George Gordon Byron, Lord Byron - The Conscious Living Foundation

400 Pages·2004·2.94 MB·English

Classic Poetry Series
George Gordon Byron, Lord
Byron
- poems -
Publication Date:
2004
Publisher:
PoemHunter.Com - The World's Poetry Archive
George Gordon Byron, Lord Byron (1788 - 1824)
George Gordon Byron was the son of Captain John Byron by his marriage to
the Scottish Catherine Gordon of Gight. He was born with a club foot of
which he was very self-conscious and educated in Aberdeen, where his
family had moved to escape their debts, and at Harrow and Cambridge.
Byron inherited the family home, Newstead Abbey, following the deaths of
his father in 1791 and grandfather in 1798. He took up his seat in the House
of Lords in 1808 and then left to travel in Europe, at which time he began
writing his immensely popular poem Childe Harolde, returning to a political
role again in 1813 when he spoke on liberal themes in the House. In 1815 he
married Annabella Milbanke, but she left him soon afterwards, taking their
child with her. Throughout his life he fathered several illegitimate children
and had numerous scandalous affairs, the most notorious being with his
half-sister Augusta, his father's daughter by an earlier marriage. This affair
horrified English society and encouraged Byron in his decision to leave
England for good in 1816. He stayed with the Shelleys in Geneva, where he
wrote The Prisoner of Chillon, then after a trip to Rome in 1817 he returned
to Venice where he wrote Beppo his first work in a new ironic style. Don Juan
was begun the following year. Fired by the Greek battle for independence
from Turkey, Byron sailed to Missolonghi in 1824, where he gave money and
inspiration to the rebels but died of a fever before seeing action.
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A Spirit Passed Before Me
From Job
A spirit passed before me: I beheld
The face of immortality unveiled—
Deep sleep came down on every eye save mine—
And there it stood,—all formless—but divine:
Along my bones the creeping flesh did quake;
And as my damp hair stiffened, thus it spake:
"Is man more just than God? Is man more pure
Than He who deems even Seraphs insecure?
Creatures of clay—vain dwellers in the dust!
The moth survives you, and are ye more just?
Things of a day! you wither ere the night,
Heedless and blind to Wisdom's wasted light!"
George Gordon Byron, Lord Byron
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Adieu, Adieu! My Native Land
Adieu, adieu! my native shore
Fades o'ver the waters blue;
The night-winds sigh, the breakers roar,
And shrieks the wild sea-mew.
Yon sun that sets upon the sea
We follow in his flight;
Farewell awhile to him and thee,
My native Land-Good Night!
A few short hours, and he will rise
To give the morrow birth;
And I shall hail the main and skies,
But not my mother earth.
Deserted is my own good hall,
Its hearth is desolate;
Wild weeds are gathering on the wall;
My dog howls at the gate.
George Gordon Byron, Lord Byron
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'All Is Vanity,' Saith the Preacher
Fame, wisdom, love, and power were mine,
And health and youth possessed me;
My goblets blushed from every vine,
And lovely forms caressed me;
I sunned my heart in beauty’ eyes,
And felt my soul grow tender;
All earth can give, or mortal prize,
Was mine of regal splendour.
I strive to number o’er what days
Remembrance can discover,
Which all that life or earth displays
Would lure me to live over.
There rose no day, there rolled no hour
Of pleasure unembittered;
And not a trapping decked my power
That galled not while it glittered.
The serpent of the field, by art
And spells, is won from harming;
But that which soils around the heart,
Oh! who hath power of charming?
It will not list to wisdom’s lore,
Nor music’s voice can lure it;
But there it stings for evermore
The soul that must endure it.
George Gordon Byron, Lord Byron
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And Thou Art Dead, As Young and Fair
And thou art dead, as young and fair
As aught of mortal birth;
And form so soft, and charms so rare,
Too soon return'd to Earth!
Though Earth receiv'd them in her bed,
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.
I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I lov'd, and long must love,
Like common earth can rot;
To me there needs no stone to tell,
'T is Nothing that I lov'd so well.
Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past,
And canst not alter now.
The love where Death has set his seal,
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.
The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lowers,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine
That all those charms have pass'd away,
I might have watch'd through long decay.
The flower in ripen'd bloom unmatch'd
Must fall the earliest prey;
Though by no hand untimely snatch'd,
The leaves must drop away:
And yet it were a greater grief
To watch it withering, leaf by leaf,
Than see it pluck'd to-day;
Since earthly eye but ill can bear
To trace the change to foul from fair.
I know not if I could have borne
To see thy beauties fade;
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The night that follow'd such a morn
Had worn a deeper shade:
Thy day without a cloud hath pass'd,
And thou wert lovely to the last,
Extinguish'd, not decay'd;
As stars that shoot along the sky
Shine brightest as they fall from high.
As once I wept, if I could weep,
My tears might well be shed,
To think I was not near to keep
One vigil o'er thy bed;
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head;
And show that love, however vain,
Nor thou nor I can feel again.
Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain,
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught except its living years.
George Gordon Byron, Lord Byron
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And Wilt Thou Weep When I Am Low?
And wilt thou weep when I am low?
Sweet lady! speak those words again:
Yet if they grieve thee, say not so---
I would not give that bosom pain.
My heart is sad, my hopes are gone,
My blood runs coldly through my breast;
And when I perish, thou alone
Wilt sigh above my place of rest.
And yet, methinks, a gleam of peace
Doth through my cloud of anguish shine:
And for a while my sorrows cease,
To know thy heart hath felt for mine.
Oh lady! blessd be that tear---
It falls for one who cannot weep;
Such precious drops are doubly dear
To those whose eyes no tear may steep.
Sweet lady! once my heart was warm
With every feeling soft as thine;
But Beauty's self hath ceased to charm
A wretch created to repine.
Yet wilt thou weep when I am low?
Sweet lady! speak those words again:
Yet if they grieve thee, say not so---
I would not give that bosom pain.
George Gordon Byron, Lord Byron
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Bride of Abydos, The
"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns
TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,
BYRON.
THE BRIDE OF ABYDOS
_________
CANTO THE FIRST.
I.
Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.
II.
Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,
Old Giaffir sate in his Divan:
Deep thought was in his aged eye;
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And though the face of Mussulman
Not oft betrays to standers by
The mind within, well skill'd to hide
All but unconquerable pride,
His pensive cheek and pondering brow
Did more than he wont avow.
III.
"Let the chamber be clear'd." — The train disappear'd —
"Now call me the chief of the Haram guard."
With Giaffir is none but his only son,
And the Nubian awaiting the sire's award.
"Haroun — when all the crowd that wait
Are pass'd beyond the outer gate,
(Woe to the head whose eye beheld
My child Zuleika's face unveil'd!)
Hence, lead my daughter from her tower:
Her fate is fix'd this very hour:
Yet not to her repeat my thought;
By me alone be duty taught!"
"Pacha! to hear is to obey."
No more must slave to despot say —
Then to the tower had ta'en his way,
But here young Selim silence brake,
First lowly rendering reverence meet!
And downcast look'd, and gently spake,
Still standing at the Pacha's feet:
For son of Moslem must expire,
Ere dare to sit before his sire!
"Father! for fear that thou shouldst chide
My sister, or her sable guide,
Know — for the fault, if fault there be,
Was mine — then fall thy frowns on me —
So lovelily the morning shone,
That — let the old and weary sleep —
I could not; and to view alone
The fairest scenes of land and deep,
With none to listen and reply
To thoughts with which my heart beat high
Were irksome — for whate'er my mood,
In sooth I love not solitude;
I on Zuleika's slumber broke,
And as thou knowest that for me
Soon turns the Haram's grating key,
Before the guardian slaves awoke
We to the cypress groves had flown,
And made earth, main, and heaven our own!
There linger'd we, beguil'd too long
With Mejnoun's tale, or Sadi's song, [3]
Till I, who heard the deep tambour [4]
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