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Four Approaches to the Book of Psalms: From Saadiah Gaon to Abraham Ibn Ezra PDF

380 Pages·1991·38.87 MB·English
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Preview Four Approaches to the Book of Psalms: From Saadiah Gaon to Abraham Ibn Ezra

FOUR APPROACHES TO THE BOOK OF PSALMS SUNY Series in ludaica: Hermeneutics, Mysticism, and Religion Michael Fishbane, Robert Goldenberg, and Arthur Green, Editors FOUR APPROACHES TO THE BOOK OF PSALMS From Saadiah Gaon to Abraham Ibn Ezra Uriel Simon Translated from the Hebrew by Lenn 1. Schramm State University of New York Press Uriel Simon Four Approaches to the Book of Psalms From Saadiah Gaon to Abraham Ibn Ezra © 1991 English Edition by State University of New York Press © 1982 Hebrew original and other languages by Bar-Han University. Ramat-Gan, Israel Published by State University of New York Press. Albany All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information. address the State University of New York Press. State University Plaza. Albany, NY 12246 Library of Congress CataIoging-in-PubIication Data Simon. Uriel. [Arba' gishot le-Sefer Tehilim. Englishl Four approaches to the Book of Psalms: from Saadiah Gaon to Abraham Ibn Ezra / Uriel Simon; translated from the Hebrew by Lenn 1. Schramm. p. cm. - (SUNY ,eries in Judaica) Translation of: Arba' gishot le-Sefer Tehilim. Bibliography: p. Includes indexes. ISBN 0-7914-0241-X. - ISBN 0-7914-0242-8 (pbk.) J. Bible. O.T. Psalms--{:riticism. interpretation. etc .. Jewish. 2. Sa'adia ben Joseph. 882-942-Contributions in Biblical criticism. 3. Karaites-Controversial literature-History and criticism. 4. Ibn Ezra. Abraham ben Meir. 1089-1164. Contributions in Biblical criticism. I. Title. II. Series. BSI430.2.S4913 1991 223' .206'09021-dc20 89-11451 CIP 10 9 8 7 6 5 4 3 2 Cover design adapted from the miniature "David playing the harp". from the British Library Miscellany. Add. 11639. France, Troyes. c. 1280. CONTENTS Preface vii Chapter One: Saadiah Gaon: The Book of Psalms as a Second Pentateuch I. The Rhetorical Thesis: Commandment and admonition phrased as prayer and petition II. The Polemical Motive: An attack on the Karaite order of prayer and support for the Rabbanite prayerbook 5 III. The Ritual Thesis: The five-fold condition II IV. The Exegetical Application: Radical reinterpretation 27 V. Polemic and Truth: To what extent is Saadiah's approach to Psalms anchored in his thought? 31 Notes to Chapter One 42 Chapter Two: The Karaite Approach: The Psalms as Mandatory Prophetic Prayers 59 I. Salmon ben Yerul:Iam: The Psalms as prophetic prayer for all ages: Monarchy, Exile, and Redemption 59 II. Yefet ben cAli: The Psalms as prophetic prayers, perfect in form and content 71 Notes to Chapter Two 97 Chapter Three: Moses Ibn Giqatilah: The Psalms as Non-prophetic Prayers and Poems 113 Notes to Chapter Three 137 Chapter Four: Abraham Ibn Ezra: The Psalms as Prophetic and Sacred Poetry 145 VI CONTENTS I. Abraham Ibn Ezra's two commentaries on Psalms 145 II. Echoes of Ibn Ezra's predecessors in his commentaries on Psalms 156 III. The prologue to the First Introduction: The musical and thematic supenority of the Psalms as divine songs 161 IV The First Inquiry: Who wrote the Psalms? 177 V The Second Inquiry: Who edited the Book of Psalms? 182 VI. The Third Inquiry: Are the Psalms prayers or prophecies? 187 The answer of the introduction: Prophetic prayers The answer in the body of the commentary: Prophetic prayers with abundant theological lore VII. The Fourth Inquiry: Editorial matters-the order of the Psalms and the terms used in their headings 216 The five books of psalms in comparison to Iberian anthologies Two different explanations of the problematic term mizmor Two explanation.1 of la-mena~~ealJ The enigmatic expressions in the superscriptions as melodic indications Notes to Chapter Four 257 Bibliography 297 Appendix: 308 Ibn Ezra's introduction and commentary on Psalms 1-2: The "First Recension" (Hebrew and English) 308 Ibn Ezra's introduction to the standard commentary: The "Second Recension" (Hebrew and English) 330 Index of Citations 335 Index of Names and Topics 355 PREFACE This book was spawned by a fortunate discovery. During the process of cataloguing all the manuscripts of Abraham Ibn Ezra's extant commentaries on the Five Scrolls, a photocopy of MS Verona Municipal Library 204 (82.4), which contains his commentary on Esther, was found to also contain a fragmentary commentary on Psalms that is quite different from the famil iar published ("standard") commentary. Although the fragment is short (four 34-line pages), containing only the introduction-three times longer than the introduction to the standard commentary-followed by