GREAT PIANISTS ON PIANO PLAYING STUDY TALKS WITH FOREMOST VIRTUOSOS BY JAMES FRANCIS COOKE A SERIES OF PERSONAL EDUCATIONAL CON- FERENCES WITH RENOWNED MASTERS OFTHEKEYBOARD,PRESENTINGTHE MOST MODERN IDEAS UPON THE SUBJECTS OFTECHNIC, INTER- PRETATION, STYLE AND EXPRESSION THEO. PRESSER CO. PHILADELPHIA, PA. COPYRIGHT, 1913,BYTHEO. PRESSER Co. COPYRIGHT, 1917,BYTHEO. PRESSER Co. INTERNATIONAL COPYRIGHTSECURED CONTENTS 1. THEARTIST'S LIFE 5 2. AREPIANISTS BORN ORMADE? 24 3. THESTORYor AWONDER-CHILD. ...PepitoArriola 41 4. THEPIANISTorTOMORROW WilhelmBachaus 52 5. ARTISTICASPECTSOFPIANO STUDY..HaroldBauer 64 6. APPEARINGINPUBLIC FannieBloomfidd-Zeisler So IMPORTANTDETAILSINPIANOSTUDY.FerruccioBusoni 7. 8. DISTINCTIVEPIANOPLAYING TeresaCarreno 109 9. ESSENTIALS OF TOUCH OssipGabrilowitsch....122 10. THEREALSIGNIFICANCEOFTECHNIC.LeopoldGodowsky 133 11. ANALYZINGMASTERPIECES KatharineGoodson 144 12. PROGRESS IN PIANO STUDY JosefHofmann 158 13. PIANO STUDYINRUSSIA JosefLhimnne 170 14. SEEKINGORIGINALITY VladimirdePachmann.ifa 15. MODERN PIANISTIC PROBLEMS MaxPauer 197 16. ESSENTIALS OF ARTISTICPLAYING...5. V.Rachmaninoff 208 17. SYSTEMATICMUSICALTRAINING A. Reisenauer 222 18. THETRAININGOFTHEVIRTUOSO E.Sauer 236 19. ECONOMYINMusic STUDY X.Scharwenka 252 20. LEARNINGANEW PIECE E. Schclling 21. WHATINTERPRETATION REALLY Is..5. Stojowski 279 22. BREADTHINMUSICALART Ignaz Jan Paderewski.290 23. THOROUGHNESSINHUNGARIANMusic STUDY Yolando Mero 302 24. OPPORTUNITY AND LIMITATIONS IN PIANOFORTE PLAYING RudolphGanz 311 25. UNIVERSALITY IN PIANO TEACHING , METHODS ErnestHulcheson 3227 26. CONCENTRATIONINMusic STUDY. . .Olga Samarojf 334 27. INSURINGPROGRESSINMusicSTUDY.Mark Hambourg 349^ 28. MODERNISM INPIANOFORTESTUDY. .PercyGrainger 364 29. PROFITABLEPRACTICEversusWASTED PRACTICE Alexander Lambert . . . .383 30. NERVOUSNESS IN PIANO PLAYING. . .Alberto Jonas 398 3
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