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Financial Times How to Spend It - May 28, 2022 PDF

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Preview Financial Times How to Spend It - May 28, 2022

28MAY 2022 Princess POP of... How KYLIE MINOGUE uncorked a BUSINESS SENSATION PLUS JONNYJOHANSSON–SOPHIEASHBY–TOTOBERGAMOROSSI–LILY&EDIEASHLEY–MICHAELBROWNE–EMILYADAMSBODE–OLIVIERDEGIVENCHY 1932 COLLECTION THE STARS ALIGNED In 1932, Gabrielle Chanel created Bijoux de Diamants, the first High Jewellery collection in history. Inspiredbytheallureofthestars,itwasdesignedtobewornfreelyinabrand-newway.Mademoiselle then turned her concept of jewellery in motion – part of her vision for women – into a manifesto. In 2022, CHANEL High Jewellery celebrates this celestial revolution with the launch of the 1932 Collection, based on the perpetual motion of the stars and tailored to the natural movements of the body. In the same spirit, CHANEL asked an author known for his reflections on movement to write a manifesto for the new collection. After winding around from the nape of the neck, the string of diamonds suddenly bursts into a shooting star, trailed by a cascade of sparks leading to a sapphire that fits perfectly into the negative space of a crescent moon of diamonds. A fragmented nimbus then explodes around a profusion of carats pulsating at the neckline. A line of precious stones rises and falls with the rhythm of the breath, trapping the gaze in their bewitching depths. Beneath this blue eclipse, a string of crystals leads the eye toward the heart, where a diamond sun blazes, itsearly-morningraysoscillatingandsparklingwiththewearer’smovements.Inthistheatreof preciousstones,celestialbodiesundulateontheskin’s“MilkyWay,”sketchingnewlandscapes eachtimetheheadmovesortilts.Likethenecklace,thecollectionisaseriesofcelestialbodies journeying across the skin and enhancing each movement of the body as the planets travel past twinkling stars. The beauty of the world lies in this radiance. The glow of the stones is tangible, sculpted into the diamond, itself becoming a jewel, liberated, as if the aura could beremovedandwornasabrooch.Whatwasaparurehasbecomeajewel,astonecutinstone, made even more precious by what has been removed from it. From the depths of the Earth to the Cosmos, there is little light, but it sometimes burns beneath the eyelids in insistent lines.Thegemsbegintodancewithinus:diamonds,bluediamonds,rubies,yellowdiamonds, sapphiresandringsrunningalongthefingers,orbiting,spillingtheirbrillianceoverthehand. Bracelets and diamonds give way to a streaking comet on the skin, a virtuoso play of light and the ever-changing gestures of a woman who is suddenly the centre of the universe. Hugo Lindenberg m THE NEW 1932 COLLECTION CELEBRATES THE 90TH ANNIVERSARY o c OF THE BIJOUX DE DIAMANTS COLLECTION, CREATED IN 1932 BY GABRIELLE CHANEL. l. e n a TRANSFORMABLE ALLURE CÉLESTE NECKLACE IN WHITE GOLD AND DIAMONDS, WITH A 55.55-CARAT OVAL-CUT SAPPHIRE. h c BIGBANG AUTOMATICTOURBILLON Purplesapphirecase.In-house automatictourbillonmovement. Limitedto50pieces. CONTENTS 28MAY2022 57 REGULARS 42 THEFIX 11 21 OPENINGSHOT HOMINGINSTINCT Aslylookatcountrylife Insidetheplayfulworldof interiordesignerSophie 15 EDITOR’SLETTER Ashby.ByAimeeFarrell JoEllison’sremembrance 24 offashionpast PLATINUMLADY 19buystocelebrate 17 THEAESTHETE theQueen’sJubilee. VenetiancuratorToto ByAylinBayhan BergamoRossitalkstaste 26 FRENCHPOLISH 27 THEFIND Theextraordinarylegacy Floralliqueurstoenliven ofHubertdeGivenchy. thespirits ByNickFoulkes 34 29 DOUBLEACT SCALEITUP TheNewYorkcouple MariaFitzpatricklearns marryingmenswearand whyserpentinejewellery design.ByAimeeFarrell isstillcharming 56 30 CULTSHOP MADETOLEISURE LuciavanderPosttipsher AleksCvetkovicmeetsthe captoaHackneymilliner manwho’llmakeyoua five-piecesuit 57 COLLECTING 31 We’refallingforsailor’s SPACEODDITY Valentines,saysDaisyAllsup Breitling’sCosmonaute blastsoffagain.By 58 TECHNOPOLIS NickFoulkes JamieWaterspicksfive 17 gadgetsforpets 61 DRINK What’sthedealwithwine NFTs,asksAliceLascelles 61 FOOD AjeshPatalayfeastsin MonteCarlo 62 HOWTOSPENDIT CE A IN...STOCKHOLM WALL