From Republic to Restoration: Legacies and Departures

490 Pages·2018·11.055 MB·English

by  Janet Clare

Title Pages
University Press Scholarship Online
Manchester Scholarship Online
From Republic to Restoration: Legacies and
Departures
Janet Clare
Print publication date: 2018
Print ISBN-13: 9780719089688
Published to Manchester Scholarship Online: September 2018
DOI: 10.7228/manchester/9780719089688.001.0001
Title Pages
Janet Clare
(p.i) From Republic to Restoration (p.ii)
(p.iii) From Republic to Restoration
Manchester University Press
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Figures
University Press Scholarship Online
Manchester Scholarship Online
From Republic to Restoration: Legacies and
Departures
Janet Clare
Print publication date: 2018
Print ISBN-13: 9780719089688
Published to Manchester Scholarship Online: September 2018
DOI: 10.7228/manchester/9780719089688.001.0001
(p.vii) Figures
Janet Clare
13.1 Charles II at Court (oil on canvas), Henri Gascar (1635–1701) / The Trustees of the
Goodwood Collection / Bridgeman Images page 269
13.2 Louis XIV (1638–1715) holding a plan of the Maison Royale de Saint-Cyr (oil on
canvas), French School (seventeenth century) / Château de Versailles, France /
Bridgeman Images 270
13.3 Portrait of Françoise-Athénaïs Rochechouart de Mortemart (1640–1707) Marquise
de Montespan (oil on canvas), French School (seventeenth century) / Musée de Tesse, Le
Mans, France / 3 Bridgeman Images 274
13.4 Portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth and Aubigny (1649–
1734), mistress of Charles II, Henri Gascar (1635–1701) / Private Collection / Photo ©
Philip Mould Ltd, London / Bridgeman Images 275
13.5 Portrait of Barbara Villiers, Duchess of Cleveland (oil on canvas), Henri Gascar
(1635–1701) / Private Collection / Photo © Philip Mould Ltd, London / Bridgeman Images
277
13.6 Portrait of Barbara Villiers, Duchess of Cleveland, with her daughter, Lady Barbara
Fitzroy, Henri Gascar, after his own painting, c. 1675. © Trustees of the British Museum
278
13.7 Portrait of Madame de Montespan (1640–1707) reclining in front of gallery of the
Château de Clagny (oil on canvas), Henri Gascar (1635–1701) / Private Collection /
Bridgeman Images 279
13.8 Portrait of Louise-Renée de Kéroualle, Duchess of Portsmouth, holding a dove, with
Cupid, Etienne Baudet, after Henri Gascar, c. 1673. © Trustees of the British Museum
281
(p.viii) 16.1 The Committee; or Popery in Masquerade (London, 1680) / Published by
Mary Clark for Henry Brome after Sir Roger L’Estrange (1616–1704) / British Museum
Satires 1080 / © The Trustees of the British Museum 330
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Figures
16.2 ‘The Royall Oake of Brittayne’/ Taken from: Walker, Clement (died 1651), Anarchia
Anglicana: or the History of Independency (London, 1649) / British Museum Satires 737 /
Representation of Oliver Cromwell / © Trustees of the British Museum 334
16.3 A Ra-ree Show (London, 1681) / Designed by Stephen College (c. 1635–81) / Satire
against Charles II / © The Bodleian Libraries, The University of Oxford. Shelfmark: Don
c. 13 (1), A Rare Show 335
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Tables
University Press Scholarship Online
Manchester Scholarship Online
From Republic to Restoration: Legacies and
Departures
Janet Clare
Print publication date: 2018
Print ISBN-13: 9780719089688
Published to Manchester Scholarship Online: September 2018
DOI: 10.7228/manchester/9780719089688.001.0001
(p.ix) Tables
Janet Clare
14.1 Significant musical-theatrical works presented at court during Charles II’s reign for
which texts (and in some cases music) are extant page 291
14.2 Large-scale musical-theatrical productions in the commercial theatres, 1660–85 301
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Contributors
University Press Scholarship Online
Manchester Scholarship Online
From Republic to Restoration: Legacies and
Departures
Janet Clare
Print publication date: 2018
Print ISBN-13: 9780719089688
Published to Manchester Scholarship Online: September 2018
DOI: 10.7228/manchester/9780719089688.001.0001
(p.x) Contributors
Janet Clare
David Bagchi is Senior Lecturer in Ecclesiastical History and Co-Director of the
Andrew Marvell Centre for Medieval and Early Modern Studies at the University of
Hull. His major publications include The Cambridge Companion to Reformation
Theology (Cambridge University Press, 2004), co-edited with David Steinmetz, and
Luther’s Earliest Opponents: Catholic Controversialists, 1518–25 (Fortress Press,
2nd edn, 2009). More recently he has written on the use of the Bible in the Book of
Common Prayer and on the Great Bible of 1539, and is currently collaborating on
Susan Felch’s edition of William Tyndale’s independent works for the Catholic
University of America Press. He is a Fellow of the Royal Historical Society.
