Fragmentation in Ancient Greek Drama PDF
Preview Fragmentation in Ancient Greek Drama
Fragmentation in Ancient Greek Drama Trends in Classics – Supplementary Volumes Edited by Franco Montanari and Antonios Rengakos Associate Editors Stavros Frangoulidis · Fausto Montana · Lara Pagani Serena Perrone · Evina Sistakou · Christos Tsagalis Scientific Committee Alberto Bernabé · Margarethe Billerbeck Claude Calame · Jonas Grethlein · Philip R. Hardie Stephen J. Harrison · Stephen Hinds · Richard Hunter Christina Kraus · Giuseppe Mastromarco Gregory Nagy · Theodore D. Papanghelis Giusto Picone · Tim Whitmarsh Bernhard Zimmermann Volume 84 Fragmentation in Ancient Greek Drama Edited by Anna Lamari, Franco Montanari and Anna Novokhatko ISBN 978-3-11-062102-0 e-ISBN (PDF) 978-3-11-062169-3 e-ISBN (EPUB) 978-3-11-062219-5 ISSN 1868-4785 Library of Congress Control Number: 2020939976 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Walter de Gruyter GmbH, Berlin/Boston Editorial Office: Alessia Ferreccio and Katerina Zianna Logo: Christopher Schneider, Laufen Printing and binding: CPI books GmbH, Leck www.degruyter.com Foreword This volume has its origin in the 12th Trends in Classics International Conference that was held in Thessaloniki in May 2018. It is a pleasure to record here our thanks for the help received from so many quarters; the staff of the Department of Philology at the Aristotle University of Thessaloniki (especially Stavros Fran- goulidis and Martin Vöhler), the Aristotle University Research Committee (for generous financial support), the Università degli Studi di Genova, the “A und A Kulturstiftung” and the Stiftung “Humanismus Heute”, the Heidelberger Akade- mie der Wissenschaften, as well as the Albert-Ludwigs-Universität Freiburg. Special thanks should go to Bernhard Zimmermann, whose herculean project on comic fragments has opened new paths in a vastly unexplored field. The Kom- Frag project (Kommentierung der Fragmente der griechischen Komödie, Albert- Ludwigs-Universität Freiburg), under his supervision, is an international re- search program on an unprecedented scale, providing new insights into the study of fragmentary Greek comedy. It is from engagement with this project that the idea of a conference on the concept of fragmentation originally sprung up. This was further enhanced by the incorporation of the study of tragic fragments, as well as various other subfields. None of the Trends in Classics conferences, this one included, would have ever taken place without Antonios Rengakos, the driving force behind this nota- ble 14-year-series of uninterrupted, annual academic gatherings. It is thanks to his ingenuity, efficiency and problem-solving talent that this and every Trends in Classics conference has been made possible. Anna Lamari, Franco Montanari, Anna Novokhatko Thessaloniki – Genova – Freiburg, May 2020 https://doi.org/10.1515/9783110621693-202 Contents Foreword V List of Figures XI List of Tables XIII Anna A. Lamari, Franco Montanari and Anna Novokhatko οὐ σῴζεται or σῴζονται: Preliminary Remarks on the Study of Dramatic Fragments Today 3 Part I: Quotation, Transmission, and Reconstruction of Fragments Bernhard Zimmermann On the Hermeneutics of the Fragment 21 Jeffrey Henderson Old Comic Citation of Tragedy as Such 39 Ralph Μ. Rosen On Literary Fragmentation and Quotation in Aristophanes: Some Theoretical Considerations 49 Anna A. Lamari On Types of Fragments 61 Matthew Wright How Long Did the Lost Plays of Greek Tragedy Survive? 83 Francesco Paolo Bianchi What we Do (Not) Know About Lost Comedies: Fragments and Testimonia 105 S. Douglas Olson The Fragments of Aristophanes’ Gerytades: Methodological Considerations 129 Oliver Taplin Fragments of Aeschylus and the Number of Actors 145 VIII Contents Part II: Fragmented Tragedy Alan H. Sommerstein Revisiting the Danaid Trilogy 155 Patrick J. Finglass Tragicorum Graecorum Fragmenta Volume II: Old Texts, New Opportunities 165 Kyriakos Tsantsanoglou παῖς μάργος 183 Nikos Manousakis Aeschylus’ Actaeon: A Playboy on the Greek Tragic Stage? 201 Martin J. Cropp Euripides or Critias, or Neither? Reflections on an Unresolved Question 235 Ioanna Karamanou Fragmented Intergeneric Discourses: Epinician Echoes in Euripides’ Alexandros 257 Massimo Giuseppetti Wink or Twitch? Euripides’ Autolycus (fr. 282) and the Ideologies of Fragmentation 275 Efstathia Papadodima Barbarism and Fragmentation in Fifth-Century Tragedy: Barbarians in the Fragments and “Fragmented” Barbarians 299 Part III: Fragmented Comedy Michele Napolitano Epicharmus, Odysseus Automolos: Some Marginal Remarks on frr. 97 and 98 and K–A 321 Anna Novokhatko δηλαδὴ τρίπους: On Epicharmus fr. 147 K–A 337 Serena Perrone Crates and the Polis: Reframing the Case 353 Contents IX Andreas Bagordo On Some Short (and Dubious) Fragments of Aristophanes 369 Ioannis M. Konstantakos Heracles’ Adventures at the Inn, or How Fragments and Plays Converse 379 Massimiliano Ornaghi Ethnic Stereotypes and Ethnic Mockery in Ancient Greek Comedy 407 Part IV: The Reception of Tragic Fragments Piero Totaro Aeschylean Fragments in the Herculaneum Papyri: More Questions than Answers. Prometheus Unbound in Philodemus’ On Piety 437 Anton Bierl Paratragic Fragmentation and Patchwork-Citation as Comic Aesthetics: The Potpourri Use of Euripides’ Helen and Andromeda in Aristophanes’ Thesmophoriazusae and Their Symbolic Meaning 453 Christian Orth Fragmentary Comedy and the Evidence of Vase-Painting: Euripidean Parody in Aristophanes’ Anagyros 481 Poulheria Kyriakou A Cause for Fragmentation: Tragic Fragments in Plato’s Republic 501 Richard Hunter Dio Chrysostom and the Citation of Tragedy 527 Patrick O’ Sullivan From the Great Banquets of Aeschylus: Gorgias, Aristophanes and Xenakis’ Oresteia 545 Part V: The Reception of Comic Fragments Eric Csapo How Cratinus fr. 372 Made Theatre History 573
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