GreekMythsinRomanArtandCulture ImagesofepisodesfromGreekmythologyarewidespreadinRoman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome’s enduring fascination with Greek culture, and herdesiretoabsorbandreframethatculturefornewends.Thisbook provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerarycontexts.Itarguesthatmyths,inadditiontofunctioningas signifiersofapatron’seducationorpaideia,playedanimportantrole asrhetoricalanddidacticexempla.Thechanginguseofmythological imageryindomesticandfuneraryartinparticularrevealsanimpor- tant shift in Roman values and senses of identity across the period ofthefirsttwocenturiesAD,andinthewaysthatGreekculturewas turnedtoserveRomanvalues. zahra newbyisReaderinClassicsandAncientHistoryattheUni- versityofWarwick.SheisauthorofGreekAthleticsintheRomanWorld: VictoryandVirtue(2005)andofnumerousarticlesonPhilostratusand Lucian, Greek cultural identity in the imperial period, as well as on mythologicalsculptureandsarcophagi.Shealsoco-editedthevolume ArtandInscriptionsintheAncientWorld(CambridgeUniversityPress, 2007). greek culture in the roman world Editors SusanE.Alcock UniversityofMichigan Jas´Elsner CorpusChristiCollege,Oxford SimonGoldhill UniversityofCambridge MichaelSquire King’sCollegeLondon The Greek culture of the Roman Empire offers a rich field of study. Extraordinary insightscanbegainedintoprocessesofmulticulturalcontactandexchange,political andideologicalconflict,andthecreativityofachanging,polyglotempire.Duringthis period,manyfundamentalelementsofWesternsocietywerebeingsetinplace:fromthe riseofChristianity,toaninfluentialsystemofeducation,tolong-livedartisticcanons. ThisseriesisthefirsttofocusontheresponseofGreekculturetoitsRomanimperial settingasasignificantphenomenoninitsownright.Tothisend,itwillpublishoriginal andinnovativeresearchintheart,archaeology,epigraphy,history,philosophy,religion, andliteratureoftheempire,withanemphasisonGreekmaterial. Recenttitlesintheseries: TheMaeanderValley:AHistoricalGeographyfromAntiquitytoByzantium peterthonemann GreeceandtheAugustanCulturalRevolution a.j.s.spawforth RethinkingtheGods:PhilosophicalReadingsofReligioninthePost-Hellenistic Period petervannuffelen SaintsandSymposiasts:TheLiteratureofFoodandtheSymposiumin Greco-RomanandEarlyChristianCulture jasonko¨nig TheSocialWorldofIntellectualsintheRomanEmpire:Sophists,Philosophers, andChristians kendraeshleman ReligionandIdentityinPorphyryofTyre:TheLimitsofHellenisminLate Antiquity aaronjohnson SyrianIdentityintheGreco-RomanWorld nathanielj.andrade TheSenseofSightinRabbinicCulture:JewishWaysofSeeinginLateAntiquity rachelneis RomanPhrygia:CultureandSociety peterthonemann HomerinStone:TheTabulaeIliacaeintheirRomanContext davidpetrain ManandAnimalinSeveranRome:TheLiteraryImaginationofClaudius Aelianus stevend.smith ReadingFictionwithLucian:Fakes,FreaksandHyperreality karennı´ mheallaigh GreekNarrativesoftheRomanEmpireundertheSeverans:CassiusDio, PhilostratusandHerodian adamm.kemezis TheEndofGreekAthletics sofieremijsen RomanFestivalsintheGreekEast:FromtheEarlyEmpiretotheMiddle ByzantineEra fritzgraf Greek Myths in Roman Art and Culture Imagery, Values and Identity in Italy, 50 BC–AD 250 zahra newby UniversityofWarwick UniversityPrintingHouse,CambridgeCB28BS,UnitedKingdom CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learningandresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781107072244 (cid:2)C ZahraNewby2016 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2016 PrintedintheUnitedKingdombyTJInternationalLtd.PadstowCornwall AcataloguerecordforthispublicationisavailablefromtheBritishLibrary LibraryofCongressCataloging-in-Publicationdata Names:Newby,Zahra,author. Title:GreekmythsinRomanartandculture:imagery,valuesandidentity inItaly,50BC-AD250/ZahraNewby,UniversityofWarwick. Description:NewYork:CambridgeUniversityPress,2016.|Series:Greekculture intheRomanworld|Includesbibliographicalreferences. Identifiers:LCCN2016019206|ISBN9781107072244(hardback) Subjects:LCSH:Mythology,Greek,inart.|Art,Roman–Greekinfluences.| Art,Roman–Themes,motives.|Rome–Civilization–Greekinfluences.