Table Of Content

Supplement to Film Comment FILM COMMENT 1996 INDEX to Volume 32, 1996 by Linda Batty FILMS Reynaud, Berenice. le “hood: HATE and its neighbors. FC what/who represents feminism in today’s Hollywood? 32:2 Mar- \pr96, 54-58. ill. French ‘banlieu’ films. Ref. Ref. SCARLET LETTER (D. Moore); SHOWGIRLS ACROSS THE SEA OF TIME (Stephen Low) HATE/LA HAINE (Kassovitz); RAI (Gilou); DOUCE (Eliz. Berk-ley); TO DIE FOR (Nicole Kidman); THI See: IMAX 3-D FRANCE: BYE BYE (Dridi); LETAT DES LIEUX LAST SEDUCTION (Linda Fiorentino): BASK AEON FLUX (Peter Chung, MTV) (Ric het) INSTINCT (S. Stone) Atkinson, Michael. Inside AEON. F¢ 32:1 Jan-Feb’96, EMIGRATION, NEW YORK (Egon Humer) LATCHO DROM (Tony Gatlif) See: DOCL MENTARY 20. ill. See: NEW YORK FILM FESTIVAL LEAVING LAS VEGAS (Mike Figgis) AMERICAN JOB (Chris Smith) ENGELCHEN (Helke Misselwitz) Kerne, Timothy. [Letter]: Que Sera Sera. FC 32:4 July- Supanick, Jim. Down time. FC 32:3 May-June’96, 69- Chang, Chris. She’s the one. FC 32:6 Nov-Dec"96, 4, 7. ill. Aug96, 88. Response to David Thomson's review of 71. ill. ETAT DES LIEUX, VL (Jean-Francois Richet) LEAVING LAS VEGAS, FC 31:6 Nov-Dec °95. AMOR (Robert Beavers) See: NY FI Reynaud. Berenice. le “hood: HATE and its neighbors. F¢ LESSONS OF DARKNESS (Werner Herzog) AS TEARS GO BY (Wong Kar-wai) 32:2 Mar-Apr96, 54-58. ill. French “banlieu’ films. Ref. See: DOCUMENTARTY CINEMA See: WONG KAR-WAI LA HAINE (Kassovitz): RAI (Gilou): DOUCE FRANC! LILIES (John Greyson) See: \Y FI BASIC INSTINCT (Paul Verhoeven) Chibane): BYE BYE (Dridi): LETAT DES LIEUX LONE STAR (John Sayles) Nicastro, Nicholas. Actresse s and ambition. FC 32:1 FALLEN ANGELS (Wong Kar-wai) Smith, Gavin. “I don’t want to blow anything by people.” Ft Jan-Feb"96, 2-4 ll. Women, power/success and sex: See: WONG KAR-WAI 32:3. May-June’96, 56-68 ill. J. Sayles interview: career, vhat/who_ re presents femimsm in today’s Hollywood? FIRE (Deepa Mehta) See: NY FI films Ref. SCARLET LETTER (D. Moore): SHOWGIRLS FRANTZ FANON: BLACK SKIN, WHITE MASK LULU (Lewis Klahr) See: NY FI Eliz. Berkley): TO DIE FOR (N. Kidman); THE LAST (Isaae Julien) See: NYFF MADE IN L.A. (Michael Mann) SEDUCTION (L. Fiorentino): BASIC INSTINCT (S FRENCH CANCAN (Jean Renoir) See: L.A. TAKEDOW N (Michael Mann) Stone}. See: RENOIR, JEAN MAHJONGG (Edward Yang) BASQUIAT (Julian Schnabel) See: ART AND CINEMA GABBEH (Mohsen Makhmalbaf) See: NYF! See: BERLIN & NEW YORK FILM FESTIVALS BEACH RED (Cornel Wilde) See: WILDE. CORNEI GARCU, LE (Maurice Pialat) MAKING ‘THE SHINING? (Vivian Kubrick) BEYOND THE CLOUDS (Michelangelo Antonioni) Kehr, Dave. Family values. FC 32:5 Sept-Oct96, 36- Combs, Richard. Kubrick talks! FC 32:5 Sept-Oct96, 81 See: NEW YORK FILM FESTIVAI 10. ill. S4. ill. Ref: TV doc THE INVISIBLE MAN. BLACK PIRATE, THE (Albert Parker) See also: NEW YORK FILM FESTIVAL (Le Garcu) MANDELA See: NEW YORK FILM FESTIVAL Tibbetts, John¢ The choreagraphy of hope: the films of GHOST IN THE SHELL (Oshii Mamoru) MEAN STREETS (Martin Scorsese) See: CASINO Douglas Fairbanks Sr. F¢ 32:3. Mav-June’96, 50-55. ill Chute, David. The soul of the new machine. FC 32:3 May- MEN IN WAR (Anthony Mann) Includes insets on: the use of color in THE BLACK June’96. 84-88. ill Kemp. Philip. ‘The story of all wars.” F¢ 32:4 Julv-Aue96, PIRATE; and restoration of Fairbanks films GOODBYE SOUTH, GOODBYE (Hou Hsiao-hsien) 50-54. ill. BRIDGES OF MADISON COUNTY, THE See: NEW YORK FILM FESTIVAL MIRACLE MAN, THE (George Loane Tucker) (Clint Eastwood) GOODFELLAS (Martin Scorsese) See: CASINO See: TUCKER. GEORGE LOANEI Combs, Richard. Old ghosts. F¢ 32:3 Mav-June96. 24- HAINE, LA [HATE] (Mathieu Kassovitz) MISSION: IMPOSSIBLE (Brian De Palma) >) Reynaud. Berenice. le “hood: HATE and its neighbors. F¢ Hampton. Howard. Rerun for your life ° rvs search ant BYE BYE (Karim Dridi) 32:2 Mar-Apr96, 54-58. ill. French “banlieu’ films. Ref. destroy mission. FC 32:4 July \ug 96. 46-49. ill. Reynaud, Berenice. le “hood: HATE ind its neighbors. F¢ LA HAINE: RAIL (Gilou); DOUCE FRANCE (Chibane): Oguss. Greg. Letters: sweet evetooth. FC 32:5 Sept-Oct96 32:2 Mar-Apr96, 54-58. ill French “banlieu’ films. Ref BYE BYE (Dridi); PETAT DES LIEUX (Richet) 88. Response to Howard Hampton's irticle (FC 32:4 Julv- HATE/LA HAINE (Kassovitz); RAI (Gilou): DOUCE HANGING AROUND (Damien Hirst) \ug 96, 40-49). FRANCE (Chibane): BYE BYE: CETAT DES LIEUX See: ART AND THE CINEMA NAKED PREY, THE (Cornel Wilde) Richet HATE (Mathieu Kassovitz) See: HAINE, LA See: WILDE. CORNEI CASINO (Martin Scorsese) HEAT (Michael Mann) NELLY ET M. ARNAUD (Claude Sautet) Smith. Gavin. 2.000 light vears from home: Scorsese's big Combs. Richard. Michael Ma nn: becoming. FC 32:2 Mar- Lyons, Donald. Purple noons and quiet evenings. FC 32Z: 3 CASINO. FC: 32:1 Jan-Feb'96, 59-63. ill. Scorsese's latest Apr96, 10-17. ill. Writer, producer, director Mann. May-June96, 80-83. ill. Ref. Susan Sontag: French cine- on culture of Ameriar violence, « riminal enterprise. ind Thematic and stylistic features of his films. ma; PURPLE NOON (Rene Clement): and NELLY civic life. Ref. MEAN STREETS, GOODFELLAS HELAS POUR MOI (Jean-Luc Godard) NO BLADE OF GRASS (Cornel Wilde) CEMETERY MAN (Michele Soavi) See: GODARD. JEAN-LU( See: WILDE. CORNEI McDonagh. Maitland. Vintage Soavi. F¢ 2:2 Mar-Apr96. HISTOIRE(S) DU CINEMA (Jean-Lue Godard) NOBODY WILL SPEAK OF US WHEN 47-50. ill. Career. Ref. DELLAMORTE DELLAMORI See: GODARD. JEAN-LU( WE ARE DEAD (Agustin Diaz Yanes) |CEMETERY MAN] HOW | GOT INTO AN ARGUMENT...(MY SEX Chang, Chris. My life to live. FC 32:3 May-June’90, 72-74 CHIENNE, LA (Jean Renoir) LIFE) (Arnaud Desplechin) See: NYFF NOBODY’S BUSINESS (Alan Berliner) See: NY FI Phelps. Donald. LA CHIENNE Legrand’s illusion. F¢ ILLTOWN (Nick Gomez) NOUVELLE VAGUE (Jean-Luc Godard) 32:1 Jan-Feb'96. 67-71. ill. Two produc tions of Georges ce See: GOMEZ, NICK: N.Y. & TORONTO FILM FESTI- See: GODARD, JEAN-LUC la Fouchardiere’s novel LA CHIENNI Renoir) and VALS PARTIE DE CAMPAGNE, UNE (Jean Renoir) SCARLET STREET (Fritz Lang) INVISIBLE MAN, THE (TV documentary about See: RENOIR, JEAN CHUNGKING EXPRESS (Wong Kar-wai) Stanley Kubrick) PEOPLE vs. LARRY FLYNT, THE (Milos Forman) See: WONG KAR-WAI Combs, Richard. Kubrick talks! FC 32:5 Sept-Oct96, 81- See: NEW YORK FILM FESTIVAL CIN=MA EUROPE: THE OTHER HOLLYWOOD 84. ill PORTRAIT OF A LADY (Jane Campion) [6-pt series] (Kevin Brownlow, David Gill) IRMA VEP (Olivier Assayas) Murphy. Kathleen. Jane ( amp n’s shining portrait of a Thompson, Frank. Another Hollywood heard from. FC 32:4 See: NEW YORK FILM FESTIVAL director. FC 32:6 Nov-Dec’96, 28-33. ill. July-Aug96. 84-86. ill JLG/JLG (Jean-Lue Godard) PROMESSE, LA (Lue and Jean-Pierre Dardenne) CLOSEUP (Abbas Kiarostami) See: GODARD, JEAN-LU( See: NEW YORK FILM FESTIVAL See: KIAROSTAML ABBAS JOHNNY MNEMONIC (Robert Longo) PSYCHO (Alfred Hitcheock) DAYS OF BEING WILD (Wong Kar-wai) See: ART AND THE CINEMA Griffith. James. PSYCHO: not gu tv as charged. FC 32:4 See: WONG KAR-WAI JUPITER’S WIFE (Michel Negroponte) July-Aug’96, 76-79. ill. DEAD MAN (Jim Jarmusch) See: DOCUMENTARY CINEMA PULP FICTION (Quentin Tarantino) Levich. Jacob. Western auguries. FC 32:3. May-June96. KIDS (Larry Clark) See: ART AND THE CINEMA See: TARANTINO, QUENTIN 39-41. ill. DEAD MAN as filmic rendition of William KILLERS. THE (Don Siegel) PURPLE NOON (Rene Clement) Blake’s life and thought Hampton, Howard. Return of the body snatchers. FC 32:6 Lyons, Donald. Purple noons and quiet evenings. FC 3Io2:: 3 DESERET (James Benning) Nov-Dec’96, 82-85. ill. May-June96, 80-83. ill. Comments on, examples from Reynaud, Berenice. The filmmaker as haunted landscape. L.A. TAKEDOWN (Michael Mann) French cinema. Ref. Susan Sontag: PURPLE NOON; and FC 32:6 Nov-Dec96. 76-81. ill Career, connections Schow. David J Letters: tracked down. FC 32:5 Sept- NELLY ET M. ARNAUD (Claude Sautet) between his films. Oct96, 88. Response to Richard Combs’s article (FC 32:2 RAI (Thomas Gilou) DOUBLE INDEMNITY (Billy Wilder) Mar-Apr96, 10-17) on Mann. Ref. L.A. TAKEDOWN (aka Reynaud, Berenice le “hood: HATE and its neighbors. F¢ Naremore, James Straight down the line: making and MADE IN L.A.), HEAT’s predecessor. 32:2 Mar-Apr96, 54-58. ill. French *banliew films. Ref. LA remaking DOUBLI INDEMNITY. FC 32:1 Jan-Feb’96, LAST SEDUCTION. THE (John Dahl) HAINE (Kassovitz): RAL DOUCE FRANCE (Chibane): 22-31. ill. Nicastro. Nicholas. Actresses and ambition. FC 32:1 Jan- BYE BYE (Dridi); PETAT DES LIEUX (Richet). DOUCE FRANCE (Malik Chibane) Feb96, 2-47. ill Women, power/success, ind sex: REBELS OF THE NEON GOD (Tsai Ming-liang) l See: TSAL MING-LIANG PWO SECONDS (Mervyn LeRoy) See: WAY TO THE STARS. THI RENDEZVOUS IN PARIS (Erie Rohmer) Phe Ips, Donald. On the spol FC 32:2 Mar-Apr'96 ASSAYAS, OLIVIER White, Armond. Auteureritique: Eri Rohmer reflects. F¢ 79. ill Jones. Kent. Tanglel ed up in blue. Fe 32:1 Jan-Fe b96. 50 32:5 Sept-Oct96, 14-19. ill TYPEWRITER, THE RIFLE, AND THE MOVIE 97. ill. Career. themes. etc. The color blue outh, politic RESERVOIR DOGS (Quentin Tarantino) CAMERA, THE (Adam Simon) resona nee in his films Ref. UNE NOUV ELLE VIE. DES- See: TARANTINO, QUENTIN Horton. Robert Sam's place Ke 32:3. May-June"96, 4-9 ORDRE, LENFANT DE CHIVER. PARIS SEVEILLE. RIVER, THE (Jean Renoir) See: RENOIR. JEAN ill. Documentary about write r-produc er-director LEAL FROIDE. See N.Y. FILM FEST (lrma Vep ROLLING STONES ROCK AND ROLL CIRCUS Fuller AL DIARD, JAG Ql ES (A Self-Made Hero) See NEW YORK FILM FESTIVAL UMBRELLAS OF CHERBOURG, THE See: NEW YORK FILM FESTIVAL SALAAM CINEMA (Mohsen Makhmalbaf) (Jacques Demy) See: DEMY. JACQUES AVANT-GARDE CINEMA Smith, Gavin. Method in movie madness. FC 32:4 July UMM KULTHUM: A VOICD LIKE EGYPT Arthur. Paul. Avant-garde treat. FC 32:6 Nov-Dec’96. Aug’96, 44. ill (Michael Goldman) See: NEW YORK FILM FESTIVAL 67-69. ill. Avant-garde participation it NYFF. Ref SALUT COUSIN! (Merzak Allouache) See: NY FI UNDERGROUND (Emir Kusturica) See: \\ FI LULI Lewis Klah PUNIN THE SLEEPING SCARLET LETTER, THE (Roland Joffe) VERTIGO (Alfred Hitehcock) MACHINE (Da id Sher an): SUMMER CANNIBALS (R Nicastro. Nicholas. Actresses and ambition. FC 32:1 Jan Lyons. Donald. Notes while falling. Fé 52:6 Nov-Dec96 Frank): AMOR R. Beavers): THE SECRET STORY (Jani Fel96, 2-4.7. ill. Women, power/success. and sex: what O-+. ill. The restored VERTIGO. who represents feminism in today’s Hollywood? Ref. VIVE DAMOUR (Tsai Ming-liang) AWARDS SCARLET LETTER (D. Moore): SHOWGIRLS $ (Eliz See: TSAL MING-LIANG See: ACADEMY OF MOTION PICTURE ARTS AND BerkleTyO) D:I E FOR (NX. Kidman): THE LAST SEDUC- WAY TO THE STARS, THE (Anthony Asquith). SCIENCES AWARDS: BEST FILMS: BOX OFFICI FES TION (L. Fiorentino): BASIC INSTINCT (S. Stone) Kennedy. Harlan. How they won the w uw: British inem PIVALS: GUILTY PLEASURES SCARLET STREET (Fritz Lang) ind World War Two. F¢ 32:5 Sept-Ocv96, 23-34. ill BANLIEU FILMS Phelps. Donald. LA CHIENNI Legrand’s illusion. Ft WHOLE WIDE WORLD, THE (Dan Ireland) Revnaud. Berenice le’ hood: HATE and its neighbors. Ft 32:1 Jan-Felb96. 67-71. ill. Two pt roducotf Gieoorgness d e Murphy. Kathleen. Weird tales. true onfession FC 32:5 32:2 Mar-Apr96, 54-58. ill. French “banlieu’ films. Ret la Fouchardiere’s novel: LA CHIENNE (Jean Renoir) and Sept-Oct96, 10-13. ill. Ref. The Seattle International LA HAINE (Mathieu Kassovitz) RAIL (Thomas Gilou SCARLET STREET Film Festival DOLCE FRANCE (Malik Chibane): BYE BYE (Karin SEARCH AND DESTROY (David Salle) WILD RIVER (Elia Kazan) Dridi): LETAT DES LIEUX (Jean-Francois Richet See: ART AND THE CINEMA Chase. Donald Watershed. FC 32:6 Nov-De ¢ 9%. 10 BEACHMONT SILENT FILM FESTIVAL SECRET STORY, THE (Janie Geiser) See: \Y FI 15. all Thomajan. Dale. Charlie Chaplin never called me pig. Ft SECRETS & LIES (Mike Leigh) See: NYFI WINDOW, THE (Ted Tetzlaff) 32:6 Nov-Dec96, 8-9. ill SELF-MADE HERO, A (Jacques Audiard) Se Arthur, Paul. Film noir as primal scene: THE WINDOW BEAVERS, ROBERT (Amor) See: \\ FI NYFI FC 32:5 Sept-Oct96, 77-79. ill. Film noir generally. BENNING, JAXIES SENSE AND SENSIBILITY (Ang Lee) YOUNG GIRLS OF ROCHEFORT, THE Reynaud. Berenice. The filmmaker as haunted landscape Lyons. Donald. Passionate Pre« ision. FC 32:1 Jan-Feb 96. (Jacques Demy) See: DEMY, JACQUES Ke 32:6 Nov-Dec96. 