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KRISTIN THOMPSON DAVID BORDWELL ISBN-1937:8 -0-07-02398-34 ISBN-01:0 -07- 038429-0 90000 McGraw-HHiiglhEled ru cat'lZi on r1 A DilloifTs iiloMelcGr la w-HilCamlp a/lies >z 99" 778800007700"33 8844229933 www.mhhe.com FILMH ISTORY AnI ntroduction FILMH ISTORY • • • • • • • •• •• • • • • • • • • • • • • • AnI ntroduction SecoEnddi tion KrisTthionm pson DaviBdo rdwell UnivresiotfWy is cnosiandi-sMon BostonB urRri dgeI,L DubuqueI,A MadisoWnI, New York SanF ranciscSot L.o uisB angkokB ogotaC aracasK ualLau mpur LisbonL ondonM adridM exicCoi tyM ilanM ontreaNle w Delhi SantiagSoe oulS ingaporSey dneyT aipeTio ronto McGraw-HHiiglhlEe dru catrzi on A DivioTsfhi Meoc Gnr aw-CHoilmlp anies FilHmi stoArnyI :n troduction PublisbhyMe cdG raw-Hialnli ,m prionfTt h eM cGraw-HCiolmlp aniIensc,1_ 22, 1A venuoef thAem eircaNse,w Y orkN,Y 10020_C opyri©g h2t0 031,994,by T heM cGraw-HiClolm paniIensc,A. l rli ghrtessv eerdN.o patro f tphuibislc atmiaoynb er eproduocrde idts ribuitne d anyf orom rb ya nym eanosr,s torienad d ataboarsr ee terviasly stewmi,t hotuhtpe riworri t tenc onseonfTt h eM cGra-wHiClolm paniIencs.,i, n cludbiuntng o,tl imitteoid,n a nyn et worko ro theerl ectrsotnoirca ge or troarnb srmoiasdscfiaoosdrnti t, sa nclee arning. Somea ncillairnicelsu,de ilcnetgr onaincdp ricnot mponenmtasyn, o tb ea vailatbocl ues tomeorus tsitdheUe n itSetdae ts. This biospo rki ntoenad c irde-pefa p.e r 7 8 Q9P D0Q/ PD 0 9 8 7 6 ISBN 97-80--00738429-3 MHID0 -70-038429-0 PubslhieCrh:r iFsr eitag SponsoreidintgoA rl:l isMocnN amara Marketmiannga geLri:s Bae rry Projemcatna geDra:v iSdu tton Seniporro ductsiuopne rovriR:si chaDredV itto Dierctoorfd eisgnJ:e annSec hreiber Seniori gdneeJsre:a Mna ilander Arte dtiorE:m maG hiselli Covedre siJgona:nG reenfield Interdieosri gGnl:e ndKai ng Photroe seacrocohr dinNaotroarA :g bayani CompositTohorm:p soTny pe Typefac1e0:1 S1a3b on PrniteQru:e becWoorr lDdu buquIen c. Becatuhspieas g cea nnloetg iabclcyo mmoadltalhtc eeo pyrniogthitpc aeg7se3,8 c onstitutes ane xtenosfti hocinos p yrpiagghet. LibroafCr oyn grCeastsa loging-iDna-tPau blication ThompsoKnr,i st1i95n0,- Filhmis torAyn: I ntroducIK triiosnTt hionm psonD,a viBdo rdw.e2-lnlde d. p.c m. Inclubdieibsol graphriecfaelr eanncdei sn dex. ISBN0:-0 7-03842(9al-k0p. a per) 1.M otiopni ctures-yH.Ii s.Bt oorrdewlDla,v iIdI.T. i lte. PNI993.5l. TA45 2002 791.4'309-dc21 2000270967 http://www.mhhe.com ToG abrielle � CheLze ont ouets bto n • • • • • • • • • • • • • • • • • • • • • • • • • • • • CONT1:NTS PrefacXIeX BasiAcp proac5h e/sE xplaintihnPega sOtr:g anizing thEe viden5c e IntroduFcitliHmoi ns:ta onrdyH owI tI sD one 1 OurA pprotaocFh i lHmi story 7 WhyD oW eC arAeb out MOolvdi es? 1 HistaosrS yt ory 9 WhaDto F ilHmi storDioa?n s 2 References 10 QuestiaonndAs n swer2s / F ilHmi stoarsDy e scription andE xplanat3i /oE nv iden4c /eE xplaintihnPeg a st: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • BARLYC INBMA PaOrtn e 11 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 1 THEI NVENTIOANN DE ARLYYE AROSF Referenc3e2 THEC INEMA1,8 80s-191034 FurtRheeard gi n32 TheI nvenotfit ohCnei nema 14 2 THEI NTERNATIOENXAPLA NSION PrecondiftoiMroo ntsi on Pic14t/ uMr aejso Prr ecursors ofM otioPni ctu1r5e/ sA nI nternatPirooncaeolsf s OFT HEC INEMA,1 905-193132 Invent1i6o n