the com mentary to almost all of Psalm I, its importance cannot be overstated. This discovery led to another. Several months after the publication of the Hebrew edition of this book, Mr. Benjamin Richler, assistant director of the Institute of Microfilms of Hebrew Manuscripts at the Jewish Na tional and University Library in Jerusalem, stumbled across the continua tion of the first fragment in a photocopy of MS Leipzig, the University Library 40 (B.H. 2°14). This second fragment comprises a mere twelve lines: the last few words of the commentary on Psalm I and the commen tary on Psalm 2: 1-5. A critical edition of the Hebrew text of both frag ments, accompanied by an English translation, will be found at the end of the present volume; the book itself is a reaction to the challenge posed by these two discoveries. Ibn Ezra, more than any other Hebrew classical Bible exegete, was in the habit of writing two commentaries on the same scriptural book. Of these parallel commentaries to the "standard" ones, only five were known to be extant: the fragmentary commentary on Genesis; the short commen tary on Exodus; the "second recensions" on Song of Songs and Esther; and the short commentary on Daniel. To these we can now add the fragmentary commentary on Psalms and a commentary on the Minor Prophets, which I have recently published alongside a critical and annotated edition of the standard commentary. The author's colophon at the end of the standard commentary on Psalms attests that it was written in Normandy in the year 1156. The fragmentary commentary seems to have been composed some fifteen years earlier, in Rome or Lucca, shortly after Ibn Ezra's arrival in Italy from Spain (1140). VII VlIl FOUR APPROACHES TO THE BOOK OF PSALMS A comparison of Ibn Ezra's parallel commentaries on a single scrip tural book not only helps us understand some of his more obscure state ments; it also allows us a glimpse into his workroom. In his two introductions to the Pentateuch, Ibn Ezra defines and describes his exeget ical method via his rejection of the "four paths" followed by his predeces sors. In a similar vein, his two Psalms introductions present his own ideas about the literary nature and prophetic status of the Psalms via a critical discussion of two basic conceptions offered by his predecessors. In the in troduction to the standard commentary Ibn Ezra made only anonymous ref erences to the disputants who had championed the two positions. Nevertheless, we can easily identify the advocate of the position that "the entire book is by David, who was a prophet," since this is the position expounded by Saadiah Gaon in his long introduction to his Arabic transla tion cum commentary on Psalms. On the other hand, it was impossible to be certain who had held "that this book contains no future-oriented proph ecies" and therefore "'by the rivers of Babylon' was written by a poet [who lived] in Babylonia." The fragmentary commentary provides the iden tification, since it explicitly attributes this opinion to R. Moses ha-Kohen Ibn Giqatilah. This Spanish scholar-who lived a century before Ibn Ezra and was referred to by the latter, in his Hebrew grammer Sefer Moznayyim. as "one of the great commentators" and "the greatest grammarian" wrote, inter alia, a comprehensive Arabic commentary on Psalms. Most of this commentary has survived in the Firkovich collection in Leningrad, but we have been unable to examine the manuscript or a photocopy there of. Consequently we are forced to rely chiefly on Ibn Ezra's citations from it, whose number has been significantly increased by the newly dis covered introduction. Just as Ibn Ezra's two introductions shed light on the methods of his predecessors, so too their commentaries enable us to arrive at a better un derstanding of his own commentaries. In fact, it is impossible to properly grasp Ibn Ezra's exegetical method and correctly evaluate the literary na ture of his introductions to Psalms without some familiarity with his precur sors' approaches (as they themselves phrased them, if possible) and without inquiring into the form and structure of their own introductions to Psalms. The principal sources for this attempt to write the history of the evolution of the fundamental approach towards the Book of Psalms during the more than two centuries from Saadiah to Ibn Ezra are Saadiah's two introduc tions, the introductions by the Karaite exegetes Salmon ben Yerul)am and Yefet ben <Ali, and Ibn Ezra's two introductions. Saadiah totally ignores the Talmudic assertion that the psalms were com posed by David along with "ten elders," and firmly holds that the individ uals mentioned in the headings of the various psalms were not poet-authors

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