GOYA X MASTERPIECES COLOUR IN .41 > I MASTERPIECES COLOUR IN EDITED BY - - M. HENRY ROUJON GOYA (1746-1826) IN THE SAME SERIES REYNOLDS CHARDIN VELASQUEZ MILLET GREUZE RAEBURN TURNER SARGENT BOTTICELLI CONSTABLE ROMNEY MEMLING REMBRANDT FRAGONARD BELLINI DiJRER FRA ANGELICO LAWRENCE ROSSETTI HOGARTH RAPHAEL WATTEAU LEIGHTON MURILLO HOLMAN HUNT WATTS TITIAN INGRES MILLAIS COROT LUINI DELACROIX FRANZ HALS FRA LIPPO LIPPI CARLO DOLCI PUVIS DE CHAVANNES GAINSBOROUGH ' MEISSONIER TINTORETTO -GEROME VAN DYCK VERONESE DA VINCI VAN EYCK WHISTLER - FROMENTIN RUBENS MANTEGNA BOUCHER - PERUGINO HOLBEIN * ROSA BONHEUR BURNE-JONES i.BASTIEN-LEPAGB LE BRUN GOYA PLATE —FERDINAND GUILLEMARDET I. (Museum of the Louvre) This personage, who has left no record in history, was one of those high functionaries, half civil and half military, whom the First Republic sent to its armies to supervise the commissary de- partment and also to exercise an espionage over its generals. Goya has given a vigorous rendering of a head that bears the double stampofenergy and high breeding; and the prevailing gray tone ofthis portrait, relieved only by the one dash of brightness in the tricoloured scarf, forms altogether a work ofperfect harmony. GOYA BY FR. CRASTRE TRANSLATED FROM THE FRENCH BY FREDERIC TABER COOPER ILLUSTRATED WITH EIGHT REPRODUCTIONS COLOUR IN FREDERICK STOKES COMPANY A. NEW YORK — PUBLISHERS ^1. ^^y COPYRIGHT, 1914, BY FREDERICK STOKES COMPANY A. March,1914 THE'PLIMPTOM- PRESS NORWOOD-MASS-U-S-A