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Gadamer: A Guide for the Perplexed PDF

172 Pages·2006·9.976 MB·English
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LONDON EI) NEW YORK CONTINUUM International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE 1 7NX New York NY 10038 First published 2006 H'II'W COlltillllWlIbooks, COlli (g Chris Lawn 2006 All rights reserved, No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Chris Lawn has assertedh'is fight under the Copyright, Designs and Patents Act 1988, to be identified as the Author of this work. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 0-8264-8461-1 (hardback) 0-8264-8462-X (paperback) Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Typeset by Servis Filmsetting Ltd, Manchester Printed and bound in Great Britain by Ashford Colour Press Ltd, Gosport, Hampshire Abbreviation Vll Prelace Vlll Introduction 1 Gadamer in a nutshell 1 Gadamer and analytic philosophy 4 The structure of the chapters 11 Who is Gadamer? 17 Hans-Georg Gadamer: a long life in brief 17 Gadamer and Heidegger 19 Gadamer and the Nazis 20 After the war 22 Retirement and international acclaim 23 Gadamer: the man and his work 24 2 The problem of method 30 Method and modernity 30 Descartes and the search for method 31 Gadamer and method 34 The revival of tradition, authority and prejudice 36 3 From hermeneutics to philosophical hermeneutics 44 What is hermeneutics? 44 Romantic hermeneutics 45 Dilthey's hermeneutics 51 Heidegger's 'hermeneutics of facticity' 53 4 Truth without method 59 Gadamer and truth 59 Truth as experience 61 v CONTENTS Truth is historical 64 The 'fusion of horizons' and the problems of understanding the past from the site of the present 66 Effective historical consciousness 68 Dialogue 70 The logic of question and answer 72 5 Gadamer on language and linguisticality 76 Philosophy and language 76 Gadamer's account of the nature of language 80 The hermeneutics of the spoken word 81 'Being that can be understood is language' 82 6 Gadamer's aesthetics 87 Art and truth 87 Art as play 90 Art as symbol and festival 92 Gadamer's poetic turn 95 Gadamer on ordinary, everyday language 97 The poem as 'eminent text' 99 7 The later Gadamer 105 After Truth and fIIfethod 105 Gadamer and Rorty on solidarity 106 Applied hermeneutics III 8 Fellow travellers and critics 120 Gadamer now 120 Gadamer and postmodernism 121 Fellow travellers: Wittgenstein and Rorty 123 Gadamer's critics 127 Deconstructive criticism 135 Conclusion 139 Suggestiollsforfirrther reading 144 Glossary 147 Bibliography 154 Index 158 vi TM Truth and Method (1989). Second revised edition, revised translation by 1. Weinsheimer and D. G. Marshall, London: Sheed & Ward. vii The proposal for this work came from Hywel Evans, former com missioning editor in philosophy for Continuum, and I wish to thank him for inviting me to contribute to the series. The idea for the Guides for the Perplexed, as I understand it, is to elucidate the complex and difficult philosophical ideas of important thinkers. I hope I have been faithful to this brief. Most studies on Gadamer tend to focus exclu sively upon his major work Truth and jVIethod (TM, 1989). This present study has sought to go further by tracing the developments in Gadamer's thought over the 40 years or so after the first publica tion of Truth and l11ethod. I am aware that Gadamer is responsible for a large body of studies on classical thought. His innovative hermeneutical studies, particularly of Plato and Aristotle, are not given the treatment they deserve here, being at best mentioned in passing. I have sought to present the key ideas and themes in Hans-Georg Gadamer's work and explain them in non-technical terms. Although Gadamer often assumes a detailed knowledge of the history of phil osophy he is wilfully non-technical, steering clear of the kind of phi losophy that revels in the logic of fine distinctions. This is for a variety of reasons. Firstly, he stands within in an academic tradition that is not always familiar to those working in the Anglo-American analytic philosophical mainstream. I have been conscious of this and sought to provide the necessary background and, further, make Gadamer relevant to ideas and movements beyond his own terms of reference, that is, the German intellectual tradition. Secondly, Gadamer is initially difficult to place because his work is not easily classifiable and his intellectual project seems so wide ranging and general. viii PREFACE In conventional philosophical terms he is not doing metaphysics or ethics or political philosophy and yet he manages to work in such a way as to make his philosophical hermeneutics relevant to all of these activities and much more besides. Certainly his project is philo sophical but it extends well beyond the often-narrow range of many contemporary philosophers. Gadamer seeks to make sense of human understanding as a philosophical, historical and cultural phenome non. He also, especially in his later works, brings out the hermeneu tical dimension to all human activities and is able to offer a measure of critique. One might see Gadamer as one of the last of those polymath European intellectuals, gifted with living and dead languages, and as conversant with developments in abstract art as he was knowledge able about anthropology, linguistics and philosophy. Like Richard Rorty's 'post-philosophical' intellectuals, Gadamer's field of vision for intellectual curiosity was extensive