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From Q to "Secret" Mark: A Composition History of the Earliest Narrative Theology PDF

177 Pages·2006·20.47 MB·English
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from Q to “Secret" Mark A Composition History of the Earliest Narrative Theology HUGH M. HUMPHREY A from Q to “Secret'’ M ark A Composition History of the Earliest Narrative Theology HUGH M. HUMPHREY \ λ t&t dark NEW rORK · LONDON Copyright Ό 2006 by Hugh M. Humphrey Λ1Ι rights reserved. No pari of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recording, or otherwise, without the written permission of the publisher, T & T (Hark International. T &. T Clark International, SO Maiden Lane, New York, NY 10038 Ί & T Clark International, The Tower Building, 11 York Road, London SHI 7NX T öd T Clark International is a Continuum imprint. Cover design: I cc Singer Library of Congress Catalogmg-in-l’ublicaiion Data Humphrey, Hugh. From Q ro sccrct Mark: a composition history of the earliest narrative theology / Hugh I lumphrcy. p. cm. includes bibliographical references and index. ISBN 0 567-02502-0 (hardcover : alk. paper) - ISBN 0-567-02512 S (pbk. : alk paper) 1. Bible. N.T. Mark-Criticism, Rédaction. 2. Bible. N.T. Mark-Criticism, Narrative. 3. Q hypothesis (Svnoptics criticism) 4. Narrative theology. I. Title. BS2585.S2.HS4 2006 226..V066-dc22 2006001133 Printed w ibe United St,ites of America 06 07 03 09 10 10 9 8 7 6 5 4 3 2 1 Contents °4i Jî? Acknowledgments Introduction The Focus of This Study Chapter One Revisiting flic Fathers Chapter Two A Narrative Version of “Q” Chapter Three The Passion Narrative in Mark Chapter Pour Assimilation and a Focus on Discipleship Chapter hive The Composition History of the Gospel of Mark Appendix I The “‘Mark without Q'’ Hypothesis Appendix 2 Assessing the Quest for a Proto-Mark Index This page intentionally left blank Acknowledgments It was easier to write this book than it is to acknowledge and thank all who have in diverse ways helped bring it about. Throughout it all, my wife, Ellen, has been an enabler through her steadfast love and loyalty, support and patience. Fairfield University too must be remembered for a sabbatical leave that lead to the initial draft and analysis of the text of the Gospel of Mark. The Catholic Biblical Association’ Task Force on the Gospel of Mark offered many helpful suggestions for which I am very grateful. And the editors at Tiki Clark have most certainly made me appear to be a better writer. Probably, however, the person I most remember here is the late Monsignor Myles Bourke, whose careful attention to the text of the New Testament in its context set an example for all his students. To these and all others I should have named: I hope this book is a worthy “thank you." This page intentionally left blank Introduction The Focus of This Study % m It took almost two millennia for the Gospel of Mark to find an audience attentive to and appreciative of its distinctivcncss.1 In the last century and a half, however, biblical scholarship has tried to make up for that neglect with an intense focus on .Mark, using a variety of approaches or lenses through which to view' this Gospel. Today we are the heirs to that history, and it is only now possible for us to appreciate the unique contribution of the evangelist we call “Mark.” Looking Back The relatively modern interest2 in Mark began with the suggestion that it might have been, at least in part, the source for the other Synoptic Gospels of Matthew and Luke; in an era enamored of the new discipline of history, this idea seemed to promise that Mark would Itc a source closer to the historical Jesus. The hope that one could find in Mark the unadulterated report of Jesus’ life was soon tempered, however, by the realization that this Gospel had some materials in it that, to a rational mind, were more mythological than a historical account would be, arid by the realization that Mark, too, seemed to have used source materi­ als. Indeed, as the excitement over the actual text of Mark being the lens through which to view the historical Jesus ebbed, it was replaced by the excitement over the analysis of those units of traditional material that had been compiled by the evangelist; this quest to break apart the text of Mark in order to examine and classify those traditional materials 1. For an account of the ^rnrrn! lack of interest in Mark for most of those two thousand years, see B. D. SchiUlgcn, Power and Prejudice: The Reception of the Gospel of Mark (Detroit: Wayne State University I’reas, 1999«, 201. 2. For a thorough review of “how we reached the point where wc now are in Maican studies,” see S. 1’. Kealy, Mark's Gospel, A History of Its Interpretation: h'rotn the Beginning until 1979 (New York: 1’aulist Press, 1982). 