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Go on Go: The Analyzed Games of Go Seigen PDF

481 Pages·2007·17.74 MB·English
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Go on Go: The Analyzed Games of Go Seigen GoSeigen TranslationandAdditionalMaterialbyJimZ.Yu ii Contents Preface v 1 AFan’sIntroductiontoGoSeigen 1 2 GoSeigen-KitaniMinoru 3 3 GoSeigen-Fujisawa 63 4 GoSeigen-SakataEio1 121 5 GoSeigen-HoninboShukaku(Takagawa)1 175 6 GoSeigen-HoninboShukaku(Takagawa)2 229 7 GoSeigen-Hashimoto 279 8 GoSeigen-SakataEio2 339 9 GoSeigen-Shimamura 397 A AShortBiographyofWuQingYuan(GoSeigen) 447 B Japan’sStrongestDecidingMatches 453 C HoninboShusaiRetirementMatch 455 D “GreedySakata” 459 E Sakata’sMyoshu 463 F RazorSakata 467 G Sakata-Shuko 471 H PossibleContinuationofKoRuleDispute 473 iii iv CONTENTS Preface This book is a collection of stories and commented games published by Jim Z. Yu on the rec.games.gonewsgroupinlate1993. Mr.YutranslatedthegamesfromChinesefromthebook “DetailedAnalysisofWu’sFamousGames.” (WuisGoSeigen’sChinesename.) BecauseIenjoyed theinformationsomuch,Iwantedtoputtheminaformatthatwouldbeeasytousealongwithareal boardtoreplaythegames,andeasytogivetofriends. TheoriginalgamesweredistributedasMGT computerfiles,andtheoriginalstoriesastextfiles. Virtually all of the remaninder of the text is Wu’s or Yu’s, with a few exceptions. With the exception of the biographical appendix, all introductory material is by Mr. Yu. The biographical appendixismainlybyWu’s brother. Thegamecommentaries aregenerallybyWu. However, they containnotesmadebytheoriginalJapaneseeditor, Mr. KatsumotoTesshuu. Mr. Katsumotooften introducessomebackgroundinformationatthebeginningofagame, andsomecommentaryonthe moves towards the end, when Go Seigen 9 dan tends to comment less. His comments during the games aregiveninitalics. SomeadditionalnotesforthesakeofclarrificationandmadebyMr.Yu andareenclosedinsquarebrackets,“[”and“].” IhaveusedbothJanvanderSteen’ssgf2miscutilityandDanielBump’ssgf2textotypeset thegames,andItypesetthestoriesbyhandusingLATEX.Theoriginalsourceforthegamesandstories canbefoundontheInternetGoArchives,whicharecurrentlyfoundatftp.joyjoy.net/Go.The completeURLfortheoriginalsourcecodeis: ftp://ftp.joyjoy.net/Go/games/goseigen.sh.Z LinkstotheLATEXsourcecodeforthisbook,aswellpremadepostscriptandPDFversionareavailable at: http://www.cs.arizona.edu/people/bridges/go/gobook.html One note regarding copyright: All of the text here included here was pulled off of the Internet GoArchive,andtranslatedfromuncopyrightedChinesebooksbyJimZ.Yu. Mr.Yuholdscopyright on the translations and stories in this book, and has granted the right to reproduce his material for personal(non-commercial)reference. Typesettingandeditingwasdonebyme,PatrickBridges. My changes are available under the GNU Documentation License, v 1.0 or later, when that becomes available. Until then, I assert copyright over my changes, but grant permission for reproduction or editingforpersonal,non-commercialuse. Patrick Bridges, Fall 1999 [email protected] bridges 8k* on NNGS v vi PREFACE Chapter 1 A Fan’s Introduction to Go Seigen He played like the birds fly: swift and light. Suddenly the position could get frozen though,andthenonewouldgetaglimpseoftheuniverseofvariationshiddenbelowthe skythatWuhadspannedintheearlierstages. —Afriend(JanvanderSteen)onGoSeigen’s(Wu)game GoSeigenismyidol.Fortwosimplereasons: 1. Hewongames 2. Hewongamesinhisuniquemanner.Always. Maybe a few other professional players can qualify the above criteria. “Ancients” like Kitani MinoruandSakataEio,andthe“superplayers”ofthe80’s: RinKaiho,OtakeHideo,KatoMasao, TakemiyaMasaki,ChoChikun,andKobayashiKoichi. Anddon’tforgetthebigmaninChina: Nie Weiping. These are all big winners. But none of them is as big a winner as Go Seigen. Go Seigen once ruledJapaneseGoprofessionforonethird ofacentury! Andthatwasa1/3ofcenturywhenJapan wastheonlylandwhereGowasblooming. I(JimYu)thinkit’sfairtosaythatanewgenerationof professionalscomeoutabouteverytenyears.Then,GoSeigenwouldhavetoholdoffthechallenges from three generations of best Go players in Go history. And that he did: First there was Kitani