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Flowers in Salt: The Beginnings of Feminist Consciousness in Modern Japan PDF

256 Pages·1983·17.846 MB·English
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Preview Flowers in Salt: The Beginnings of Feminist Consciousness in Modern Japan

Sharon L. Sievers FLOWERS IN SALT The Beginnings of Feminist Consciousness in Modern japan STANFORD UNIVERSITY PRESS Stanford, California 1983 Stanford University Press Stanford, California © 1983 by the Board of Trustees of the Leland Stanford Junior University Printed in the United States of America ISBN 0-8047-1165-8 LC 82-60104 For M u RAT A s H I z u K 0 ' GERDA LE RN ER ' and all the women whose work has brought closer us to the realization of a common language Acknowledgments In the early, discouraging days of my research on the his­ tory of Meiji women, I began reading Murata Shizuko and Gerda Lerner together. It was a good thing to do, and in the end, I think the one convinced me that I could do the work, the other that I should do it. Since then I have accu­ mulated a rather large intellectual debt to a number of people, but I continue to be impressed by the perceptions and commitments of these two women, who do women's history so well. I am also in the debt of a number of people and institu­ tions for their help. The Japan Foundation, through a 1977-78 grant in Tokyo, made it possible for me to do a major part of the research for this book, and the Founda­ tion staff, particularly Nogami Kazuko, was extremely helpful. Morisaki Fuji of the National Diet Library, and the staff members of Tokyo University's Meiji Newspaper and Periodical Library gave me great deal of assistance a and good advice during the course of my research. Murata (Yamaguchi) Shizuko, Tsurumi Kazuko, and the late, re­ markable Ichikawa Fusae were generous enough to find time in busy schedules to talk with me about Meiji women, and I learned a great deal in those conversations. In both Japan and the United States, Hanawa Yukiko's assistance vm Acknowledgments with this research and her friendly criticism of my work have been extremely valuable to me. I would like to thank Tazuko Inui for checking transla­ tions and Eiko Fujii Harvey for helping me sort through some of the early translating and research involving the Women's Reform Society. My thanks also to Kondo Ma­ gara, Y osano Hikari, and Kishida Y oshikazu for permis­ sion to use photographs that appear in this volume and to Hanawa Tomoko, Makino Kikuo of Mainichi Press, Ichi­ jima Toshio of Heibonsha, and Ide Fumiko for assistance in gathering them; to Signs for permission to include some of the material in "Feminist Criticism in Japanese Politics in the i88o's: The Experience of Kishida Toshiko," in Chapter Three; and to Hitotsubashi Journal of Social Studies for permission to use Tsuzuki Chushichi's translation of an Osugi Sakae poem in Chapter Six. Barbara Mnookin of Stanford University Press has done an unusually perceptive and skillful job of editing this manuscript, and has been good to work with. J. G. Bell was very helpful in shepherding the work through its initial stages. Though it is impossible to make explicit the enormous debt I owe to women's studies scholars in Japan and the United States, I would like to thank friends and colleagues whose encouragement and criticism has been sustaining­ among them Chris Iwanaga, Sondra Hale, Sherna Gluck, Lloyd lnui, Sharlie Ushioda, Laurie Welch, Maylene Wong, and the notorious Tsuchiya-tachi. Finally, I would like to express my long-standing admi­ ration and appreciation for the work of Emiko Moffitt, Deputy Curator of the East Asian Collection at the Hoover Institution. I am just one of many beneficiaries of Emiko's ability to find a place in the budget for important materials on women, and her constant encouragement of research on Japan. S.L.S. Contents Introduction Xl l. Impressions, 1860 l 2. The Early Meiji Debate on Women 10 3· Women in the Popular-Rights Movement 26 4· The Textile Workers 54 The Women's Reform Society 87 5· 6. Women Socialists 1 14 7. Kanno Suga 139 8. The Bluestockings 163 9· A Retrospective View 189 Notes 199 Index 233 Eight pages of photographs follow p. 66

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