76-81. il Care tions 30-41. ill YOUNG POISONER’S HANDBOOK, THE betwee n his films. Ref. DESERET SHINING, THE (Stanley Kubrick) (Benjamin Ross) BERLIN FILM FESTIVAL Combs, Richard. Kubrick talks! Ft 32:5 Sept-Ocv96, &1- Kenned v. Harlan. Kind hearts and cor maries. | 32:1 Kennedy. Har in. Cold c¢ mmfort films: Berlin Film Festival 84. ill. TV documentary THI INVISIBLE MAN (about Jan-Fel’96, 8-10. ill FC 32:3 May-June96.76-78. ill. RICHARD Hl: RESTO- SMtAaKnlIeNyG K“uTbHriEc k).S HIRNefI. NG excerpts Vivian Kubrick's SUBJECTS RSAETNISOEN : &H OMES ENSFIOBRI LITTHEY : HOLMIADHAJYOSN: GGM)A:R Y FRAELILLLEYN: SHOWGIRLS (Paul Verhoeven) ANGELS:B LADE: SUN VALLEY: SUN HAS EARS: GET Nicastro, Nicholas. Actresses and ambition. F¢ 52:1 Jan ACADEMY OF MOTION PICTURE ARTS AND SHORTY: TOY STORY: NIXON: DEAD MAN WALK Felb96, 2-4.7. ill. Women. power/success ind sex: what SCIENCES AWARDS NG: ALL IS FAIR: HOLY WEEK: MON HOMME: who represents feminism in today’s Hollywood? Ret Oscar predix. Fe 32:2 Mar-Apr96, 2. David \nsen. MOTHER’S COURAGE: STRANGLED LIVES: SUM- SCARLET LETTER (D. Moore): SHOWGIRELS (Eliz Aljean Harmetz John Hartl, Gregg Kilday J ick Mathews MER IN LA GOULLETTE: WELCOME TO THE DOLI Berkley): TO DIE FOR (\. Kidman): THE LAST SEDUC- Peter Rainer Andrew Sarris. Richard Schickel. Stephen IOLSE: FRISK: STREETLIFE: VILLAGE OF DREAMS lION (L. Fiorentino): BASIC INSTINCT (S. Stone). Schiff. Gavit Smith, Anne Thompson, and Kenneth Turan BERLINER, ALAN (Nobody's Business) SLING BLADE (Billy Bob Thornton) Se: NYFI predict Ose ir winners See: NEW YORK FILM FESTIVAL SMALL FACES (Gillies MacKinnon) Oscar redux. FC 32:3 Mav-June’96, 2 Oscar Predix team BEST FILMS Kennedy, Harlan. Kiltspotting: highland reels. FC 32:4 vives second opmions the weekend before the Awards. The Jest of “95. FC 32:1 Jan-Feb96, 43-45 Richard 17 Julv-Aug’96. 28-33. ill Modern Se ttish cimema Ref team’s results and the Academy's results compared | im Gavin Smith. Kathleen Murphy. Michael PRAINSPOTTING (Danny Boyle) and SMALL FACES ACTORS \t on, Chris Chang. Richard Corliss, Molly Haskell STARTING PLACE/PLACE DU DEPART Bush. Lyall. Doing Brando. FC 32:1 Jan-F b'96. 83-88. ill P ogue, Robert Horton, Harlan Kennedy. Dave Kehr (Robert Kramer) See: DOCUMENTARY CINEMA Male expressivity/anger: the Brando image inn post srando Jonald Lyons, Andrew Sarris. Richard Schickel. Anne SUBURBIA (Richard Linklater) See: NY FI larantino. Ref. RESERVOIR DOGS. Pl LP FICTION hompson. Armond White choose their Ten Best. See also SUMMER CANNIBALS (Robert Frank) See: \Y FI Nicastro. Nicholas Actresses and Ambition. FC 32:1 Jan- ACADEMY OF VP. ARTS AND SCIENCES AWARDS: TEMPTRESS MOON (Chen Kaige) See: \YFI Felb’96, 2-4.7. ill Women, power/sucees ind’ sey SOX. OFFICE FESTIVALS: GUILTY PLEASURES THEREMIN: AN ELECTRONIC ODYSSEY vhat/who represents feminism in today’s Hollywood? Ref BLACKLIST (Steven H. Martin) See: DOCL MENTARY CINEMA SCARLET LETTER (D. Moore): SHOWGIRLS (Eliz MeGilligan, Patrick. TH alw THEY WON'T FORGET (Mervyn LeRoy) Berkely): TO DIE FOR (N. Kidman): THE LAST SEDUC- Jassin inter ved. FE 32:6 Nov-Dec Johnson, William. In Deep. FC 32:2 Mar-Ay rw9 6, 74 PION (L. Fiorentino): BASIC INSTINCT (S. Stone) Career. Ref. HU AC ind The Blacklist 76. ill Smith, Gavin. New faces [and] Notable performers [°95] BLOCKBUSTERS THREE LIVES AND ONLY ONE DEATH FC 32:1 Jan-Feb96, 47-48. ill. Joaquin Phoenix. Galaxy s. Kent. The summer of our malcontent.F C 3 2-5 Sept (Raul Ruiz) See: NEW YORK FILM FESTIVAL Craze. Kate Winslet. Jason Lee. William Fichtner, Patricia Oct96, 3-4. 7-8. ill. Summer “96 blockbusters. The rel TO DIE FOR (Gus Van Sant) Reves Spindola, Vincent Gallo. Brigitte Bako. James Le lonship Delween a lt s pul Me il Nicastro. Nicholas Actresses and ambition. FC 32:1 Jan- Gros. Elisabeth Shue. Parker Posey. Don Cheadle. Ashley BOX OFFIC! Feb'96, 2-4.7 ill. Women. power/success, and sex: what Judd. Tom Sizemore. John C. Reilly. Joan Allen. Tony BOX OFFICE who represents Te minism in today’s Hollywood? Ret Leung. Robert De Niro t The | ear. FC 32:2 Mar SCARLET LETTER (D. Moore): SHOWGIRLS (Eliz ACTRESSES See: ACTORS 1995: market share: hits: flops Berkley): TO DIE FOR (Nicole Kidman): THE LAST ALLOUACHE, MERZAK (Salut Cousin!) See: \) FI SEDUCTION (Linda Fiorentino): BASIC INSTINCT (Ss ANTONIONI, MICHELANGELO (Beyond Anne. Is bigger better?: 21st a Stone). the Clouds) See: NEW YORK FILM FESTIVAL 2 M u-Apr96, 60-64 iil. Hollywo TRAFFIC IN SOULS (George Loane Tucker) ART AND THE CINEMA s stt o return: market share vs Set PLCKER. GEORGE LOAN Chan oe. Chris. Mind over matter: the artiste as filmmaker eleases: etc. See also: BLOCKBUSTERS TRAINSPOTTING (Danny Boyle) FC 32:5 Sept-Oct96, 54-62. ill. Artists turned filmmakers BOYLE, DANNY See: TRAINSPOTTING Kennedy. Harlan. Kiltspotting: highland reels. FC 52 David Salle (SEARCH AND DESTROY): Robert Longo BRANDO. MARLON July-Aug96, 28-33. ill. Modern Scottish cinema. Ref JOHNNY MNEMONIC): Damien Hirst (HANGING Bush. Lyall. Doing Brando. F¢ 32:1 Jan-Fe b'96. 83-88. ill PRAINSPOTTING and SMALL FACES (G. MacKinnon). AROUND): Julian Schnabel (BASQUIAT) Larry Clark Male « Xpressivil inger: the Brando mage in post-Brance TROUBLES WE°VE SEEN, THE (Marcel Ophuls) (KIDS): Cindy Sherman (OFFICE KILLER Tarantino. Ref. RESERVOIR DOGS, PULP FICTION Jacobsen. Kurt Memories of injustice Marcel Ophuls’ Demopoulos, Maria. Thieves like us: directors under the BROWNLOW, KEVIN cinema of conscience. FC 32:4 July-Aug’96, 61-67. ill influence. Kt 2:3 Mav-June96 33-37 ill See: CINEMA EUROPE THE OTHER HOLLY WOOD Interview with Ophuls. career, films, themes. “Referencing”: hommage vs. plagiarizing? Ref. musi CAMMELL, DONALD TUNING THE SLEEPING MACHINE video directors quoting trom photogt iphs. Chang. Chris. Cinema Sex Magick. Fe 52:4 July-A ig 90, (David Sherman) See: NEW YORK FILM FESTIVAL ARTHUR, JEAN 14-19, 83. ill Career Ref. DUFFY. PERFORMANCE. 12 MONKEYS (Terry Gilliam) Drabelle. Dennis. “What do vou think | am. a goop?” Ft DEMON SEED. WHITE OF THE EYE. WILD SIDE Jameson, Richard T. MONKEY business. FC 32:3 May- 32:2 Mar-Apr96, 18-25. ill. Career. The “Arthurian Hanstock. Terry. Letter [in response to Chang's article |. Ft June96, 37. Artistic licence: artist Lebbeus Woods's character. 32:5 Sept-Oct'96, 88 injunction against Gilliam “enjoining Universal from ‘dis- ARTISTS AND THE CINEMA CAMPION, JANE See: PORTRAIT OF A LADY tributing. exhibiting. performing or copying those portions Set : ART AND THE CINEMA CANNES FILM FESTIVAL that reproduce Woods's drawing or any portion of it.” ASQUITH, ANTHONY Corliss. Mary. Accommodations with optimism: Cannes LY) 96. FC 32:4 July-Aug’96, 2-4, 9-12. ill. DRIFTING EASTWOOD, CLINT HITCHCOCK, ALFRED See: PSYCHO: VERTIGO CLOUDS: SECRETS & LIES: TRAINSPOTTING: THI Murphy. Kathleen. The good, the bad & the ugly: Eastwood HOLLYWOOD (INDUSTRY) EIGHTH DAY: STEALING BEAUTY: THE EMPTY MIR- as romantic hero. F¢ 32:3 May-June’96. 16-22. ill See: INDUSTRY (HOLLY W.OOD) ROR: RIDICULE: A SELF-MADE HERO: THE QUIET Schickel, Richard. Clint on the back nine. FC 32:3 May- HOU, HSIAO-HSIEN (Goodbye South, Goodbye) ROOM: THE PILLOW BOOK: GABBEH: BREAKING June96. 10-14. ill. The Eastwood hero/anti-hero. See: NEW YORK FILM FESTIVAL THE WAVES: CRASH: TEMPTRESS MOON See also: BRIDGES OF MADISON COUNTY HUAC See: BLACKLIST Kennedy. Harlan. Orbiting sublimity: Cannes “96. FC 32:4 ENGLAND See: GREAT BRITAIN HUMER, EGON (Emigration, New York) July-Aug96, 5-8. ill. THE PILLOW BOOK: BREAKING EUROPE, WESTERN See: NEW YORK FILM FESTIVAI THE WAVES: SECRETS & LIES: DRIFTING CLOUDS Thompson, Frank (nother Hollywood heard from. FC 32:4 IMAX 3-D CD-ROMS See: COMPUTERS AND FILM Julv-Aug@’96, 84-86. ill. Ret. Arthur. Paul. In the realm of the senses. FC 32:1 Jan- CENSORSHIP See: BLACKLIST CINI 1A EUROPE: THE OTHER HOLLY WOOD (6-part Fel 96, 78-81. ill. The simulation of reality. Historical pre- CHAHINE, YOUSSEF series. by Kevin Brownlow and David Gill) cursors, uses today, projections for its future. Ref Kehr, Dave. The waters of Alexandria EXPERIMENTAL CINEMA ACROSS THE SEA OF TIME (Stephen Low) Dec96, 23-2 | See: AVANT-GARDE CINEMA INDEPENDENT CINEMA CHEN, KAIGE (Temptress Woon) FAIRBANKS, DOUGLAS SR. Smith, Gavin. The indie year. F¢ 32:2 Mar-Apr90, 65. See: CANNES& NEW YORK FILM FESTIVALS libbetts. John C. The chore wraphy of hope. FC 32:3 May- Independents, 1995: market share: hits: flops; studios/dis- CHIBANE, MALIK See: DOLCE FRANCI June’96, 50-55. ill. Includes insets on: the use of color in tributors. See also: BOX OFFICE: DOCUMENTARY CHINA THE BLACK PIRATE: and restoration of Fairbanks films INDUSTRY (HOLLYWOOD) Severson. Matt. 5 t: behind the Great Wall. FC 32:3 FAVORITE FILMS See: GUILTY PLEASURES Jones. Kent. The summer of our malcontent. FC3 :2 :5 Sept- Mav-June96. 47-48. ill. Chinese silents (192 22)- 332)0) at a 4t he FEMINISM See: WOMEN IN FILM Oct96, 3-4. 7-8. ill. Summer “96 blockbusters. The rela- 13th Pordenone Sile Film Festva FESTIVALS tionship between a film and its viewing public. CHUNG, PETER 5 AEON FLUX See: BERLIN: CANNES: NEW YORK; PORDENONE: See also: BOX OFFICE CLARRh, LARRY (Kids) 5 ART AND THE CINEMA SEATTLE: SUNDANCE: TORONTO: VENICE IRAN CLEMENT, RENE See: PURPLE NOON FIGGIS, MIKE See: LEAVING LAS VEGAS [Iranian cinema}. FC 32:4 July-Aug96, 34-44. ill Articles COMPUTERS AND FILM FILM NOIR: See: NOIR by Godfrey Cheshire (“Abbas Kiarostami: a cinema of Murphy. Kathleen. | FORMAN, MILOS (The People vs. Larry Flynt) question”): Phillip Lopate (“Kiarostami close up,” [inter- M See: NEW YORK FILM FESTIVAL view]): Gavin Smith (Makhmalbafs SALAAM CINEMA) FRANCE IRELAND, DAN See: WHOLE WIDE WORLD, THE ROM magazine heatre of the iwination: radio storic Lyons. Dor d. Purple noons and quiet evenings.f 322: 3 JARMUSCH, JIM See: DEAD MAN v Orson \ e CD-ROM:et Comments on, ex imple s trom JOFFE, ROLAND See: SCARLET LETTER CRIME FILMS iad Ret. Susan Sor tag: PURPLE NOON (Rene JULIEN, ISAAC (Frantz Fanon: Black Skin, White Arthur. Paul. Los Ange ud NELLY ET M. ARNAUD (Claude Sautet). Mask) See: NEW YORK FILM FESTIVAL July-Aug’96, 20-26 Relationosfh deitepct ive r renice. le “hor ul: HATE and its neighbors. FC KASSOVITZ, MATHIEU See: HAINE, LA (HATE) he olo oy LA. R f: DOLBLE INDEMNIT Y, oi 2:2 pr96, 54-58 ill. French *banlieu’ films. Ref KAZAN, ELIA See: WILD RIVER WALKED BY NIGHT KISS ME DEADLY. POINT LA HAINE (Mathieu Kassovitz): RAI (Thomas Gilou); KIAROSTAMI, ABBAS BLANK. CHINATOWN. TWO JAKES. BLADE RUN DOLCE FRANCE (Malik Chibane): BYE BYE (Karim Cheshire, Godfrey. A cinema ol questions. FC 32:4 July- NER. TRUE CONFESSIONS Dridi): LETAT DES LIEUX Vlean-Francois Richet). Aug 96. 34-36, 41-43. ill. Career. films CURTIZ, MICHAEL FRANK, ROBERT (Summer Cannibals) See: NY FI Lopate. Phillip. Kiarostami close up. Interview. FC 32:4 Lyons. Donald. lron Mik 0 vith Michael Curtiz. F¢ FULLER, SAMUEL July-Aug96, 37-40. ill. Themes. influences. films. 32:2 Mar-Apr96, 80-88. ill. Director's “domestic touch Horton. Robert. Sam’s place FC 32:3 May-June’96, 4-9 KLAHR, LEWIS (Lulu) See: NYFI Ref. KID GALAHAD. FOUR DAUGHTERS. DAUGH- ill. THE TYPEWRITER, THE RIFLE, AND THE MOVIE KRAMER, ROBERT (Starting Place) PERS COURAGEOUS, ROUGHLY SPEAKING. MII CAMERA (Adam Simon . documentary about writer-pro- See: DOCUMENTARY CINEMA DRED PIERCE. THE BREAKING POINT ducer-director Fulle KUBRICK, STANLEY DAHL, JOHN See: LAST SEDUCTION. THI GATLIF, TONY (Latcho Drom) Combs. Richard. Kubrick talks! F¢ 32:5 Sept-Oct96, 81- DARDENNE, LI C& JE AN-PIERRE (La Promesse) See: DOCU MENTARY CINEMA &4. ill. TV documentary THI INVISIBLE MAN (about See: NEW YORK FILM FESTIN AS GEISER, JAMIE (The Secret Story) See NY FI Kubrick). Ref. Vivian Kubrick ’s MAKING “THE SHIN- DASSIN, JULES GILL, DAVID ING McGilligan. | Patrick See: CINEMA EL ROPE: THE OTHER HOLLY WOOD KUSTURICA, EMIR (Underground) See: NYFF Dassit nlerviewed > Dece96, 34-48 GILLIAM, TERRY see: 12 MONKEYS KWAN, STANLEY [KWAN KAM PANG] Career. Ref. HUAC and The B GILOU, THOMAS See: RAI Atkinson, Michael. Songs of crushed love. FC 32:3 May- DE PALMA, BRIAN 5 MISSI )\: IMPOSSIBLI GODARD, JEAN-LUC June’96, 42-49. ill. Ref. ROUGE. ACTRESS, RED ROSE DEMY, JACQUES Smith. Gavin. “People like to sav. “What do you mean WHITE ROSE. Johnson. Willia In praise of THE YOUNG GIRLSO F tly? T would inswer, “IT mean. but not exactly.” F¢ LANG, FRITZ See: SCARLET STREET ROCHEFORT. FC 32:5 Sept-Oct90. 