Table Of Content

Index Beatty’s career as actor, producer, co-writer and director. the Law. Film Comment 28:5 Sept-Oct "92, 7. Public Law Ref. BUGSY. 102-307 (1992): films released from 1964 through 1977, Beebe, Ford properly copyrighted at the time of release but not renewed See: SHADOW OF THE EAGLE, THE in their 28th year, now receive automatic renewal, i.e. they Belvaux, Remy (MAN BITES DOG) are no longer in the public domain See: New York Film Festival Cowboy Films Berlin Film Festival See: Westerns Kennedy, Harlan. Of Walls and Grand Canyons. Film Com- Cronenberg, David ment 28:3 May-June '92, 68, 71-73. ill. See: NAKED LUNCH Vogel, Amos. Lessons in Darkness. Film Comment 28:3 May- CRYING GAME, THE (Neil Jordan) to volume 28, 1992 June '92, 69-70. Ill. International independent film at Lyons, Donald. Bloody Miracle. Film Comment 28:6 Nov-Dec Berlin's Forum of Young Cinema. "92, 67. ill. Best Films Davies, Terence Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 40, 42, 44. See: LONG DAY CLOSES, THE by Linda Batty Richard T. Jameson, Richard Corliss, Kathleen Murphy, Davis, Judy Gavin Smith, Peter Hogue, Robert Horton, Donald Lyons, Smith, Gavin. ‘I go to the core’: Judy Davis interviewed. Film This index is based on indexing rules SeeA nnaels o:T hAocmpasdoenm,y Moifk eM oWtiilomni ngPtiocntu rceh oAorstes tahnedir S‘c‘tioepn cteens’’. DeMCiolmlem,e nCte ci2l8 :6 Nov-Dec '92, 40-47. ill. Career. and subject headings for film periodicals Awards; Box-office; Festivals; Guilty Pleasures Eyman, Scott. The Best Years of Their Lives: Cecil and Bonzel, André (MAN BITES DOG) William de Mille in Hollywood. Film Comment 28:2 March- developed by the Federation of Interna- See: New York Film Festival April "92, 46-48. ill. Cecil and William de Mille retrospective tional Film Archives (FIAF). It is divided Box-office at the 10th Pordenone (Italy) Film Festival Thompson, Anne. Scene$ from a Mall (‘Grosses Gloss’). Film De Mille, William into three parts: a subject index, an Comment 28:2 March-April '92, 67-73. ill. 1991's hits, flops, Eyman, Scott. The Best Years of Their Lives: Cecil and author index, and a film index. The box-office shares, etc William de Mille in Hollywood. Film Comment 28:2 March- Boyd, Daniel April "92, 46-48. ill. Cecil and William DeMille retrospective names of interviewers are included in the Williamson, JW. Life with Video: Hillbilly with Attitude. Film at the 10th Pordenone (Italy) Film Festival author index. CBooymdm:e nRtef . 28S:1T RJAaNn-GFEeSb T '92,D R3E8-A3M9.S ill.( IWNeVsAtS IVOaN. fiOlFm maTkHeEr DMeunripshy,, ClKaaitrh leen. The Color of Home. Film Comment 28:5 Copyright © 1993 by Linda Batty. All rights reserved. BrSowPnAiCnEg , PRTEodA CHERS), and PARADISE PARK SFeOpUtT- OcLtA 'M9O2R, T.6 2-53. ill. Denisss CHOCOLAT and S’EN Wood, Bret. The WITCH, the DEVIL, and the Code: A Horror Desplechin, Arnaud (LA SENTINELLE) Story of Hollywood in the Golden Age. Film Comment 28:6 See: New York Film Festival Nov-Dec '92, 52-56. ill. Tod Browning's career. Ref. Brown- Dialogue in Films Subjects ing’s DEVIL DOLL vs. MGM and the Breen Office. See: Scriptwriters and Scriptwriting Bufuel, Luis (THE YOUNG ONE) Directors and Directing See: New York Film Festival Corliss, Richard. Still Talking. Film Comment 28:6 Nov-Dec Academy of Motion Picture Arts and Sciences. Awards Byron, Stuart "92, 11-23. ill. Corliss's Talking Pictures ('74) saw screenwrit- Jameson, Richard T. The Morning After. Film Comment 28:3 Thompson, Anne. Industry Savant Film Comment 28:2 ers and directors as co-authors. A Talking Pictures of the May-June '92, 7. Brief comments on the Oscars for '91 March-April '92, 73. ill. In memoriam Seventies and Eighties would not concern itself with How did ‘Oscar Predix”’ do? Cambodia screenwriters: the subject would be writer-directors Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Shapiro, John Eli. Life with Video: Hollywood on the Mekong. Disney, Walt April '92, 4. David Ansen, Jim Emerson, John Hartl, Gregg Film Comment 28:5 Sept-Oct '92, 2, 6. ill. State of the See: Walt Disney Studio Kilday, Andrew Sarris, Richard Schickel, Stephen Schiff, Cambodian video/film industry today. Eastwood, Clint Gavin Smith, Anne Thompson, Mike Wilmington predict Camcorders Jameson, Richard T. ‘Deserve's got nothin’ to do with it’. Film Oscar winners See: Life with Video Comment 28:5 Sept-Oct '92, 12-14. ill. Eastwood's career. Actors and Actresses Cameron, James Ref. UNFORGIVEN Smith, Gavin. New Faces [1991]. Film Comment 28:1 Jan- See: ALIENS Sheehan, Henry. Scraps of Hope: Clint Eastwood and the Feb '92, 41. ill. Juliette Lewis, John Leguizamo, Ileana Canada Western. Film Comment 28:5 Sept-Oct '92, 1727. ill Douglas, Brad Pitt, Jack Shepherd, Samuel L. Jackson, Pevere, Geoff. The Children of McKenzie and McLuhan. Film Eastwood—actor, icon, director—and the Western Robert Patrick, Peter Murnik, Paul Benvictor, Michael Jeter, Comment 28:2 March-April '92, 64. Career briefs of Cana- Egoyan, Atom Jim Broadbent, Cuba Gooding Jr, Ice-T, Christina Ricci dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Pevere, Geoff. The