowledge the generous assistance of The Hampsong Foundation in the publishing of this book 40 41R 10 9 8 7 6 5 4 3 2 1 1 2 3 4 5 6 For Thomas Hampson, 7 friend, and great interpreter of Mahler’s music 8 9 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 41R 1 2 3 4 5 6 For the chief goal of biography appears to be this: to present the subject in his 7 temporal circumstances, to show how these both hinder and help him, how he 8 uses them to construct his view of man and the world, and how he, providing 9 he is an artist, poet, or author, mirrors them again for others. 10 1 JOHANN WOLFGANG VON GOETHE, 2 From the Preface to From My Life: Poetry and Truth(1811–13) 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 41R 1 2 3 4 5 6 Contents 7 8 9 10 1 2 3 List of Illustrations ix 4 5 6 1 What Did Mahler Look Like? An Attempt at a Description 1 7 8 2 Small Steps: Kalischt and Iglau (1860–75) 12 9 3 Studies in Vienna (1875–80) 42 20 4 The Summer Conductor: Bad Hall (1880) 90 1 2 5 Emotional Ups and Downs in Laibach (1881–2) 99 3 6 For the Last Time in the Provinces: Olmütz (1882–3) 108 4 5 7 Presentiment and a New Departure: Kassel (1883–5) 114 6 8 The Avid Reader: Mahler and Literature 125 7 8 9 Becoming Mahler: Prague (1885–6) 140 9 10 The First Symphony 148 30 11 Life’s Vicissitudes: Leipzig (1886–8) 157 1 2 12 Notes on Mahler’s Songs 168 3 13 Lowland Dreams: Budapest (1888–91) 178 4 5 14 The Conductor 191 6 15 The Second Symphony 202 7 8 16 Self-Realization: Hamburg (1891–7) 208 9 17 Jewishness and Identity 251 40 41R VIII CONTENTS 1 18 The Third Symphony 274 2 19 The God of the Southern Climes: Vienna (1897–1901) 282 3 4 20 Mahler’s Illnesses: A Pathographical Sketch 321 5 21 The Fourth Symphony 333 6 22 Vienna in 1900: Alma as a Young Woman (1901–3) 340 7 8 23 The Fifth Symphony 385 9 24 ‘Nothing is lost to you’: Faith and Philosophy 392 10 1 25 The Sixth Symphony 409 2 26 Opera Reform – Early Years of Marriage – Mahler’s 3 4 Compositional Method (1903–5) 416 5 27 The Seventh Symphony 458 6 28 The Administrator – Contemporaries – Signs of Crisis (1905–7) 464 7 8 29 The Eighth Symphony 519 9 30 Annus Terribilis (1907) 527 20 1 31 Das Lied von der Erde 562 2 32 Starting Afresh: New York (1908–11) 568 3 4 33 The Ninth Symphony 611 5 34 Crisis and Culmination (1910) 620 6 35 The Fragmentary Tenth Symphony 662 7 8 36 ‘My heart is weary’ – The Farewell 666 9 37 Mahler and Posterity 691 30 1 2 List of Abbreviations 707 3 4 Notes 709 5 Select Bibliography 734 6 Index 740 7 8 Acknowledgements 765 9 40 41R 1 2 3 4 5 6 Illustrations 7 8 9 Rights were not granted to include these illustrations in electronic media. 10 Please refer to print publication. 1 2 3 (between pages 246 and 247) 4 1 Mahler walking at Fischleinboden, near Toblach, 1909. (Österreichische 5 Nationalbibliothek, Vienna) 6 2 Bernhard Mahler. (Médiathèque Musicale Mahler, Paris) 7 3 Marie Mahler. (Médiathèque Musicale Mahler, Paris) 8 4 A postcard showing Mahler’s birthplace in Kalischt, Moravia. 9 (Österreichische Nationalbibliothek, Vienna; 460.707-B) 20 5 Mahler, 1865 or 1866. (Österreichische Nationalbibliothek, Vienna) 1 6 The Main Square in Iglau, Moravia, mid- to late nineteenth century 2 (Muzeum Visocˇyni, Jihlava, Czech Republic) 3 7 Siegfried Lipiner. (Internationale Gustav-Mahler-Gesellschaft, Vienna) 4 8 Mahler in 1881. (Österreichische Nationalbibliothek, Vienna) 5 9 The ‘Zum Höllengebirge’ guest house at Steinbach on the Attersee. 6 (Österreichische Nationalbibliothek, Vienna) 7 10 Gustav Mahler and his sister Justine, 1899. (Österreichische 8 Nationalbibliothek, Vienna) 9 11 Anna von Mildenburg as Brünnhilde in Wagner’s Die Walküre. 30 (Österreichische Nationalbibliothek, Vienna) 1 12 Selma Kurz, May 1900. (Baron Nathaniel Rothschild, Vienna) 2 13 Mahler’s house at Maiernigg. (Photo by Eric Shane) 3 14 Alma Schindler, c. 1898. (Österreichische Nationalbibliothek, Vienna) 4 15 Mahler on his way to or from the opera house, Vienna, c. 1904. 5 (Österreichische Nationalbibliothek, Vienna) 6 16 Mahler triumphs over his predecessor Wilhelm Jahn: a cartoon by Theo 7 Zasche, 1897. (Österreichische Nationalbibliothek, Vienna) 8 17 The Vienna Court Opera House, c. 1900. (Österreichische 9 Nationalbibliothek, Vienna; 233.127-C) 40 41R

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A best seller when first published in Germany in 2003, Jens Malte Fischer's Gustav Mahler has been lauded by scholars as a landmark work. He draws on important primary resources—some unavailable to previous biographers—and sets in narrative context the extensive correspondence between Mahler and
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