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From a Persian Tea House: Travels in Old Iran PDF

230 Pages·2007·13.754 MB·English
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Preview From a Persian Tea House: Travels in Old Iran

Drawn to the exoticism and mystery of names on a map of Iran - lsfahan, Shiraz, Meshed, Kerman, Khorassan - Michael Carroll embarked on a journey that took him through the heart of the country, from the Taurus mountains to the Gulf of Oman. He travelled during a relatively calm, but nonetheless pivotal period in Iran's recent history - in the years following the CIA-led coup of 1953. Carroll spent much time in the bustling tea houses of lsfahan, where he observed the richness of Iranian life in microcosm and visited a Tehran that would be unrecognisable today - a sleepy town pushing towards modernity with its shiny 1950s American cars and social elites exploring the lifestyles of a newly discovered West. From the Zagros Mountains to the Caspian shore and Persepolis to the holy city of Qom, he explored countless mosques, tombs and palaces, went in pursuit of an elusive dervish, bargained for Silk Road jade and forged strong and lasting friendships with his Iranian travelling companions. Carroll's beautifully written narrative is adorned with colourful episodes from Iran's long and momentous history and enriched with anecdotes from his travels. A forgotten gem of travel writing, From a Persian Tea House is a literary period piece and a luminous portrait of a country that has since changed beyond all recognition. Michael Carroll was born in England in 1935. He was educated at Harrow and Cambridge but spent much of his early life in India. He is also the author of Gates of the Wind, the story of his time spent on the Greek island of Skopelos. 'Carroll is a born traveller. He is hungry for strangeness. He is tough without being coarse; amused and unpretentious. Above all he can write.' The Observer 'The romance of the book is the traditional romance of a perceptive young man, happy to soak himself in the life of a foreign country and evoke it with rich, descriptive writing.' The New Statesman 'He has a natural gift for writing and especially for translating the observations of a quick eye into a telling phrase.' Times Literary Supplement 'Describes all he saw and experienced in the most entrancing detail and with great good humour. A lovely, gracious book.' Press and Journal 'A travel writer of rare charm and perception. His travels reveal observation combined with sympathy, persistence with humour.' Western Mail Tauris Parke Paperbacks is an imprint of 1.8.Tauris. It is dedicated to publishing books in accessible paperback editions for the serious general reader within a wide range of categories, including biography, history, travel and the ancient world. The list includes select, critically acclaimed works of top quality writing by distinguished authors that continue to challenge, to inform and to inspire. These are books that possess those subtle but intrinsic elements that mark them out as something exceptional. The Colophon of Tauris Parke Paperbacks is a representation of the ancient Egyptian ibis, sacred to the god Thoth, who was himself often depicted in the form of this most elegant of birds. Thoth was credited in antiquity as the scribe of the ancient Egyptian gods and as the inventor of writing and was associated with many aspects of wisdom and learning. FROM A PERSIAN TEA HOUSE Travels in Old Iran Michael Carrol I ITPPJ TAURIS PARKE PAPERBACKS Published in 2007 by Tauris Parke Paperbacks an imprint of I.B.Tauris and Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com First published in 1960 by John Murray Copyright© 1960, Michael Carroll Cover image© Mark Daffey/Lonely Planet Images The right of Michael Carroll to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patent Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84511 500 5 A full CIP record for this book is available from the British Library Printed and bound in India by Replika Press Pvt. Ltd Contents 1 TEA-HOUSE IN ISFAHAN I 2 NOMADS AND RUINS 34 3 DESERTS 4 THE ART OF BARGAINING: CARPETS AND BAZAARS IOI s TEHRAN AND THE CASPIAN 125 6 DIVERSION TO THE GULF OF OMAN 145 7 RETURN TO ISFAHAN 170 8 EPILOGUE: TEA-LEAVES 202 V fllustra.tions From photographs by author, except where otherwise acknowledged * Sketch Map by John Woodcock Courtyard of the Madraseh in Isfahan Autumn Migration: Tribe on the move near Kermanshah Kurds: A ploughman; and woman and child* Naksh-i-Rustam; Shapur I receiving the homage of the captured Roman Emperor Valerian Tomb of Xerxes Persepolis: Bas-relief Persepolis: the Great King holds court Tribute-bearers from all the Empire An independent camel in the mountains south of Yezd Hand-loom in a Baluch village The bus we rescued near Guk* Down the rapids on the way to Charbahar We shall leave to-morrow, Insha'allah Young and old in Baluchistan* A street in Kermant Across the Elburzt A Mullah at Isfahan * From photographs by David Gaunt t From photographs by Martin Berthoud vii For DAVID GAUNT I Tea,..house in Iifa han It was the time I loved best in the tea-house, the chill early morn ing when the sunlight streamed like thin smoke between the pillars, filling the vast room mysteriously; when the air was sharp with the tang of a wood fire, and the few customers sat alone and withdrawn to themselves, and the only sound was the click of glasses and the rhythmic sweep of the boy's brush on the floor. There were not many in the tea-house at this hour, breakfasting off sweet strong tea and flaps ofu nleavened bread; not more than a dozen, mostly solitary figures hunched cross-legged and shiver ing upon the threadbare carpets, warming their hands over the little charcoal braziers that the attendant had brought to each one. I leaned back against the wooden pillar and changed the position of my legs. There were no chairs or tables, but low trestles spread with carpets set up in lines down the whole length of the room. Two rows of dark worm-eaten oak pillars, still pockmarked with tr.aces of green paint, propped up the roof, a crosswork of beams blackened with age and smoke, with cobwebs sagging from their comers. The attendant stood with his back to the sun, balancing a brass tray on his arm. Motionless in the sea of pale light that broke around his body, he seemed for a moment transfigured, some fallen spirit suddenly redeemed. The collarless shirt that hung loose over his stained rolled-up trousers, curling slippers broken at the heel, became the gilded vestments of an archangel; the thin unshaven head, vacant-eyed, became the haloed face of ineffable I Tea-house in Isfahan wisdom, the tea-tray flashing on his arm the insignia of heaven, God's gift to mankind. Reverently I handed him my glass: 'More tea, please.' A boy kneeling below me bent across the pool and rinsed his hands. Water bubbled from the snub, bronze fountain-snout and slid into the blue-tiled basin. When the sun leaves the pool, I decided, I shall get up and go; until then ... It was evening in late summer, not long after my arrival in Isfahan, when I drew aside the curtain of blue beads hanging across the doorway and stepped into the tea-house for the first time. The benches on each side of the passage were full. I walked uncertainly on into the central room, looking for a place to sit. The place was full of smoke and people. I stood by the pool, accustoming myself to the dim light and the clamour ofv oices, evading the attendants who jostled me as they hurried by, circling round the water. A few naked electric bulbs were stuck on the sides of the pillars, oil lamps hung from the ceiling rafters; their light, hardly penetrating into the farthest comers, between the shadows of the pillars, made the room look larger, the smoke andmedleyof voices rising from the men crowded shoulder to shoulder on the carpeted benches only made the scene more confusing. I turned, about to go, when someone touched my coat and spoke to me in Persian. I looked round at a little man with a smiling face, a brown skull-cap cocked at a jaunty angle on his head. He was clearing a space for me, pushing aside the others on the trestle who made way willingly enough, and waved an authoritative hand to a human tea-trolley that was passing by. In a moment I was sitting awkwardly on the edge of the carpet, a glass and saucer of strong brown tea in my hands. A boy was dropping lumps of sugar into the glass. When it was half full and the tea overflowed, he glanced at me in surprise and moved on. I hadn't told him to stop. My host laughed and offered me a cigarette. As I turned to accept the match a figure brushed 2

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