Minoru, who, perhaps, would have been rated as great as Go Seigen had he not faded after World WarII. Thenthere was Fujisawa Kuranosuke (who later changedhis name to Fujisawa Hosai), the first ever professional 9 dan (Go Seigen was the second) after the death of the last Meijin, Shusai. Finally,inthe50’s,SakataEioandTakagawaShukakuemergedasthetopchallengerstoGoSeigen. ButnoneofthemwasabletotakeawaytheNo.1seatthatbelongedtoGoSeigen. Andwecan’tsaythesechallengerswereweak.Infact,anyofthemwasadefinitionoftheopposite of“weak.” Kitani,alongwithGoSeigen,discoveredtherevolutionary“NewOpenings.” Hemight havebeenmorefamousofhismagnificentdisciples(5ofthe6“superplayersofthe80’s”mentioned above, except Rin, were his pupils), but as a player, according to Go Seigen, he was “first of [Go Seigen’s]toughestopponents.”Theytwotogetherwrotethehistoricalperiodcalled“Go-KitaniEra,” aspanofaboutadecadebeforeWWII. FujisawaprobablyspenthisentireplayingcareerinGoSeigen’sprime,andthatproducedanother memorable rivalry. There was only one player who was strong enough and being strong *long* enoughtoplaythree10-gameserieswithGoSeigen,andhisnamewasFujisawaKuranosuke(later Hosai). And let us not forget: Go Seigen lost only one 10-game series in his life, and that was to Fujisawa(ithappenedduringWWII;GoSeigenwasunbeatablein10-gameseriesthereafter). 1 2 CHAPTER1. AFAN’SINTRODUCTIONTOGOSEIGEN Sakata Eio. Weknowhis stories –themanhas wonmoremajor championships thananyother JapaneseplayersinmodernGohistory.Idon’tremembertheexactnumber,butit’scloseto“70titles whenhewas70yearsold.” Howcouldhewinsomany?! Onehastowonder. Takagawa Shukaku, whose first name originally was “Kaku”, without “Shu.” In Japan, only Honinbo title holders would add a “Shu” in their names, and Takagawa certainly deserved this honorable character – he once won 9 straight Honinbo titles. And that was the time he started to challenge Go Seigen. There were total of seven 3-game series, or 21 games, between the two. Takagawalostthefirst11,andwhathedid? Hewon7outofthenext10.Thatspelled“tough.” Soherewehavethepicture: Kitani,Fujisawa,Sakata,andTakagawa–anyofthemwasagreat playerwhowastalentedenoughtodominatehisera.Yetitdidnothappen. Itdidnothappenbecause ofoneman:GoSeigen.GoSeigenwasthewinnerofwinners;GoSeigenwasthegeniusofgeniuses. WatchingGoSeigen’sgamealwaysbringsmepleasure. It’snotthatIfullyunderstoodhismoves andwasthusappreciated(that, infact, isstillalongwaytogo); rather, theshapeofhisstonesand thetempoofhismovesseemtoalwayslightenmeup. Go Seigen seemed to have an extraordinary ability to simplify local (on the board) conflicts. Especiallyinopenings. Oftenhewouldplay“tenuki”moves–movesthatlocallyignoreopponent’s previous move – although that would lead to some local loss, globally speaking, he would gain. Becausehepreferredtoplayfewer movesat the openingcorners, his games were usuallyonafast pace.Quickly,middle-gamefightsstarted.That’sthekindofgameIwouldenjoytowatch(andplay, ofcourse,ifI*can*). Goingtomiddlegame,GoSeigenwasagainshowingextraordinarypower. Hesettledhisweak groupsquickly;hestartedtoattackhisopponentquickly. By“quickly”Idon’tmeanheplayedtwice orthriceasfastashisopponent(althoughheindeedoftendid),butImeanhecoulduseonlyafew simplemovestostartorend,again,alocalconflict.Gradually,sincehisopponentwasunabletocatch upwithhishighefficiency,GoSeigenstartedtolead–aleadthathe,inhisprimetime,wouldnever surrender. ThusGoSeigen’sendgameveryoftenbecameexceptionallysimple. Well,endgameseemstobe aphasethatonecannotreallysimplify.Ifthereare,say,suchmanyunsettledboundaries,bothplayers have tofinishthemoff, unless –unless it’s likein many of GoSeigen’s games, the game was over beforetheendgamestarted. That’sallIcanseefromGoSeigen’sgame.Iamunabletovisualizehislocalorglobal“feelings”, andIamunabletocarryouthisdeepcalculations. AllIcanseeisasurfaceofhisgame–yet,it’sa surfacethat’sclearenoughtoreflecthismanners. Goisagamefullofconflicts,andifamancould handlealltheseconflictsinasimplemanner*and*win–Iwouldsay,heisagenius.Thisgeniuswas GoSeigen. This reminds me of a biography of Albert Einstein. The author convinced me that to describe Einstein,“simplicity”wastheword. Einsteinwasamanwhohandledthingsinsimpleways. Idon’t