1 2 From £ to “Secret " Mark according to their “forms” was still driven by the same hunger to objec­ tively reconstruct the actual history of Jesus. What was characteristic of this development of “form criticism” 3 in Markan studies was fragmen­ tation: small units of the text of the Gospel were studied and compared with other small units of the text of the Gospel; the Gospel as a whole was considered to be the artificial result of a scissors-and-paste editor and therefore to be of no real importance in the quest for the historical Jesus. For some three decades in the first half of the twentieth century, this approach was the approach to take in studying Mark, and it did shape the appraisal of Mark in fundamental ways: never again would biblical scholarship be ready to take the Second Gospel as an eyewitness account or a highly reliable historical account: it contained traditional materials. Perhaps it was the inconsistencies of approach4 or the questionable assumptions made about the early Christian church that prompted the desire to find a new, objectively verifiable approach to the Gospels that one could defend before all comers. In any event, scholars coupled the intuition that Mark had compiled traditions with the earlier recogni­ tion of Matthew and Luke as having compiled Mark and a collection of Jesus’ sayingss into their Gospels; all rhis led to development of yet a third approach. Called “redaction criticism* because it studied the pre­ cise ways in which Matthew and Luke edited or “redacted” Mark into their Gospels, it. was not immediately seen as applicable to the Gospel of Mark. But compilation and redaction are both literary processes; and just as one could now argue for Matthew having an editorial purpose on the basis of how he handled the material in his copy of the Gospel of Mark,6 so too one could argue for Mark having an editorial purpose on the basis of how he created the “framework” for the units of tradi­ tional material and on the basis of the recurring motifs in the Gospel. Again there was fragmentation of the whole text as scholars assembled 3. For a concise summary, see Christopher Tuckett, Reading the Netv Testament: Methods of Interpretation (Philadelphia: l'ortrcss, I9S7!, 9.5-112. Ί. Some )udttrnent.s were made on the basis of content rather than on the basis of form. For a balanced evaluation see li. Earle I·.Ilis. The Making of the Neu1 Testament Documents (Biblical interpretation Series; Leiden: Brill, 1999;, 19-23. 5. This collection ol sayings ot [esus is commonly referred to as ‘‘Q," abbreviating the German word Quelle (source}. The renewed discussion of the very existence of such a collection will be reviewed later in this introduction and evaluated at the beginning of chapter 2. 6. Whether Matthew had a written or oral copy of the Gospel of Mark is a matter left open here. introduction: The hocus of Ibis Study 3 individual phrasing* and passages to indicate a "motif” or “theme” or "theological interest” of the redactor, in this case, Mark. This last development of redaction criticism opened the floodgates of biblical scholarship, first and primarily for the study of the Gospels of Matthew and Luke, and then later for Mark; the outpouring of studies continued into the waning years of the last millennium. What is more significant, however, are the other approaches spawned by redaction criticism, each in its own way intrigued by redaction criticism’s acknowl­ edgement of the evangelist as a true author speaking theological truths to his community. Let thumbnail sketches suffice. On the one hand, if we were to position the evangelist as a real au­ thor in a concrete, historical situation, an effort to reconstruct the social world of the evangelist was thought to offer new understanding of the nuances of his text; others had undertaken this work in the past, but now it was renewed. For it to he fully effective, one had to make cer­ tain assumptions or conclusions about the probable geographical origin of the Gospel’s text. Still, general recognition of the distinctive cultural fabric of the Mediterranean basin sharpened our sense of distance from the realities of the first-century cultural world of the evangelists. Then, too, if we were to think of the evangelist as a person embedded in a social context, then it would he conceivable that models taken from today’s social sciences {anthropology, sociology, and so on) could be applied to the information furnished by a Gospel’s text and new insights provided thereby. Yet the results depended upon the availability of data, the accuracy of the data, and the trustworthiness of the social science model used. On the other hand, if we were to emphasize the role of the evangelist as an author, then we could apply the canons of contemporary literary criticism. We could make distinctions between the author implied by the text of the Gospel and the real author; similarly, we could make distinctions between the reader envisioned by the text and the real reader of the first-century Mediterranean world, who in turn would not be the real reader today, with our historical and cultural baggage. Indeed, if we focused upon readcr-response criticism, we could detach ourselves from the inadequacy of historical, contextual information — and even from an interest in what the original evangelist’s “intention” might have been! 7. I would leave open as unestnblished the ai:rtial gender of any of tl>C evangelists. Use of the male pronoun here is for convenience* 5<ikc.

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The literary complexity and the theological nuances of the Gospel of Mark did not spring from the evangelist's pen at a single sitting. The evangelist we call "Mark" composed segments of our present gospel for different situations, over an extended period of time, perhaps several decades, and that t
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