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Flat protagonists : a theory of novel character PDF

209 Pages·2016·5.894 MB·English
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i FLAT PROTAGONISTS ii iii FLAT PROTAGONISTS A Theory of Novel Character Marta Figlerowicz 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging- in- Publication Data Names: Figlerowicz, Marta author. Title: Flat protagonists : a theory of novel character / Marta Figlerowicz. Description: Oxford ; New York : Oxford University Press, 2016. | Includes bibliographical references. Identifiers: LCCN 2016018976 (print) | LCCN 2016039589 (ebook) | ISBN 9780190496760 (cloth) | ISBN 9780190496777 (updf) Subjects: LCSH: Fiction—History and criticism. | Characters and characteristics in literature. Classification: LCC PN3411 .F55 2016 (print) | LCC PN3411 (ebook) | DDC 808.3/97—dc23 LC record available at https://lccn.loc.gov/2016018976 1 3 5 7 9 8 6 4 2 Printed by Sheridan Books, Inc., United States of America A version of chapter 1 initially appeared as “‘Frightful Spectacles of a Mangled King’: Aphra Behn’s Oroonoko and Narration Through Theater,” New Literary History 39.2: 321–334; Copyright (c) 2008 New Literary History, The University of Virginia. An early draft of chapter 2 initially appeared as “Rester femme, devenir personne: l’externalisation dans les Lettres de Mistriss Henley,” Dix-huitième siècle 42 (2011): 673–686. I thank both journals for their permission to reprint revised versions of these essays. v To my sister Matylda vi vii CONTENTS Acknowledgments  ix Introduction  1 1. The Prince  21 2. The Writer  49 3. The Misfit  91 4. The Solipsist  128 Conclusion  170 Bibliography  173 Index 185 vii viii ix ACKNOWLEDGMENTS This book has benefited from the advice and support of many men- tors and colleagues who responded to successive drafts of it over the years. Elaine Scarry first gave me the confidence to pursue these ideas, and Dorothy Hale pushed me to sharpen them considerably beyond what I could have imagined. Their mentorship and friendship have been a great and unexpected gift. Brendan O’Neill at Oxford University Press shepherded this manuscript toward publication with a patience and commitment for which I feel continued grati- tude. Michael M. Weinstein, Ayesha Ramachandran, and my anon- ymous readers at Oxford University Press gave me amazing advice when I most needed it. Matylda Figlerowicz, Catherine Gallagher, Len Gutkin, Zachary Manfredi, and Daniel Williams read large por- tions of this book and offered much valuable feedback. Other col- leagues and teachers who generously commented on this work include C. F. S. Creasy, James Engell, Philip Fisher, Jennifer Hudin, Christie McDonald, Jennifer Pranolo, John Searle, Janet Sorensen, Grace Tiao, and Katie Trumpener. I thank them all for their insights, challenges, and counterarguments. I also thank the students whom I taught at Yale in spring 2015— particularly Kyra Morris, Vaclav ix

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