ebook img

From Literature to Cultural Literacy PDF

275 Pages·2014·3.108 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview From Literature to Cultural Literacy

From Literature to Cultural Literacy This page intentionally left blank From Literature to Cultural Literacy Editedby Naomi Segal Birkbeck,UniversityofLondon,UK Daniela Koleva StKlimentOhridskiUniversityofSofia,Bulgaria Introduction,selectionandeditorialmatter©NaomiSegal andDanielaKoleva2014 Individualchapters©Respectiveauthors2014 Softcover reprint of the hardcover 1st edition 2014 978-1-137-42969-8 Allrightsreserved.Noreproduction,copyortransmissionofthis publicationmaybemadewithoutwrittenpermission. Noportionofthispublicationmaybereproduced,copiedortransmitted savewithwrittenpermissionorinaccordancewiththeprovisionsofthe Copyright,DesignsandPatentsAct1988,orunderthetermsofanylicence permittinglimitedcopyingissuedbytheCopyrightLicensingAgency, SaffronHouse,6–10KirbyStreet,LondonEC1N8TS. Anypersonwhodoesanyunauthorizedactinrelationtothispublication maybeliabletocriminalprosecutionandcivilclaimsfordamages. Theauthorshaveassertedtheirrightstobeidentifiedastheauthorsofthis workinaccordancewiththeCopyright,DesignsandPatentsAct1988. Firstpublished2014by PALGRAVEMACMILLAN PalgraveMacmillanintheUKisanimprintofMacmillanPublishersLimited, registeredinEngland,companynumber785998,ofHoundmills,Basingstoke, HampshireRG216XS. PalgraveMacmillanintheUSisadivisionofStMartin’sPressLLC, 175FifthAvenue,NewYork,NY10010. PalgraveMacmillanistheglobalacademicimprintoftheabovecompanies andhascompaniesandrepresentativesthroughouttheworld. Palgrave®andMacmillan®areregisteredtrademarksintheUnitedStates, theUnitedKingdom,Europeandothercountries. ISBN 978-1-349-49191-9 ISBN 978-1-137-42970-4 (eBook) DOI 10.1057/9781137429704 Thisbookisprintedonpapersuitableforrecyclingandmadefromfully managedandsustainedforestsources.Logging,pulpingandmanufacturing processesareexpectedtoconformtotheenvironmentalregulationsofthe countryoforigin. AcataloguerecordforthisbookisavailablefromtheBritishLibrary. AcatalogrecordforthisbookisavailablefromtheLibraryofCongress. Contents ListofFiguresandTables vii Acknowledgements ix NotesonContributors xi Introduction 1 NaomiSegal Part I RememberingandForgetting 1 RememberingandForgetting:Introduction 15 DanielaKoleva 2 VisualRecallinthePresent:CriticalNostalgiaandthe MemoryofEmpireinPortugueseCulture 21 IsabelCapeloaGil 3 TextualizedMemoriesofPolitics:TurkishCoupd’État Novels 43 SibelIrzık 4 CanDevelopersLearnfromArt?JanetCardiff’s‘The MissingVoice’inSpitalfields 62 RicardaVidal Part II MigrationandTranslation 5 MigrationandTranslation:Introduction 79 LoredanaPolezzi 6 MigrantPoet(h)ics 86 BorbálaFaragó 7 TranslatingtheIn-Between:PerformancePoetryandthe RelationshipbetweenLanguage,LiteratureandSociety 106 RobertCrawshaw 8 LostandGainedinMigration:TheWritingofMigrancy 122 MaryGallagher v vi Contents Part III ElectronicTextuality 9 ElectronicTextuality:Introduction 141 LeopoldinaFortunati 10 Non-ConsumptiveReading 148 SusanSchreibman 11 Reading(andWriting)Online,RatherthanontheDecline 166 KathleenFitzpatrick 12 IFoughttheLaw:TransgressivePlayandtheImplied Player 180 EspenAarseth Part IV Biosociality,BiopoliticsandtheBody 13 Biopolitics,BiosocialityandtheBody:Introduction 191 UlrikeLandfester 14 HumanEnhancement:IsIt‘Mere’ScienceFiction?The RiseandRiseofDisembodiedEthics 198 HeatherBradshaw-Martin 15 HistoryintheGene?HowBiohistoriesareImplicatedin BiopoliticsandBiosocialities 216 MarianneSommer 16 BetweenHybridandGraft 232 UweWirth Index 250 Figures and Tables Figures 2.1 M.Pereira,Differenttypesandraces,AlbumdaProvíncia deMoçambique(AlbumofMozambique,1891),9.Arquivo HistóricoUltramarino(AHU) 27 2.2 M.HenriquesGonçalves,Fulawoman(Guinea-Bissau), RoteirodoUltramar,1958(OverseasItinerary) 29 2.3 PedraFurada,Climbingacoconuttree,SãoTomée Príncipe,1900–1910.Postcard.AHU 30 2.4 M.Pereira,Quelimane(ZambeziMission),Albumda ProvínciadeMoçambique(AlbumofMozambique,1891),2. AHU 32 2.5 SãoTomé,Plantation(Roça)Pay-day,c.1910–1920, InstitutodosMuseusedaConservação,I.P.,Lisbon 