Children of McKenzie and McLuhan. Film Smith, Gavin. Overlooked & Underrated [1991]. Film Com- 61), Atorn Egoyan (THE ADJUSTER), Guy Maddin, Darryl Comment 28:2 March-April '92, 64. Career briefs of Cana- ment 28:1 Jan-Feb '92, 43. ill. Robert De Niro, Willem Wasyk (‘H’), NAKED LUNCH dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Dafoe, Danny Aiello, Michael Wright, Sam Shepard, Lili Pevere, Geoff. Letter from Canada. Film Comment 28:2 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Darryl Taylor, Wm. H. Macy, Maury Chaykin, Steven Hill, Linda March-April '92, 61-63, 65. ill. Alienation in Canadian fea- Wasyk (‘H’), NAKED LUNCH Hamilton, Rachel Ticotin, Donald Sutherland ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE See also: ADJUSTER, THE Adaptations CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD Ferrara, Abel Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- (Shebib), THE ADJUSTER (Egoyan) See: BAD LIEUTENANT June '92, 14-18. ill. Adapting ‘‘classics’’ to the screen. Ref. Cannes Film Festival Festival of Festivals. Toronto James Ivory (HOWARDS END et al) and Charles Sturridge Corliss, Mary. Midlife Crises: Cannes '92. Film Comment See: Toronto Festival of Festivals (WHERE ANGELS FEAR TO TREAD). Includes comments 28:4 July-Aug ‘92, 2,8. ill. The 45th official Cannes Festival Festivals on Edna May Oliver (actress in early classics) and Kennedy, Harlan. Midlife Crises: Cannes '92. Film Comment See: Berlin; Cannes; New York; Pordenone; Toronto Fes- Laurence Olivier. 28:4 July-Aug "92, 3-7. ill. The 45th Cannes Festival. Ref. tival of Festivals; Venice Adventure Movies THE LONG DAY CLOSES (Terence Davies) and BEST Figueroa, Gabriel See: Serials INTENTIONS (Bille August) White, Armond. Figueroa in a Landscape. Film Comment Agee, James Capra, Frank 28:1 Jan-Feb '92, 60-63. ill. Tribute. Talty, Stephan. The Passion of James Agee. Film Comment Jameson, Richard T. The Lighthouse. Film Comment 28:1 Film School 28:3 May-June "92, 9-12. ill Jan-Feb '92, 24-27. ill. In memoriam, 1897-1991 See: Study and Teaching Altman, Robert Carax, Leos (LES AMANTS DU PONT NEUF) Finch, Charles See: PLAYER, THE See: New York Film Festival See: WHERE SLEEPING DOGS LIE American Indians and the Cinema Carreras, Michael Fincher, David See: Native Americans and the Cinema See: Hammer Films See: ALIENS Animation Cartoons Bisher, Terence Kaufman, J.B. The Shadow of the Mouse. Film Comment 28:5 See: Animation See:,Hammer Films Sept-Oct ‘92, 68-71. ill. Disney's pre1928 (i.e. pre-Mickey Chen, Kaige Fi&ming, Victor Mouse) silent animations Cheshire, Godfrey. The Long Way Home. Film Comment 28:4 See: BOMBSHELL Tebbel, John Robert. Looney Tunester. Film Comment 28:5 July-Aug ‘92, 36-39. ill. If only China could see the films Foreign Films Sept-Oct '92, 64-66. ill. Carl Stalling, music composer for of Chen Kaige. Chen's career. Ref. FAREWELL TO MY Schickel, Richard. Days and Nights in the Arthouse. Film the cartoons CONCUBINE Comment 28:3 May-June '92, 32-34. ill Antonioni, Michelangelo Children and the Cinema Forster, E.M. on Film See: ZABRISKIE POINT Smykla, Margaret L. Hope and Glory. Film Comment 28:2 Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- August, Bille March-April 92, 78. ill. Good films with richly detailed June "92, 14-8. ill. Adapting ‘‘classics’’ to the screen. Ref. See: BEST INTENTIONS scenes of childhood are more meaningful to children than James Ivory (HOWARDS END et al) and Charles Sturridge Authors in Films most made-for-children movies. Ref. HOPE AND GLORY (WHERE ANGELS FEAR TO TREAD). Includes comments See: Scriptwriters and Scriptwriting and CINEMA PARADISO. on Edna May Oliver (actress in early classics) and Aviation Films China Laurence Olivier. Hogue, Peter. For Conspicuous Gallantry. Film Comment 28:4 Cheshire, Godfrey. The Long Way Home. Film Comment 28:4 Francis, Freddie July-Aug "92, 48-49. ill. Honor roll of aces: Howard Hawks, July-Aug "92, 36-39. ill. If only China could see the films See: Hammer Films Wm. Wellman, Richard Barthelmess, Frank Wead, John of Chen Kaige. Chen's career. Ref. FAREWELL TO MY Franklin, Carl Monk Saunders, Myrna Loy, June Travis, Clark Gable, CONCUBINE See: ONE FALSE MOVE Ralph Bellamy, Roscoe Karns, Harry Carey, Elmer Dyer, Classics of Literature on the Screen Frumin, Boris Paul Mantz, Dick Grace See: Adaptations See: BLACK AND WHITE Hogue, Peter. Legion of the Lost Genre. Film Comment 28:4 Cliffhangers Fuller, Samuel July-Aug "92, 40-47, 50-51. ill. History of the aviation genre See: Serials See: BIG RED ONE, THE between WW | and the end of WW II Coen Brotners Gays and the Cinema Baker, Roy Ward See’ BARTON FINK See: Homosexuality and the Cinema See: Hammer Films Composer's Lives on Film Grant, Cary Beatty. Warren See: Music Buford, Kate. A Death in the Family. Film Comment 28:3 May- Smith, Gavin. A Question of Control: Warren Beatty inter- Copyright June '92, 74-75. ill. Remembering Cary Grant. Were the viewed. Film Comment 28:1 Jan-Feb '92, 28-37. ill. Warren Priest, William Pitman. Life with Video: At Play in the Fields of obituaries of record worth the