FashiondesignerJonny RIS Johanssonshareshisguide H N.C totheSwedishcapital A R T HELLE C MI N. O OLLIS M MES A J M. U USE FEATURES ALSHELLM 2820M2A2Y 36 WILDINWALES 46 KYLIEMINOGUE, NATION Pofr.i..nPceOssP gLoaucroattAasghecleoyr’esignratnhdedcaouugnhttreyr.s UThNeCpOoRpKmEeDgastarhasturnedwine WS HowKYLIEMINOGUEuncorkedaBUSINESSSENSATION InterviewbyKateFinnigan. mogul.JessicaBeresfordjustcan’t THE JONNYJOHPALNUSSSON–SOPHIEASHBY–TOTOBERGAMOROSSI–LILY&EDIEASHLEY–MICHAELBROWNE–EMILYADAMSBODE–OLIVIERDEGIVENCHY PhotographybyLauraBailey. getitoutofherhead AT BAILEY-M MOPhNICotTHoHEgELraLCEpOhTVyREAbRyN: S4t2ylingbyCathyKasterine 50 THESECRETFURNITURE 46 HS: Productionandstyling ALOHA,STRANGER OFENRICMIRALLES AP byNICKLORD Inthemass-tourismmeccaof RoddyClarkemeetsthearchitect’s R OG Hawaii,ChrisWallacefinds widowassheunveilshislesser- HOT KWYinLeIEinMSINouOtGhbUaEnakt,ACuosmtrmaluiane alternativeescapes knownworks P 9 Allproductsinthemagazineareavailabletobuyfromeachbrand’swebsiteorstore,unlessotherwisestated FT.COM/HTSI OPENING SHOT Untitled,from SomethingLike aNest,2012,by AndySewell,at JamesHyman Gallery,London andRobertMorat Galerie,Berlin KITCHEN-SINK AndySewell’sphotographsofBritishcountryliferevealamore 1945onwards,whichalsoincludesessaysbyEkowEshunand modernandvibrantworldthanthe“mutedcoloursandorganic, LouStoppard.Organisedchronologically,itoffersastriking DRAMA time-wornmaterials”thatmakeupouridyllicfantasiesofcountry overviewofhowBritishsocietyhasbeenrepresentedover living,saystheBritishartist,whowasbornineastLondonand thepastsevendecades.“It’saplaceoftendepictedasa grewupinHertfordshire.Whatdrewhimtothiskitchen-sink self-containedworld,asanescapefrommodernity,”says stilllife(above)is“thespacebetweenthecountrysideasan SewelloftheUK’sgreatoutdoors.“Whatisthereisalways ThephotographsofAndySewell,partof ideaandthemessier,morecomplexexperiencewefindthere”. morefluid,mysteriousandentangled.”BAYASIMONS anewhistoryofBritishphotography,offer Sewell’sphotographsfeaturewiththoseofDonMcCullin, AnotherCountry:BritishDocumentaryPhotographySince analternativeviewoncountrylife ChloeDeweMatthews,MartinParrandothersinanewsocial 1945byGerryBadgerispublishedbyThames&Hudsonin andculturalhistoryofBritishdocumentaryphotographyfrom collaborationwiththeMartinParrFoundationat£50 CONTRIBUTORS JOSHUATARN MARTIENMULDER JAMESMOLLISON AVRILGROOM “Myloveoftakingpicturesbeganwitha “SubmergingmyselfintheworldofEmilyand FromgreatapestoPabloEscobar’smother, “Ihadn’texpectedthethreadofwryhumour gradualrealisationthatmytraditionalartwork Aaronwaslikeanadventurousdream,”says theBritish-born,Italy-basedphotographerhas thatrunsthroughhisobservations,”saysthe wasatrocious,”saysthephotographer,who theDutchphotographer,whoshotmenswear capturedawiderangeofsubjects.ForThe editorandwriteronfashion,jewelleryand WELL workedforfashionphotographersincluding designerEmilyAdamsBodeandherhusband AestheteheshotVenetianHeritagedirector watchesofherinterviewwithAcneStudios SE Mert&MarcusandNickKnightbefore AaronAujla,theco-founderofdesignstudio TotoBergamoRossi.“Enteringhisapartment founderJonnyJohanssonforHowToSpendIt Y ND breakingoutonhisown.Forthisissuehe GreenRiverProject,intheirManhattanhome waslikesteppingbackintime,”hesays.“This In…Stockholm.“Jonny’sjourneyintofashion A H: shotMichaelBrowne,theSavileRow-trained forthisweek’sDoubleAct.“Theirapartmentis illusionwasbrieflybrokenwhenIlookedout wasviamusicandtheisolationofnorthern P RA tailor.“Heshowedmehowtailoringcouldbe atrueGesamtkunstwerk–abeautifulmixof ofthewindowontoabridgeI’vecrossed Swedenbuthelovesgentlyribbingthe G O educational,funandatrueeventinyour objects,furnitureandtextiles.They’vecombined hundredsoftimes.NoweachtimeIpassIwill stereotypes.IhopenexttimeIvisitIwill OT H sartoriallifestyle,”saysTarn. theirartformstocreateacohesivewhole.” lookupandknowsomeofthesecretsinside.” seeStockholmthroughhiseyes.” P 11 FT.COM/HTSI Cuvée Rosé, chosen by the best. IllustratedbyQuentinBlake The Ritz London MAISONFAMILIALEINDÉPENDANTE champagnelaurentperrier www.laurent-perrier.com Photocredit:IrisVelghe/Illustrationcredit:QuentinBlake/ConceptionLuma

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