Geometries of Crime: How Young People Perceive Crime and Justice PDF
Preview Geometries of Crime: How Young People Perceive Crime and Justice
S R I E T M E O G E M E R I C O F H o w Yo u n g P e o p l e P e r c e i v e C r i m e a n d J u s t i c e AV I B R I S M A N Geometries of Crime Avi B risman Geometries of Crime How Young People Perceive Crime and Justice Avi Brisman School of Justice Studies College of Justice and Safety Eastern Kentucky University Richmond , Kentucky , USA Geometries of Crime ISBN 978-1-137-54619-7 ISBN 978-1-137-54620-3 (eBook) DOI 10.1057/978-1-137-54620-3 Library of Congress Control Number: 2016942794 © Th e Editor(s) (if applicable) and Th e Author(s) 2016 Th e author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. Th is work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and trans- mission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Th e use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Th e publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Printed on acid-free paper Th is Palgrave Macmillan imprint is published by Springer Nature Th e registered company is Macmillan Publishers Ltd. London For Joshua El-Bey and the youth of Red Hook Acknowledgments I n March 2008, I presented a paper at the annual meeting of the Southern Anthropological Society entitled “Th e Th ick Fine Print of Cliff ord Geertz: A ‘Microscopic’ Examination of Some of the Citations and Footnotes in Th e Interpretation of Cultures .” Th e paper argued that one could glean something of the originality of Cliff ord Geertz’s theo- retical orientation and narrative strategy by examining his citations and footnotes in Th e Interpretation of Cultures: Selected Essays . As a spring- board for this discussion, I noted some of the literature in law and other academic disciplines ruminating on the use of footnotes. It should come as no surprise that footnotes have hardly been lauded for their ability to express and communicate ideas. Indeed, John Barrymore, the American actor of stage and screen, once observed that reading footnotes is akin to “having to run downstairs to answer the doorbell during the fi rst night of the honeymoon.” A lthough I have not conducted similar research on the style and con- tent of Acknowledgments sections of Geertz’s scholarship (or any other scholar’s, for that matter), I would hazard a guess that many view the Acknowledgments portion of a work with a similar lack of respect—as the “undercard” to the “main event”—something like a cocktail hour that can be skipped if one is short on time or, by pattern and practice, accustomed to being fashionably late. At least, this is the conclusion vii viii Acknowledgments I have drawn based on a non-randomized survey of the students I have taught. Given that I have devoted time and energy to researching and writing a paper on footnotes—and have devoted countless hours to crafting foot- notes in many of my own articles, books, and book chapters—it should probably not astonish readers to learn that the pages of a book devoted to Acknowledgments are among my favorite in works of non-fi ction. For it is here that we can often glimpse something about an author’s personality and humanity (or lack thereof) absent from, obscured by or otherwise unavailable to us in the rest of the text. Indeed, it is in the unnumbered or Roman-numeral pages of a text devoted to Acknowledgments that we might understand something about those who have infl uenced the author—people who may or may not appear in, well, the f ootnotes of the book (or its other forms of citations and references). I f readers of this book have made it this far, they might be disap- pointed to learn that I make no claims, here or elsewhere, that my Acknowledgments will convert those who disdain or simply skip Acknowledgments. Perhaps at some juncture in my career, I will be so lucky as to craft such an earth-shattering Acknowledgments section. Until that day—and for present purposes—the best that I can do is to quote from my favorite Acknowledgments. “Acknowledgments,” Douglas E. Foley writes at (obviously) the begin- ning of L earning Capitalist Culture: Deep in the Heart of Tejas , “usually include long lists of people who have helped make the work possible. One’s loving wife and long-suff ering children, and colleagues, even if they ruthlessly penciled the manuscript, get tossed some gratitude. Sometimes authors’ vanity gets the upper hand, and they list the tribu- lations of life that have left their work and careers mildewing in some musty study. Having suff ered like Hamlet, I too am sorely tempted to gush on” (1994:xiii). Foley does not, but he does allow himself to thank some twenty-fi ve friends and colleagues. Th is is not what makes Foley’s Acknowledgments section brilliant (although it did resonate with me more than the opening sentences of other Acknowledgments sections that I have read). Rather, it was his Acknowledgments ix comments in the second-to-last paragraph of the section: “acknowledg- ments usually thank the ‘people’ [one has studied] for their friendship and free information” (1994:xiv). Foley does thank his research subjects/ informants, but he also admits that his book “criticizes what they take as good and natural” and expresses the hope that his book will be viewed less as a stab in the back than as a “loving critique.” I, too, wish to thank the “people” I have studied. Th is book would not have been possible without the kids with whom I spent many afternoons. And I would not have had the privilege of meeting them and learning about their participation with the Red Hook Youth Court (RHYC)— one of the youth programs that I studied during the course of my doc- toral fi eldwork at Red Hook Community Justice Center (RHCJC)—had it not been for the generosity of numerous current and former RHCJC staff members (such as Gerianne Abriano, Julian Adler, Liz Bender, James Brodick, the Honorable Alex M. Calabrese, Sabrina Carter, Jessica Colon, Sharese Crouther, Leroy Davis, Mouhamadou Diaman, Kate Doniger, Melissa Gelber, Shante Martin, Rachel Swaner, Ericka Tapia, Brett Taylor, Elise White, and many others) who facilitated my early interactions with the kids and answered many of my queries about the RHYC and other youth programs at the RHCJC. While I recognize that this book may, in parts, criticize what RHYC members and RHCJC staff members “take as good,” like Foley with L earning Capitalist Culture , I hope that this book will be viewed less as a stab in the back than as “loving critique.” Th e fi eld research for this book was funded by the National Science Foundation (Doctoral Dissertation Research Improvement Grant, Law and Social Sciences Program, Proposal No. 0961077; Doctoral Dissertation Research Improvement Grant, Cultural Anthropology Program, Proposal No. 0961077). Additional support came from an Oberlin College Alumni Fellowship. R eferences to Internet websites (URLs) were accurate at the time of writing. Neither the author nor Palgrave Macmillan is responsible for URLs that may have expired or changed since the book was prepared. F inally, I would like to express my gratitude to the following publish- ers for permission to reprint sections of previously published materials:
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