knowifthisbookonEinsteinhadunconsciouslyhelpedmetounderstandGoSeigen,butasoftoday, I am convinced that, if these two geniuses of the 20th century had nothing else in common, they sharedoneword: “simplicity.” Isuddenlyfeel sorry for beingborn 50 years toolate. I want toplaygames with Go Seigen. I mightloseeverygametohim,butIwouldn’tcare. Whenonegetsachancetoplaywithagenius,it’s notjustahonor. Itcouldwellchangehislife: somethingdeepinsidehismindcouldsuddenlylight up... Yes, that’s whyI want toplaywith GoSeigen; the more Iwouldlearnfromhim, the closerI wouldbewiththetruthofGo. GoSeigenismyidol. Chapter 2 Go Seigen-Kitani Minoru GoSeigenwassurelyoneofthegreatest,butagiantseldomstoodallbyhimself. Indeed,therewas atleastoneothergiantofShowa 1whocouldeasilystandshoulderbyshoulderwithGoSeigen. His namewasKitaniMinoru. HemightnotwinasmanygamesasGoSeigen,butgreatnessisnotdeterminedbywinningalone either. YouyiChen,afriendofmine,wrotetome: When Greatness is measured by the influence ONandOFF the board, I amafraid that KitaniMinoruwasasgreatasGoSeigenifnotgreater. The “influence” Youyi mentioned here did not just mean the “New Openings” discovered by KitaniMinoruandGoSeigen,anditdidnotjustmeanthegutperformancethestubbornKitaniput onwhenhefacedMeijinShusaiinMeijin’sretirementmatch 2,italsomeantKitani’sinfluencetothe future–donameslikeOtake,Ishida,Takemiya,Kato,Cho,andKobayashiallsoundfamiliar? They wereallKitani’spupils. That’s why, when I saw the book “Detailed Analysis on Wu’s Famous Games” (Chinese) con- tained one game between Go Seigen (Wu) and Kitani, I decided to post it as Game 1 of this “Go SeigenSeries.” ThegamewasthefirstbetweenthesetwogiantsafterWorldWarII.Atthetime,GoSeigenwas unanimouslyNo. 1afterbeatingoneopponentafteranotherin10-gameseries. Meanwhile,Kitani, whowaspromotedto9-danjustayearbefore,waswinninggamestoo. Thusthisfirstmeetbetween the two greats in 13 years became a big show. And it was a game in “Japan’s Strongest Deciding Matches.”Attheend,GoSeigenonceagaincameoutasthewinner,butnoonewouldsayKitaniwas aloser–hehadestablishedhimselfforeverasawinner. 1ShowawasJapan’slastEmperor’stitle,andShowaYearsspannedfrom1925to1989. Currently,1992isHeisei(new Emperor’stitle)Year4. 2SeeAppendixCformoreinformationonthisgame. 3 4 CHAPTER2. GOSEIGEN-KITANIMINORU KitaniMinoru,9dan versus GoSeigen,9dan Black:KitaniMinoru,9dan White:GoSeigen,9dan Date:April14-15,1957 Place:Tokyo,Japan Komi:0 Result:W Resign (cid:0) A B C D E F G H J K L M N O P Q R S T 19 19 18 18 17 2 4 17 16 1 16 15 15 14 14 13 13 12 12 11 11 10 10 9 9 8 8 7 7 6 6 5 6 a 5 4 5 7 4 3 3 3 2 2 1 1 A B C D E F G H J K L M N O P Q R S T B1–B7 GoSeigen(Wu)vs. Kitani (The1stJapan’sStrongestDecidingMatches) Black: KitaniMinoru,9d White: GoSeigen(Wu),9d Date: April14-15,1957 Place: Tokyo Black 1: Before WWII, in Japan, the most popular stars in sports were led by Futabayama of sumo[Japanesewrestling],Kawakamiofbaseball,Boriguchiofboxing,andKimuraMeijinofshogi. While in Go, the most honorable, at the top of the world, were none other than the discoverers of ”newopennings”,KitaniMinoruandGoSeigen[Wu]. [Nowit’spost-wartime.] Thosefamousstars[excludingWuandKitani],atonetimeoranother, haveeitherretiredorfaded,andonlythehomerunkingofbaseball,Kawakami,isstillabletolive upwithhisfame;heisararity. ButWu,sincetravelingtoJapanin1928attheageof14,hasheldthehighesthonorinGo,never faded in 30 years. He is truely a genius that would appear only once a few hundred years in Go history. White 2: Comparing with competitions in which outcome may be decided in a short burst or a splitofsecond, aGogametakesmuchlonger battlestoyieldawinner andaloser. This mayhave tolduswhyGoplayers’professionalcareersarelongerthanthatofothersports. Black3:AfterWWII,KitaniMinoru’srecordsweredownforawhile,butsincehewaspromotedto 9danlastyear[1956],hisonceunbeatableformappearedagain. Recentlyhepostedanastonishing

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“Detailed Analysis of Wu's Famous Games.” (Wu is . Hosai). And let us not forget: Go Seigen lost only one 10-game series in his life, and that was to.
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