writing? Greenaway, Peter ING, ALL THE VERMEERS IN NEW YORK Music See: PROSPERO’S BOOKS Jost, Jon. Jost Speaking Directly. Film Comment 28:2 March- Klein, David Shawn. Possession. Film Comment 28:3 May- Groulx, Filles April '92, 44. ill. Why Jost works “‘small:"’ why big, bigger, June '92, 79. ill. Appreciating music from films See: CHAT DANS LE SAC, LE biggest production is not for him Tebbel, John Robert. Looney Tunester. Film Comment 28:5 Gruault, Jean Jost, Jon. [Letter]. Film Comment 28:3 May-June '92, 80 Sept-Oct '92, 64-66. ill. Carl Stalling, music composer for Stonehill, Brian. Les auteurs terribles: Jean Gruault inter Letter from Jost re: Peter Hogue’s article (Film Comment the cartoons viewed. Film Comment 28:6 Nov-Dec '92, 24-27, 31-35. ill 28:2 March-April '92) on Jost. Tibbetts, John C. The Lyre of Light. Film Comment 28:1 Jan- Working with Truffaut. Ref. JULES ET JIM. Kalin, Tom Feb '92, 66-73. ill. Music composer biopics, a history. Guest, Val See: SWOON Music Composers’ Lives on Film See: Hammer Films Kaul, Mani (IDIOT) See: Music Guilty Pleasures See: New York Film Festival Native Americans and the Cinema Foley, James. Guilty Pleasures. Film Comment 28:5 Sept-Oct Keitel, Harvey Weatherford, Elizabeth. Starting Fire with Gunpowder. Film 92, 76-78. ill. Lyons, Donald. Scumbags. Film Comment 28:6 Nov-Dec '92, Comment 28:3 May-June '92, 64-67. ill. Independent native Jarmusch, Jim. Guilty Pleasures. Film Comment 28:3 May- 7-9, ill. Harvey Keitel as Ferrara’s BAD LIEUTENANT and American mediamakers—U.S. and Canada June '92, 35-37. ill éminence grise of Tarantino's RESERVOIR DOGS New York Film Festival Jordan, Neil. Guilty Pleasures. Film Comment 28:6 Nov-Dec King, Henry Horton, Robert. New Bridges. Film Comment 28:6 Nov-Dec "92, 36-39. ill See: MARGIE 92, 63-70. ill. The 30th. LES AMANTS DU PONT NEUF Wenders, Wim. Guilty Pleasures. Film Comment 28:1 Jan- Lang, Fritz (Carax), TALE OF WINTER (Rohmer), STORY OF QIU JU Feb '92, 74-77. ill Rolfe, Hilda. The Perfectionist. Film Comment 28:6 Nov-Dec (Zhang Yimou), THE OAK (Pintilie), MAN BITES DOG Hammer Films "92, 3-4. ill. A Hollywood memoir of Fritz Lang by his (Belvaux, Bonzel, Peolvoorde), IDIOT (Kaul), THE YOUNG Cumbow, Robert C. Pictures on the Walls of the House of secretary. ONE (Bufuel), LA SENTINELLE (Desplechin), HYENAS Hammer. Film Comment 28:3 May-June '92, 51-52. ill. Ham- Levinson, Barry (Mamberty), CAREFUL (Madden), LA VIE DE BOHEME mer Who's Who: Directors (Terence Fisher, Val Guest, Fred- See: BUGSY (Kaurismaki) die Francis, Michael Carreras, Don Sharp, Roy Ward Life with Video New York University's Graduate Film Division Baker); Writers (Jimmy Sangster, Anthony Hinds, Nigel Desowitz, Bill. Strangers on Which Train? Film Comment 28:3 Nicastro, Nicholas. Sweet Smell of Success. Film Comment Kneale); Nods & One-Shots May-June '92, 4-5. ill. 2 versions of STRANGERS ON A 28:5 Sept-Oct '92, 73-75. ill. Going to film school—why? Greenfield, Pierre. [Letter]. Film Comment 28:5 Sept-Oct '92, TRAIN—1 American, 1 British why not? Ref. NYU. 80. Comments, corrections re: Mangravite and Cumbow Hogue, Peter. Bemusement Parks. Film Comment 28:6 Nov- Noyce, Phillip articles (May-June '92) on Hammer. Includes response Dec '92, 48-50. ill. Video changes early installment serials Emerson, Jim. Noyce’s On: Phillip Noyce interviewed. Film from Cumbow. into 4-hour long movie marathons. Ref. THE SHADOW OF Comment 28:4 July-Aug ‘92, 72-76. ill. Career. Ref Mangravite, Andrew. The House of Hammer. Film Comment THE EAGLE (Ford Beebe) PATRIOT GAMES. 28:3 May-June ‘92, 46-50, 53. ill. Characteristics of Ham- Lucas, Tim. Who Framed EDWARD SCISSORHANDS? Film Oliver, Edna May mer ‘monster movies’: ref. CURSE OF FRANKENSTEIN, Comment 28:2 March-April '92, 75-76. ill. Crop-boxing: Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- REVENGE OF FRANKENSTEIN, THE MUMMY. what happens when a widescreen film is imprecisely letter- June "92, 14-18. ill. Adapting ‘classics’ to the screen. Ref. Newsom, Ted. [Letter]. Film Comment 28:5 Sept-Oct '92, 80 boxed for home video. James Ivory (HOWARDS END et al) and Charles Sturridge Comments, corrections re: Mangravite and Cumbow arti- Mannes, George. Monkey See. Film Comment 28:3 May-June (WHERE ANGELS FEAR TO TREAD). Includes comments cles (May-June '92) on Hammer. Includes response from "92, 6-7. Camcorders: narrowing the gap between home- on Oliver (actress in early classics) and Laurence Olivier. Cumbow. video and professional images Olivier, Laurence Haneke, Michael Priest, William Pitman. At Play in the Fields of the Law. Film Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- See: BENNY’S VIDEO Comment 28:5 Sept-Oct '92, 7. Public Law 102-307 (1992) June '92, 14-18. ill. Adapting ‘‘classics’’ to the screen. Ref Happy Endings in Films films released from 1964 through 1977, properly copy- James Ivory (HOWARDS END et al) and Charles Sturridge Thomson, David. Happiness. Film Comment 28:5 Sept-Oct righted at the time of release but not renewed in their 28th (WHERE ANGELS FEAR TO TREAD). Includes comments 92, 28-34. ill. Films in which nothing