Forbidden Art, Politicised Archaeology and Orwellian Politics in Australia

198 Pages·2012·14.58 MB·English

Vesna and Sky-God Reviving Spirituality

Blue Mountains City Council: We don’t need your spiritual art in our mountains!!!

© V&D Tenodi / DreamRaiser Project 2012
The Truth
First, we’ll tell you what it’s not,
To weed the lies right out.
Then, to shield their souls from rot,
We’ll tell what truth is about.

The truth indeed will set you free,
For truth is an epiphany.
To think it’s not is quite unwise,
Or worse – it is a blasphemy.
Master Ananda and the Those-Who-Know

Forbidden Art, Politicised Archaeology and Orwellian Politics in Australia
is a part of the SpeakYourMind campaign for artistic freedom
and freedom of expression in Australia:

Part 1 includes articles by Donald Richardson, Michael Cremo, Alka Domic Kunic,
Virginia Steen-McIntyre, Rex Gilroy, Ali White, James Franklin, Bronya Milechman,
and a team of legal practitioners.
All the authors contributed their articles free of charge, in support of Vesna Tenodi and her
artists, who have been terrorised by Aborigines and had their art vandalised throughout 2010
and 2011 [ www.modrogorje.com ].
Part 2 and Part 3 include articles available on the internet, and some of the documents
relating to a number of agencies/organisations, republished here in the public interest.

Cover Art: © V&D Tenodi/Anan Press, Wanjina of Peace by Gina Sinozich

© Do Centre DreamRaiser Group, 2012
Published by: Do Centre, Zagreb, Croatia, 2012
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PART ONE:
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Legal practitioners: MENTALITY CREATES REALITY...............................................................5
Legal practitioners: INTRODUCTION TO OFFENSIVE ART AND FORBIDDEN
SCIENCE.............................................................................................................................................7
Donald Richardson: IT’S ALL ART – OR IS IT? – ART WAR-GAMES.....................................12
DreamRaiser Art..............................................................................................................................16
Michael Cremo: IN THE DEPTHS OF ANTIQUITY: FRAUD AND SUPPRESSION
OF INFORMATION IN ARCHAEOLOGY.....................................................................................20
Alka Domic Kunic et al: SPIRITUAL ARCHAEOLOGY – UNCOVERING THE
INCONVENIENT TRUTH................................................................................................................23
Virginia Steen-McIntyre: THE VALSEQUILLO, MEXICO EARLY MAN SITES:
A BRIEF HISTORY OF FILTERING OF KNOWLEDGE..............................................................28
Rex Gilroy: THE FALSIFICATION OF AUSTRALIAN HUMAN PREHISTORY AND
ABORIGINALISATION OF AUSTRALIAN ARCHAEOLOGY...................................................32
Ali White: AUSTRALIAN ABORIGINES AND THEIR CULTURAL MAFIA............................36
James Franklin: THE CULTURAL ROOTS OF ABORIGINAL VIOLENCE..............................42
Bronya Milechman et al: VESNA’S QUANTUM LOOK AT THINGS – THE BLUE
MOUNTAINS RESIDENTS PERSPECTIVE..................................................................................47
PART TWO:
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Louis Nowra: Sacred Rape – Aboriginal men’s violence against women and children...................55
James Franklin: The Missionary with 150 wives............................................................................63
James D’Apici on Wanjina Watchers artwork: Copyright law – a brief sketch...........................66
Andrew Bolt: It’s So Hip to be Black...............................................................................................71
Andrew Bolt: White Fellas the New Black.......................................................................................74
Paul McCormack: The vicious persecution of Andrew Bolt...........................................................77
John Izzard: The Trial of Andrew Bolt (I): Designer Ethnicity.......................................................79
Keith Windshuttle: The Trial of Andrew Bolt (II): Real Aborigines versus Phoneys.....................85
Gary Johns: Waking Up To Dreamtime: The Illusion of Aboriginal Self-Determination [full
version can be downloaded from www.quadrant.org.au/Johns Waking up to Dreamtime.pdf]........93
Gary Johns: Illusion of Aboriginal Self-Determination.................................................................111
Grahame Walsh: His response to the Media Release by the Australian Archaeological
Association, declaring him a racist, and comments on politically motivated fabrication of
