Guitar Player - September 2022

100 Pages·2022·89.6 MB·English

N O I Z E | FROM THE EDITOR
Vol. 56 No. 9 SEPTEMBER 2022

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CONTENT
EDITOR-IN-CHIEF Christopher Scapelliti,
[email protected]
FOR MANY FANS of prog rock in the early 1970s, the arrival of the Yes
SENIOR EDITOR Art Thompson,
album Close to the Edge in 1972 was not unlike the release of the Beatles’ Sgt. Pepper’s [email protected]
ART EDITOR Rosie Webber,
Lonely Hearts Club Band some (cid:192)ve years earlier(cid:17) (cid:47)ike that early psyche(cid:71)elic lan(cid:71)mark,
[email protected]
Close to the Edge was a sprawling, genre(cid:16)mel(cid:71)ing sonic wash of soun(cid:71) unlike anything PRODUCTION EDITOR Jem Roberts,
anyone ha(cid:71) hear(cid:71) before(cid:17) (cid:41)rom its 1(cid:27)(cid:16)minute title track, which took up all of si(cid:71)e [email protected]
LOS ANGELES EDITOR Jude Gold,
one, through the operatic sweep of the 10(cid:16)minute(cid:16)long (cid:180)(cid:36)n(cid:71) You an(cid:71) (cid:44)(cid:181) an(cid:71) the har(cid:71)
[email protected]
rock(cid:178)(cid:77)a(cid:93)(cid:93) fusion of its closing track, the evocatively title(cid:71) (cid:180)(cid:54)iberian (cid:46)hatru,(cid:181) Close to FRETS SECTION EDITOR Jimmy Leslie,
the Edge wasn’t (cid:77)ust another album(cid:30) it was a sonic (cid:77)ourney that you e(cid:91)perience(cid:71) from [email protected]
LESSONS EDITOR Jimmy Brown,
one en(cid:71) to the other (cid:11)preferably on hea(cid:71)phones(cid:12), an(cid:71) then, in all likelihoo(cid:71), repeate(cid:71)
[email protected]
once the nee(cid:71)le reache(cid:71) the inner groove of si(cid:71)e two(cid:17) (cid:44)t’s little surprise many fans SENIOR IMAGE MANIPULATION TECHNICIAN
Gary Stuckey
thought Yes ha(cid:71)n’t (cid:77)ust gone close to the e(cid:71)ge (cid:179) they’(cid:71) gone clean over it(cid:17)
CONSULTING EDITORS Matt Blackett,
Beyon(cid:71) the sheer gran(cid:71) scope of the album an(cid:71) level of musicianship (cid:71)isplaye(cid:71),
Jim Campilongo, Dave Hunter, Michael Ross
what impresse(cid:71) me most about Close to the Edge was the ensemble playing on (cid:71)isplay(cid:17) MUSIC COPYISTS Jeff Perrin, Matt Scharfglass
(cid:45)ust listening to it, you coul(cid:71) tell Yes were a tight an(cid:71) supportive ban(cid:71)(cid:17) (cid:55)he music
ADVERTISING SALES
gave e(cid:84)ual room to (cid:54)teve (cid:43)owe’s breathtaking range of guitar virtuosity (cid:179) from DIRECTOR OF U.S. MUSIC SALES Jonathan Brudner
(cid:39)uane (cid:40)(cid:71)(cid:71)y(cid:178)era rock an(cid:71) roll to (cid:45)ohn (cid:48)c(cid:47)aughlin fusion (cid:179) an(cid:71) (cid:53)ick (cid:58)akeman’s [email protected], [phone]
ACCOUNT EXECUTIVE DIRECTOR Robert Dye
(cid:71)a(cid:93)(cid:93)ling keyboar(cid:71) skills, all of which was ably supporte(cid:71) by the melo(cid:71)ic (cid:180)lea(cid:71)(cid:181) bass
[email protected], [phone]
work of (cid:38)hris (cid:54)(cid:84)uire an(cid:71) the min(cid:71)(cid:16)blowing (cid:77)a(cid:93)(cid:93)(cid:16)tinge(cid:71) (cid:71)rum work of Bill Brufor(cid:71)(cid:17) ACCOUNT EXECUTIVE Jeff Donnenwerth
(cid:55)he fact that they all performe(cid:71) this music on behalf of (cid:45)on (cid:36)n(cid:71)erson’s cryptic lyrics [email protected], [phone]
ma(cid:71)e the group seem like a sect of some mysterious religion(cid:17) SUBSCRIBER CUSTOMER SERVICE
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time in its (cid:71)evelopment, in this month’s cover story about the making of the album(cid:17)
(cid:44)f you’ve ever been a fan of Close to the Edge, you’ll (cid:192)n(cid:71) (cid:54)teve’s stories about its ARCHIVES
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(cid:50)(cid:370)or(cid:71), at the console, mi(cid:91)ing the album like one 12(cid:16)arme(cid:71) recor(cid:71)ing engineer(cid:17)
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