Glenn Burgess is Deputy Vice-Chancellor, Pro-Vice-Chancellor (Academic Affairs),
and Professor of Early Modern History at the University of Hull. He is the author of
The Politics of the Ancient Constitution (Palgrave, 1992), Absolute Monarchy and the
Stuart Constitution (Yale University Press, 1996), and British Political Thought 1500–
1660 (Palgrave, 2009); and the editor or co-editor of eight books, including (with
Matthew Festenstein), English Radicalism 1550–1850 (Cambridge University Press,
2007) and (with Howell A. Lloyd and Simon Hodson) European Political Thought
1450–1700 (Yale University Press, 2007). Professor Burgess is a Fellow of the Royal
Historical Society, and has served on its Council.
Lisanna Calvi is Lecturer of English Literature at the University of Verona, Italy.
Her main research interests have focused on Restoration and early modern drama
and literary culture. She is the author of a book on Restoration and early eighteenth-
century tragedy, Kingship and Tragedy (QuiEdit, 2005) and on James II’s devotional
papers and Imago Regis (ETS, 2009). She has written articles on John Dryden,
Robert Browning, Thomas Otway, Edmund Gosse, The Tempest and (p.xi) the
commedia dell’arte, madness and autobiography in seventeenth-century England,
and Shakespeare in nineteenth-century Italian theatre. She authored an Italian
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Contributors
translation of the autobiographical writings of Dionys Fitzherbert and Hannah Allen
(Pacini, 2012) and edited, with Silvia Bigliazzi, a miscellany on The Tempest
(Palgrave, 2014) and Romeo and Juliet (Routledge, 2016).
Amanda L. Capern is Senior Lecturer in Early Modern Women’s History at the
University of Hull where she is PI leading on the Gender, Place and Memory 1400–
1900 research team. She is author of The Historical Study of Women: England, 1500–
1700 (2010), editor of Women, Wealth and Power (2007), specialist sub-editor of
Mary Hays’s Female Biography, 6 vols (2013/2014) and editor of the Palgrave series
Gender and History. She has published widely on early-modern women’s writing,
and on gender, property and family relations. She is currently working on a
monograph on family inheritance, debt and litigation. She is a Fellow of the Royal
Historical Society.
Christina M. Carlson, Lecturer in Literature at Emerson College in Boston, MA,
has published several articles on political and satirical engraving in seventeenth-
century England as well as on topical drama during this period. She is working on a
book-length manuscript on the subject.
Warren Chernaik is Emeritus Professor of English, University of London. He was
the founding Director of the Institute of English Studies, University of London, and is
now a Senior Research Fellow of IES. He is the author of Milton and the Burden of
Freedom (Cambridge University Press, 2017), The Myth of Rome in Shakespeare and
his Contemporaries (Cambridge University Press, 2011), The Cambridge
Introduction to Shakespeare’s History Plays (Cambridge University Press, 2007), a
study of The Merchant of Venice (Northcote/British Council, 2005), Sexual Freedom
in Restoration Literature (Cambridge University Press, 1995), The Poet’s Time:
Politics and Religion in the Work of Andrew Marvell (Cambridge University Press,
1983), and essays on such authors as Marvell, Milton, Shakespeare, Jonson, Herbert,
Traherne, Rochester, Pepys and Behn. He has co-edited books on topics as diverse as
detective fiction, changes in copyright law and Andrew Marvell.