FilPmr oducitnEi uorno pe 33 EarFliyl mmaaknidnEg x hibition 21 France: vPeartsGhuaesu mon3t3 / I talGyr:o wth SceniTcopsi,c aalnsdF, i ctFiioln m2s1 / C reatainn g throuSgphe cta3c5l/ eD enmarNko:r diasnkd O le AppealPirnogg ra2m1 / T heG rowtohft hFer ench Olse3n6 / O theCro untr3i7e s FilImn dust2r2y TheS trugfogrtl heEe x pandAimnegr ican BOX: THE SPRFAD OF THF CINEMA AROUND THE FilImn dustry 37 WORI D: SOME REPRESENTATIVEE XAMPLES 22 TheN ickelodBeooonm3 7/ T heM otioPni cture BOX: GI:ORC,ESM ELl t,S,M AGICIAN OF THE PatenCtosm panvye rstuhseI ndepend3e9n/ tS so cial CINEMA 24 PressuarnedSs e lCfe-nsors4h0i/ pT heR isoeft he FeatuFriel 4m 1/ T heS taSry ste4m1 / T heM ovies Englaannddt hBer ightSocnh oo2l4 / T heU nitSetda tes: Movet oH ollywo4o2d Competiatnidot nh Re esurgeonfEc dei so2n7 TheP robloefNm a rraCtliavrei ty 42 Noteasn dQ ueries 31 EarlMyo vetso warCdl assSitcoarly te4l3l ing IdentificaantdPi roens ervoaftE iaornl y F3i1l/ mR se viving InterienEs atr lCyi nemTah:eB rightCoonn fere3n2c e AnI nternaSttiyolnea l 50 viii CONTENTS Noteasn dQ ueries 51 Franc6e2 / Denmar6k3 / Swede6n4 GriffithI'msp ortainntc heDe evelopment TheC lassHioclally wCoionde ma 68 ofF ilSmt yl5e1 TheM ajoSrt udiBoesg itnoF orm6 8/ Controlling BOX: THEB EGINNINGSO F FILM ANIMATION 52 Filmmak6i8n/ g F ilmmakiinHn ogl lywodoudr ing th1e9 107s0 Referenc5e4s FurtRheeard gi n54 BOX: PRECISIONST AGING IN EUROPEAN CINEMA 71 Filmasn dF ilmmak7e3r/ s S treamlAimneirnigc an 3 NATIONACLI NEMAHSO,L LYOWOD Animati7o7n CLASSICAINSDMW ,O RLDW ARI , SmalPlreord ucCionugn tries 77 1913-195159 Noteasn dQ ueries 79 TheA meriTcaakne oovfeW ro rlMda rkets 56 TheO ngoiRnegd iscoovfet rhy1e 9 1O s7 9 TheR isoefN atioCnianle mas 57 Referenc8e0s German5y7 / Ital5y8/ Russi6a0 FurtRheeard ing 80 BOX: THE BRIEFH EYDAY OF THE SERIAL 61 • • • • •• • • • • • • • • • • • • • • • • • • • • • • •• •• •• •• •• • • • • 1919-198219 PaTrtw oT HEL ATSEI LEENRTA , • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 4 FRANCIEN T HE1 9208s5 GenraensdS tyolfeG se rmaPno stwCairn ema 102 TheF renFcihl Imn dusatfrtWyeo rr lWda rI 85 Specta1c0l3e/ s T heG ermaEnx pressiMoonviesmte n1t0 3 CompetiftriooImnm por8t5s/ Disunwiittyh tihne A CHRONOLOG Y OF GERMAN EXPRESSIONIST FilImn dus8t6r/ y O utdatPerdo ductFiaocni li8t6i es CINEMA 104 Major PoGsetnwraers 87 Kammersp1i0e9l/ GermaFni lmAsb roa1d1 0 TheF renIcmhp ressMioovneimsetn t 88 MajoCrh angients h Mei dt-oL at1e9 20s 110 TheI mpressioRneilsatttsio'ot nh Ien dust8r8y TheT ehcnologUipcdaalt ionftg h Gee rman Studi1o1s1 / TheE ndo fInflati1o1n2 A CHRONOLOGY OF FRENCH IMPRESSIONIST CINEMA 89 TheE ndo ft hEex pressMioovneimsetn t 113 ImpressiTohneiosr9ty0 / Formal Torfa its NewO bjectivity 114 Impressio9n1i sm BOX: G.W . PABST AND NEW OBJECTIVITY 116 TheE ndo fF renIcmhp ressionism 98 ExpoarntdC lassical Style 115 TheF ilmmakGeor Tsh eiOrw n Ways9 8/ Problewmist htihnFe i lImn dust9r8y Noteasn dQ ueries 118 Noteasn dQ ueries 99 GermaCni nemaan dG ermaSno cie1t1y8/ FrenIcmhp ressiTohneiosratyn dC ritic9i9s/ m ExpressioNneiwsO mb,j ectiavnidtt hyeO, t heArr t1s1 8 RestoraWtoirokon n N apole1o0n0 Referenc1e1s8 Referenc1e0s0 FurtRheeard ing1 18 FurtRheeard ing1 00 5 GERMANIYN T HE1 9201s0 1 6 SOVIECTI NEMIAN T HE1 9201s1 9 TheG ermaSni tuatioWonr alWdfa trIe r 101 TheH ardshoifWp asrC ommuni1s9m1,8 -1912109