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Finding Monte Cristo: Alexandre Dumas and the French Atlantic World PDF

215 Pages·2018·4.5 MB·English
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Finding Monte Cristo This page intentionally left blank Finding Monte Cristo Alexandre Dumas and the French Atlantic World Eric Martone McFarland & Company, Inc., Publishers Jefferson, North Carolina LibraryoFCongrEssCataLoguing-in-PubLiCationData names: Martone, Eric, author. title: Finding Monte Cristo : alexandre Dumas and the French atlantic world / Eric Martone. Description: Jefferson, north Carolina : McFarland & Company, inc., Publishers, 2018 | includes bibliographical references and index. identifiers: LCCn 2018023997 | isbn 9781476673202 (softcover : acid free paper) ♾ subjects: LCsH: Dumas, alexandre, 1802–1870—influence. | France—Colonies—america—intellectual life. | France— Colonies—africa—intellectual life. | France—Colonies— america—race relations. | France—Colonies—africa—race relations. | France—race relations. Classification: LCC PQ2230 .M317 2018 | DDC 843/.7—dc23 LC record available at https://lccn.loc.gov/2018023997 britisHLibraryCataLoguingDataarEavaiLabLE ISBN (print) 978-1-4766-7320-2 ISBN (ebook) 978-1-4766-3339-8 © 2018 Eric Martone. all rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Front cover: alexandre Dumas in an 1855 photograph; background map of the atlantic ocean, 1831 (istock) Printed in the united states of america McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com tomychildren, Domenic and gianna This page intentionally left blank table of Contents acknowledgments viii Preface 1 introduction 3 1. “black skin, White Masks” in nineteenth- Century France: alexandre Dumas and His Experiences as an Exotic other, 1829–1870 13 2. a Hero of assimilation: alexandre Dumas and the French Caribbean, 1848–1930 50 3. Creating a Local black identity in a global Context: alexandre Dumas as an african american Lieu de Mémoire, 1840–1930 67 4. Forgetting alexandre Dumas: Négritude and the French Caribbean and africa in the Mid- twentieth Century, 1930–1970 94 5. alexandre Dumas Métissé: Celebrating Dumas as a symbol of a Diverse France, 1946–2002 111 Chapter notes 151 bibliography 180 index 201 vii acknowledgments iwouldliketothankthepeerreviewersfortheirconstructivefeed- back and many useful suggestions for revision that helped improve the final product. i would also like to thank some of my former mentors, past students, and current colleagues at Mercy College for their support, including Michael nolan at Western Connecticut state university, who guided me into the world of being a historian of modern France and to whom i owe much thanks; benjamin Freud; andrew Peiser; Mel Wermuth; and Howard Miller. in various ways, talking to them about European and French his- tory, Dumas, or academia helped me improve my work and maintain a degree of sanity and/or encouraged me along the path toward the com- pletion of this book. Chapter 3 presents a slightly revised version of my article “Creating a Local black identity in a global Context: the French Writer alexandre Dumas as an african american Lieu de Mémoire,” which appeared in the Journal of Global History 5, no. 3 (2010): 395–422, published by Cam- bridge university Press. it is reprinted with permission. i would like to thank the journal’s editors for believing in my work and their willingness to work with me through several revisions at the start of my academic career. Further, some of the material in this book, particularly in Chapter 5, includes revised elements of my introduction to a collection i edited, The Black Musketeer: Reevaluating Alexandre Dumas in the Francophone World, which was published by Cambridge scholars in 2011, and re- appropriated in this book with permission. all images and photographs are my own unless otherwise indicated. the research that went into some of the chapters of my doctoral dis- sertation at stony brook university inspired what ultimately became this book. at stony brook, i would particularly like to thank my advisor, Wolf viii Acknowledgments schäfer, and dissertation committee member Larry Frohman for their help, guidance, and encouragement. other members of the History Department i would like to acknowledge with my appreciation include shirley Lim and Herman Lebovics, my initial advisor, who assisted me through my first year of doctoral studies and encouraged me to pursue a dissertation topic on Dumas and French identity. i would also like to thank E. anthony Hurley of the africana studies Department for serving as a member of my dissertation committee. i am indebted to them for their willingness to involve themselves in my academic development at that stage, as it allowed me to ascend to my current professional career path and the realization of many longtime goals. over the course of its many incarnations, this project has received funding in the form of a bernadotte E. schmitt grant from the american Historical association and a faculty development grant from Mercy Col- lege. the institute for European studies at indiana university, blooming- ton, also financially supported work on an interdisciplinary secondary school unit, which is available on its website, based on some of the research that found its way into this book. Finally, but certainly not least, i would to thank my wife, nicole; our two children, Domenic and gianna; and the rest of my family for their love and support. ix

Description:
 During his lifetime, Alexandre Dumas (1802-1870)--grandson of a Caribbean slave and author ofThe Three MusketeersandThe Count of Monte Cristo--faced racial prejudice in his homeland of France and constantly strove to find a sense of belonging. For him, "Monte Cristo" was a symbol of this elusive
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