Australian prehistory........................................................................................................................116
2
PART THREE:
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Manufacturing Australian Past and Present ..............................................................................132
Death of Aboriginal Spirituality...................................................................................................133
Blue Mountains City Council (BMCC) – transcript of the meeting 12/10/2010..........................135
BMCC urged to take action and destroy a privately owned work of art, 05/04/2011.............143
Request to BMCC to provide documents as is their legal obligation under the Freedom of
Information law................................................................................................................................144
BMCC refusal to provide documents...........................................................................................146
Arts Law Centre – Using “other means” to censor art...................................................................148
Arts Law Centre – Delwyn Everard statement..............................................................................149
Blue Mountains City Council – instructions to disregard community attitudes to art..................152
Blue Mountains City Council – invitation to Aboriginal organisations to object.........................153
Tobooburra Aboriginal Land Council – threatening letter to BMCC.........................................154
Kimberley – Ngarinyin Aborigines submission to BMCC.........................................................155
Mowanjum tribe and Arts Law Centre complaints to the Australian Consumer and
Competition Commission (ACCC), showing their ignorance, false claims and malicious
accusations
Kimberley – Mowanjum, Donny Woolagoodja complaint to ACCC............................158
Arts Law Centre – Delwyn Everard complaint to ACCC..............................................161
ACCC Response to Arts Law Centre and Mowanjum tribes setting it straight –
there is no copyright on ancient images, any artist can use it and no-one needs
Aboriginal “permission”....................................................................................................163
Mowanjum Financial Reports – 12 million dollars over 4 years in public funding and
revenue............................................................................................................................................165
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Letters objecting to AAA 1983 push for repatriation of all archaeological material to
Aboriginal tribes to be destroyed – and trying to stop the falsification of Australian
prehistory:
Iain Davidson......................................................................................................................176
Peter Brown........................................................................................................................179
ModroGorje Gallery complaint against AAA & Rock Art Association false claims...181
Australian Archaeological Association response..............................................................183
Robert Bednarick and his Australian Rock Art Association response – they still
cannot understand that no-one needs a “legal permission” from “custodians”................................185
AAA Code of Ethics and Amendments – this must-read Code shows why archaeology no
longer exists in Autralia.................................................................................................................186
Malcolm McKay: Critique of the AAA and Iain Davidson’s Code of Ethics................................190
Australian Archaeological Association: Push for protecting “intangible heritage”.....................195
3
The same forces that only yesterday conspired to literally deny indigenous Australians
citizenship, let alone the right to live as free human beings, with full human dignity,
today attempt to cover their crimes by conniving with a handful of self-serving
bureaucrats among Aboriginal Australians for the mutual benefit of both the indigenous
bureaucrats and white bureaucrats, including 'official' archaeologists.
Both groups of bureaucrats have been created by the system and work above all to
protect their personal careers and statuses and the inequitable system as a whole. Both
Aboriginal and non-Aboriginal Australians now suffer from this mutual cover-up.
Political Science expert Dr Ali White
in response to Aboriginal violence and art censorship of the Wanjina Watchers artwork