|BISAC: ART/History/Ancient&Classical. Classification:LCCN7760.N49 2016|DDC709/.38–dc23 LCrecordavailableathttps://lccn.loc.gov/2016019206 ISBN978-1-107-07224-4Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracy ofURLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. ForOliverandGeorgia Contents ListofIllustrations [pageviii] Acknowledgements [xviii] ListofAbbreviations [xx] Introduction:GreekMyths,RomanLives [1] 1. ArtandPowerinthePublicSphere [32] 2. RecreatingMythintheRomanVilla [80] 3. Paideia,RhetoricandSelf-representation:Responsesto MythologicalWall-paintings [137] 4. MythologicalWall-paintingsintheRomanHouse [164] 5. FromHometoTomb:MythsintheFuneraryRealm [228] 6. TheRhetoricofMythologicalSarcophagi:Praise,Lament andConsolation [273] 7. Epilogue:TheRomanPast,theCultureofExemplarityand aNewRoleforGreekMyth [320] Bibliography [348] Index [385] vii Illustrations FiguresinText 0.1 Detailofmarinescenefromtheso-calledAltarofDomitius Ahenobarbus;Munich,StaatlicheAntikensammlungen.Glyptothek inv.239.Photo:RuthLeader-Newby. [page12] 0.2 Detailofsacrificescenefromtheso-calledAltarofDomitius Ahenobarbus;Paris,Louvreinv.975.Photo:Marie-LanNguyen, usedundercreativecommonslicence. [13] 1.1 FarneseBull,Naples,MuseoArcheologicoNazionaleinv.6002. Photo:KathrynThompson. [42] 1.2 MapofPompey’stheatreandportico.RedrawnafterCarettoni 1960:103. [45] 1.3 Femalehermsinblackmarble,probablytheDanaidswhich decoratedtheporticooftheTempleofApolloonthePalatine. Rome,MuseoPalatinoinv.1048,1056,1053.Photo:bypermission ofilMinisterodeibeniedelleattivita` culturaliedelturismo– SoprintendenzaSpecialeperilColosseo,ilMuseoNazionale Romanoel’AreaarcheologicadiRoma. [54] 1.4 TerracottaplaqueshowingthecontestbetweenApolloandHeracles, fromtheTempleofApolloonthePalatine.Rome,MuseoPalatino. Photo:bypermissionofilMinisterodeibeniedelleattivita` culturali edelturismo–SoprintendenzaSpecialeperilColosseo,ilMuseo NazionaleRomanoel’AreaarcheologicadiRoma. [55] 1.5 ReliefshowingAeneassacrificing,Rome,AraPacis.Photo:Alison Cooley. [59] 1.6 DetailofthesouthsideoftheAraPacis,showingAugustusin procession.Photo:Sansaini,D-DAI-ROM57.883. [59] 1.7 PlanoftheForumofAugustus.Degrassi1937:1,annotated. [60] 1.8 ReconstructionofstatueintheForumofAugustus.Degrassi1937: 4. [61] 1.9 PunishmentofTarpeia,detailofthefriezefromtheBasilicaAemilia. Rome,PalazzoMassimo.Photo:Marie-LanNguyen,usedunder creativecommonslicence. [66] viii ListofIllustrations ix 1.10 DetailofarchitravefromDomitian’sForum,Rome,showingthe mythofArachne.Photo:CaroleRaddato,usedundercreative commonslicence. [67] 1.11 SilverdenariusofL.MarciusCensorinus,c.82BC,showingthe statueofMarsyasintheForum.YaleUniversityArtGallery 2001.87.1480.Photo:CourtesyofYaleUniversityArtGalleryOpen AccessPolicy. [72] 1.12 Detailoftheso-calledAnaglyphaTraiani,showingthestatueof MarsyasintheForum.Rome,ForumRomanum.Photo: Felbermeyer,D-DAI-ROM63.106. [73] 1.13 StatueofMarsyasfromtheForumatPaestum.Paestum,Museo ArcheologicoNazionale.Photo:FrancescoVallettaandGiovanni Grippo,GabinettofotograficodelMuseoArcheologicoNazionale Paestum. [74] 1.14 StatueofthehangingMarsyas.Rome,PalazzodeiConservatoriinv. 1977.Photo:Rossa,D-DAI-ROM74.2741. [74] 2.1 BarberiniFaunStatue;Munich,Glyptothek.Photo:BibiSaint-Pol, usedundercreativecommonslicence. [88] 2.2 Torsoofasatyr,fromCastelGandolfo.MuseiVaticaniinv.9975. Photo:(cid:2)C MuseiVaticani. [89] 2.3 StatueofDionysus,CastelGandolfo,Antiquariuminv.36417. Photo:ZahraNewby,bypermissionofMuseiVaticani. [91] 2.4 Reconstructionofthesculpturaldecorationofthecaveat Sperlonga.A:Pasquinogroup,B:Scylla,C:BlindingofPolyphemus, D:TheftofthePalladium,E:Ganymede.CourtesyofMiBACT, SoprintendenzaperiBeniArcheologicidelLazio,Rome,provided byMichaelSquire. [94] 2.5 StatueofAndromedafromSperlonga.Photo:Felbermeyer, D-DAI-ROM36.1299. [100] 2.6 StatueofthesleepingPolyphemus,CastelGandolfoAntiquarium inv.36410.Photo:ZahraNewby,bypermissionofMusei Vaticani. [101] 2.7 Wall-paintingofPolyphemusandGalatea,HouseofthePriest Amandus,PompeiiI.7,7.Photo:Koppermann,D-DAI-ROM 66.1794. [103] 2.8 ReliefshowingthewoundedAdonis;Rome,PalazzoSpada.Photo: AlinariArchives,Florence. [104] 2.9 PlanoftheHortiLamiani,redrawnafterHa¨uber1990: map1. [107]
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