and his central idea that all understanding is essentially dialogue is best achieved when the confines of narrow specialism are no longer appropriate and philo sophical, literary, scientific, ideas rub shoulders with relative ease. Finally, Gadamer is difficult because his terminology whilst not technical is tricky, being frequently suggestive, elusive and without precision. This, I suggest, is no accident as his work is anxious to keep open the interpretive space upon which his hermeneutics resolutely concen trates. Many colleagues, students and friends have stimulated my interest in Gadamer over the years. A special debt of gratitude is owed to my colleague and friend Louise Campbell who obligingly read and com mented upon the chapter on aesthetics, although any infelicities and misinterpretations are entirely my own. Mary Fox, Jeff Lambert, Joby Hennessy, Angus Mitchell and Treasa Campbell, without realizing it, did me a favour by forcing me to explain Truth and Nletlzod and the importance of Gadamer: I am not sure that I succeeded but the attempt was productive as the result is this book. In conclusion I want to thank Margaret for her forbearance and Omar and Polly for con stant companionship. Chris Lmt'll Desert Cross. Enniskeane. Co. Corle Ireland September 2005 c/m t'[email protected] ix GADAMER IN A NUTSHELL How would one describe a philosopher's achievement in a few brief sentences? In Great Thinkers A-Z I rose to this challenge and wrote the entry on Gadamer. The only instruction from the editors was that the piece could not be more than 800 words so it had to be short and concise. This is what I wrote: Since Descartes, modern philosophy regarded correct method as a route to absolute certainty. Armed with a rational procedure, human thought becomes equal to natural science in replacing the dark forces of tradition with objective truth. The work of Hans Georg Gadamer (1900-2002) contests this optimistic account of modernity, especially in the major work Truth and Method (1960). Gadamer starts by re-valuing the idea of tradition - from which Enlightenment thought distanced itself claiming that 'tradition' and 'reason' cannot be so easily teased apart. For Gadamer, trad ition cannot be an object of 'pure' rational enquiry. The idea that we can step outside our own cultural reference points to embrace timeless truth is a demonstrable fiction of modernist thought. Gadamer relates his idea of 'tradition' to a reworked notion of 'prejudice', which he understands as pre-judice or pre-judgement, in other words as that which makes any kind of discrimination pos sible. A prejudice is not a distorting form of thought that must be shaken off before we see the world aright. For Gadamer prejudices are present in all understanding. Against Enlightenment claims that reason, detached from historical and cultural perspective, gives a test for truth, Gadamer claims that we are irredeemably GUIDE FOR PERPLEXED embedded in language and culture and that the escape to unclouded certainty via rational method is a chimera. How does Gadamer substantiate the assertion that forms of understanding are always prejudicial and that we cannot make strictly objective claims about the world? Here is where we find his singular contribution to contemporary thought. Understanding is invariably 'hermeneutical', he claims. The term derives from hermeneutics, 'the branch of knowledge dealing with interpret ation' (Oxford English Dictionary). Historically, hermeneutics was the art of correctly reading and interpreting ancient texts, notably the Bible. In Gadamer's hands hermeneutics becomes a more general procedure for understanding itself, which he terms philo sophical hermeneutics and characterizes in terms of a 'hermeneuti cal circle'. The idea of the circle refers to the constantly turning movement between one part of a text and its total meaning. In making sense of a fragment of the text one is always simultane ously interpreting the whole. Gadamer justifies extending the role of hermeneutics, making it a necessary characteristic of any attempt to understand the world, by referring back to the history of hermeneutics and early attempts to codify interpretative prac tice. Hermeneutics is also a submerged strand running through the history of philosophy. Aristotle's account of phronesis or 'practi cal wisdom' is a case in point. In becoming moral we are habitu ated into a moral tradition, Aristotle asserts, but the moral agent is always confronted with situations that go beyond the regularities of habit. This oscillation between habit and novelty is similar to the dynamic of the hermeneutical circle. Gadamer's principal authority for his claims is his teacher Martin Heidegger. In Being and Time Heidegger shows how inter pretation of the world is impossible without pre-understanding. Against Descartes he shows that understanding is not worked out in the privacy of consciousness but through our being in the world. But if all understanding is interpretation, it is still guided by what Gadamer calls a 'fusion of horizons'. A text, or any thing or event within the world we interpret, has its own hori:::on of meaning. Interpretation is sited within the mutual horizon of the interpreter and the thing to be interpreted. The modernist thought that understanding depends on a detachment from tradition effected by rational method is under mined when viewed from the hermeneutical perspective. For 2

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