Janet Clare is Professor of Renaissance Literature and with Glenn Burgess is the
Founding Director of the Andrew Marvell Centre for Medieval and Early Modern
Studies at the University of Hull. She is the author of Art Made Tongue-Tied by
Authority: Elizabethan and (p.xii) Jacobean Dramatic Censorship (Manchester
University Press, 2nd edn, 1999); Drama of the English Republic, 1649–1660
(Manchester University Press, 2002); Revenge Tragedies of the Renaissance
(Northcote/British Council, 2006). She has published many articles on Renaissance
and Early Modern literature and drama and co-edited the Journal of Early Modern
Studies 2 (2013), Shakespeare and Early Modern Popular Culture. Her most recent
work is Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in
Renaissance Theatre, published by Cambridge University Press in 2014. She is
editing What You Will for the forthcoming Oxford critical edition of The Complete
Works of John Marston.
Martin Dzelzainis is Professor of Renaissance Literature and Thought at the
University of Leicester. He is currently editing the Histories for The Complete Works
of John Milton; Andrew Marvell’s verse and prose for the 21st-Century Oxford
Authors series; and (with Edward Holberton) The Oxford Handbook of Andrew
Marvell (all for Oxford University Press). He is also General Editor, with Paul
Seaward, of the Oxford edition of The Works of Edward Hyde, Earl of Clarendon.
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Contributors
Laura L. Knoppers is Professor of English at the University of Notre Dame, USA.
She is the author of Politicizing Domesticity from Henrietta Maria to Milton’s Eve
(Cambridge University Press, 2011), Constructing Cromwell: Ceremony, Portrait, and
Print, 1645–1661 (Cambridge University Press, 2000) and Historicizing Milton:
Spectacle, Power, and Poetry in Restoration England (University of Georgia Press,
1994). Her Oxford scholarly edition of Milton’s Paradise Regained and Samson
Agonistes (Oxford University Press, 2008) won the John Shawcross Award from the
Milton Society of America. Knoppers has edited five essay collections, including most
recently The Cambridge Companion to Early Modern Women’s Writing (Cambridge
University Press, 2009) and The Oxford Handbook of Literature and the English
Revolution (Oxford University Press, 2012). Since 2010, she has served as the editor
of Milton Studies.
Alan Marshall is Professor of History at Bath Spa University and a fellow of the
Royal Historical Society. His current research focuses on intelligence and espionage
in the early modern era. His forthcoming book entitled The Secret State in Early
Modern Britain, c. 1598–1715 (Manchester University Press) examines the idea of
‘arcana imperii’ and the cultural meanings of the series of plots that were
undertaken to assassinate Oliver Cromwell. He is the author of ‘ “Pax quaeritur
bello”: The Cromwellian Military Legacy’ in J. Mills, ed., Cromwell’s Legacy
(Manchester University (p.xiii) Press, 2012); ‘ “Woeful Knight”: Sir Robert Walsh
and the Fragmented World of the Double Agent’ in D. Szechi, ed., The Dangerous
Trade: Spies, Spymasters and the Making of Europe (Dundee University Press,
2010); The Age of Faction: Court Politics, 1660–1702, New Frontiers in History
(Manchester University Press, 1999); Intelligence and Espionage in the Reign of
Charles II: 1660–1685 (Cambridge University Press, 2003).
Ted McCormick is Associate Professor of History at Concordia University in
Montreal. He received his PhD from Columbia University in 2005. He is the author of
William Petty and the Ambitions of Political Arithmetic (Oxford University Press,
2009), which was awarded the 2010 John Ben Snow Prize by the North American
Conference on British Studies. He has written extensively on science, religion and
social engineering in seventeenth-and eighteenth-century England, Ireland and the
Atlantic, and is completing a study of population thought in relation to ideas of
nature, providence and government from the early Tudor era through Malthus’s
Essay on the Principle of Population.