Dreamtime stories are now being developed. It is all now being made up, they are
inventing a culture that does not exist.
Australian Prehistorian, Emeritus Professor Dr John Mulvaney, 2012

In Australia today, our mind is not allowed to process what our eyes can see.
Andrew Bolt, journalist and political comentator, terrorised by Aborigines

We have turned into toxic people, we seem to poison everything we touch… and by
projecting all that poison onto others, we have become even more toxic to ourselves.
Graham King, Aboriginal elder and artist, Blue Mountains, Australia

Hiding the truth is the ultimate blasphemy.
Vesna Tenodi, in response to Aboriginal lawyers intention to charge her with blasphemy
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By a team of Legal Practitioners
Australian society today is marked by Aboriginal violence against non-Aboriginal people.
This reverse racism and discrimination, as well as the unthinkable ways in which the system
allows Aborigines to terrorise anyone who “upsets” them can be hard to understand.
In a nutshell, what we see in Australia today, can be described as an unintended outcome of
the desire of the Australian Government to help Aboriginal people.
Some of the disastrous consequences of ill-conceived Government policy are:
• Development of laws and strategies which were originally intended to “overcome
Indigenous disadvantage”. They were meant to help in the integration and reconciliation
process, and compensate Aborigines for past injustice. Instead, they led to
overcompensation, reverse racism, and the victim becoming the abuser.
• Discrimination and racism against any Australian to whom Aborigines take a dislike is
endemic in Australia today. Most recently, the cases of journalist Andrew Bolt, and of
ModroGorje gallery owner Vesna Tenodi and her artists, shine a light on the lunacy of the
system.
• Thousands and thousands of non-Aboriginal people identify themselves as Aborigines for
self-serving purposes – mostly in order to milk the system and obtain privileges and
funding unavailable to other Australians.
• The emergence of “professional Aborigines”, that is people who are paid to do nothing
but to identify as Aboriginal, often without any proof. That gives them access to work in
government positions identified as being only open to Aboriginal people, and numerous
other privileges.
• The emergence of whole industries working for Aborigines, including approximately 800
Aboriginal Land Councils around Australia, the Arts Law Centre of Australia and a great
number of similar taxpayer funded bodies.
• Australian artists, writers and archaeologists terrorised by both the real and fake
Aborigines, and by their allies in bureaucratic and legal circles, who keep catering
indulging the indigenous people for personal gain and to further their careers
• Unfairness, abuse of power, and waste of taxpayers’ billions. Also, all sorts of violence –
including “death by pencil” by bureaucrats and lawyers, of any person daring to “upset”
an Aborigine.
• These frauds and their eager helpers today have the power to destroy lives and ruin
careers with an accusation as silly as saying that someone is “insensitive” to Aborigines.
• In other words, Aborigines – including white Aborigines and Aboriginal-industry servants
– have been given unthinkable privileges and opportunities over the last thirty years.
Nevertheless, they keep demanding even more of this imbalanced and overprivileged
treatment.
Aborigines in Australia today are far from being disadvantaged in any way.
Quite the contrary, they are the most privileged, pampered and indulged people on the planet.
They enjoy preferential treatment in all walks of life, and receive billions of taxpayers’ dollars
every year, most of which are wasted on programs that yield no results.
5
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Ordinary Australians have to keep working for 25 or 30 years to repay the mortgage on their
family home. On the other hand, as a result of the Government decision to give them title of
“traditional owner”, Aborigines can now trespass on someone’s private block of land and
terrorise people in their own homes. That is exactly what a group of Aborigines have been
doing throughout 2010 and 2011 to the ModroGorje Gallery owners and their artists in
Katoomba. They kept terrorising them and vandalising their art – until they ran them out of
town.
The ModroGorje artists are just some in a long list of people falling victims to the misguided
Government policy in relation to Aborigines. While the policy of indulging every Aboriginal
whim did benefit a large number of those working out of self-interest, it did nothing to “close
the gap” and help a reconciliation process. Quite the contrary – Aborigines are today the most
feared and the most loathed segment of Australian society, and the Government simply does
not know how to deal with the Aboriginal issue.
Aborigines form 2% of Australian population1. The other 98% consist of 270 different
nationalities, forming a good multicultural mix of communities living in relative harmony.
Those 98 % are today terrorised by an overprivileged Aboriginal minority. This has led to
many problems that remain unaddressed. These include:
• Art censorship as a consequence of Aboriginal violence. Violence against non-
indigenous artists is unrelenting and getting out of hand, as shown in the case of
censorship of the Wanjina Watchers sculpture by Sydney artist Benedikt Osváth.
• Fabrication of prehistory and falsification of Aboriginal culture. The Australian
Archaeological Association was leading the charge to falsify prehistory, because it
“upset” Aborigines. Australian history is now being written by researchers and
lawyers who are raking in millions by reinventing the past, and demanding even more
privileges for Aborigines.
• Loss of Aboriginal cultural and spiritual identity, leading to more of Aboriginal
criminal behaviour and revenge, under the guise of “activism”. Cheap sentiment,
known as bleeding-heart and white-guilt syndrome, has enabled Aborigines to keep
taking advantage of the goodwill of Australians for decades.
• Aboriginal determination to be offended and to constantly look for a fight, in
order to milk the system. Aborigines call this “Payback time”.
• Political correctness leading to other forms of violence, including thought-
policing2, enforcement of ideological correctness, denying Australians their freedom
of expression and prosecuting them for having unapproved thoughts3.