72-76 |. THI \pr96. 31-41. ill. Interview: Godard’s video and LEE, ANG See: SENSE AND SENSIBILITY YOUNG GIRLS OF ROCHEFORT and THE UMBREI later work as reconciliation with cinema. Ref. HIS- LEIGH, MIKE (Secrets & Lies) See: NYFI LAS OF CHERBOL R¢ POIRE(S) DU CINEMA. HELAS POUR MOL, JLG/JLG. LEROY, MERVYN DESPLECHIN, ARNAUD (Hew | Got into an NOLVELLE VAGUE Includes i list of Godard on ideo. See: THEY WON'T FORGET: TWO SECONDS Argument...(My Sex Life) See: NY FI White. Armond. Double helix. FC 32:2 Mar-Apr96, 26- LIN, BRIGITTE DETECTIVE FILMS See: CRIME FILMS 0. ill. Recent Godard. Ref. HELAS POLR MOL NOL- Hampton. Howard Brigitte Lin’s Shanghai gesture. F( DIAZ SANES, AGUSTIN See: NOBODY WILL SPEAK VELLE VAGUE, HISTOIRE(S) DU CINEMA, JLG/AILG 32:5 Sept-Oct96, 42-48. ill Hong Kong movie star's Or LS WHEN WE ARE DEAD GOLDMAN, MICHAEL (Umm Kulthum: career. DIRECTORS AND DIRECTING A Voice Like Egypt) Se: NY Fi LINKLATER, RICHARD (subUrbia) See: NYFF Chang. Cl Mind over matter: the GOMEZ. NICK LONGO, ROBERT (Johnny Mnemonic) FC 32:5 Sept-Oct96. 54-62 \ Smith. Gavin. Through the lookit i FC 32:5 Sept- See: ART AND THE CINEMA D s SEARCH AND DESTROY): Robert Longe Oct'96, 64-71 Interview: career. films, themes. Ref. ill- LOS ANGELES IN FILMS See: CRIME FILMS JOHNNY MNEMONI Damien H LANGING town. See also: NEW YORK FILM FESTIVAL (illtown) LOW, STEPHEN (Across the Sea of Time) AROUND): Julian Sch BASOUIAT): Larry ¢ GREAT BRITAIN See: IMAX 3-D KIDS OFFICE KILLER Kennedy. Harlan. How they won the wat British cinema MacKINNON, GILLIES Se: SMALL FACES ind World War Two. FC 32:5 Sept-Oct96, 23-34. ill. Ref MAKHMALBAF, MOHSEN \l THE WAY TO THE STARS (Anthony Asquith). et al See: CANNES FILM FESTIVAL: NEW YORK FILM FES- GREYSON, JOHN (Lilies) See: NY FI PINAL (Gabbeh); SALAAM CINEMA GUILTY PLEASURES MAMORU, OSHIE See: GHOST IN THE SHELI Bertolucci. Bernardo. FC 32:4 July-96A, 8u0-g82 . ill MANN, ANTHONY See: MEN IN WAR Carpenter. Joh > Sept-Oct 96, 90-53. ill MANN, MICHAEL DOCUMENTARY CINEMA Davies. Terence. FC 32 Jan-Fe 1°96. 32-35. ill Combs. Richard. Michael Mann: becoming. F¢ 32:2 Mar- Hog Peter. Genre yus t Ft HANEKE, MICHAEL Apr'96, 10-17. ill. Writer. producer, director Mann. 2:4 July-Aue’96. 56-60 Ref. LATCHO DROM (Tony Vogel. Amos. Of nonexisting continents. FC 32:4 July Thematic and stylistic features of his films. Ret. HEAT. See ( f); LESSONSO F DARKNESS (He : STARTING \ug 96. 73 -75. ill. Ref. THE SEVENTH CONTINENT. \. TAKEDOWN PLACE/PLACE — DI DEPARI Robert Kramer): BENNY’S VIDEO. 71 FRAGMENTS OF A CHRONOLO- MARTIN, STEVEN H. (Theremin: an Electronic JUPITER'S WIFE (Michel Negrope PTHEREMIN: AN GY OF CHANCI Odyssey) See: DOCK MENTARY CINEMA ELECTRONIC ODYSSEY (Steven H. Martir HARTLEY. HAL MEHTA, DEEPA (Fire) See: NYFI Rosen. Rache Sundoes. FC 32:2) Mar-Apr96. 5 Jones. Kent. The book | read was in uur eves. F1 C 324 MELVILLE, JEAN-PIERRE Documentaries at Su BUCKMINSTER FULLER July-Aug’96, 68-72. ill. Career. style. films. Ref. SURVIN Hogue. Peter. The elective affinities. FC 32:6 Nov-Dec’96, PHINKING OLT LOUD: WHEN WE WERE KINGS: ING DESIRE. THE UNBELIEVABLE TRUTH. TRUST. 16-22. ill. The Melville sensibility. Themes. career, films. THE BATTLE OVER CITIZEN KANE: TROL BLESOME AMATEUR, FLIRT MEN IN FILM CREEK: A MIDWESTERN: HALVING THE BONES: HERZOG, WERNER (Lessons of Darkness) Bush. Lyall. Doing Brando. FC 32:1 Jan-Feb’96, 83-88. ill PARADISE LOST: THE CHILD MURDERS AT ROBIN See: DOCL MENTARY CINEMA Male expressivity/anger: the Brando image in post-Brando HOOD HILLS. Se« o: INDEPENDENT CINEMA HIRST. DAMIEN (Hanging Around) Tarantino. Ref. RESERVOIR DOGS, PULP FICTION DRIDI. KARIM See: BYE BYI See: ART AND THE CINEMA MISSELWITZ, HELKE See: ENGELCHEN 9 a) ce » MTV See: TELEVISION: VIDEO INDUSTRY (MacKinnon). Kennedy, Harlan. How they won the war: British cinema MULTIMEDIA SEATTLE INTERNATIONAL FILM FESTIVAL and World War Two. FC 32:5 Sept-Oct’96, 23-34. ill. Ref. See: COMPUTERS AND FILM: VIDEO INDUSTRY Murphy, Kathleen. Weird tales, true confession.PC 32:5 THE WAY TO THE STARS (Anthony Asquith), et al. MUSIC VIDEOS See: VIDEO INDUSTRY Sept-Oct’96, 10-13. Il. Character and history of SIFF. URBAN VIOLENCE IN FILMS NEGROPONTE, MICHEL (Jupiter’s Wife) SEX AND THE CINEMA See: BANLIEU FIMS: CRIME FILMS: VIOLENCE See: DOCUMENTARY CINEMA Nicastro, Nicholas. Actresses and ambition. FC 32:1 Jan- VAN SANT, GUS See: TO DIE FOR NEW YORK FILM FESTIVAL Feb’96, 2-4,7. ill. Women, power/success, and sex: what/ VENICE FILM FESTIVAL Arthur, Paul. Avant-garde retreat. FC 32:6 Nov-Dec’96, who represents feminism in today’s Hollywood? Ref. Kennedy, Harlan. Festivals: Venice. FC 32:6 Nov-Dec’96, 67-69. ill. Avant-garde participation in the NYFF. Ref. SCARLET LETTER (D. Moore); SHOWGIRLS (Eliz. 51-53. ill. THE FUNERAL; PROFUNDO CARMESI; A LULU (Klahr); TUNING THE SLEEPING MACHINE Berkley): TO DIE FOR (N. Kidman); THE LAST SEDUC- TRUE STORY: GUY; CARLA'S SONG: MICHAEL (Sherman): SUMMER CANNIBALS (Frank); AMOR TION (Linda Fiorentino); BASIC INSTINCT (S. Stone). COLLINS: FOR EVER MOZART; PONETTE: THE (Beavers): THE SECRET STORY (Geiser). SHERMAN, DAVID (Tuning the Sleeping Machine) DRESS: GO NOW: PORTRAIT OF A LADY. Horton, Robert. Festivals: NYFF. FC 32:6 Nov-Dec’96, 63. See: NEW YORK FILM FESTIVAL VERHOEVEN, PAUL 65-67. ill. SECRETS & LIES (Leigh); HOW I GOT INTO SHUE, ELISABETH See: BASIC INSTINCT: SHOWGIRLS AN ARGUMENT...(MY SEX LIFE) (Desplechin); illtown Kernc, Timothy. [Letter]: Que Sera Sera. FC 32:4 July- VIOLENCE (Gomez): LILIES (Greyson); THREE LIVES AND ONLY \ug’96, 88. Re: David Thomson's review (FC 31:6) of Arthur, Paul. Los Angeles as scene of the crime. FC 32:4 ONE DEATH (Ruiz); TEMPTRESS MOON (Chen); FIRE LEAVING LAS VEGAS. In praise of Shue. July-Aug’96, 20-26. ill. Function of ecology of L.A. in noir (Mehta): MAHJONGG (Yang); A SELF-MADE HERO SIEGEL, DON See: KILLERS. THE and detective movies from postwar through present. (Audiard); SLING BLADE (Thornton); THE ROLLING SILENT CINEMA 3ush, Lyall. Doing Brando. FC 32:1 Jan-Feb'96, 83-88. ill. STONES ROCK AND ROLL CIRCUS; subUrbia Severson, Matt. Silent: behind the Great Wall. FC 32:3 Male expressivity/anger: the Brando image in post-Brando (Linklater); BREAKING THE WAVES (von Trier). May-June’96, 47-48. ill. Chinese silents (1922-38) at the Tarantino. Ref. RESERVOIR DOGS. PULP FICTION. Lopate. Phillip. Festivals: NYFF. FC 32:6 Nov-Dec’96, 13th Pordenone Silent Film Festival. Reynaud, Berenice. le‘hood: HATE and its neighbors. FC 58-62. ill. IRMA VEP (Assayas);: SALUT COUSIN! Thomajan. Dale. Charlie Chaplin never called me pig. FC 32:2 Mar-Apr'96, 54-58. ill. French ‘banlieu’ films. Ret (Allouache): LA PROMESSE (Dardenne); LE GARCL 32:6 Nov-Dec’96, 8-9. Ref: Beachmont Film Fest. ill. HATE/LA HAINE (Kassovitz); RAI (Gilou); DOUCE (Pialat); GOODBYE SOUTH. GOODBYE (Hou): Thompson, Frank. Another Hollywood heard from. FC 32:4 FRANCE (Chibane); BYE BYE (Dridi); LETAT DES BEYOND THE CLOUDS (Antonioni): GABBEH July-Aug96, 84-36. ill. Ref. CINEMA EUROPE: THE LIEUX (Richet). (Makhmalbaf); MANDELA (Menell & Gibson); FRANTZ OTHER HOLLYWOOD (6-pt. series by Kevin Brownlow VON TRIER, LARS (Breaking the Waves) FANNON: BLACK SKIN, WHITE MASK (Julien); UMM and David Gill). See: CANNES & NEW YORK FILM FESTIVALS KULTHUM: A VOICE LIKE EGYPT (Goldman): SMITH, CHRIS See: AMERICAN JOB WAR IN FILM NOBODY'S BUSINESS (Berliner); EMIGRATION, NEW SOAVI, MICHELE Kennedy, Harlan. How they won the war: British cinema YORK (Humer): UNDERGROUND (Kusturi-ca); THE McDonagh, Maitland. Vintage Soavi. FC 32:2 Mar-Apr96, and World War Two. FC 32:5 Sept-Oct96, 24-34. ill. Ref. PEOPLE VS. LARRY FLYNT (Forman). 17-50. ill. Career. Ref. DELLAMORTE DELLAMORE THE WAY TO THE STARS (Anthony Asquith), et al. Lyons. Donald. Notes while falling. FC 32:6 Nov-Dec’96, [CEMETERY MAN]. WARNER BROS. STUDIO 64. ill. The restored VERTIGO. STUDIOS Thomajan, Dale. Poetry without a poet: Warner Bros. pre- NOIR See: BOX OFFICE; INDEPENDENT CINEMA: WARN- code. FC 32:2 Mar-Apr’96, 70-73. ill. Warners films of the Arthur, Paul. Film noir as primal scene. FC 32:5 Sept- ER BROS. pre-Code Thirties. See also: CURTIZ, MICHAEL; THEY Oct’96, 77-79. ill. Ref. THE WINDOW (Ted Tetzlaff). SUNDANCE WON'T FORGET: TWO SECONDS OPHULS, MARCEL Rosen, Rachel. Sundocs. FC 32:2) Mar-Apr96, 53. WILDE, CORNEL Jacobsen. Kurt. Memories of injustice: Marcel Ophuls’ Documentaries at Sundance: BUCKMINSTER FULLER: Atkinson, Michael. Naked prey. FC 32:6 Nov-Dec’96, 70- cinema of conscience. F¢ 32:4 July-Aug’96, 61-67. ill. THINKING OUT LOUD: WHEN WE WERE KINGS: 75. ill. Wilde’s brand of ‘pulp’. Ref. THE NAKED PREY, Interview: career. films, themes. Ref. THE TROUBLES THE BATTLE OVER CITIZEN KANE; TROUBLESOME BEACH RED. and NO BLADE OF GRASS. WE'VE SEEN CREEK: A MIDWESTERN; HALVING THE BONES: WILDER, BILLY See: DOUBLE INDEMNITY OSCARS = See: ACADEMY OF MOTION PICTURE PARADISE LOST: THE CHILD MURDERS AT ROBIN WOMEN IN FILM ARTS AND SCIENCES AWARDS HOOD HILLS. Nicastro, Nicholas. Actresses and ambition. FC 32:1 Jan- PARKER, ALBERT See BLACK PIRATE. THE Smith, Gavin. Girlpower: Sundance "96. FC 32:2 Mar- Feb’96, 2-4,7. ill. Women. power/success, and sex: what/ PHOTOGRAPHY AND THE CINEMA Apr96, 51-53. Ill. COLOR OF A BRISK AND LEAP- who represents feminism in today’s Hollywood? Ref. Demopoulos, Maria. Thieves like us: directors under the ING DAY; DESERET; CAUGHT; BIG NIGHT: WALK- SCARLET LETTER (D. Moore); SHOWGIRLS (Eliz. influence. FC 32:3. Mav-June’96. 33-37. ill. ING & TALKING; PALOOKAVILLE: FREEWAY: Berkley): TO DIE FOR (Nicole Kidman); THE LAST “Referencing”: hommage vs. plagiarism. Ref. music video GOD'S LONELY MAN: DARIEN GAP: WELCOME SEDUCTION (Linda Fiorentino): BASIC. INSTINCT directors quoting from photographs. TO THE DOLLHOUSE; GIRLS TOWN: | SHOT (Sharon Stone). PIALAT, MAURICE See: GARCU, LE: NEW YORK ANDY WARHOL: BOUND; FEMALE PERVER- WONG, KAR-WAI FILM FESTIVAL (Le Garcu) SIONS: LATE BLOOMERS: MEET RUTH STOOPS Stephens, Chuck. Time pieces: Wong Kar-Wai and the PLAGIARISM [later CITIZEN RUTH]. persistence of memory. FC 32:1 Jan-Feb’96, 12-18. ill. Demopoulos. Maria. Thieves like us: directors under TARANTINO, QUENTIN Ref. AS TEARS GO BY, DAYS OF BEING WILD, the influence. FC 32:3. May-June’96. 