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Genre in Popular Music PDF

238 Pages·2007·1.52 MB·English
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genre in popular music G genre in popular music fabian holt theuniversityofchicagopress chicagoandlondon fabian holtassociateprofessorofmusicandperformanceattheUniversityof Roskilde. TheUniversityofChicagoPress,Chicago60637 TheUniversityofChicagoPress,Ltd.,London (cid:1)C 2007byTheUniversityofChicago Allrightsreserved.Published2007 PrintedintheUnitedStatesofAmerica 16 15 14 13 12 11 10 09 08 07 1 2 3 4 5 isbn-13:978-0-226-35037-0(cloth) isbn-13:978-0-226-35039-4(paper) isbn-10:0-226-35037-1(cloth) isbn-10:0-226-35039-8(paper) LibraryofCongressCataloging-in-PublicationData Holt,Fabian. Genreinpopularmusic/FabianHolt. p. cm. Includesbibliographicalreferences(p. )andindex. isbn-13:978-0-226-35037-0(cloth:alk.paper) isbn-10:0-226-35037-1(cloth:alk.paper) isbn-13:978-0-226-35039-4(pbk.:alk.paper) isbn-10:0-226-35039-8(pbk.:alk.paper) 1.Popularmusic–UnitedStates– Historyandcriticism. 2.Genre(Popularmusic) I.Title. ml3477.h652007 781.64—dc22 2007005046 (cid:1)∞ Thepaperusedinthispublicationmeetstheminimumrequirementsofthe AmericanNationalStandardforInformationSciences—PermanenceofPaper forPrintedLibraryMaterials,ansi z39.48-1992. G for Anja, Dante, and Victor We’reallunderconstruction,tryingtorebuild,youknow,ourselves. Hip-hopthatgainedrespectfrom,youknow,notevenrespectfrom,but justlikerockandroll...andittookusalotofhardworktogethere.So allthathatin’andanimositybetweenfolks,youneedtokillit,witha skillet!Youdon’tseeBillGatesandDonaldTrumparguingwitheach other’cuzbothofthemgotpaper,andtheygotbettershittodo.Gitmore paper!SoallI’msayin’islet’stakehip-hopbacktotherope.Followme. —MissyElliott,UnderConstruction(2002) G contents Illustrations ix Acknowledgments xi 1. Introduction 1 2. RootsandRefigurations 30 DoubleSessionI:ReactionstoRock AModelofGenreTransformation 53 3. CountryMusicandtheNashvilleSound 63 4. JazzandJazz-RockFusion 81 DoubleSessionII:UrbanBoundaries 5. JeffParkerandtheChicagoJazzScene 105 6. ACloserLookatJeffParkerandHisMusic 129 7. MusicatAmericanBorders 151 Appendix:TheJeffParkerDiscography 181 Notes 185 References 201 Index 213 G illustrations 1 StillfromOBrother,WhereArtThou?2000 30 2 ElvisPresley,1956 52 3 PatsyCline,mid-1950s 61 4 PatsyCline,ca.1962 62 5 MilesDavis,1969 80 6 AdforNewportFestival,1969 93 7 CoverofMilesDavis’sBitchesBrew,1969 97 8 FrontdooroftheThrillJockeyoffices,2003 104 9 JeffParker,ca.2002 128 10 FrancesDensmoreandMountainChief,1916 150 11 Columbia“ForeignRecords”catalog,1906 155 12 RickyMartin,1999 162 13 BaptistcongregationinLouisiana,1934 167 14 FlacoJime´nez,1969 173 musical examples 1 JeffParker,“Watusi”(2003),theme 141 2 TheChicagoUndergroundQuartet,“TunnelChrome”(2001), theAsectionofthetheme 142 3 Tortoise,“It’sAllAroundYou”(2004),groove 145 4 JimmyPetersandringdancesingers,“J’aifaittoutletourdupays” (1934),firsttwobarsoffoursections 171 5 FlacoJime´nez,“Inditamia”(1976),accordionsolo 177 6 FlacoJime´nez,“Inditamia”(1976),secondphraseoffourthstanza andaccordionfill 178 ix

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The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album’s inclusion of more modern tracks misrepresented the genre. This soundtrack, these
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