Freeing The Dead Sea Scrolls and Other Adventures of an Archaeology Outsider books by hershel shanks Jerusalem’s Temple Mount: From Solomon to the Golden Dome The Copper Scroll and the Search for the Temple Treasure Jerusalem: An Archaeological Biography The Mystery and Meaning of the Dead Sea Scrolls The City of David: A Guide to Biblical Jerusalem Judaism in Stone: The Archaeology of Ancient Synagogues The Dead Sea Scrolls After Forty Years (with James C. VanderKam, P. Kyle McCarter, Jr., and James A. Sanders) The Rise of Ancient Israel (with William G. Dever, Baruch Halpern, P. Kyle McCarter, Jr.) The Brother of Jesus (with Ben Witherington III) books edited by hershel shanks The Art and Craft of Judging: The Opinions of Judge Learned Hand Scholars on the Record: Insightful Interviews on Bible and Archaeology Ancient Israel: From Abraham to the Roman Destruction of Jerusalem Christianity and Rabbinic Judaism: A Parallel History of Their Origins and Early Development Understanding the Dead Sea Scrolls Archaeology and the Bible: The Best of BAR, 2 vols. (with Dan P. Cole) Feminist Approaches to the Bible (with Phyllis Trible, Tivka Frymer-Kensky, Pamela J. Milne, Jane Schaberg) Recent Archaeology in the Land of Israel (with Benjamin Mazar) The Search for Jesus (with Stephen J. Patterson, Marcus J. Borg, John Dominic Crossan) Frank Moore Cross: Conversations with a Bible Scholar Abraham & Family: New Insights into the Patriarchal Narratives Freeing The Dead Sea Scrolls and Other Adventures of an Archaeology Outsider hershel shanks Published by the Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York, NY 10038 www.continuumbooks.com Copyright © Hershel Shanks, 2010. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without prior permission from the publishers. First published 2010 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 978-1441-15217-6 Designed and typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed and bound in the United States of America contents AAcckknnoowwlleeddggmmeennttss vviiii PPrreeffaaccee iixx II.. IInn tthhee BBeeggiinnnniinngg 11 II. The Sharon Years 13 IIIIII.. MMyy CCoolllleeggee YYeeaarrss 2255 IIVV.. CCoolluummbbiiaa,, HHaarrvvaarrdd aanndd tthhee DDeeppaarrttmmeenntt ooff JJuussttiiccee 3311 VV.. PPrraaccttiicciinngg LLaaww 3399 VI. Our Year in Israel 59 VVIIII.. SSttaarrttiinngg BBAARR 8811 VVIIIIII.. MMaattuurriinngg BBAARR 9977 IX. Freeing the Scrolls 125 XX.. LLoossiinngg iinn CCoouurrtt 116611 XI. Two Extraordinary Inscriptions— TThhee PPoommeeggrraannaattee aanndd tthhee OOssssuuaarryy 117777 XII. A Royal Israelite Inscription— TThhee YYeehhooaasshh PPllaaqquuee?? 119933 X XIIIIII.. ““TThhee FFoorrggeerryy TTrriiaall ooff tthhee CCeennttuurryy”” aanndd BBeeyyoonndd 220033 XIV. My Credo 231 Notes 237 IIlllluussttrraattiioonn CCrreeddiittss 224433 Index 245 v to judith mmyy wwiiffee ooff 4433 yyeeaarrss,, tthhee mmootthheerr ooff mmyy cchhiillddrreenn Elizabeth and Julia and the grandmother of my ggrraannddcchhiillddrreenn CChhaarrlliiee aanndd NNaannccyy,, ttoo wwhhoomm,, tthheenn JJuuddyy,, mmyy fifi rrsstt bbooookk wwaass ddeeddiiccaatteedd iinn 11996688 Acknowledgments i should like to begin these acknowledgments by venting my anger at the contractor I hired to build my treadmill room in the base- ment. He left a pile of sawdust overnight near an outside drain; a heavy rain that night swept the sawdust over the drain and blocked it. The result was a fl ooded basement that destroyed, among much else, my family photos. I am grateful to my sister Leah Gordon for supply- ing the family pictures in this volume. Three excellent editors reviewed my text and each made a signifi - cant contribution to it. I thank Steven Feldman, G. Joseph Corbett and John Loudon for their help. Most important was the staff of the Biblical Archaeology Society— my longtime colleague, BAS president and Biblical Archaeology Review publisher Susan Laden; BAR administrative editor Bonnie Mullin; production manager Heather Metzger; and Janet Bowman who does everything. The inside of the book was designed by graphic designer Rob Sugar, with whom I have worked happily for more than 30 years, and his assistant Jinna Hagerty of Auras Design. Hershel Shanks washington, d.c. november 2009 vii This page intentionally left blank Preface i am sitting in an unfamiliar courtroom in Jerusalem. In general, I am accustomed to courtrooms. For years, I repre- sented the United States of America in courtrooms all over the country when I was a lawyer with the Department of Justice. I know how to question my witnesses on direct and how to examine the other guy’s witnesses on cross. But this is different. I am here not as a lawyer representing someone. I am the defendant! The testimony is in Hebrew, which I do not understand. My daughter, who is fl uent in Hebrew, sits beside me to provide the gist of the testimony against me. The plaintiff is a distinguished Israeli scholar named Elisha Qimron, a professor at Ben-Gurion University of the Negev in Beer-Sheba. I had published without permission Professor Qimron’s one-page Hebrew reconstruction of a fragmentary Dead Sea Scroll known as MMT, in an effort to break the scroll monopoly. Although the recon- struction had circulated widely in samizdat copies, it had not been offi cially published by Qimron and Harvard professor John Strugnell to whom it had been offi cially assigned. Moreover, I had not men- tioned Qimron’s name in my publication; Qimron was anonymous. I listen as Qimron testifi es: For 11 consecutive years, he had worked on the reconstruction I had published. “During the years I worked on it, I did almost no other work.” During this time, he says, his “whole family lived very frugally ... When my wife complained, I would tell her, ‘Look, this is our life; we will achieve fame.’” When I published his reconstruction, he was “shocked ... I can’t describe the feeling ... It’s as if someone came and took away the thing I had made by force, telling me: ‘Go away! This belongs to me!’” I watch the judge and see those tell-tale half-expressions that reveal her sympathy for the plaintiff, as she indeed turned out to ix
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