33-37. ill. Bush, Lyall. Doing Brando. FC 32:1 Jan-Feb’96, 83-88. ill. ASHES OF TIME, CHUNGKING EXPRESS, and FALL- “Referencing:” hommage vs. plagiarism. Ref. music Male expressivity/anger: the Brando image in post-Brando EN ANGELS. video directors quoting from photographs. Tarantino. Ref. RESERVOIR DOGS, PULP FICTION. WORKING CLASS IN FILMS PORDENONE SILENT FILM FESTIVAL TEENAGERS IN FILMS Reynaud, Berenice. le-hood: HATE and its neighbors. Severson, Matt. Silent: behind the Great Wall. FC 32:3 Reynaud, Berenice. le “hood: HATE and its neighbors. FC 32:2 Mar-Apr96, 54-58. ill. Freech “banlieu’ films. May-June96, 47-48. ill. Chinese silents (1922-38) at the FC 32:2 Mar-Apr96, 54-58. ill. French *banlieu’ Ref. LA HAINE (Kassovitz); RAI (Gilowl; DOUCE 13th Pordenone Silent Film Festival. films. Ref. LA HAINE (Mathieu Kassovitz): RAI FRANCE (Chi-bane): BYE BYE (Dridi); LETAT DES RENOIR, JEAN (Thomas Gilou); DOUCE FRANCE (Malik Chibane); LIEUX (Richet). Gallagher. Tag. Jean Renoir: the dancers and the dance. BYE BYE (Karim Dridi); VPETAT DES LIECX (Jean- WORLD WAR IL IN FILM See: WAR IN FILM FC 32:1 Jan-Feb96, 64-66, 72-76. ill. Ref. UNE PARTIE Francois Richet) YANG, EDWARD (Mahjongg) See: NYFF DE CAMPAGNE,. FRENCH CANCAN. THE RIVER. See TELEVISION also: CHIENNE, LA Atkinson, Michael. Inside AEON. FC 32:1 Jan-Feb’96, 20. AUTHORS RICHET, JEAN-FRANCOIS Sex ETAT DES LIEUX, LE ill. AEON FLUX, Peter Chung’s MTV cartoon epic. ROHMER, ERIC TEN BEST See: BEST FILMS Ansen, David White, Armond. Auteurcritique: Eric Rohmer reflects. F¢ TETZLAFF, TED See: WINDOW, THE Oscar Predix. FC 32:2 Mar-Apr'96, 2 32:5 Sept-Oct’96, 14-19. iil. Career, films. aesthetic. Ref. THORNTON, BILLY BOB (Sling Blade) Oscar Redux. FC 32:3 May-June’96, 2. RENDEZVOUS IN PARIS See: NEW YORK FILM FESTIVAL Arthur, Paul ROSS, BENJAMIN THREE-D CINEMA See: IMAX 3-D Avant-garde retreat. FC 32:6 Nov-Dec96, 67-69. ill See: YOUNG POISONER’S HANDBOOK. THI TORONTO FILM FESTIVAL Film noir as primal scene: THE WINDOW. FC 32:5 Sept- RUIZ, RAUL (Three Lives and Only One Death) Murphy. Kathleen. Festivals: Toronto. FC 32:6 Nov- Oct'96, 77-79. ill. See: NEW YORK FILM FESTIVAI Dee96, 53-57. ill. ILLTOWN: THE SECRET AGENT; In the realm of the senses. FC 32:1 Jan-Feb’96, 78-81. ib SALLE, DAVID (Search and Destroy) PAX]; NENETTE ET BONI; THE FUNERAL; FLOAT- Los Angeles as scene of the crime. FC 32:4 July-Aug’96, See: ART AND THE CINEMA ING LIFE: MOTHER: SHINE: BASTARD OUT OF 20-26. ill. SAUTET, CLAUDE See: NELLY ETM ARNAUD CAROLINA: ALBINO ALLIGATOR: DRIFTING Atkinson, Michael SAYLES, JOHN CLOUDS: FIRE; KAMA SUTRA; FETISHES; ED'S Best of "95. FC 32:1 Jan-Feb96, 44-45. ill. Smith, Gavin. “I don’t want te blow anything by people.” FC NEXT MOVE. Inside AEON. FC 32:1 Jan-Feb"96, 20. ill. 32:3 May-June’96, 56-68. ill. Interview: career. films. Ref. TSAI, MING-LIANG Naked prey: Corel Wilde. FC 32:6 Nov-Dec’96, 70-75. LONE STAR Stephens, Chuck. Intersection. FC 32:5 Sept-Oct'96, 20- ill. SCHNABEL, JULIAN (Basquiat) 23. ill. Career. Ref. VIVE LAMOUR, REBELS OF THE Songs of crushed love: Stanley Kwan. FC 32:3. May- See: ART AND THE CINEMA NEON GOD, and his telefilms. June’96, 42-49. ill. SCORSESE, MARTIN See: CASINO TUCKER, GEORGE LOANE Baumbach, Jonathan SCOTLAND Thompson, Frank. George Loane Tucker: the first of the JUICE: a film by Oliver Stone: a speculative fiction based Kennedy, Harlan. Kiltspotting: highland reels. FC 32:4 immortals. FC 32:2 Mar-Apr'96, 42-45. ill. Career. Ref. on new information uncovered by the filmmaker. FC 32:2 July-Aug’96, 28-33. ill. Modem Scottish cinema. Ref PRAFFIC IN SOULS and THE MIRACLE MAN. Mar-Apr96, 7-8. PRAINSPOTTING (Boyle) and SMALL FACES UNITED KINGDOM Bertolucci, Bernardo Guilty pleasures. FC 32:4 July-Aug’96, 80-82. ill. Hal Hartley: the book I read was in your eyes. FC 32:4 32:6 Nov-Dec’96. 76-81. ill. Bush, Lyall July-Aug’96, 68-72. ill. Rosen, Rachel CDaoirnpge ntBerarn,d o.i iFnC 3 :1 Jan-Feb96, 83-88. ill. T7-h8e. silul.m mer of our malcontent. FC 3: 5 Sept-f K (96, 3- 1. SSaurnrdiosc,s . AFnCd r3e2w:2 Mar-Apr96, 53. Guilty pleasures. FC 32 23 Sept-Oct96, 50-53. ill. Tangled up in blue: the cinema of Olivier Assayas. FC 32:1 Best of "95. FC Jan-Feb96, 45. Chang, Chris Jan-Feb’96, 50-57. ill. Oscar predix. FC:7 2 Mar-Apr’96, 2 Best of 95. FC 32:1 Jan-Feb’96, 45. ill Kehr, Dave Osear redux. F¢ :3 May-June’96, 2. Cinema Sex Magick: the films of Donald Cammell. FC 32:4 Best of “95. FC | Jan-Feb96, oe Schickel, Richard July-Aug’96, 14-19, 83. ill. Family values: Pialat’s LE GARCU. 32:5 Sept-Oct96, Best of “95. FC 32:1 a 15 She’s the one: ENGELCHEN. F¢ 32:6 Nov-Dec96, 4, 36-40. ill. Clint on the back nine. FC 32:3 May-June’96, 10-14. ill. Toa The waters of Alexandria: the films of Youssef Chahine. FC Oscar predix. Fe 32:2 Mar- Apr96, 2 Mind over matter: the artiste as filmmaker. F¢ 32:6 Nov-Dec’96, 23-27. ill. Oscar redux. FC: 3 May-June’96, 2 Oct96, 54-62. ill. Kemp, Philip Schif Stephen My life to live. FC 2:3 May-June’96, 72-74 “The story of all wars’: Anthony Mann’s MEN IN WAR. F¢ Oscar predix. FC 2:2 Mar-Apr’96, 2 Chase, Donald 32:4 July-Aug’96, 50-54. ill. Oscar redux. FC ¢ 2:3 May-June’96, 2. Watershed: Elia Kazan’s WILD RIVER. F¢ 32:0 Nov- Kennedy, H an Schow, David J. Dec96, 10-15. ill. Best of “95. FC 32:1 Jan-Feb96, 45. Letters: tracked down. FC 3) 2:5 Sept-( e196, 88. Cheshire, Godfrey Cold comfort films: Berlin Film Festival. FC 32:3 May- Severson, Matt Abbas Kiarostami: a cinema of questions. Ft 32:4 July- June’96, 76-78. ill. Silent: behind the Great Wall. F¢ 32:3 May-June’96, 47- \ug96, 34-36, 41-43. ill Festivals: Venice. FC 3:3 2:6 Nov-Dec96, 51-53. ill &. ill. Chute, David How they won the war: British cinema and World War Two. Smith, Gavin The soul of the new machine Oshit Mamoru’s GHOST IN FC 32:5 Sept-Oct96, 23-34. ill Best of 95. FC 32:1 Jan-Feb 96, 43-44. THE SHELL. FC 32:3 May-June’96, 84-88. ill. Kiltss potting: highland reels. Ft 32:4 Julv-Aug’ 96, 28- Girlpower: Sundance “96. FC 32 2 Mar- Apr96, 51-53. UL. Combs, Richard 33. ill. "| don’t want to low anything by people’ John Sayles Kubrick talks! FC 32:5 5 Sept- Oct" 6, 81-84. ill. Kind hearts and coronaries: THE YOUNG POISONER’S interviewed by Gavin Smith. FC 32:3 May-June’96. 56- Michael Mann: becoming. FC3 2:2 Mar-Apr96, 10-17. ill HANDBOOK. FC 32:1 Jan- Feb 6, 8-10. ill. 68. ill Old ghosts: THE BRIDGES OF MADISON COUNTY. FC Orbiting sublimity [Cannes “96]. FC 32:4 July-Aug’96. The indie year. FC 32:2 Mar-Apr96, 65. 32:3 May-June’96, 24-32. ill. 2= -02 Jean-Luc Godard interviewed by Gavin Smith “People Corliss, Mary Kernc, Timothy like to say. ‘What do you mean exactly?” | woul ia nswer, “I \ccommodations with optimism: Cannes "96. FC 32:4 [Letter]: Que Sera Sera. F¢ 32:4 Julv-Aug’96, 88 mean, but not exactly.” FC 32:2 Mai-Apr96, 31-41. ill. July-Aug’96, 2-4, 9-12. ill Kilday, Gregg Method in movie madness: SALAAM CINEMA. FC 32:4 Corliss, Richard Oscar predix. FC 32:2 Mar-Apr'96, 2 July-Aug’96, 44. ill. Best of "95. FC 32:1 Jan-Feb96, 45. ill. Oscar redux. FC 32 } May-June96, 2 New faces [and] Notable performers [°95]. FC 32:1 Jan- Davies, Terence Levich, Jacob Feb’96, 47-48. ill Guilty Pleasures. FC 1 Jan-Feb96, 32-35. ill Western auguries: Jim Jarmusch’s DEAD MAN. FC 32:3 Oscar predix. FC 32:2 Mar-Apr’96, 2 Demopoulos, Maria May-June96, 39-41. ill. Oscar redux. Ft 2:3 Mav-June’96, 2 Thieves like us: directors under the influence. FC 32:3 Lopate, Phillip Through the looking glass: Nick Gomez's cinema of loyal- May-June"96, 33-37. ill. Festivals: NYFF. FC 32:6 Nov-Dec"96, 58-62. ill ties. FC 32:5 Sept-Oct’96, 64-71. ill Drabelle, Dennis Kiarostami close up. FC 32:4 July-Aug’96, 37-40. ilb. Two thousand light years from home: Scorsese's big CASI- “What do you think [| am. a goop?: Jean Arthur. FC 32:2 Lyons, Donald NO. FC 32:1 Jan-Feb'96, 59-63. ill. Mar-Apr96, 18-25. ill Best of “95. FC 32:1 Jan-Feb’96, 45. Stephens, Chuck Gallagher, Tag [bk. revs.|: Orson Welles: the Road to Xanadu, by Simon Intersection: Tsai Ming-liang’s vearning bike bovs and Jean Renoir: the dancers and the dance. FC 32:1 Jan- Callow: and Rosebud: the Story of Orson Welles. by David heartsick heroines. FC 32:5 Sept-Oct'96, 20-23. ill. Feb’96, 64-66. 72-76. ill. Thomson. FC 32:5 Sept-Oct’96, 85-87. ill. lime pi ces: Wong Kar-Wai and the persistence of memo- Griffith, James lron Mike: at home with Michael Curtiz. FC 32:2 Mar- ry. FC 32:1 Jan-Fe6b, 12-18. ill PSYCHO: not guilty as charged. F¢ 32:4 July-Aug96, 76- Apr'96, 80-88. ill Sup: ick, Jim 79. ill. Notes while falling. FC 32:6 Nov-Dec"96, 64. ill. Down time: Chris Smiths AMERICAN JOB. FC 32 3 May- Hampton, Howard. Passionate precision: SENSE AND SENSIBILITY. FC June’96, 69-71. il Brigitte Lin’s Shanghai gesture. FC 32:5 Sept-Oct960, 42- §2:1 Jan-Feb 96, 36-41. ill. Thomajan, Dale 18. ill. Purple noons and quiet evenings. F( 32:3. May-June®6, Charlie Chaplin never called me pig. FC 32:6 Nov-Dec"96, Rerun for your life: TV's search and destroy MISSION. Ft 80-83. ill. 8-9. ill 32:4 July-Aug’96, 16-49. ill. Mathews, Jack Thompson, Anne Return of the body snatchers. FC 32:6 Nov-Dec’96, 82- Oscar predix. FC 32:2 Mar-Apr90, 2. Best of "95. FC 32:1 Jan-Feb’96, 45. 85. ill Osear redux. FC 32:3 Mav-June96, 2. Is bigger better?: 21st annual ‘grosses gloss.” F¢ Hanstock, T Me Donagh, Maitland \pr96, 60-64 dll. Letters: touched by Cammell. FC 32:5 Sept-Oct'96, 88 Vintage Soavi. FC 32:2 Mar-Apr90, 47-50. ill Oscar predix. Ft 2.9 Mar-Apr96,2. Harmetz, Aljean McGilligan, Patrick Oscar redux. Ff 2:3 Mav-June’96, 2. Oscar Predix. FC 32:2 Mar-Apr96, 2 I'll always be an American: Jules Dassin interviewed. Ft Thompson, Frank Oscar Redux. FC 32:3 May-June’96, 2 32:6 Nov-Dec"96, 34-48. ill Another Hollywood heard from. FC 32:4 July-Aug’96, 84- Harris, Mark Murphy, Kathleen 86. ill The sleaze mendicants: |bk. rev.|: Immoral ih iles. by Cathal Best of 95. FC 32:1 Jan-Feb96, 44-45. ill George Loane Tucker: the first of the immortals. FC 3N2S: iw Tohill and Pete Tombs. FC 32:4 July-Aug’96, 87. ill Festivals: Toronto. FC 32:6 Nov-Dee’96. 53-57. ill. Mar-Apr96, 42-45. ill Hartl, John Frames. FC 32:2 Mar-Apr96, 66-69. ill Tibbetts, John C. Oscar predix. FC 32:2 Mar-Apr96,2 The good, the bad & the ugly: Clint Eastwood as romantic The choreography of hope: the films of Douglas Fairbanks Oscar Redux. FC 32:3 Mavy-June’96, 2. hero. FC 32:3 May-June96, 16-22. ill Sr. FC 32:3 Mav-June’96, 50-55. ill Haskell, Molly Jane Campion’s shining portrait of a director FC 32:6 Turan, Kenneth Best of “95. FC 32:1 Jan-Feb96, 45. Nov-Dec"96, 28-33. ill Oscar predix. FC 32:2 Mar- oe 2 Hogue, Peter Moments out of time. 1995. Ft Jan-Feb'96. 42- Osear redux. FC 32:3 Mav-June’96, 2 Best of “95. FC 32:1 Jan-Felb’96, 45 49. ill Vogel, Amos Genre-busting documentaries as movies. FC 32:4 Julv- Weird tales. true confession. FC 32:5 Sept-Oct96, 10-13 Of nonexisting continents: the cinema of Michael Haneke Aue 96. 56-60. ill ill FC 32:4 July-Aug96, 73-75. ill | Jean-Pierre} Melville the elective affinities. FC 32:6 Nov- Naremore, James White, Armond Dec96, 16-22. ill Straight down the ae making and remaking DOL BLE \uteureritique: Eric Rohmer reflects. FC 32:5 Sept- Horton, Robert INDEMNITY. FC 32:1 | an-Feb’96, 22-31. ill Oct96, 14-19. ill Best of "95. FC 32:1 Jan-Feb96, 45 Nicastro, Nicholas Best of “95. Ft | Jan-Feb96, 45 Festivals: NYFF. FC 32:6 Nov-Dec96, 63, 65-67. ill Actresses and ambition. F¢ 2:1 Jan-Feb96, 2-4.7. ill Double helix: Jean-Luc Godard. FC 32:2 Mar-Apr’96, 26- Sam's plac e. FC 32 3M ay- June, 4-9. ill Oguss, Greg 30. ill Jacobsen, Kurt Letters: sweet evetooth. FC 32:5 Sept-Oct96, 88. Memories of injustice: Marcel Ophuls’ cinema of con- Phelps, Donald BOOK REVIEWS scrence FC 32:4 July-Aug’96, 61-67. ill LA CHIENNE: I egrand’s illusion. FC 32:1 Jan-Feb'96, Jameson, Richard T 67-71. ill Callow, Simon Best of “95. FC 32:1 Jan-Feb96, 43-44 On the spot: 2 SECONDS F¢ 32:2 Mar-Apr96, 77-79. ill The Road to Xanadu. Viking, 1996. FC 32:5 Sept-Oct96, Moments out of time: images. lines. gestures, looks, moods Rainer, Peter O-€ 37. ill. rev. Donald Lyons from film year 1995. FC 32:1 Jan-Feb96, 42-49. ill. Oscar predix. F¢ ot ee Apr's6, 2~ Thomson, David Johnson, William Oscar redux. Ft 32:3 May-June"96, 2. Rosebud: The Story of Orson Welles. Knopf, 1996. FC 32:5 In Deep. FC 32:2 Mar-Apr96, 74-76. ill. Reynaud, Secnshes sept-Oc (96, 85-87. ill. rev. Donald Lyons. In praise of THE YOUNG GIRLS OF ROCHEFORT. F¢ ‘hood: HATE and its neighbors. FC 32:2 Mar-Apr96, Tohill, Cathal and Pete Tombs 32:5 Sept-Oct’96, 72-76. ill. 4-58. ill Immoral Tales. St. Martin's, 1997. F¢ 32:4 July-Aug’96, Jones, Kent James Benning: the filmmaker as haunted landscape. F¢ 87. ill. rev. Mark Harris. »

ebook img

Film Comment 1996: Vol 32 Index PDF

7 Pages·1996·1.9 MB·English
by  
#periodicals #sim_microfilm #pub_film-comment
Save to my drive
Quick download
Download
Upgrade Premium
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Film Comment 1996: Vol 32 Index