happens—an undis- year, now receive automatic renewal, i.e. they are no longer on Edna May Oliver (actress in early classics) and Olivier. covered genre? Ref. MEET ME IN ST. LOUIS. in the public domain Oscars Hill, Anita Shapiro, John Eli. Hollywood on the Mekong. Film Comment See: Academy of Motion Picture Arts and Sciences. Thomson, David. Our Process (Our Show). Film Comment 28:5 Sept-Oct '92, 2, 6. ill. State of the Cambodian video/ Awards 28:1 Jan-Feb '92, 7-13. ill. Anita Hill and Clarence Thomas film industry today. Owens, Don needed a better director—Otto Preminger, perhaps? Ref Smykla, Margaret L. Hope and Glory. Film Comment 28:2 See: NOBODY WAVED GOODBYE ANATOMY OF A MURDER and ADVISE AND CONSENT. March-April '92, 78. Good films with richly detailed scenes Peck, Gregory Hinds, Anthony of childhood are more meaningful to children than most Murphy, Kathleen. The World in His Arms. Film Comment See: Hammer Films made-for-children movies. Ref. HOPE AND GLORY and 28:2 March-April '92, 20-26. ill. Career. Film Comment Hitchcock, Alfred CINEMA PARADISO. salutes Atticus Finch, Lewt McCanles, Gen. Frank Savage, See: STRANGERS ON A TRAIN Thompson, Frank. Big. Film Comment 28:2 Marcti-April 92, Jimmy Ringo, Capts. Ahab & Horatio Hornblower, etc Holland, Agnieszka 77. ill. The diminution of movies: big screen films on video. Peolvoorde, Benoit (MAN BITES DOG) See: OLIVIER, OLIVIER Williamson, JW. Hillbilly with Attitude. Film Comment 28:1 See: New York Film Festival Hollywood (industry) Jan-Feb ‘92, 38-39. ill. West Va. filmmaker Boyd: ref Perkins, Tony See: Industry (Hollywood) STRANGEST DREAMS (INVASION OF THE SPACE Thomson, David. Anthony Perkins, 1932-92. Film Comment Homosexuality and the Cinema PREACHERS) and PARADISE PARK 28:6 Nov-Dec '92, 78-79. ill. In memoriam White, Armond. Outing the past. Film Comment 28:4 July- Literature into Film Pilots in Films Aug '92, 21-25. ill. Gay representation on the screen. Ref See: Adaptations See: Aviation Films SWOON (Tom Kalin) Lumet, Sidney Pintilie, Lucian (THE OAK) Horror Films Smith, Gavin. ‘That's the way it happens’: Sidney Lumet inter- See: New York Film Festival Mangravite, Andrew. The House of Hammer. Film Comment viewed. Film Comment 28:5 Sept-Oct '92, 50-60. ill Pordenone Film Festival 28:3 May-June '92, 46-50, 53. ill. Characteristics of Ham- Career. Talks about his films Eyman, Scott. The Best Years of Their Lives: Cecil and mer ‘‘monster movies’: ref. CURSE OF FRANKENSTEIN, Maddin, Guy William de Mille in Hollywood. Film Comment 28:2 March- REVENGE OF FRANKENSTEIN, THE MUMMY. Pevere, Geoff. The Children of McKenzie and McLuhan. Film April 92, 46-48. ill. Cecil and William DeMille retrospective Independent Cinema Comment 28:2 March-April "92, 64. Career briefs of Cana- at 10th Pordenone (Italy) Film Festival Vogel, Amos. Lessons in Darkness. Film Comment 28:3 May- dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Preminger, Otto June '92, 69-70. ill. International independent film at 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Darryl Thomson, David. Our Process (Our Show). Film Comment Berlin's Forum of Young Cinema Wasyk (‘H’), NAKED LUNCH 28:1 Jan-Feb '92, 7-13. ill. Anita Hill and Clarence Thomas Weatherford, Elizabeth. Starting Fire with Gunpowder. Film See also: New York Film Festival needed a better director—Otto Preminger, perhaps? Ref Comment 28:3 May-June '92, 64-67. ill. Independent native Mambety, Djhibril Diop (HYENAS) ANATOMY OF A MURDER and ADVISE AND CONSENT. American mediamakers—U.S. and Canada See: New York Film Festival Production Code Administration Indians and the Cinema Mann, Michael Wood, Bret. The WITCH, the DEVIL, and the Code: A Horror See: Native Americans and the Cinema See: LAST OF THE MOHICANS, THE Story of Hollywood in the Golden Age. Film Comment 28:6 industrial Light & Magic Mazursky, Paul Nov-Dec "92, 52-56. ill. Tod Browning's career. Ref. Brown- Solman, Gregory. The Illusion of a Future. Film Comment See: TEMPEST ing’s DEVIL DOLL vs. MGM and the Breen Office. 28:2 March-April '92, 32-41. ill. The good and the bad of McDonald, Bruce Public Domain Industrial Light & Magic. Includes ILM credits Pevere, Geoff. The Children of McKenzie and McLuhan. Film See: Copyright Industry (Hollywood) Comment 28:2 March-April ‘92, 64. Career briefs of Cana- Rappaport, Mark McGilligan, Patrick. Journey into Light: Bertrand Tavernier on dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY See: ROCK HUDSON'S HOME MOVIES the American Cinema (Interview). Film Comment 28:2 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Darryl Ray, Satyajit March-April '92, 6-18. ill. Bertrand Tavernier’s career as a Wasyk (‘H’), NAKED LUNCH Schickel, Richard. Days and Nights in the Arthouse. Film film journalist and critic. The evolution of his book 50 Ans Mexico Comment 28:3 May-June "92, 32-34. ill de Cinéma Américain, with comments on directors, films, Thomajan, Dale. Cinemex: A Tour Guide: Ten Things | Know Rohmer, Eric Hollywood, studios, etc about Mexico after Having Watched Dozens of Mexican Haskell, Molly. Making Book. Film Comment 28:1 Jan-Feb Thompson, Anne. Scene$ from a Mall (17th Annual ‘Grosses Movies on Spanish-Language TV without Understanding a "92, 4-5. ill. ls Christian Vincent the new Rohmer? Ref. LA Gloss’). Film Comment 28:2 March-April '92, 67-73. ill Word of Spanish except ‘Cantina.’ Film Comment 28:1 Jan- DISCRETE 1991's hits, flops, box-office shares, etc Feb '92, 65. ill Rohmer, Eric (A TALE OF WINTER) Inuit and the Cinema Mitchum, Robert See: New York Film Festival See: Native Americans and the Cinema Kennedy, Harlan. Mitchum: Robert Mitchum interviewed Russell, Jane Ivory, James Film Comment 28:4 July-Aug '92, 30, 34-35. ill. Career. Peary, Gerald. Russell: Jane Russell interviewed. Film Com- See: HOWARD'S END Monster Movies ment 28:4 July-Aug ‘92, 31-33. ill. Career. Jarman, Derek See: Horror Films Sangster, Jimmy See: TEMPEST, THE Moorhouse, Jocelyn See: Hammer Films Jordan, Neil See: PROOF School, Film See: CRYING GAME, THE; GUILTY PLEASURES Munch, Christopher See: Study and Teaching Jost, Jon Horton, Robert. Other Voices, Other Rooms. Film Comment Schrader, Paul Hogue, Peter. The Luminous Blue in My Heart. Film Comment 28:4 July-Aug '92, 28. ill. Hotel rooms and other ephemera Smith, Gavin. Awakenings: Paul Schrader interviewed. Film 28:2 March-April '92, 42-43, 45. ill. Jost’s career as an in Minch. Ref. THE HOURS AND TIMES. Comment 28:2 March-April ‘92, 50-59. ill. Schrader’s independent. Ref. SURE FIRE, REMBRANDT LAUGH- See also: HOURS AND TIMES, THE career. Ref. LIGHT SLEEPER Science Fiction Truffaut, Francois Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Solman, Gregory. The Illusion of a Future. Film Comment Stonehill, Brian. Les auteurs terribles: Jean Gruault inter April "92, 4. 28:2 March-April '92, 32-41. ill. The good and the bad of viewed. Film Comment 28:6 Nov-Dec '92, 24-27, 31-35. ill. Eyman, Scott Industrial Light & Magic. Includes ILM credits Working with Truffaut. Ref. JULES ET JIM The Best Years of Their Lives: Cecil and William de Mille in Soliman, Gregory. Ten Great Effects Films Since STAR WARS See also: JULES ET JIM Hollywood. Film Comment 28:2 March-April '92, 46-48. ill Not by ILM. Film Comment 28:2 March-April "92, 40. ill Typewriters in Films Foley, James ALIEN, BEETLEJUICE, BLADE RUNNER, CLOSE See: Scriptwriters and Scriptwriting Guilty Pleasures. Film Comment 28:5 Sept-Oct '92, 76-78. ill ENCOUNTERS, DARKMAN, DUNE, THE HOWLING, 1941, Venice Film Festival Greenfield, Pierre THE RIGHT STUFF, SUPERMAN 1,2,3 Kennedy, Harlan. To Regret Venice. Film Comment 28:6 Nov- [Letter]. Film Comment 28:5 Sept-Oct '92, 80 Scott, Ridley Dec '92, 60-62. ill. Hartl, John See: ALIEN; BLADE RUNNER Video Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Screenwriters and Screenwriting See: LIFE WITH VIDEO April "92, 4. See: Scriptwriters and Scriptwriting Vincent, Christian Haskell, Molly Scriptwriters and Scriptwriting Haskell, Molly. Making Book. Film Comment 28:1 Jan-Feb Making Book. Film Comment 28:1 Jan-Feb 92, 4-5. ill Corliss, Richard. Still Talking. Film Comment 28:6 Nov-Dec "92, 4-5. ill. Is Christian Vincent the new Rohmer? Ref. LA Hitchens, Gordon ‘92, 11-23. ill. Corliss's Talking Pictures ('74) saw screenwrit- DISCRETE [Letter]. Film Comment 28:4 July-Aug 92, 80. ill ers and directors as co-authors. A Talking Pictures of the Walken, Christopher Hogue, Peter Seventies and Eighties would not concern itself with Smith, Gavin. Out There on a Visit: Christopher Walken inter- For Conspicuous Gallantry. Film Comment 28:4 July-Aug '92, screenwriters: the subject would be writer-directors viewed. Film Comment 28:4 July-Aug '92, 56-85. ill. Career. 48-49. ill Lyons, Donald. Lubricating the Muse. Film Comment 28:1 Talks about his films Legion of the Lost Genre. Film Comment 28:4 July-Aug '92, Jan-Feb '92, 14-16. ill. Typewriters and writers in films: Walt Disney Studio 40-47, 50-51. ill WHERE SLEEPING DOGS LIE (Finch), BARTON FINK Kaufman, J.B. The Shadow of the Mouse. Film Comment 28:5 Life with Video: Bemusement Parks. Film Comment 28:6 (The Coens), KAFKA (Soderbergh), NAKED LUNCH Sept-Oct '92, 68-71. ill. Disney’s pre-1928 (i.e. pre-Mickey Nov-Dec '92, 48-50. ill (Cronenberg). Mouse) silent animations The Luminous Blue in My Heart. Film Comment 28:2 March- Serials War Films April '92, 42-43, 45. ill Hogue, Peter. Life with Video: Bemusement Parks. Film Com- See: Aviation Films Ten Best of 1991. Film Comment 28:1 Jan-Feb ‘92, 44. ment 28:6 Nov-Dec ‘92, 48-50. ill. Video changes early Wasyk, Darryl Horton, Robert installment serials into 4-hour long movie marathons. Ref Pevere, Geoff. The Children of McKenzie and McLuhan. Film Festivals: New York: New Bridges. Film Comment 28:6 Nov- THE SHADOW OF THE EAGLE (Ford Beebe) Comment 28:2 March-April "92, 64. Career brieis of Cana- Dec '92, 63-70. ill Serrano, Irma dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Other Voices, Other Rooms. Film Comment 28:4 July-Aug Coe, Andrew. La Tigresa. Film Comment 28:1 Jan-Feb ‘92, 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Wasyk "92, 28. ill 64-65. Film career. Her campaign for the Mexican Senate. (‘H’), NAKED LUNCH PROOF or Dare. Film Comment 28:2 March-April ‘92, Shakespeare on Film Welles, Orson 29-30. ill Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- See: FOUNTAIN OF YOUTH; MR. ARKADIN; OTHELLO Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 44. Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Weilman, William Jameson, Richard T. LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), See: Aviation Films; Bertrand Tavernier; YELLOW SKY Cries and Whispers. Film Comment 28:1 Jan-Feb '92, 56. ill TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- Westerns ‘Deserve's got nothin’ to do with it”’ Film Comment 28:5 Sept- SPERO'S BOOKS (Greenaway) Sheehan, Henry. Scraps of Hope: Clint Eastwood and the Oct '92, 12-14. ill Western. Film Comment 28:5 Sept-Oct ‘92, 17-27. ill The Lighthouse. Film Comment 28:1 Jan-Feb '92, 24-27. ill Sharp, Don Eastwood—actor, icon, director—and the Western The Morning After. Film Comment 28:3 May-June ’92, 7. See: Hammer Films Thompson, Anne. Beyond-the-Pale Riders. Film Comment Robert Altman on THE PLAYER: Introduction. Film Comment Shebib, Don 28:4 July-Aug '92, 52-54. ill. Making Westerns in the 1990s 28:3 May-June '92, 20-21 See: GOIN’ DOWN THE ROAD Is the genre alive? Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 40 Soderbergh, Steven Widescreen Cinema Jameson, Richard T. and Gavin Smith See: KAFKA Thompson, Frank. Big. Film Comment 28:2 March-April '92 ‘The movie you saw is the movie we're going to make’: Robert Special Effects 77. The diminution of movies: big-screen films on video. Altman interviewed. Film Comment 28:3 May-June ‘92, Solman, Gregory. The Illusion of a Future. Film Comment Widescreen Cinema 22-30. ill. 28:2 March-April '92, 32-41. ill. The good and the bad of Lucas, Tim. Who Framed EDWARD SCISSORHANDS? Film Jameson, Richard T. and Kathleen Murphy Industrial Light & Magic. Includes ILM credits Comment 28:2 March-April 92, 75-76. ill. Crop-boxing Moments out of Time. Film Comment 28:1 Jan-Feb ‘92, Solman, Gregory. Ten Great Effects Films Since STAR /ARS what happens when a widescreen film is imprecisely letter 40-44. ill Not by ILM. Film Comment 28:2 March-April '92, 4u. ill boxed for home video Jarmusch, Jim ALIEN, BEETLEJUICE, BLADE RUNNER, CLOSE Wilcox, Fred McLeod Guilty Pleasures Film Comment 28:3 May-June ‘92, ENCOUNTERS, DARKMAN, DUNE, THE HOWLING, 1941, See: FORBIDDEN PLANET 35-37. ill THE RIGHT STUFF, SUPERMAN 1,2,3 Writers Johnson, William Spielberg, Steven See: Scriptwriters and Scriptwriting Harlow's Time Bomb. Film Comment 28:3 May-June ‘92, Sheehan, Henry. The Panning of Steven Spielberg. Film Writers in Films 41-43. ill Comment 28:3 May-June ‘92, 54-60. ill. Part One of a See: Scriptwriters and Scriptwriting Jordan, Neil career analysis. Ref. HOOK Zhang, Yimou (STORY OF QIU JU) Guilty Pleasures. Film Comment 28:6 Nov-Dec '92, 36-39. ill Sheehan, Henry. Spielberg II. Film Comment 28:4 July-Aug See: New York Film Festival Jost, Jon "92, 66-71. ill. Part Two of a career analysis. Ref. HOOK Jost Speaking Directly. Film Comment 28:2 March-April '92, Stalling, Carl 44. ill Tebbel, John Robert. Looney Tunester. Film Comment 28:5 [Letter]. Film Comment 28:3 May-June '92, 80 Sept-Oct '92, 64-66. ill. Carl Stalling, music composer for Kaufman, J.B. the cartoons The Shadow of the Mouse. Film Comment 28:5 Sept-Oct '92, Studios 68-71. ill See: Hammer Films; Walt Disney Studio Authors Study and Teaching Kennedy, Harlan Nicastro, Nicholas. Sweet Smell of Success. Film Comment Midlife Crises: Cannes "92. Film Comment 28:4 July-Aug "92, SSteeu2w:r8h r:yi5W dHgnSeoEet,R?p tEC-R hOefac.Art l NeNG'sYE9 U2L, S 73-F75E.A R ill. TOG oiTnRgE AtDo film school—why? AAAOnsnn cdsareOrern ed,vi Pn,raD edraiyFvxe i:l dSi txoB reya.s tFsi lm& CBeoamumtieens.t F2i8l:m1 CJoanm-mFeenbt '9228, :27 8-M7a9.r chi-ll MOfi tJ3c7Wu.hal ulylm-ils:Al uga nRdo' 9b2e,G rrta3 n0,dM i3tG4c-a3hn5yu.om n sil.il nteFrivlime weCdo. mmeFinltm C2o8:m3m eMnaty -J2u8n:e4 SCTWhhuauiznB"ttun9eeR2ke,,,irA ,,N D2ADa0rASv-Emlei2oda2Din..ij dnu. nT B COra arTeniKedImrLee,Ld Ztothon eemTshe.rs il.l .F ilFRmei fl.m C oCTmoOmm0K emYneOtn t 2D8R2:8I3: F1T MEaJRya -nJ-uFaennbed BALBe oulvfA2lDepo6eer- rria2d,l8t ,i .hn T' 9hK2ti,ialholn e t m e4a.t Ahsef teFranmoiolny.. FFiillmm CCoommmmeenntt 2288::34 MJauyl-yJ-uAnuge '‘9922, PVKOiresloncN"dsi9aoa2pcr,vyee ,-r D6oP8er'FG,eiscr dl iem7xF g1:'l-9 gi7F2c3 ,ek. sBs te.i6 av9ilsa-ll Ft6:i2s .l m &T oiCl Blo eRmaeumgtreieentst . Ve2Fn8ii:lc1me . JCaonFmi-mlFmee bn Cto '9m22m,8 e:42n5 t-M4 9a.r2 c8h:i-6ll TTSMeaacevrGA":eia9m rln2e,nltR riiiiegE6nr2caoS-,na,6E , n3 R .BQ VeuCPOreaiiltItln.nrr RtieaCic mnakn.rad D e eOr(G:Ji onStu efrrinvleimesyw, ) .t ihnteFomi lemsL igChto:m meTnavte rni2e8r: 2 oMna rcthh-e CTCBhhhreeu7a3s4 t6n--hed73i,5Le9.r o.d e n D,gai lit lvlo li GWdToha driyfll r. eHyoF imlem. CoFmilmme ntC om2m8:e1n tJ an2-8F:e4b J'u92l,y -2A0u-g2 2 ‘92, KLWPluohesc2Aoisap8n ers:,is2, lsF iDrMo'Taa9anivm2r.,miec dhd 4- F ASiplEhrmiDa lwW CnAo 'Rm92mD, e n75tS- 7C6.I2 8S:S3il lO MRaHyA-JNuDnSe? '92,F il7m9 . Cilol mment April '92, 6-18. ill. Tavernier’s career as a film journalist