genre in popular music G genre in popular music fabian holt theuniversityofchicagopress chicagoandlondon fabian holtassociateprofessorofmusicandperformanceattheUniversityof Roskilde. TheUniversityofChicagoPress,Chicago60637 TheUniversityofChicagoPress,Ltd.,London (cid:1)C 2007byTheUniversityofChicago Allrightsreserved.Published2007 PrintedintheUnitedStatesofAmerica 16 15 14 13 12 11 10 09 08 07 1 2 3 4 5 isbn-13:978-0-226-35037-0(cloth) isbn-13:978-0-226-35039-4(paper) isbn-10:0-226-35037-1(cloth) isbn-10:0-226-35039-8(paper) LibraryofCongressCataloging-in-PublicationData Holt,Fabian. Genreinpopularmusic/FabianHolt. p. cm. Includesbibliographicalreferences(p. )andindex. isbn-13:978-0-226-35037-0(cloth:alk.paper) isbn-10:0-226-35037-1(cloth:alk.paper) isbn-13:978-0-226-35039-4(pbk.:alk.paper) isbn-10:0-226-35039-8(pbk.:alk.paper) 1.Popularmusic–UnitedStates– Historyandcriticism. 2.Genre(Popularmusic) I.Title. ml3477.h652007 781.64—dc22 2007005046 (cid:1)∞ Thepaperusedinthispublicationmeetstheminimumrequirementsofthe AmericanNationalStandardforInformationSciences—PermanenceofPaper forPrintedLibraryMaterials,ansi z39.48-1992. G for Anja, Dante, and Victor We’reallunderconstruction,tryingtorebuild,youknow,ourselves. Hip-hopthatgainedrespectfrom,youknow,notevenrespectfrom,but justlikerockandroll...andittookusalotofhardworktogethere.So allthathatin’andanimositybetweenfolks,youneedtokillit,witha skillet!Youdon’tseeBillGatesandDonaldTrumparguingwitheach other’cuzbothofthemgotpaper,andtheygotbettershittodo.Gitmore paper!SoallI’msayin’islet’stakehip-hopbacktotherope.Followme. —MissyElliott,UnderConstruction(2002) G contents Illustrations ix Acknowledgments xi 1. Introduction 1 2. RootsandRefigurations 30 DoubleSessionI:ReactionstoRock AModelofGenreTransformation 53 3. CountryMusicandtheNashvilleSound 63 4. JazzandJazz-RockFusion 81 DoubleSessionII:UrbanBoundaries 5. JeffParkerandtheChicagoJazzScene 105 6. ACloserLookatJeffParkerandHisMusic 129 7. MusicatAmericanBorders 151 Appendix:TheJeffParkerDiscography 181 Notes 185 References 201 Index 213 G illustrations 1 StillfromOBrother,WhereArtThou?2000 30 2 ElvisPresley,1956 52 3 PatsyCline,mid-1950s 61 4 PatsyCline,ca.1962 62 5 MilesDavis,1969 80 6 AdforNewportFestival,1969 93 7 CoverofMilesDavis’sBitchesBrew,1969 97 8 FrontdooroftheThrillJockeyoffices,2003 104 9 JeffParker,ca.2002 128 10 FrancesDensmoreandMountainChief,1916 150 11 Columbia“ForeignRecords”catalog,1906 155 12 RickyMartin,1999 162 13 BaptistcongregationinLouisiana,1934 167 14 FlacoJime´nez,1969 173 musical examples 1 JeffParker,“Watusi”(2003),theme 141 2 TheChicagoUndergroundQuartet,“TunnelChrome”(2001), theAsectionofthetheme 142 3 Tortoise,“It’sAllAroundYou”(2004),groove 145 4 JimmyPetersandringdancesingers,“J’aifaittoutletourdupays” (1934),firsttwobarsoffoursections 171 5 FlacoJime´nez,“Inditamia”(1976),accordionsolo 177 6 FlacoJime´nez,“Inditamia”(1976),secondphraseoffourthstanza andaccordionfill 178 ix
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