Supplement to Film Comment FILM COMMENT 1996 INDEX to Volume 32, 1996 by Linda Batty FILMS Reynaud, Berenice. le “hood: HATE and its neighbors. FC what/who represents feminism in today’s Hollywood? 32:2 Mar- \pr96, 54-58. ill. French ‘banlieu’ films. Ref. Ref. SCARLET LETTER (D. Moore); SHOWGIRLS ACROSS THE SEA OF TIME (Stephen Low) HATE/LA HAINE (Kassovitz); RAI (Gilou); DOUCE (Eliz. Berk-ley); TO DIE FOR (Nicole Kidman); THI See: IMAX 3-D FRANCE: BYE BYE (Dridi); LETAT DES LIEUX LAST SEDUCTION (Linda Fiorentino): BASK AEON FLUX (Peter Chung, MTV) (Ric het) INSTINCT (S. Stone) Atkinson, Michael. Inside AEON. F¢ 32:1 Jan-Feb’96, EMIGRATION, NEW YORK (Egon Humer) LATCHO DROM (Tony Gatlif) See: DOCL MENTARY 20. ill. See: NEW YORK FILM FESTIVAL LEAVING LAS VEGAS (Mike Figgis) AMERICAN JOB (Chris Smith) ENGELCHEN (Helke Misselwitz) Kerne, Timothy. [Letter]: Que Sera Sera. FC 32:4 July- Supanick, Jim. Down time. FC 32:3 May-June’96, 69- Chang, Chris. She’s the one. FC 32:6 Nov-Dec"96, 4, 7. ill. Aug96, 88. Response to David Thomson's review of 71. ill. ETAT DES LIEUX, VL (Jean-Francois Richet) LEAVING LAS VEGAS, FC 31:6 Nov-Dec °95. AMOR (Robert Beavers) See: NY FI Reynaud. Berenice. le “hood: HATE and its neighbors. F¢ LESSONS OF DARKNESS (Werner Herzog) AS TEARS GO BY (Wong Kar-wai) 32:2 Mar-Apr96, 54-58. ill. French “banlieu’ films. Ref. See: DOCUMENTARTY CINEMA See: WONG KAR-WAI LA HAINE (Kassovitz): RAI (Gilou): DOUCE FRANC! LILIES (John Greyson) See: \Y FI BASIC INSTINCT (Paul Verhoeven) Chibane): BYE BYE (Dridi): LETAT DES LIEUX LONE STAR (John Sayles) Nicastro, Nicholas. Actresse s and ambition. FC 32:1 FALLEN ANGELS (Wong Kar-wai) Smith, Gavin. “I don’t want to blow anything by people.” Ft Jan-Feb"96, 2-4 ll. Women, power/success and sex: See: WONG KAR-WAI 32:3. May-June’96, 56-68 ill. J. Sayles interview: career, vhat/who_ re presents femimsm in today’s Hollywood? FIRE (Deepa Mehta) See: NY FI films Ref. SCARLET LETTER (D. Moore): SHOWGIRLS FRANTZ FANON: BLACK SKIN, WHITE MASK LULU (Lewis Klahr) See: NY FI Eliz. Berkley): TO DIE FOR (N. Kidman); THE LAST (Isaae Julien) See: NYFF MADE IN L.A. (Michael Mann) SEDUCTION (L. Fiorentino): BASIC INSTINCT (S FRENCH CANCAN (Jean Renoir) See: L.A. TAKEDOW N (Michael Mann) Stone}. See: RENOIR, JEAN MAHJONGG (Edward Yang) BASQUIAT (Julian Schnabel) See: ART AND CINEMA GABBEH (Mohsen Makhmalbaf) See: NYF! See: BERLIN & NEW YORK FILM FESTIVALS BEACH RED (Cornel Wilde) See: WILDE. CORNEI GARCU, LE (Maurice Pialat) MAKING ‘THE SHINING? (Vivian Kubrick) BEYOND THE CLOUDS (Michelangelo Antonioni) Kehr, Dave. Family values. FC 32:5 Sept-Oct96, 36- Combs, Richard. Kubrick talks! FC 32:5 Sept-Oct96, 81 See: NEW YORK FILM FESTIVAI 10. ill. S4. ill. Ref: TV doc THE INVISIBLE MAN. BLACK PIRATE, THE (Albert Parker) See also: NEW YORK FILM FESTIVAL (Le Garcu) MANDELA See: NEW YORK FILM FESTIVAL Tibbetts, John¢ The choreagraphy of hope: the films of GHOST IN THE SHELL (Oshii Mamoru) MEAN STREETS (Martin Scorsese) See: CASINO Douglas Fairbanks Sr. F¢ 32:3. Mav-June’96, 50-55. ill Chute, David. The soul of the new machine. FC 32:3 May- MEN IN WAR (Anthony Mann) Includes insets on: the use of color in THE BLACK June’96. 84-88. ill Kemp. Philip. ‘The story of all wars.” F¢ 32:4 Julv-Aue96, PIRATE; and restoration of Fairbanks films GOODBYE SOUTH, GOODBYE (Hou Hsiao-hsien) 50-54. ill. BRIDGES OF MADISON COUNTY, THE See: NEW YORK FILM FESTIVAL MIRACLE MAN, THE (George Loane Tucker) (Clint Eastwood) GOODFELLAS (Martin Scorsese) See: CASINO See: TUCKER. GEORGE LOANEI Combs, Richard. Old ghosts. F¢ 32:3 Mav-June96. 24- HAINE, LA [HATE] (Mathieu Kassovitz) MISSION: IMPOSSIBLE (Brian De Palma) >) Reynaud. Berenice. le “hood: HATE and its neighbors. F¢ Hampton. Howard. Rerun for your life ° rvs search ant BYE BYE (Karim Dridi) 32:2 Mar-Apr96, 54-58. ill. French “banlieu’ films. Ref. destroy mission. FC 32:4 July \ug 96. 46-49. ill. Reynaud, Berenice. le “hood: HATE ind its neighbors. F¢ LA HAINE: RAIL (Gilou); DOUCE FRANCE (Chibane): Oguss. Greg. Letters: sweet evetooth. FC 32:5 Sept-Oct96 32:2 Mar-Apr96, 54-58. ill French “banlieu’ films. Ref BYE BYE (Dridi); PETAT DES LIEUX (Richet) 88. Response to Howard Hampton's irticle (FC 32:4 Julv- HATE/LA HAINE (Kassovitz); RAI (Gilou): DOUCE HANGING AROUND (Damien Hirst) \ug 96, 40-49). FRANCE (Chibane): BYE BYE: CETAT DES LIEUX See: ART AND THE CINEMA NAKED PREY, THE (Cornel Wilde) Richet HATE (Mathieu Kassovitz) See: HAINE, LA See: WILDE. CORNEI CASINO (Martin Scorsese) HEAT (Michael Mann) NELLY ET M. ARNAUD (Claude Sautet) Smith. Gavin. 2.000 light vears from home: Scorsese's big Combs. Richard. Michael Ma nn: becoming. FC 32:2 Mar- Lyons, Donald. Purple noons and quiet evenings. FC 32Z: 3 CASINO. FC: 32:1 Jan-Feb'96, 59-63. ill. Scorsese's latest Apr96, 10-17. ill. Writer, producer, director Mann. May-June96, 80-83. ill. Ref. Susan Sontag: French cine- on culture of Ameriar violence, « riminal enterprise. ind Thematic and stylistic features of his films. ma; PURPLE NOON (Rene Clement): and NELLY civic life. Ref. MEAN STREETS, GOODFELLAS HELAS POUR MOI (Jean-Luc Godard) NO BLADE OF GRASS (Cornel Wilde) CEMETERY MAN (Michele Soavi) See: GODARD. JEAN-LU( See: WILDE. CORNEI McDonagh. Maitland. Vintage Soavi. F¢ 2:2 Mar-Apr96. HISTOIRE(S) DU CINEMA (Jean-Lue Godard) NOBODY WILL SPEAK OF US WHEN 47-50. ill. Career. Ref. DELLAMORTE DELLAMORI See: GODARD. JEAN-LU( WE ARE DEAD (Agustin Diaz Yanes) |CEMETERY MAN] HOW | GOT INTO AN ARGUMENT...(MY SEX Chang, Chris. My life to live. FC 32:3 May-June’90, 72-74 CHIENNE, LA (Jean Renoir) LIFE) (Arnaud Desplechin) See: NYFF NOBODY’S BUSINESS (Alan Berliner) See: NY FI Phelps. Donald. LA CHIENNE Legrand’s illusion. F¢ ILLTOWN (Nick Gomez) NOUVELLE VAGUE (Jean-Luc Godard) 32:1 Jan-Feb'96. 67-71. ill. Two produc tions of Georges ce See: GOMEZ, NICK: N.Y. & TORONTO FILM FESTI- See: GODARD, JEAN-LUC la Fouchardiere’s novel LA CHIENNI Renoir) and VALS PARTIE DE CAMPAGNE, UNE (Jean Renoir) SCARLET STREET (Fritz Lang) INVISIBLE MAN, THE (TV documentary about See: RENOIR, JEAN CHUNGKING EXPRESS (Wong Kar-wai) Stanley Kubrick) PEOPLE vs. LARRY FLYNT, THE (Milos Forman) See: WONG KAR-WAI Combs, Richard. Kubrick talks! FC 32:5 Sept-Oct96, 81- See: NEW YORK FILM FESTIVAL CIN=MA EUROPE: THE OTHER HOLLYWOOD 84. ill PORTRAIT OF A LADY (Jane Campion) [6-pt series] (Kevin Brownlow, David Gill) IRMA VEP (Olivier Assayas) Murphy. Kathleen. Jane ( amp n’s shining portrait of a Thompson, Frank. Another Hollywood heard from. FC 32:4 See: NEW YORK FILM FESTIVAL director. FC 32:6 Nov-Dec’96, 28-33. ill. July-Aug96. 84-86. ill JLG/JLG (Jean-Lue Godard) PROMESSE, LA (Lue and Jean-Pierre Dardenne) CLOSEUP (Abbas Kiarostami) See: GODARD, JEAN-LU( See: NEW YORK FILM FESTIVAL See: KIAROSTAML ABBAS JOHNNY MNEMONIC (Robert Longo) PSYCHO (Alfred Hitcheock) DAYS OF BEING WILD (Wong Kar-wai) See: ART AND THE CINEMA Griffith. James. PSYCHO: not gu tv as charged. FC 32:4 See: WONG KAR-WAI JUPITER’S WIFE (Michel Negroponte) July-Aug’96, 76-79. ill. DEAD MAN (Jim Jarmusch) See: DOCUMENTARY CINEMA PULP FICTION (Quentin Tarantino) Levich. Jacob. Western auguries. FC 32:3. May-June96. KIDS (Larry Clark) See: ART AND THE CINEMA See: TARANTINO, QUENTIN 39-41. ill. DEAD MAN as filmic rendition of William KILLERS. THE (Don Siegel) PURPLE NOON (Rene Clement) Blake’s life and thought Hampton, Howard. Return of the body snatchers. FC 32:6 Lyons, Donald. Purple noons and quiet evenings. FC 3Io2:: 3 DESERET (James Benning) Nov-Dec’96, 82-85. ill. May-June96, 80-83. ill. Comments on, examples from Reynaud, Berenice. The filmmaker as haunted landscape. L.A. TAKEDOWN (Michael Mann) French cinema. Ref. Susan Sontag: PURPLE NOON; and FC 32:6 Nov-Dec96. 76-81. ill Career, connections Schow. David J Letters: tracked down. FC 32:5 Sept- NELLY ET M. ARNAUD (Claude Sautet) between his films. Oct96, 88. Response to Richard Combs’s article (FC 32:2 RAI (Thomas Gilou) DOUBLE INDEMNITY (Billy Wilder) Mar-Apr96, 10-17) on Mann. Ref. L.A. TAKEDOWN (aka Reynaud, Berenice le “hood: HATE and its neighbors. F¢ Naremore, James Straight down the line: making and MADE IN L.A.), HEAT’s predecessor. 32:2 Mar-Apr96, 54-58. ill. French *banliew films. Ref. LA remaking DOUBLI INDEMNITY. FC 32:1 Jan-Feb’96, LAST SEDUCTION. THE (John Dahl) HAINE (Kassovitz): RAL DOUCE FRANCE (Chibane): 22-31. ill. Nicastro. Nicholas. Actresses and ambition. FC 32:1 Jan- BYE BYE (Dridi); PETAT DES LIEUX (Richet). DOUCE FRANCE (Malik Chibane) Feb96, 2-47. ill Women, power/success, ind sex: REBELS OF THE NEON GOD (Tsai Ming-liang) l See: TSAL MING-LIANG PWO SECONDS (Mervyn LeRoy) See: WAY TO THE STARS. THI RENDEZVOUS IN PARIS (Erie Rohmer) Phe Ips, Donald. On the spol FC 32:2 Mar-Apr'96 ASSAYAS, OLIVIER White, Armond. Auteureritique: Eri Rohmer reflects. F¢ 79. ill Jones. Kent. Tanglel ed up in blue. Fe 32:1 Jan-Fe b96. 50 32:5 Sept-Oct96, 14-19. ill TYPEWRITER, THE RIFLE, AND THE MOVIE 97. ill. Career. themes. etc. The color blue outh, politic RESERVOIR DOGS (Quentin Tarantino) CAMERA, THE (Adam Simon) resona nee in his films Ref. UNE NOUV ELLE VIE. DES- See: TARANTINO, QUENTIN Horton. Robert Sam's place Ke 32:3. May-June"96, 4-9 ORDRE, LENFANT DE CHIVER. PARIS SEVEILLE. RIVER, THE (Jean Renoir) See: RENOIR. JEAN ill. Documentary about write r-produc er-director LEAL FROIDE. See N.Y. FILM FEST (lrma Vep ROLLING STONES ROCK AND ROLL CIRCUS Fuller AL DIARD, JAG Ql ES (A Self-Made Hero) See NEW YORK FILM FESTIVAL UMBRELLAS OF CHERBOURG, THE See: NEW YORK FILM FESTIVAL SALAAM CINEMA (Mohsen Makhmalbaf) (Jacques Demy) See: DEMY. JACQUES AVANT-GARDE CINEMA Smith, Gavin. Method in movie madness. FC 32:4 July UMM KULTHUM: A VOICD LIKE EGYPT Arthur. Paul. Avant-garde treat. FC 32:6 Nov-Dec’96. Aug’96, 44. ill (Michael Goldman) See: NEW YORK FILM FESTIVAL 67-69. ill. Avant-garde participation it NYFF. Ref SALUT COUSIN! (Merzak Allouache) See: NY FI UNDERGROUND (Emir Kusturica) See: \\ FI LULI Lewis Klah PUNIN THE SLEEPING SCARLET LETTER, THE (Roland Joffe) VERTIGO (Alfred Hitehcock) MACHINE (Da id Sher an): SUMMER CANNIBALS (R Nicastro. Nicholas. Actresses and ambition. FC 32:1 Jan Lyons. Donald. Notes while falling. Fé 52:6 Nov-Dec96 Frank): AMOR R. Beavers): THE SECRET STORY (Jani Fel96, 2-4.7. ill. Women, power/success. and sex: what O-+. ill. The restored VERTIGO. who represents feminism in today’s Hollywood? Ref. VIVE DAMOUR (Tsai Ming-liang) AWARDS SCARLET LETTER (D. Moore): SHOWGIRLS $ (Eliz See: TSAL MING-LIANG See: ACADEMY OF MOTION PICTURE ARTS AND BerkleTyO) D:I E FOR (NX. Kidman): THE LAST SEDUC- WAY TO THE STARS, THE (Anthony Asquith). SCIENCES AWARDS: BEST FILMS: BOX OFFICI FES TION (L. Fiorentino): BASIC INSTINCT (S. Stone) Kennedy. Harlan. How they won the w uw: British inem PIVALS: GUILTY PLEASURES SCARLET STREET (Fritz Lang) ind World War Two. F¢ 32:5 Sept-Ocv96, 23-34. ill BANLIEU FILMS Phelps. Donald. LA CHIENNI Legrand’s illusion. Ft WHOLE WIDE WORLD, THE (Dan Ireland) Revnaud. Berenice le’ hood: HATE and its neighbors. Ft 32:1 Jan-Felb96. 67-71. ill. Two pt roducotf Gieoorgness d e Murphy. Kathleen. Weird tales. true onfession FC 32:5 32:2 Mar-Apr96, 54-58. ill. French “banlieu’ films. Ret la Fouchardiere’s novel: LA CHIENNE (Jean Renoir) and Sept-Oct96, 10-13. ill. Ref. The Seattle International LA HAINE (Mathieu Kassovitz) RAIL (Thomas Gilou SCARLET STREET Film Festival DOLCE FRANCE (Malik Chibane): BYE BYE (Karin SEARCH AND DESTROY (David Salle) WILD RIVER (Elia Kazan) Dridi): LETAT DES LIEUX (Jean-Francois Richet See: ART AND THE CINEMA Chase. Donald Watershed. FC 32:6 Nov-De ¢ 9%. 10 BEACHMONT SILENT FILM FESTIVAL SECRET STORY, THE (Janie Geiser) See: \Y FI 15. all Thomajan. Dale. Charlie Chaplin never called me pig. Ft SECRETS & LIES (Mike Leigh) See: NYFI WINDOW, THE (Ted Tetzlaff) 32:6 Nov-Dec96, 8-9. ill SELF-MADE HERO, A (Jacques Audiard) Se Arthur, Paul. Film noir as primal scene: THE WINDOW BEAVERS, ROBERT (Amor) See: \\ FI NYFI FC 32:5 Sept-Oct96, 77-79. ill. Film noir generally. BENNING, JAXIES SENSE AND SENSIBILITY (Ang Lee) YOUNG GIRLS OF ROCHEFORT, THE Reynaud. Berenice. The filmmaker as haunted landscape Lyons. Donald. Passionate Pre« ision. FC 32:1 Jan-Feb 96. (Jacques Demy) See: DEMY, JACQUES Ke 32:6 Nov-Dec96. 