33 2.6 MeansoftransportPostcardAngola1910–1920AHU 34 2.7 Twoblackstakingamonkeyforastroll.PostcardAngola c.1920AHU 34 2.8 N’gungunhanaandhissevenwivesLisbon,March1896. DiárioIllustrado,specialissue1897 35 2.9 N’gungunhana,Godide,MolunloandZizaxa,Angrado Heroísmo,Azores,16April1899.A.N.T.T 35 4.1 ViewofSpitalfieldsMarketinApril2013 67 4.2 ViewofSpitalfieldsMarketfromthebalconyaboveLas IguanasinApril2013 67 4.3 PublicsculptureinthenewlybuiltpartofSpitalfields Market,February2008 69 7.1 Coverof4forMore(2002) 107 7.2 4forMore(2002),detailofpage18 109 7.3 4forMore(2002),detailofpage2 110 7.4 4forMore(2002),detailofp.8 111 10.1 FragmentfromamanuscriptcopyofThomas MacGreevy’spoem‘Autumn1922’,heldatthe ManuscriptsandArchivesResearchLibrary,TCDMS 7979/8.Reprintedwithpermissionfromtheestateof ThomasMacGreevyandTheBoardofTrinityCollege Dublin 149 vii viii ListofFiguresandTables 10.2 AWordleofThomasMacGreevy’spublishedpoems 159 10.3 MacGreevy’spoemsviewedthroughthesoftware TextArcdesignedbyBradPaley 159 10.4 Atopic-modellingclusteroncontemporaryscholarship fromUnderwood’stopicmodellingofthePMLA, 1924–2006 162 10.5 Atopic-modellingclusteroncontemporaryscholarship fromGoldstone’stopicmodellingofthePMLA, 1890–1999 163 12.1 MelonsinOblivion;theitemduplicationtrick(Bethesda Softworks,2006) 187 16.1 ExemplificationoftheoperationsofgraftinginRobert Sharrock,TheHistoryofthePropagationandImprovement ofVegetablesbytheConcurrenceofArtandNature(Oxford, 1659),60 235 16.2 ‘TheChimeraofArezzo’,NationalArchaeological Museum,Florence 244 16.3 StillfromDVDofJamesCameron’sAvatar(2009) 246 Tables 10.1 Allthepoemsinwhichtheword‘yet’appears,inthe orderinwhichtheyappearinthetext 160 12.1 Dividingthefieldofgameplaystudiesintofour,along empiricalandmethodologicallines 183 12.2 Three-levelimpliedplayermodel 184 Acknowledgements This book has been a challenge for everyone who has engaged with it at one stage or another. Its conception was the result of an awareness that European humanities – and in particular what has traditionally been known as Literary Studies – have played and are playing a more important role in research and society than is usually acknowledged. The effort to share this awareness has required a readiness to leave the comfort of one’s own disciplinary assumptions, to question them and to take alternatives seriously. It has also meant exploring border areas between research fields; and borders, as is all too well known, are areas of both contact and conflict. We are grateful to the 74 col- leagues from 24 countries who accepted this challenge and took part in the four workshops held in 2009 and 2010 to explore the rele- vance of literary and cultural studies to the fields of memory studies, migrant writing, electronic textuality, and biosociality and the body. Their open and dialogical stance nourished many of the ideas featured inthisbook. None of this would have been possible without the support of the ESF Standing Committee for the Humanities and the COST Domain CommitteeIndividuals,Societies,CulturesandHealth;weareespecially gratefultotheirchairsduringtheperiodoftheproject:MilenaŽic-Fuchs and Marc Caball. Engaging in this strategic synergy, the two organiza- tionshaveprovedyetagaintheindispensabilityoftheirmissioninthe European research area. We would like to thank our colleagues from the two committees – Marc Caball, Leopoldina Fortunati, Sibel Irzık, Margaret Kelleher, Ulrike Landfester and Lea Rojola – who contributed asmembersofthesteeringgrouptotheorganizationoftheworkshops and the lessons learnt from them. The success of the initiative also owes a great deal to the work of Dr Nina Kancewicz-Hoffman (ESF), Dr Julia Stamm (COST), Ms Francesca Boscolo (COST) and Ms Claire Rustat-Flinton(ESF). Many individuals and institutions have contributed to the creation of this book. We are grateful to the anonymous reviewers for their constructive critique and useful suggestions, and to Palgrave editors Chris Penfold and Felicity Plester for guiding us through the process ofproduction. ix

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.