Globalization and Contemporary Art PDF
Preview Globalization and Contemporary Art
Globalization and Contemporary Art Page: iii Contents Page: v List of Illustrations Page: ix Notes on Contributors Page: xii Introduction: Globalization and Contemporary Art: A Convergence of Peoples and Ideas Page: 1 Part 1: Institutions Page: 17 Introduction Page: 19 1 Real Time and Real Time at The Israel Museum, Jerusalem Page: 25 2 Peddling Time When Standing Still: Art Remains in Lebanon and the Globalization That Was Page: 43 3 Homogeneity or Individuation? A Long View of the Critical Paradox of Contemporary Art in a Statele Page: 56 4 Museums in the Colonial Horizon of Modernity: Fred Wilson’s Mining the Museum (1992) Page: 71 5 Africus Johannesburg Biennale 1995: Butisi Tart? Page: 86 Part 2: Formations Page: 97 Introduction Page: 99 6 Post-Crisis: Scenes of Cultural Change in Buenos Aires Page: 105 7 Evolution within the Revolution: The Afro-Cuban Cultural Movement and Cuban Art Collectives, 1975 Page: 123 8 Ka Muhe’e, He i’a Hololua: Kanaka Maoli Art and the Challenge of the Global Market Page: 137 9 Aboriginal Cosmopolitans: A Prehistory of Western Desert Painting Page: 147 10 Working to Learn Together: Failure as Tactic Page: 161 Part 3: Means and Forces of Production Page: 173 Introduction Page: 175 11 The Two Economies of World Art Page: 179 12 The Spectacle and Its Others: Labor, Conflict, and Art in the Age of Global Capital Page: 191 13 Cultural Mercantilism: Modernism’s Means of Production: The Gutai Group as Case Study Page: 212 14 Audiovisionaries of the Network Planet Page: 225 Part 4: Identifications Page: 237 Introduction Page: 239 15 Contemporary Asian Art and the West Page: 245 16 World Pictures: Globalization and Visual Culture Page: 253 17 Leaves of Grass and Real Allegory: A Case Study of International Rebellion Page: 265 18 Collaboration in Art and Society: A Global Pursuit of Democratic Dialogue Page: 275 Part 5: Forms Page: 289 Introduction Page: 291 19 Globalization Questions and Contemporary Art’s Answers: Art in Palestine Page: 297 20 Political Islam and the Time of Contemporary Art Page: 307 21 Displaced Models: Techniques and Tactics of Reproduction across the Genres and Institutions of We Page: 318 22 White Man Got No Dreaming: Indigenous Art, Apartheid and the Emergence of “Global Style” Pain Page: 333 23 The Discourse of (L)imitation: A Case Study with Hole-Digging in 1960s Japan Page: 344 Part 6: Reproduction Page: 357 Introduction Page: 359 24 Art and Postcolonial Society Page: 365 25 Why Art History is Global Page: 375 26 The Agency of the Historian in the Construction of National Identity in Colombian Architecture Page: 387 27 Aboriginal Art and Australian Modernism: An Althusserian Critique Page: 398 28 Gesturing No(w)here Page: 409 Part 7: Organization Page: 423 Introduction Page: 425 29 The Emergence of Powerhouse Dealers in Contemporary Art Page: 431 30 The Art Market in Transition, the Global Economic Crisis, and the Rise of Asia Page: 449 31 Global Contemporary? The Global Horizon of Art Events Page: 464 32 “Institutionalized Globalization,” Contemporary Art, and the Corporate Gulag in Chile Page: 479 33 Culture, Neoliberal Development, and the Future of Progressive Politics in Southeastern Europe Page: 496 Select Bibliography Page: 510 Illustration Credits Page: 513 Index Page: 516
Description:- First major anthology of essays concerned with the impact of globalization on contemporary art
- Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization
- Unique analysis of the contemporary art market and its operation in a globalized economy
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