76-81. il Care tions 30-41. ill YOUNG POISONER’S HANDBOOK, THE betwee n his films. Ref. DESERET SHINING, THE (Stanley Kubrick) (Benjamin Ross) BERLIN FILM FESTIVAL Combs, Richard. Kubrick talks! Ft 32:5 Sept-Ocv96, &1- Kenned v. Harlan. Kind hearts and cor maries. | 32:1 Kennedy. Har in. Cold c¢ mmfort films: Berlin Film Festival 84. ill. TV documentary THI INVISIBLE MAN (about Jan-Fel’96, 8-10. ill FC 32:3 May-June96.76-78. ill. RICHARD Hl: RESTO- SMtAaKnlIeNyG K“uTbHriEc k).S HIRNefI. NG excerpts Vivian Kubrick's SUBJECTS RSAETNISOEN : &H OMES ENSFIOBRI LITTHEY : HOLMIADHAJYOSN: GGM)A:R Y FRAELILLLEYN: SHOWGIRLS (Paul Verhoeven) ANGELS:B LADE: SUN VALLEY: SUN HAS EARS: GET Nicastro, Nicholas. Actresses and ambition. F¢ 52:1 Jan ACADEMY OF MOTION PICTURE ARTS AND SHORTY: TOY STORY: NIXON: DEAD MAN WALK Felb96, 2-4.7. ill. Women. power/success ind sex: what SCIENCES AWARDS NG: ALL IS FAIR: HOLY WEEK: MON HOMME: who represents feminism in today’s Hollywood? Ret Oscar predix. Fe 32:2 Mar-Apr96, 2. David \nsen. MOTHER’S COURAGE: STRANGLED LIVES: SUM- SCARLET LETTER (D. Moore): SHOWGIRELS (Eliz Aljean Harmetz John Hartl, Gregg Kilday J ick Mathews MER IN LA GOULLETTE: WELCOME TO THE DOLI Berkley): TO DIE FOR (\. Kidman): THE LAST SEDUC- Peter Rainer Andrew Sarris. Richard Schickel. Stephen IOLSE: FRISK: STREETLIFE: VILLAGE OF DREAMS lION (L. Fiorentino): BASIC INSTINCT (S. Stone). Schiff. Gavit Smith, Anne Thompson, and Kenneth Turan BERLINER, ALAN (Nobody's Business) SLING BLADE (Billy Bob Thornton) Se: NYFI predict Ose ir winners See: NEW YORK FILM FESTIVAL SMALL FACES (Gillies MacKinnon) Oscar redux. FC 32:3 Mav-June’96, 2 Oscar Predix team BEST FILMS Kennedy, Harlan. Kiltspotting: highland reels. FC 32:4 vives second opmions the weekend before the Awards. The Jest of “95. FC 32:1 Jan-Feb96, 43-45 Richard 17 Julv-Aug’96. 28-33. ill Modern Se ttish cimema Ref team’s results and the Academy's results compared | im Gavin Smith. Kathleen Murphy. Michael PRAINSPOTTING (Danny Boyle) and SMALL FACES ACTORS \t on, Chris Chang. Richard Corliss, Molly Haskell STARTING PLACE/PLACE DU DEPART Bush. Lyall. Doing Brando. FC 32:1 Jan-F b'96. 83-88. ill P ogue, Robert Horton, Harlan Kennedy. Dave Kehr (Robert Kramer) See: DOCUMENTARY CINEMA Male expressivity/anger: the Brando image inn post srando Jonald Lyons, Andrew Sarris. Richard Schickel. Anne SUBURBIA (Richard Linklater) See: NY FI larantino. Ref. RESERVOIR DOGS. Pl LP FICTION hompson. Armond White choose their Ten Best. See also SUMMER CANNIBALS (Robert Frank) See: \Y FI Nicastro. Nicholas Actresses and Ambition. FC 32:1 Jan- ACADEMY OF VP. ARTS AND SCIENCES AWARDS: TEMPTRESS MOON (Chen Kaige) See: \YFI Felb’96, 2-4.7. ill Women, power/sucees ind’ sey SOX. OFFICE FESTIVALS: GUILTY PLEASURES THEREMIN: AN ELECTRONIC ODYSSEY vhat/who represents feminism in today’s Hollywood? Ref BLACKLIST (Steven H. Martin) See: DOCL MENTARY CINEMA SCARLET LETTER (D. Moore): SHOWGIRLS (Eliz MeGilligan, Patrick. TH alw THEY WON'T FORGET (Mervyn LeRoy) Berkely): TO DIE FOR (N. Kidman): THE LAST SEDUC- Jassin inter ved. FE 32:6 Nov-Dec Johnson, William. In Deep. FC 32:2 Mar-Ay rw9 6, 74 PION (L. Fiorentino): BASIC INSTINCT (S. Stone) Career. Ref. HU AC ind The Blacklist 76. ill Smith, Gavin. New faces [and] Notable performers [°95] BLOCKBUSTERS THREE LIVES AND ONLY ONE DEATH FC 32:1 Jan-Feb96, 47-48. ill. Joaquin Phoenix. Galaxy s. Kent. The summer of our malcontent.F C 3 2-5 Sept (Raul Ruiz) See: NEW YORK FILM FESTIVAL Craze. Kate Winslet. Jason Lee. William Fichtner, Patricia Oct96, 3-4. 7-8. ill. Summer “96 blockbusters. The rel TO DIE FOR (Gus Van Sant) Reves Spindola, Vincent Gallo. Brigitte Bako. James Le lonship Delween a lt s pul Me il Nicastro. Nicholas Actresses and ambition. FC 32:1 Jan- Gros. Elisabeth Shue. Parker Posey. Don Cheadle. Ashley BOX OFFIC! Feb'96, 2-4.7 ill. Women. power/success, and sex: what Judd. Tom Sizemore. John C. Reilly. Joan Allen. Tony BOX OFFICE who represents Te minism in today’s Hollywood? Ret Leung. Robert De Niro t The | ear. FC 32:2 Mar SCARLET LETTER (D. Moore): SHOWGIRLS (Eliz ACTRESSES See: ACTORS 1995: market share: hits: flops Berkley): TO DIE FOR (Nicole Kidman): THE LAST ALLOUACHE, MERZAK (Salut Cousin!) See: \) FI SEDUCTION (Linda Fiorentino): BASIC INSTINCT (Ss ANTONIONI, MICHELANGELO (Beyond Anne. Is bigger better?: 21st a Stone). the Clouds) See: NEW YORK FILM FESTIVAL 2 M u-Apr96, 60-64 iil. Hollywo TRAFFIC IN SOULS (George Loane Tucker) ART AND THE CINEMA s stt o return: market share vs Set PLCKER. GEORGE LOAN Chan oe. Chris. Mind over matter: the artiste as filmmaker eleases: etc. See also: BLOCKBUSTERS TRAINSPOTTING (Danny Boyle) FC 32:5 Sept-Oct96, 54-62. ill. Artists turned filmmakers BOYLE, DANNY See: TRAINSPOTTING Kennedy. Harlan. Kiltspotting: highland reels. FC 52 David Salle (SEARCH AND DESTROY): Robert Longo BRANDO. MARLON July-Aug96, 28-33. ill. Modern Scottish cinema. Ref JOHNNY MNEMONIC): Damien Hirst (HANGING Bush. Lyall. Doing Brando. F¢ 32:1 Jan-Fe b'96. 83-88. ill PRAINSPOTTING and SMALL FACES (G. MacKinnon). AROUND): Julian Schnabel (BASQUIAT) Larry Clark Male « Xpressivil inger: the Brando mage in post-Brance TROUBLES WE°VE SEEN, THE (Marcel Ophuls) (KIDS): Cindy Sherman (OFFICE KILLER Tarantino. Ref. RESERVOIR DOGS, PULP FICTION Jacobsen. Kurt Memories of injustice Marcel Ophuls’ Demopoulos, Maria. Thieves like us: directors under the BROWNLOW, KEVIN cinema of conscience. FC 32:4 July-Aug’96, 61-67. ill influence. Kt 2:3 Mav-June96 33-37 ill See: CINEMA EUROPE THE OTHER HOLLY WOOD Interview with Ophuls. career, films, themes. “Referencing”: hommage vs. plagiarizing? Ref. musi CAMMELL, DONALD TUNING THE SLEEPING MACHINE video directors quoting trom photogt iphs. Chang. Chris. Cinema Sex Magick. Fe 52:4 July-A ig 90, (David Sherman) See: NEW YORK FILM FESTIVAL ARTHUR, JEAN 14-19, 83. ill Career Ref. DUFFY. PERFORMANCE. 12 MONKEYS (Terry Gilliam) Drabelle. Dennis. “What do vou think | am. a goop?” Ft DEMON SEED. WHITE OF THE EYE. WILD SIDE Jameson, Richard T. MONKEY business. FC 32:3 May- 32:2 Mar-Apr96, 18-25. ill. Career. The “Arthurian Hanstock. Terry. Letter [in response to Chang's article |. Ft June96, 37. Artistic licence: artist Lebbeus Woods's character. 32:5 Sept-Oct'96, 88 injunction against Gilliam “enjoining Universal from ‘dis- ARTISTS AND THE CINEMA CAMPION, JANE See: PORTRAIT OF A LADY tributing. exhibiting. performing or copying those portions Set : ART AND THE CINEMA CANNES FILM FESTIVAL that reproduce Woods's drawing or any portion of it.” ASQUITH, ANTHONY Corliss. Mary. Accommodations with optimism: Cannes LY) 96. FC 32:4 July-Aug’96, 2-4, 9-12. ill. DRIFTING EASTWOOD, CLINT HITCHCOCK, ALFRED See: PSYCHO: VERTIGO CLOUDS: SECRETS & LIES: TRAINSPOTTING: THI Murphy. Kathleen. The good, the bad & the ugly: Eastwood HOLLYWOOD (INDUSTRY) EIGHTH DAY: STEALING BEAUTY: THE EMPTY MIR- as romantic hero. F¢ 32:3 May-June’96. 16-22. ill See: INDUSTRY (HOLLY W.OOD) ROR: RIDICULE: A SELF-MADE HERO: THE QUIET Schickel, Richard. Clint on the back nine. FC 32:3 May- HOU, HSIAO-HSIEN (Goodbye South, Goodbye) ROOM: THE PILLOW BOOK: GABBEH: BREAKING June96. 10-14. ill. The Eastwood hero/anti-hero. See: NEW YORK FILM FESTIVAL THE WAVES: CRASH: TEMPTRESS MOON See also: BRIDGES OF MADISON COUNTY HUAC See: BLACKLIST Kennedy. Harlan. Orbiting sublimity: Cannes “96. FC 32:4 ENGLAND See: GREAT BRITAIN HUMER, EGON (Emigration, New York) July-Aug96, 5-8. ill. THE PILLOW BOOK: BREAKING EUROPE, WESTERN See: NEW YORK FILM FESTIVAI THE WAVES: SECRETS & LIES: DRIFTING CLOUDS Thompson, Frank (nother Hollywood heard from. FC 32:4 IMAX 3-D CD-ROMS See: COMPUTERS AND FILM Julv-Aug@’96, 84-86. ill. Ret. Arthur. Paul. In the realm of the senses. FC 32:1 Jan- CENSORSHIP See: BLACKLIST CINI 1A EUROPE: THE OTHER HOLLY WOOD (6-part Fel 96, 78-81. ill. The simulation of reality. Historical pre- CHAHINE, YOUSSEF series. by Kevin Brownlow and David Gill) cursors, uses today, projections for its future. Ref Kehr, Dave. The waters of Alexandria EXPERIMENTAL CINEMA ACROSS THE SEA OF TIME (Stephen Low) Dec96, 23-2 | See: AVANT-GARDE CINEMA INDEPENDENT CINEMA CHEN, KAIGE (Temptress Woon) FAIRBANKS, DOUGLAS SR. Smith, Gavin. The indie year. F¢ 32:2 Mar-Apr90, 65. See: CANNES& NEW YORK FILM FESTIVALS libbetts. John C. The chore wraphy of hope. FC 32:3 May- Independents, 1995: market share: hits: flops; studios/dis- CHIBANE, MALIK See: DOLCE FRANCI June’96, 50-55. ill. Includes insets on: the use of color in tributors. See also: BOX OFFICE: DOCUMENTARY CHINA THE BLACK PIRATE: and restoration of Fairbanks films INDUSTRY (HOLLYWOOD) Severson. Matt. 5 t: behind the Great Wall. FC 32:3 FAVORITE FILMS See: GUILTY PLEASURES Jones. Kent. The summer of our malcontent. FC3 :2 :5 Sept- Mav-June96. 47-48. ill. Chinese silents (192 22)- 332)0) at a 4t he FEMINISM See: WOMEN IN FILM Oct96, 3-4. 7-8. ill. Summer “96 blockbusters. The rela- 13th Pordenone Sile Film Festva FESTIVALS tionship between a film and its viewing public. CHUNG, PETER 5 AEON FLUX See: BERLIN: CANNES: NEW YORK; PORDENONE: See also: BOX OFFICE CLARRh, LARRY (Kids) 5 ART AND THE CINEMA SEATTLE: SUNDANCE: TORONTO: VENICE IRAN CLEMENT, RENE See: PURPLE NOON FIGGIS, MIKE See: LEAVING LAS VEGAS [Iranian cinema}. FC 32:4 July-Aug96, 34-44. ill Articles COMPUTERS AND FILM FILM NOIR: See: NOIR by Godfrey Cheshire (“Abbas Kiarostami: a cinema of Murphy. Kathleen. | FORMAN, MILOS (The People vs. Larry Flynt) question”): Phillip Lopate (“Kiarostami close up,” [inter- M See: NEW YORK FILM FESTIVAL view]): Gavin Smith (Makhmalbafs SALAAM CINEMA) FRANCE IRELAND, DAN See: WHOLE WIDE WORLD, THE ROM magazine heatre of the iwination: radio storic Lyons. Dor d. Purple noons and quiet evenings.f 322: 3 JARMUSCH, JIM See: DEAD MAN v Orson \ e CD-ROM:et Comments on, ex imple s trom JOFFE, ROLAND See: SCARLET LETTER CRIME FILMS iad Ret. Susan Sor tag: PURPLE NOON (Rene JULIEN, ISAAC (Frantz Fanon: Black Skin, White Arthur. Paul. Los Ange ud NELLY ET M. ARNAUD (Claude Sautet). Mask) See: NEW YORK FILM FESTIVAL July-Aug’96, 20-26 Relationosfh deitepct ive r renice. le “hor ul: HATE and its neighbors. FC KASSOVITZ, MATHIEU See: HAINE, LA (HATE) he olo oy LA. R f: DOLBLE INDEMNIT Y, oi 2:2 pr96, 54-58 ill. French *banlieu’ films. Ref KAZAN, ELIA See: WILD RIVER WALKED BY NIGHT KISS ME DEADLY. POINT LA HAINE (Mathieu Kassovitz): RAI (Thomas Gilou); KIAROSTAMI, ABBAS BLANK. CHINATOWN. TWO JAKES. BLADE RUN DOLCE FRANCE (Malik Chibane): BYE BYE (Karim Cheshire, Godfrey. A cinema ol questions. FC 32:4 July- NER. TRUE CONFESSIONS Dridi): LETAT DES LIEUX Vlean-Francois Richet). Aug 96. 34-36, 41-43. ill. Career. films CURTIZ, MICHAEL FRANK, ROBERT (Summer Cannibals) See: NY FI Lopate. Phillip. Kiarostami close up. Interview. FC 32:4 Lyons. Donald. lron Mik 0 vith Michael Curtiz. F¢ FULLER, SAMUEL July-Aug96, 37-40. ill. Themes. influences. films. 32:2 Mar-Apr96, 80-88. ill. Director's “domestic touch Horton. Robert. Sam’s place FC 32:3 May-June’96, 4-9 KLAHR, LEWIS (Lulu) See: NYFI Ref. KID GALAHAD. FOUR DAUGHTERS. DAUGH- ill. THE TYPEWRITER, THE RIFLE, AND THE MOVIE KRAMER, ROBERT (Starting Place) PERS COURAGEOUS, ROUGHLY SPEAKING. MII CAMERA (Adam Simon . documentary about writer-pro- See: DOCUMENTARY CINEMA DRED PIERCE. THE BREAKING POINT ducer-director Fulle KUBRICK, STANLEY DAHL, JOHN See: LAST SEDUCTION. THI GATLIF, TONY (Latcho Drom) Combs. Richard. Kubrick talks! F¢ 32:5 Sept-Oct96, 81- DARDENNE, LI C& JE AN-PIERRE (La Promesse) See: DOCU MENTARY CINEMA &4. ill. TV documentary THI INVISIBLE MAN (about See: NEW YORK FILM FESTIN AS GEISER, JAMIE (The Secret Story) See NY FI Kubrick). Ref. Vivian Kubrick ’s MAKING “THE SHIN- DASSIN, JULES GILL, DAVID ING McGilligan. | Patrick See: CINEMA EL ROPE: THE OTHER HOLLY WOOD KUSTURICA, EMIR (Underground) See: NYFF Dassit nlerviewed > Dece96, 34-48 GILLIAM, TERRY see: 12 MONKEYS KWAN, STANLEY [KWAN KAM PANG] Career. Ref. HUAC and The B GILOU, THOMAS See: RAI Atkinson, Michael. Songs of crushed love. FC 32:3 May- DE PALMA, BRIAN 5 MISSI )\: IMPOSSIBLI GODARD, JEAN-LUC June’96, 42-49. ill. Ref. ROUGE. ACTRESS, RED ROSE DEMY, JACQUES Smith. Gavin. “People like to sav. “What do you mean WHITE ROSE. Johnson. Willia In praise of THE YOUNG GIRLSO F tly? T would inswer, “IT mean. but not exactly.” F¢ LANG, FRITZ See: SCARLET STREET ROCHEFORT. FC 32:5 Sept-Oct90. 