and Coe, Andrew Lyons, Donald critic. The evolution of his book 50 Ans de Cinéma Améri- La Tigresa. Film Comment 28:1 Jan-Feb ‘92, 64-65 bk. rev. Patrick McGilligan, A LIFE OF HIS OWN. Film Com- cain, with comments on directors, films, Hollywood, stu- Corliss, Mary ment 28:3 May-June '92, 76-77. ill dios, etc Midlife Crises: Cannes '92. Film Comment 28:4 July-Aug '92, Bloody Miracle. Fi’m Comment 28:6 Nov-Dec ‘92, 67. ill Tempest, The (Shakespeare) on Film 2, 8. ill Lubricating the Muse. Film Comment 28:1 Jan-Feb ‘92, See: Shakespeare on Film Corliss, Richard 14-16. ill Thomas, Clarence Still Talking. Film Comment 28:6 Nov-Dec ‘92, 11-23. ill Scumbags. Film Comment 28:6 Nov-Dec '92, 7-9, ill Thomson, David. Our Process (Our Show). Film Comment Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 42 Star City Shrapnel. Film Comment 28:5 Sept-Oct '92, 8-9. ill 28:1 Jan-Feb '92, 7-13. ill. Anita Hill and Clarence Thomas Cumbow, Robert C. Ten Best of 1991. Film Comment 28:1 Jan-Feb "92, 44 needed a better director—Otto Preminger, perhaps? Ref Pictures on the Walls of the House of Hammer. Film Comment Traditions of Quality Film Comment 28:3 May-June ‘92, ANATOMY OF A MURDER and ADVISE AND CONSENT. 28:3 May-June '92, 51-52. ill 14-18. ill Toronto Festival of Festivals Desowitz, Bill “We don't murder, we kill’: THE BIG RED ONE. Film Comment Rosenbaum, Jonathan. Talking Back to the Screen. Film Life with Video. Strangers on Which Train? Film Comment 28:4 July-Aug ‘92, 9-16. ill Comment 28:6 Nov-Dec '92, 57-59. ill 28:3 May-June 92, 4-5. ill Tracy, Lee Emerson, Jim Mangravite, Andrew Phelps, Donald. Another Tracy. Film Comment 28:3 May-June Noyce’s On: Phillip Noyce interviewed. Film Comment 28:4 The House of Hammer. Film Comment 28:3 May-June ‘92, "92, 38-40, 43-45. ill. Career. July-Aug "92, 72-76. ill 46-50, 53. ill Mannes, George The Passion of James Agee. Film Comment 28:3 May-June 28:1 Jan-Feb "92, 713. ill. Anita Hill and Clarence Thomas Life with Video: Monkey See. Film Comment 28:3 May-June "92, 9-12. ill. needed a better director—Otto Preminger, perhaps? Ref. "92, 6-7. Tebbel, John Robert ANATOMY OF A MURDER and ADVISE AND CONSENT. McGilligan, Patrick Looney Tunester. Film Comment 28:5 Sept-Oct '92, 64-66. ill. BAD LIEUTENANT (Abe! Ferrara) Journey into Light: Bertrand Tavernier on the American Cin- Thomajan, Dale Lyons, Donald. Scumbags. Film Comment 28:6 Nov-Dec '92, ema. [Interview] Film Comment 28:2 March-April '92, The Best High School Movie. Film Comment 28:4 July-Aug 7-9, ill. Harvey Keitel as Ferrara's BAD LIEUTENANT and 6-18. ill "92, 79. ill. éminence grise of Tarantino's RESERVOIR DOGS. Murphy, Kathleen Cinemex: A Tour Guide: Ten Things | Know about Mexico BARTON FINK (Coen brothers) La belle dame sans merci. Film Comment 28:6 Nov-Dec '92, after Having Watched Dozens of Mexican Movies on Span- Lyons, Donald. Lubricating the Muse. Film Comment 28:1 28-30. ill ish-Language TV Without Understanding a Word of Span- Jan-Feb "92, 14-16. ill. Typewriters and writers in films: The Color of Home. Film Comment 28:5 Sept-Oct ‘92, ish except ‘Cantina’ Film Comment 28:1 Jan-Feb ‘92, WHERE SLEEPING DOGS LIE (Finch), BARTON FINK 62-63. ill. 65. ill. (The Coens), KAFKA (Soderbergh), NAKED LUNCH The Double Life of Olivier. Film Comment 28:6 Nov-Dec '92, Thompson, Anne (Cronenberg). 66. ill. Beyond-the-Pale Riders. Film Comment 28:4 July-Aug ‘92, BENNY’S VIDEO (Michael Haneke) The Last Temptation of Sigourney Weaver. Film Comment 52-54. ill. Vogel, Amos. Too Close for Comfort. Film Comment 28:6 Nov- 28:4 July-Aug '92, 17-20. ill. Industry Savant. Film Comment 28:2 March-April '92, 73. ill. Dec '92, 69. ill. Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 42 Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- BEST INTENTIONS (Bille August) The World in His Arms. Film Comment 28:2 March-April '92, April 92, 4. Kennedy, Harlan. Midlife Crises: Cannes ‘92. Film Comment 20-26. ill Scene$ from a Mall: [Grosses Gloss]. Film Comment 28:2 28:4 July-Aug '92, 3-7. ill. The 45th Cannes Festival. Ref. Murphy, Kathleen and Richard T. Jameson March-April "92, 67-73. ill. THE LONG DAY CLOSES (Terence Davies) and BEST Moments out of Time. Film Comment 28:1 Jan-Feb ‘92, Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 44. INTENTIONS (Bille August). 40-44. ill Thompson, Frank BIG RED ONE, THE (Samuel Fuller) Newsom, Ted Big. Film Comment 28:2 March-April '92, 77. Lyons, Donald. ‘We don't murder, we kill’: THE BIG RED ONE. [Letter]. Film Comment 28:5 Sept-Oct '92, 80 Thomson, David Film Comment 28:4 July-Aug '92, 9-16 Nicastro, Nicholas Anthony Perkins, 1932-92. Film Comment 28:6 Nov-Dec ‘92, BLACK AND WHITE (Boris Frumin) Sweet Smell of Success. Film Comment 28:5 Sept-Oct '92, 78-79. ill. Andreev, Felix. An Ordinary Story. Film Comment 28:1 Jan- 73-75. ill. Happiness. Film Comment 28:5 Sept-Oct '92, 28-34. ill. Feb '92, 78-79. ill Peary, Gerald Our Process (Our Show). Film Comment 28:1 Jan-Feb ‘92, BLADE RUNNER (Ridley Scott) Russell: Jane Russell interviewed. Film Comment 28:4 July- 7A3. ill. Wilmington, Michael. The Rain People. Film Comment 