Keith McDonald joined the University of London International Academy in 2015
following spells teaching Renaissance Literature at the University of Leicester and
the University of Geneva. He completed a doctoral thesis on Andrew Marvell in 2013
and is working towards the publication of his first monograph. In addition to his
website, WritingPrivacy.com, his work has featured in English Studies, Marvell
Studies, and in England’s Fortress: New Perspectives on Thomas, 3rd Lord Fairfax
(Ashgate, 2014).
Marissa Nicosia is an assistant professor of English at Pennsylvania State
University, Abington College where she teaches and conducts research on early
modern English literature, book history and political theory. She holds a PhD in
English from the University of Pennsylvania. Marissa’s book manuscript studies the
history play in the seventeenth century to argue that the genre forged speculative
political futures. Her research has been supported by fellowships from the Folger
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Contributors
Institute, the University of Pennsylvania and the Andrew W. Mellon – Rare Book
School Fellowship in Critical Bibliography.
Paul Seaward is British Academy/Wolfson Foundation Research Professor at the
History of Parliament Trust, and was from 2001 to 2017 the Trust’s Director. He is
the editor, with Martin Dzelzainis, of the Oxford edition of the works of Edward
Hyde, Earl of Clarendon. He edited a selection from Clarendon’s History of the
Rebellion for the Oxford World’s Classics Series (p.xiv) (2009), and edited
Behemoth for the Oxford edition of the works of Thomas Hobbes (2010). Among
current projects is a biography of Clarendon.
Bryan White is a senior lecturer in the School of Music at the University of Leeds
where he contributes to the Leeds University Centre for English Music. He is a
member of the editorial committee of the Purcell Society for which he has edited
Louis Grabu’s opera Albion and Albanius and G. B. Draghi’s setting of Dryden’s From
harmony, from heav’nly harmony. He has published articles on the music and culture
of the Restoration period in Music & Letters, The Musical Times, Early Music and
Early Music Performer. He is completing work on a book: Music for St Cecilia’s Day
from Purcell to Handel.
Blair Worden is Emeritus Fellow of St Edmund Hall, Oxford. His publications
include The Rump Parliament 1648–1653 (Cambridge University Press, 1974); an
edition of Edmund Ludlow’s A Voyce from the Watch Tower (Royal Historical Society,
1978); Part I of David Wootton, ed., Republicanism, Liberty, and Commercial Society
1649–1776 (Stanford University Press, 1994); The Sound of Virtue: Philip Sidney’s
‘Arcadia’ and Elizabethan Politics (Yale University Press, 1996); Roundhead
Reputations: The English Civil Wars and the Passions of Posterity (Allen Lane, 2001);
Literature and Politics in Cromwellian England (Oxford University Press, 2007); The
English Civil Wars 1640–1660 (Weidenfeld and Nicolson, 2009); an edition of
Marchamont Nedham’s The Excellencie of a Free State (Liberty Fund, 2010); and
God’s Instruments: Political Conduct in the England of Oliver Cromwell (Oxford
University Press, 2012).
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Acknowledgements
University Press Scholarship Online
Manchester Scholarship Online
From Republic to Restoration: Legacies and
Departures
Janet Clare
Print publication date: 2018
Print ISBN-13: 9780719089688
Published to Manchester Scholarship Online: September 2018
DOI: 10.7228/manchester/9780719089688.001.0001
(p.xv) Acknowledgements
Janet Clare
THIS volume has evolved from an international conference held under the auspices of the
Andrew Marvell Centre for Medieval and Early Modern Studies, University of Hull, partly
supported by funding from the Faculty of Arts and Social Sciences. I would like to thank
colleagues in the Andrew Marvell Centre: Martin Arnold, David Bagchi, Lesley Coote, Ann Kaegi,
Jason Lawrence, Richard Meek, Christopher Wilson and, especially, Veronica O’Mara, for
support with the organisation of the conference. I am grateful to Professor Glenn Burgess for
help with the initial planning of the project.
My thanks are due to Matthew Frost, Commissioning Editor of Manchester University Press, and
to the anonymous readers for the Press for their perceptive comments. I am grateful to the
contributors, with whom it has been a pleasure to work. I would like to express sincere thanks to
Emer McManus for her invaluable help in the preparation of the typescript and for the creation
of the bibliography and index. (p.xvi)
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