72-76 |. THI \pr96. 31-41. ill. Interview: Godard’s video and LEE, ANG See: SENSE AND SENSIBILITY YOUNG GIRLS OF ROCHEFORT and THE UMBREI later work as reconciliation with cinema. Ref. HIS- LEIGH, MIKE (Secrets & Lies) See: NYFI LAS OF CHERBOL R¢ POIRE(S) DU CINEMA. HELAS POUR MOL, JLG/JLG. LEROY, MERVYN DESPLECHIN, ARNAUD (Hew | Got into an NOLVELLE VAGUE Includes i list of Godard on ideo. See: THEY WON'T FORGET: TWO SECONDS Argument...(My Sex Life) See: NY FI White. Armond. Double helix. FC 32:2 Mar-Apr96, 26- LIN, BRIGITTE DETECTIVE FILMS See: CRIME FILMS 0. ill. Recent Godard. Ref. HELAS POLR MOL NOL- Hampton. Howard Brigitte Lin’s Shanghai gesture. F( DIAZ SANES, AGUSTIN See: NOBODY WILL SPEAK VELLE VAGUE, HISTOIRE(S) DU CINEMA, JLG/AILG 32:5 Sept-Oct96, 42-48. ill Hong Kong movie star's Or LS WHEN WE ARE DEAD GOLDMAN, MICHAEL (Umm Kulthum: career. DIRECTORS AND DIRECTING A Voice Like Egypt) Se: NY Fi LINKLATER, RICHARD (subUrbia) See: NYFF Chang. Cl Mind over matter: the GOMEZ. NICK LONGO, ROBERT (Johnny Mnemonic) FC 32:5 Sept-Oct96. 54-62 \ Smith. Gavin. Through the lookit i FC 32:5 Sept- See: ART AND THE CINEMA D s SEARCH AND DESTROY): Robert Longe Oct'96, 64-71 Interview: career. films, themes. Ref. ill- LOS ANGELES IN FILMS See: CRIME FILMS JOHNNY MNEMONI Damien H LANGING town. See also: NEW YORK FILM FESTIVAL (illtown) LOW, STEPHEN (Across the Sea of Time) AROUND): Julian Sch BASOUIAT): Larry ¢ GREAT BRITAIN See: IMAX 3-D KIDS OFFICE KILLER Kennedy. Harlan. How they won the wat British cinema MacKINNON, GILLIES Se: SMALL FACES ind World War Two. FC 32:5 Sept-Oct96, 23-34. ill. Ref MAKHMALBAF, MOHSEN \l THE WAY TO THE STARS (Anthony Asquith). et al See: CANNES FILM FESTIVAL: NEW YORK FILM FES- GREYSON, JOHN (Lilies) See: NY FI PINAL (Gabbeh); SALAAM CINEMA GUILTY PLEASURES MAMORU, OSHIE See: GHOST IN THE SHELI Bertolucci. Bernardo. FC 32:4 July-96A, 8u0-g82 . ill MANN, ANTHONY See: MEN IN WAR Carpenter. Joh > Sept-Oct 96, 90-53. ill MANN, MICHAEL DOCUMENTARY CINEMA Davies. Terence. FC 32 Jan-Fe 1°96. 32-35. ill Combs. Richard. Michael Mann: becoming. F¢ 32:2 Mar- Hog Peter. Genre yus t Ft HANEKE, MICHAEL Apr'96, 10-17. ill. Writer. producer, director Mann. 2:4 July-Aue’96. 56-60 Ref. LATCHO DROM (Tony Vogel. Amos. Of nonexisting continents. FC 32:4 July Thematic and stylistic features of his films. Ret. HEAT. See ( f); LESSONSO F DARKNESS (He : STARTING \ug 96. 73 -75. ill. Ref. THE SEVENTH CONTINENT. \. TAKEDOWN PLACE/PLACE — DI DEPARI Robert Kramer): BENNY’S VIDEO. 71 FRAGMENTS OF A CHRONOLO- MARTIN, STEVEN H. (Theremin: an Electronic JUPITER'S WIFE (Michel Negrope PTHEREMIN: AN GY OF CHANCI Odyssey) See: DOCK MENTARY CINEMA ELECTRONIC ODYSSEY (Steven H. Martir HARTLEY. HAL MEHTA, DEEPA (Fire) See: NYFI Rosen. Rache Sundoes. FC 32:2) Mar-Apr96. 5 Jones. Kent. The book | read was in uur eves. F1 C 324 MELVILLE, JEAN-PIERRE Documentaries at Su BUCKMINSTER FULLER July-Aug’96, 68-72. ill. Career. style. films. Ref. SURVIN Hogue. Peter. The elective affinities. FC 32:6 Nov-Dec’96, PHINKING OLT LOUD: WHEN WE WERE KINGS: ING DESIRE. THE UNBELIEVABLE TRUTH. TRUST. 16-22. ill. The Melville sensibility. Themes. career, films. THE BATTLE OVER CITIZEN KANE: TROL BLESOME AMATEUR, FLIRT MEN IN FILM CREEK: A MIDWESTERN: HALVING THE BONES: HERZOG, WERNER (Lessons of Darkness) Bush. Lyall. Doing Brando. FC 32:1 Jan-Feb’96, 83-88. ill PARADISE LOST: THE CHILD MURDERS AT ROBIN See: DOCL MENTARY CINEMA Male expressivity/anger: the Brando image in post-Brando HOOD HILLS. Se« o: INDEPENDENT CINEMA HIRST. DAMIEN (Hanging Around) Tarantino. Ref. RESERVOIR DOGS, PULP FICTION DRIDI. KARIM See: BYE BYI See: ART AND THE CINEMA MISSELWITZ, HELKE See: ENGELCHEN 9 a) ce » MTV See: TELEVISION: VIDEO INDUSTRY (MacKinnon). Kennedy, Harlan. How they won the war: British cinema MULTIMEDIA SEATTLE INTERNATIONAL FILM FESTIVAL and World War Two. FC 32:5 Sept-Oct’96, 23-34. ill. Ref. See: COMPUTERS AND FILM: VIDEO INDUSTRY Murphy, Kathleen. Weird tales, true confession.PC 32:5 THE WAY TO THE STARS (Anthony Asquith), et al. MUSIC VIDEOS See: VIDEO INDUSTRY Sept-Oct’96, 10-13. Il. Character and history of SIFF. URBAN VIOLENCE IN FILMS NEGROPONTE, MICHEL (Jupiter’s Wife) SEX AND THE CINEMA See: BANLIEU FIMS: CRIME FILMS: VIOLENCE See: DOCUMENTARY CINEMA Nicastro, Nicholas. Actresses and ambition. FC 32:1 Jan- VAN SANT, GUS See: TO DIE FOR NEW YORK FILM FESTIVAL Feb’96, 2-4,7. ill. Women, power/success, and sex: what/ VENICE FILM FESTIVAL Arthur, Paul. Avant-garde retreat. FC 32:6 Nov-Dec’96, who represents feminism in today’s Hollywood? Ref. Kennedy, Harlan. Festivals: Venice. FC 32:6 Nov-Dec’96, 67-69. ill. Avant-garde participation in the NYFF. Ref. SCARLET LETTER (D. Moore); SHOWGIRLS (Eliz. 51-53. ill. THE FUNERAL; PROFUNDO CARMESI; A LULU (Klahr); TUNING THE SLEEPING MACHINE Berkley): TO DIE FOR (N. Kidman); THE LAST SEDUC- TRUE STORY: GUY; CARLA'S SONG: MICHAEL (Sherman): SUMMER CANNIBALS (Frank); AMOR TION (Linda Fiorentino); BASIC INSTINCT (S. Stone). COLLINS: FOR EVER MOZART; PONETTE: THE (Beavers): THE SECRET STORY (Geiser). SHERMAN, DAVID (Tuning the Sleeping Machine) DRESS: GO NOW: PORTRAIT OF A LADY. Horton, Robert. Festivals: NYFF. FC 32:6 Nov-Dec’96, 63. See: NEW YORK FILM FESTIVAL VERHOEVEN, PAUL 65-67. ill. SECRETS & LIES (Leigh); HOW I GOT INTO SHUE, ELISABETH See: BASIC INSTINCT: SHOWGIRLS AN ARGUMENT...(MY SEX LIFE) (Desplechin); illtown Kernc, Timothy. [Letter]: Que Sera Sera. FC 32:4 July- VIOLENCE (Gomez): LILIES (Greyson); THREE LIVES AND ONLY \ug’96, 88. Re: David Thomson's review (FC 31:6) of Arthur, Paul. Los Angeles as scene of the crime. FC 32:4 ONE DEATH (Ruiz); TEMPTRESS MOON (Chen); FIRE LEAVING LAS VEGAS. In praise of Shue. July-Aug’96, 20-26. ill. Function of ecology of L.A. in noir (Mehta): MAHJONGG (Yang); A SELF-MADE HERO SIEGEL, DON See: KILLERS. THE and detective movies from postwar through present. (Audiard); SLING BLADE (Thornton); THE ROLLING SILENT CINEMA 3ush, Lyall. Doing Brando. FC 32:1 Jan-Feb'96, 83-88. ill. STONES ROCK AND ROLL CIRCUS; subUrbia Severson, Matt. Silent: behind the Great Wall. FC 32:3 Male expressivity/anger: the Brando image in post-Brando (Linklater); BREAKING THE WAVES (von Trier). May-June’96, 47-48. ill. Chinese silents (1922-38) at the Tarantino. Ref. RESERVOIR DOGS. PULP FICTION. Lopate. Phillip. Festivals: NYFF. FC 32:6 Nov-Dec’96, 13th Pordenone Silent Film Festival. Reynaud, Berenice. le‘hood: HATE and its neighbors. FC 58-62. ill. IRMA VEP (Assayas);: SALUT COUSIN! Thomajan. Dale. Charlie Chaplin never called me pig. FC 32:2 Mar-Apr'96, 54-58. ill. French ‘banlieu’ films. Ret (Allouache): LA PROMESSE (Dardenne); LE GARCL 32:6 Nov-Dec’96, 8-9. Ref: Beachmont Film Fest. ill. HATE/LA HAINE (Kassovitz); RAI (Gilou); DOUCE (Pialat); GOODBYE SOUTH. GOODBYE (Hou): Thompson, Frank. Another Hollywood heard from. FC 32:4 FRANCE (Chibane); BYE BYE (Dridi); LETAT DES BEYOND THE CLOUDS (Antonioni): GABBEH July-Aug96, 84-36. ill. Ref. CINEMA EUROPE: THE LIEUX (Richet). (Makhmalbaf); MANDELA (Menell & Gibson); FRANTZ OTHER HOLLYWOOD (6-pt. series by Kevin Brownlow VON TRIER, LARS (Breaking the Waves) FANNON: BLACK SKIN, WHITE MASK (Julien); UMM and David Gill). See: CANNES & NEW YORK FILM FESTIVALS KULTHUM: A VOICE LIKE EGYPT (Goldman): SMITH, CHRIS See: AMERICAN JOB WAR IN FILM NOBODY'S BUSINESS (Berliner); EMIGRATION, NEW SOAVI, MICHELE Kennedy, Harlan. How they won the war: British cinema YORK (Humer): UNDERGROUND (Kusturi-ca); THE McDonagh, Maitland. Vintage Soavi. FC 32:2 Mar-Apr96, and World War Two. FC 32:5 Sept-Oct96, 24-34. ill. Ref. PEOPLE VS. LARRY FLYNT (Forman). 17-50. ill. Career. Ref. DELLAMORTE DELLAMORE THE WAY TO THE STARS (Anthony Asquith), et al. Lyons. Donald. Notes while falling. FC 32:6 Nov-Dec’96, [CEMETERY MAN]. WARNER BROS. STUDIO 64. ill. The restored VERTIGO. STUDIOS Thomajan, Dale. Poetry without a poet: Warner Bros. pre- NOIR See: BOX OFFICE; INDEPENDENT CINEMA: WARN- code. FC 32:2 Mar-Apr’96, 70-73. ill. Warners films of the Arthur, Paul. Film noir as primal scene. FC 32:5 Sept- ER BROS. pre-Code Thirties. See also: CURTIZ, MICHAEL; THEY Oct’96, 77-79. ill. Ref. THE WINDOW (Ted Tetzlaff). SUNDANCE WON'T FORGET: TWO SECONDS OPHULS, MARCEL Rosen, Rachel. Sundocs. FC 32:2) Mar-Apr96, 53. WILDE, CORNEL Jacobsen. Kurt. Memories of injustice: Marcel Ophuls’ Documentaries at Sundance: BUCKMINSTER FULLER: Atkinson, Michael. Naked prey. FC 32:6 Nov-Dec’96, 70- cinema of conscience. F¢ 32:4 July-Aug’96, 61-67. ill. THINKING OUT LOUD: WHEN WE WERE KINGS: 75. ill. Wilde’s brand of ‘pulp’. Ref. THE NAKED PREY, Interview: career. films, themes. Ref. THE TROUBLES THE BATTLE OVER CITIZEN KANE; TROUBLESOME BEACH RED. and NO BLADE OF GRASS. WE'VE SEEN CREEK: A MIDWESTERN; HALVING THE BONES: WILDER, BILLY See: DOUBLE INDEMNITY OSCARS = See: ACADEMY OF MOTION PICTURE PARADISE LOST: THE CHILD MURDERS AT ROBIN WOMEN IN FILM ARTS AND SCIENCES AWARDS HOOD HILLS. Nicastro, Nicholas. Actresses and ambition. FC 32:1 Jan- PARKER, ALBERT See BLACK PIRATE. THE Smith, Gavin. Girlpower: Sundance "96. FC 32:2 Mar- Feb’96, 2-4,7. ill. Women. power/success, and sex: what/ PHOTOGRAPHY AND THE CINEMA Apr96, 51-53. Ill. COLOR OF A BRISK AND LEAP- who represents feminism in today’s Hollywood? Ref. Demopoulos, Maria. Thieves like us: directors under the ING DAY; DESERET; CAUGHT; BIG NIGHT: WALK- SCARLET LETTER (D. Moore); SHOWGIRLS (Eliz. influence. FC 32:3. Mav-June’96. 33-37. ill. ING & TALKING; PALOOKAVILLE: FREEWAY: Berkley): TO DIE FOR (Nicole Kidman); THE LAST “Referencing”: hommage vs. plagiarism. Ref. music video GOD'S LONELY MAN: DARIEN GAP: WELCOME SEDUCTION (Linda Fiorentino): BASIC. INSTINCT directors quoting from photographs. TO THE DOLLHOUSE; GIRLS TOWN: | SHOT (Sharon Stone). PIALAT, MAURICE See: GARCU, LE: NEW YORK ANDY WARHOL: BOUND; FEMALE PERVER- WONG, KAR-WAI FILM FESTIVAL (Le Garcu) SIONS: LATE BLOOMERS: MEET RUTH STOOPS Stephens, Chuck. Time pieces: Wong Kar-Wai and the PLAGIARISM [later CITIZEN RUTH]. persistence of memory. FC 32:1 Jan-Feb’96, 12-18. ill. Demopoulos. Maria. Thieves like us: directors under TARANTINO, QUENTIN Ref. AS TEARS GO BY, DAYS OF BEING WILD, the influence. FC 32:3. May-June’96. 