1 The indigenous population in Australia jumped from 155,000 in 1971 to 500,000 in 2007, as
a consequence of white people identifying as Aborigines to milk the system.
2 “Thought policing” and “thoughtcrime” are terms in Newspeak in George Orwell’s “1984”.
It is a process of punishing “thought-criminals” – perople who have “unapproved thoughts”.
3 Australian journalist Andrew Bolt was prosecuted for having thoughts which are “not in
public interest” and not for what he said, but for “what one might infer when reading between
the lines” [see articles, Part 2]
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By a team of Legal Practitioners
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This book is one of the outcomes of the ModroGorje artists’ struggle for artistic freedom, free
scientific enquiry and freedom of speech in Australia.
It started with Aboriginal violent attacks on Ms Vesna Tenodi in 2009, when her book the
Dreamtime Set in Stone was published. Aborigines were enraged with the ideas in the book
and the truth as told by Aboriginal elder Goomblar Wylo.
The Aboriginal campaign of hate and violence escalated in 2010. As instructed by the Those-
Who-Know – her spiritual teachers, whom she sometimes calls her Celestial Informants, Ms
Tenodi commissioned a Sydney artist Benedikt Osváth to create an 8.5-ton Wanjina Watchers
in the Whispering Stone sculpture, on her private property, in front of her ModroGorje gallery
in the Blue Mountains. The Aborigines went into a frenzy, the ModroGorje house was under
attack, and the sculpture repeatedly vandalised4.
The Wanjina Watchers opus is, in essence, a spiritual matter. But the ModroGorje artists
found themselves terrorised throughout 2010 and 2011 by a group of local Aborigines, as well
as by the local council who tried to turn it into a legal and political issue.
Ms Tenodi refused to yield to their demands. She kept explaining the spiritual nature of the
project, its goal being to revive Aboriginal forgotten spirituality, and her duty as an
archaeologist to search for truth wherever it might lead.
She kept explaining her Teachers warnings. In the late 1980s they warned that the best of
Aboriginal culture is dying, urging Australian society to prevent its total demise. No
appropriate action was taken. And it has died. Spirituality is gone. What is left is anger and
hate, and attempts to pacify the tribes by indulging their every whim.
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Ms Tenodi kept explaining her Teachers’ message: Timing is everything. The changes occur
on the spiritual level first, and cascade down to the material level. The spiritual fabric started
to disintegrate in the late 80s, and material disintegration is only the last consequence of the
process which started 26 years ago.
As a rule, societies react with about 20-25 years delay, and take action once it is too late to
change the course of history. They wake up only after the tipping point has been reached.
The disastrous consequences of such belated reactions are now obvious. Over the last few
decades, Australian society has been indoctrinated in “proper thought” about Aborigines, and
instructed to protect something that no longer exists. Well-intentioned Government policies
led to further degradation of ancient culture. While thinking it is helpful, the Government
actually speeded up the demise.

4 Events in 2010 and 2011 are chronicled in the book Dreamtime Set in Sand – more Truth
about Australian Aborigines, as requested by the Those-Who-Know, by Vesna Tenodi.
7
By doing what should have been done decades ago and could have prevented the death of
Aboriginal culture, and by legally enforcing “protection of Aborigines” the Government still
believes it can change the Aboriginal slide into self-destruction. It is ironic that well-meaning
people, with their sentimental approach, actually destroy what they try to protect5.
The spiritual origin of the DreamRaiser project has been lost in political games, legal threats,
Aboriginal rage and inability to think and see. But it did uncover the truth that there is no
freedom in Australia today, in art, science, or intellectual discourse. Every type of individual
freedom has fallen victim to political correctness enforced to pacify Aborigines and protect
the “Aboriginal industry”.
Outside of Australia, some good-hearted, well-meaning and compassionate people seem to
still be trapped in the views of the 1960s. Uninformed about Australia, they are still under the
impression that Australian Aborigines are trodden down and disadvantaged.
This collection will bring them up to date, and show how over the last 30 years Aborigines
have become the most over-empowered and over-privileged segment of Australian society.
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The Wanjina Watchers in the Whispering Stone sculpture was well publicised in the
Australian media6. Aboriginal violence and vandalism were tolerated, even encouraged and
aided by Government-funded organisations, based on the false claim that Aborigines hold
copyright over prehistoric art7.
Ms Tenodi, an archaeologist, has proved that the original Wanjina and Bradshaw paintings in
Australian cave shelters were never created by Aborigines in the first place, but by the pre-
Aboriginal race of the Abrajanes. Aborigines found the paintings when they colonised the
continent and cannot explain their meaning and symbolism.
Thus, her detractors ended up with the proverbial egg on their face. But it was too late for her
to save her ModroGorje gallery and to hope to have a peaceful life in Katoomba.
Today, Australians are increasingly aware that the violent reactions of Aborigines are a
consequence of their determination to take offence. Even when there is no valid reason to be
offended, they are in a state of rage because it suits their political goals.
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The campaign of hate and violence in its many forms gained further momentum when the
Blue Mountains Council stepped in to please the Aborigines, manipulated planning laws to
enforce censorship and the removal of the Wanjina Watchers in the Whispering Stone8. It was
aided by the Arts Law Centre of Australia, and their solicitor Delwyn Everard, who assists the
Aborigines in making false claims9 to authorities such as the Australian Consumer and
Competition Commission, in a clear breach of the Code of Ethics for Australian legal
practitioners.

5 Aboriginal leader Bess Price calls this phenomenon “a Disneyland idea of Aboriginal
culture” criticising “do-gooders” such as the UN and Amnesty International, whose efforts to
“help” cause even more damage.
6 More about the ModroGorje case in Among the Hostiles document at: www.modrogorje.com
7 The Social Impact of Aboriginal Hate document, link at: www.modrogorje.com
8 See Council Meeting, 12 October 2010, Part 3
9 See Wollagoodja’s and Everard’s letters to the ACCC, Part 3
8