33-37. ill. Bush, Lyall. Doing Brando. FC 32:1 Jan-Feb’96, 83-88. ill. ASHES OF TIME, CHUNGKING EXPRESS, and FALL- “Referencing:” hommage vs. plagiarism. Ref. music Male expressivity/anger: the Brando image in post-Brando EN ANGELS. video directors quoting from photographs. Tarantino. Ref. RESERVOIR DOGS, PULP FICTION. WORKING CLASS IN FILMS PORDENONE SILENT FILM FESTIVAL TEENAGERS IN FILMS Reynaud, Berenice. le-hood: HATE and its neighbors. Severson, Matt. Silent: behind the Great Wall. FC 32:3 Reynaud, Berenice. le “hood: HATE and its neighbors. FC 32:2 Mar-Apr96, 54-58. ill. Freech “banlieu’ films. May-June96, 47-48. ill. Chinese silents (1922-38) at the FC 32:2 Mar-Apr96, 54-58. ill. French *banlieu’ Ref. LA HAINE (Kassovitz); RAI (Gilowl; DOUCE 13th Pordenone Silent Film Festival. films. Ref. LA HAINE (Mathieu Kassovitz): RAI FRANCE (Chi-bane): BYE BYE (Dridi); LETAT DES RENOIR, JEAN (Thomas Gilou); DOUCE FRANCE (Malik Chibane); LIEUX (Richet). Gallagher. Tag. Jean Renoir: the dancers and the dance. BYE BYE (Karim Dridi); VPETAT DES LIECX (Jean- WORLD WAR IL IN FILM See: WAR IN FILM FC 32:1 Jan-Feb96, 64-66, 72-76. ill. Ref. UNE PARTIE Francois Richet) YANG, EDWARD (Mahjongg) See: NYFF DE CAMPAGNE,. FRENCH CANCAN. THE RIVER. See TELEVISION also: CHIENNE, LA Atkinson, Michael. Inside AEON. FC 32:1 Jan-Feb’96, 20. AUTHORS RICHET, JEAN-FRANCOIS Sex ETAT DES LIEUX, LE ill. AEON FLUX, Peter Chung’s MTV cartoon epic. ROHMER, ERIC TEN BEST See: BEST FILMS Ansen, David White, Armond. Auteurcritique: Eric Rohmer reflects. F¢ TETZLAFF, TED See: WINDOW, THE Oscar Predix. FC 32:2 Mar-Apr'96, 2 32:5 Sept-Oct’96, 14-19. iil. Career, films. aesthetic. Ref. THORNTON, BILLY BOB (Sling Blade) Oscar Redux. FC 32:3 May-June’96, 2. RENDEZVOUS IN PARIS See: NEW YORK FILM FESTIVAL Arthur, Paul ROSS, BENJAMIN THREE-D CINEMA See: IMAX 3-D Avant-garde retreat. FC 32:6 Nov-Dec96, 67-69. ill See: YOUNG POISONER’S HANDBOOK. THI TORONTO FILM FESTIVAL Film noir as primal scene: THE WINDOW. FC 32:5 Sept- RUIZ, RAUL (Three Lives and Only One Death) Murphy. Kathleen. Festivals: Toronto. FC 32:6 Nov- Oct'96, 77-79. ill. See: NEW YORK FILM FESTIVAI Dee96, 53-57. ill. ILLTOWN: THE SECRET AGENT; In the realm of the senses. FC 32:1 Jan-Feb’96, 78-81. ib SALLE, DAVID (Search and Destroy) PAX]; NENETTE ET BONI; THE FUNERAL; FLOAT- Los Angeles as scene of the crime. FC 32:4 July-Aug’96, See: ART AND THE CINEMA ING LIFE: MOTHER: SHINE: BASTARD OUT OF 20-26. ill. SAUTET, CLAUDE See: NELLY ETM ARNAUD CAROLINA: ALBINO ALLIGATOR: DRIFTING Atkinson, Michael SAYLES, JOHN CLOUDS: FIRE; KAMA SUTRA; FETISHES; ED'S Best of "95. FC 32:1 Jan-Feb96, 44-45. ill. Smith, Gavin. “I don’t want te blow anything by people.” FC NEXT MOVE. Inside AEON. FC 32:1 Jan-Feb"96, 20. ill. 32:3 May-June’96, 56-68. ill. Interview: career. films. Ref. TSAI, MING-LIANG Naked prey: Corel Wilde. FC 32:6 Nov-Dec’96, 70-75. LONE STAR Stephens, Chuck. Intersection. FC 32:5 Sept-Oct'96, 20- ill. SCHNABEL, JULIAN (Basquiat) 23. ill. Career. Ref. VIVE LAMOUR, REBELS OF THE Songs of crushed love: Stanley Kwan. FC 32:3. May- See: ART AND THE CINEMA NEON GOD, and his telefilms. June’96, 42-49. ill. SCORSESE, MARTIN See: CASINO TUCKER, GEORGE LOANE Baumbach, Jonathan SCOTLAND Thompson, Frank. George Loane Tucker: the first of the JUICE: a film by Oliver Stone: a speculative fiction based Kennedy, Harlan. Kiltspotting: highland reels. FC 32:4 immortals. FC 32:2 Mar-Apr'96, 42-45. ill. Career. Ref. on new information uncovered by the filmmaker. FC 32:2 July-Aug’96, 28-33. ill. Modem Scottish cinema. Ref PRAFFIC IN SOULS and THE MIRACLE MAN. Mar-Apr96, 7-8. PRAINSPOTTING (Boyle) and SMALL FACES UNITED KINGDOM Bertolucci, Bernardo Guilty pleasures. FC 32:4 July-Aug’96, 80-82. ill. Hal Hartley: the book I read was in your eyes. FC 32:4 32:6 Nov-Dec’96. 76-81. ill. Bush, Lyall July-Aug’96, 68-72. ill. Rosen, Rachel CDaoirnpge ntBerarn,d o.i iFnC 3 :1 Jan-Feb96, 83-88. ill. T7-h8e. silul.m mer of our malcontent. FC 3: 5 Sept-f K (96, 3- 1. SSaurnrdiosc,s . AFnCd r3e2w:2 Mar-Apr96, 53. Guilty pleasures. FC 32 23 Sept-Oct96, 50-53. ill. Tangled up in blue: the cinema of Olivier Assayas. FC 32:1 Best of "95. FC Jan-Feb96, 45. Chang, Chris Jan-Feb’96, 50-57. ill. Oscar predix. FC:7 2 Mar-Apr’96, 2 Best of 95. FC 32:1 Jan-Feb’96, 45. ill Kehr, Dave Osear redux. F¢ :3 May-June’96, 2. Cinema Sex Magick: the films of Donald Cammell. FC 32:4 Best of “95. FC | Jan-Feb96, oe Schickel, Richard July-Aug’96, 14-19, 83. ill. Family values: Pialat’s LE GARCU. 32:5 Sept-Oct96, Best of “95. FC 32:1 a 15 She’s the one: ENGELCHEN. F¢ 32:6 Nov-Dec96, 4, 36-40. ill. Clint on the back nine. FC 32:3 May-June’96, 10-14. ill. Toa The waters of Alexandria: the films of Youssef Chahine. FC Oscar predix. Fe 32:2 Mar- Apr96, 2 Mind over matter: the artiste as filmmaker. F¢ 32:6 Nov-Dec’96, 23-27. ill. Oscar redux. FC: 3 May-June’96, 2 Oct96, 54-62. ill. Kemp, Philip Schif Stephen My life to live. FC 2:3 May-June’96, 72-74 “The story of all wars’: Anthony Mann’s MEN IN WAR. F¢ Oscar predix. FC 2:2 Mar-Apr’96, 2 Chase, Donald 32:4 July-Aug’96, 50-54. ill. Oscar redux. FC ¢ 2:3 May-June’96, 2. Watershed: Elia Kazan’s WILD RIVER. F¢ 32:0 Nov- Kennedy, H an Schow, David J. Dec96, 10-15. ill. Best of “95. FC 32:1 Jan-Feb96, 45. Letters: tracked down. FC 3) 2:5 Sept-( e196, 88. Cheshire, Godfrey Cold comfort films: Berlin Film Festival. FC 32:3 May- Severson, Matt Abbas Kiarostami: a cinema of questions. Ft 32:4 July- June’96, 76-78. ill. Silent: behind the Great Wall. F¢ 32:3 May-June’96, 47- \ug96, 34-36, 41-43. ill Festivals: Venice. FC 3:3 2:6 Nov-Dec96, 51-53. ill &. ill. Chute, David How they won the war: British cinema and World War Two. Smith, Gavin The soul of the new machine Oshit Mamoru’s GHOST IN FC 32:5 Sept-Oct96, 23-34. ill Best of 95. FC 32:1 Jan-Feb 96, 43-44. THE SHELL. FC 32:3 May-June’96, 84-88. ill. Kiltss potting: highland reels. Ft 32:4 Julv-Aug’ 96, 28- Girlpower: Sundance “96. FC 32 2 Mar- Apr96, 51-53. UL. Combs, Richard 33. ill. "| don’t want to low anything by people’ John Sayles Kubrick talks! FC 32:5 5 Sept- Oct" 6, 81-84. ill. Kind hearts and coronaries: THE YOUNG POISONER’S interviewed by Gavin Smith. FC 32:3 May-June’96. 56- Michael Mann: becoming. FC3 2:2 Mar-Apr96, 10-17. ill HANDBOOK. FC 32:1 Jan- Feb 6, 8-10. ill. 68. ill Old ghosts: THE BRIDGES OF MADISON COUNTY. FC Orbiting sublimity [Cannes “96]. FC 32:4 July-Aug’96. The indie year. FC 32:2 Mar-Apr96, 65. 32:3 May-June’96, 24-32. ill. 2= -02 Jean-Luc Godard interviewed by Gavin Smith “People Corliss, Mary Kernc, Timothy like to say. ‘What do you mean exactly?” | woul ia nswer, “I \ccommodations with optimism: Cannes "96. FC 32:4 [Letter]: Que Sera Sera. F¢ 32:4 Julv-Aug’96, 88 mean, but not exactly.” FC 32:2 Mai-Apr96, 31-41. ill. July-Aug’96, 2-4, 9-12. ill Kilday, Gregg Method in movie madness: SALAAM CINEMA. FC 32:4 Corliss, Richard Oscar predix. FC 32:2 Mar-Apr'96, 2 July-Aug’96, 44. ill. Best of "95. FC 32:1 Jan-Feb96, 45. ill. Oscar redux. FC 32 } May-June96, 2 New faces [and] Notable performers [°95]. FC 32:1 Jan- Davies, Terence Levich, Jacob Feb’96, 47-48. ill Guilty Pleasures. FC 1 Jan-Feb96, 32-35. ill Western auguries: Jim Jarmusch’s DEAD MAN. FC 32:3 Oscar predix. FC 32:2 Mar-Apr’96, 2 Demopoulos, Maria May-June96, 39-41. ill. Oscar redux. Ft 2:3 Mav-June’96, 2 Thieves like us: directors under the influence. FC 32:3 Lopate, Phillip Through the looking glass: Nick Gomez's cinema of loyal- May-June"96, 33-37. ill. Festivals: NYFF. FC 32:6 Nov-Dec"96, 58-62. ill ties. FC 32:5 Sept-Oct’96, 64-71. ill Drabelle, Dennis Kiarostami close up. FC 32:4 July-Aug’96, 37-40. ilb. Two thousand light years from home: Scorsese's big CASI- “What do you think [| am. a goop?: Jean Arthur. FC 32:2 Lyons, Donald NO. FC 32:1 Jan-Feb'96, 59-63. ill. Mar-Apr96, 18-25. ill Best of “95. FC 32:1 Jan-Feb’96, 45. Stephens, Chuck Gallagher, Tag [bk. revs.|: Orson Welles: the Road to Xanadu, by Simon Intersection: Tsai Ming-liang’s vearning bike bovs and Jean Renoir: the dancers and the dance. FC 32:1 Jan- Callow: and Rosebud: the Story of Orson Welles. by David heartsick heroines. FC 32:5 Sept-Oct'96, 20-23. ill. Feb’96, 64-66. 72-76. ill. Thomson. FC 32:5 Sept-Oct’96, 85-87. ill. lime pi ces: Wong Kar-Wai and the persistence of memo- Griffith, James lron Mike: at home with Michael Curtiz. FC 32:2 Mar- ry. FC 32:1 Jan-Fe6b, 12-18. ill PSYCHO: not guilty as charged. F¢ 32:4 July-Aug96, 76- Apr'96, 80-88. ill Sup: ick, Jim 79. ill. Notes while falling. FC 32:6 Nov-Dec"96, 64. ill. Down time: Chris Smiths AMERICAN JOB. FC 32 3 May- Hampton, Howard. Passionate precision: SENSE AND SENSIBILITY. FC June’96, 69-71. il Brigitte Lin’s Shanghai gesture. FC 32:5 Sept-Oct960, 42- §2:1 Jan-Feb 96, 36-41. ill. Thomajan, Dale 18. ill. Purple noons and quiet evenings. F( 32:3. May-June®6, Charlie Chaplin never called me pig. FC 32:6 Nov-Dec"96, Rerun for your life: TV's search and destroy MISSION. Ft 80-83. ill. 8-9. ill 32:4 July-Aug’96, 16-49. ill. Mathews, Jack Thompson, Anne Return of the body snatchers. FC 32:6 Nov-Dec’96, 82- Oscar predix. FC 32:2 Mar-Apr90, 2. Best of "95. FC 32:1 Jan-Feb’96, 45. 85. ill Osear redux. FC 32:3 Mav-June96, 2. Is bigger better?: 21st annual ‘grosses gloss.” F¢ Hanstock, T Me Donagh, Maitland \pr96, 60-64 dll. Letters: touched by Cammell. FC 32:5 Sept-Oct'96, 88 Vintage Soavi. FC 32:2 Mar-Apr90, 47-50. ill Oscar predix. Ft 2.9 Mar-Apr96,2. Harmetz, Aljean McGilligan, Patrick Oscar redux. Ff 2:3 Mav-June’96, 2. Oscar Predix. FC 32:2 Mar-Apr96, 2 I'll always be an American: Jules Dassin interviewed. Ft Thompson, Frank Oscar Redux. FC 32:3 May-June’96, 2 32:6 Nov-Dec"96, 34-48. ill Another Hollywood heard from. FC 32:4 July-Aug’96, 84- Harris, Mark Murphy, Kathleen 86. ill The sleaze mendicants: |bk. rev.|: Immoral ih iles. by Cathal Best of 95. FC 32:1 Jan-Feb96, 44-45. ill George Loane Tucker: the first of the immortals. FC 3N2S: iw Tohill and Pete Tombs. FC 32:4 July-Aug’96, 87. ill Festivals: Toronto. FC 32:6 Nov-Dee’96. 53-57. ill. Mar-Apr96, 42-45. ill Hartl, John Frames. FC 32:2 Mar-Apr96, 66-69. ill Tibbetts, John C. Oscar predix. FC 32:2 Mar-Apr96,2 The good, the bad & the ugly: Clint Eastwood as romantic The choreography of hope: the films of Douglas Fairbanks Oscar Redux. FC 32:3 Mavy-June’96, 2. hero. FC 32:3 May-June96, 16-22. ill Sr. FC 32:3 Mav-June’96, 50-55. ill Haskell, Molly Jane Campion’s shining portrait of a director FC 32:6 Turan, Kenneth Best of “95. FC 32:1 Jan-Feb96, 45. Nov-Dec"96, 28-33. ill Oscar predix. FC 32:2 Mar- oe 2 Hogue, Peter Moments out of time. 1995. Ft Jan-Feb'96. 42- Osear redux. FC 32:3 Mav-June’96, 2 Best of “95. FC 32:1 Jan-Felb’96, 45 49. ill Vogel, Amos Genre-busting documentaries as movies. FC 32:4 Julv- Weird tales. true confession. FC 32:5 Sept-Oct96, 10-13 Of nonexisting continents: the cinema of Michael Haneke Aue 96. 56-60. ill ill FC 32:4 July-Aug96, 73-75. ill | Jean-Pierre} Melville the elective affinities. FC 32:6 Nov- Naremore, James White, Armond Dec96, 16-22. ill Straight down the ae making and remaking DOL BLE \uteureritique: Eric Rohmer reflects. FC 32:5 Sept- Horton, Robert INDEMNITY. FC 32:1 | an-Feb’96, 22-31. ill Oct96, 14-19. ill Best of "95. FC 32:1 Jan-Feb96, 45 Nicastro, Nicholas Best of “95. Ft | Jan-Feb96, 45 Festivals: NYFF. FC 32:6 Nov-Dec96, 63, 65-67. ill Actresses and ambition. F¢ 2:1 Jan-Feb96, 2-4.7. ill Double helix: Jean-Luc Godard. FC 32:2 Mar-Apr’96, 26- Sam's plac e. FC 32 3M ay- June, 4-9. ill Oguss, Greg 30. ill Jacobsen, Kurt Letters: sweet evetooth. FC 32:5 Sept-Oct96, 88. Memories of injustice: Marcel Ophuls’ cinema of con- Phelps, Donald BOOK REVIEWS scrence FC 32:4 July-Aug’96, 61-67. ill LA CHIENNE: I egrand’s illusion. FC 32:1 Jan-Feb'96, Jameson, Richard T 67-71. ill Callow, Simon Best of “95. FC 32:1 Jan-Feb96, 43-44 On the spot: 2 SECONDS F¢ 32:2 Mar-Apr96, 77-79. ill The Road to Xanadu. Viking, 1996. FC 32:5 Sept-Oct96, Moments out of time: images. lines. gestures, looks, moods Rainer, Peter O-€ 37. ill. rev. Donald Lyons from film year 1995. FC 32:1 Jan-Feb96, 42-49. ill. Oscar predix. F¢ ot ee Apr's6, 2~ Thomson, David Johnson, William Oscar redux. Ft 32:3 May-June"96, 2. Rosebud: The Story of Orson Welles. Knopf, 1996. FC 32:5 In Deep. FC 32:2 Mar-Apr96, 74-76. ill. Reynaud, Secnshes sept-Oc (96, 85-87. ill. rev. Donald Lyons. In praise of THE YOUNG GIRLS OF ROCHEFORT. F¢ ‘hood: HATE and its neighbors. FC 32:2 Mar-Apr96, Tohill, Cathal and Pete Tombs 32:5 Sept-Oct’96, 72-76. ill. 4-58. ill Immoral Tales. St. Martin's, 1997. F¢ 32:4 July-Aug’96, Jones, Kent James Benning: the filmmaker as haunted landscape. F¢ 87. ill. rev. Mark Harris. »

See more

The list of books you might like

Upgrade Premium
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.
DMCA & Copyright: Dear all, most of the website is community built, users are uploading hundred of books everyday, which makes really hard for us to identify copyrighted material, please contact us if you want any material removed.
Copyright @ PDFdrive.to, 2022 | We love our users