28:1 Aug 92, 31-33. ill Tibbetts, John C. Jan-Feb '92, 17,9. ill. The recently ‘‘restored’’ director's cut Pevere, Geoff The Lyre of Light. Fiim Comment 28:1 Jan-Feb '92, 66-73. ill. BOMBSHELL (Victor Fleming) The Children of McKenzie and McLuhan. Film Comment 28:2 Vogel, Amos Johnson, William. Harlow's Time Bomb. Film Comment 28:3 March-April '92, 64. Lessons in Darkness. Film Comment 28:3 May-June ‘92, May-June '92, 41-43. ill Letter from Canada. Film Comment 28:2 March-April "92, 69-70. ill BUGSY (Barry Levinson) 61-63, 65. ill Too Close for Comfort. Film Comment 28:6 Nov-Dec ‘92, Smith, Gavin. A Question of Control: Warren Beatty inter- Phelps, Donald 69. ill. viewed. Film Comment 28:1 Jan-Feb '92, 28-37. ill. Warren Another Tracy. Film Comment 28:3 May-June ‘92, 38-40, Walker, Beverly Beatty's career as actor, producer, co-writer and director. 43-45. ill. Michelangelo and the Leviathan: The Making of ZABRISKIE Ref. BUGSY. Priest, William Pitman POINT. Film Comment 28:5 Sept-Oct "92, 36-49. ill. Hitchens, Gordon. [Letter]. Film Comment 28:4 July-Aug "92, Life with Video: At Play in the Fields of the Law. Film Com- Weatherford, Elizabeth 80. ill. Errors of historical accuracy in BUGSY. ment 28:5 Sept-Oct '92, 7. Starting Fire with Gunpowder. Film Comment 28:3 May-June CAREFUL (Guy Maddin) Rolfe, Hilda "92, 64-67. ill. See: New York Film Festival The Perfectionist. Film Comment 28:6 Nov-Dec ‘92, 3-4. ill Wenders, Wim CHAT DANS LE SAC, LE (Gilles Groulx) Rosenbaum, Jonathan Guilty Pleasures. Film Comment 28:1 Jan-Feb '92, 74-77. ill. Pevere, Geoff. Letter from Canada. Film Comment 28:2 Festivals: Toronto: Talking Back to the Screen. Film Comment White, Armond March-April "92, 61-63, 65. ill. Alienation in Canadian fea- 28:6 Nov-Dec '92, 57-59. ill Figueroa in a Landscape. Film Comment 28:1 Jan-Feb '92, ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE The Seven ARKADINs. Film Comment 28:1 Jan-Feb '92, 60-63. ill. CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD 50-53, 57-59. ill Outing the Past. Film Comment 28:4 July-Aug "92, 21-25. ill. (Shebib), THE ADJUSTER (Egoyan). Sarris, Andrew Tarnished Angel. Film Comment 28:4 July-Aug '92, 25. ill. CHOCOLAT (Claire Denis) Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Time Zones. Film Comment 28:3 May-June "92, 62-63. ill Murphy, Kathleen. The Color of Home. Film Comment 28:5 April "92, 4 Williamson, JW. Sept-Oct '92, 62-63. ill, Denisss CHOCOLAT and S'EN Schickel, Richard Life with Video: Hillbilly with Attitude. Film Comment 28:1 FOUT LA MORT. Days and Nights in the Arthouse. Film Comment 28:3 May- Jan-Feb '92, 38-39. ill. CONFIDENTIAL REPORT (Orson Welles) June "92, 32-34. ill. Wilmington, Michael See: MR. ARKADIN (Orson Welles) Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- DEVIL DOLL, THE (Tod Browning) April 92, 4 April '92, 4. Wood, Bret. The WITCH, the DEVIL, and the Code: A Horror Schiff, Stephen The Rain People. Film Comment 28:1 Jan-Feb "92, 17-19. ill Story of Hollywood in the Golden Age. Film Comment 28:6 Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 44. Nov-Dec '92, 52-56. ill. Tod Browning's career. Ref. Brown- April "92, 4. Wood, Bret ings DEVIL DOLL vs. MGM and the Breen Office. Shapiro, John Eli The WITCH, the DEVIL, and the Code: A Horror Story of DISCRETE, LA (Christian Vincent) Life with Video: Hollywood on the Mekong. Film Comment Hollywood in the Golden Age. Film Comment 28:6 Nov-Dec Haskell, Molly. Making Book. Film Comment 28:1 Jan-Feb 28:5 Sept-Oct '92, 2, 6. ill. "92, 52-56. ill "92, 4-5. ill. Is Christian Vincent the new Rohmer? Ref. LA Sheehan, Henry DISCRETE The Panning of Steven Spielberg (part one). Film Comment FAREWELL TO MY CONCUBINE (Chen Kaige) 28:3 May-June '92, 54-60. ill Cheshire, Godfrey. The Long Way Home. Film Comment 28:4 Scrmaepnst o2f8 :H5o peS:e ptC-lOicntt E'a92s,t w1o7o-2d7 . ainlld. the Western. Film Com- Film Titles oJfu lyC-hAeung 'K9a2i,g e.3 6-3C9h.e n'isll. Icfa roenelry. ChReifn.a FcAouRlEdW EsLeeL thTeO fiMlmYs Spielberg |i (part two of The Panning of Steven Spielberg). CONCUBINE Film Comment 28:4 July-Aug 92, 66-71. ill FORBIDDEN PLANET (Fred Wilcox) TV as Snowglobe. Film Comment 28:1 Jan-Feb '92, 54-55. ill ADJUSTER, THE (Atom Egoyan) Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- Smith, Gavin Pevere, Geoff. Letter from Canada. Film Comment 28:2 Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Awakenings: Paul Schrader interviewed. Film Comment 28:2 March-April '92, 61-63, 65. ill. Alienation in Canadian fea- LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), March-April "92, 50-59. ill ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- ‘I go to the core’: Judy Davis interviewed. Film Comment 28:6 CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD SPERO’S BOOKS (Greenaway). Nov-Dec '92, 40-47. ill (Shebib), THE ADJUSTER (Egoyan). FOUNTAIN OF YOUTH (Orson Welles, TV production for Mann Hunters. Fiim Comment 28:6 Nov-Dec '92, 72-77. ill ADVISE AND CONSENT (Otto Preminger) Desilu) New Faces [1991]. Film Comment 28:1 Jan-Feb '92, 41. ill Thomson, David. Our Process (Our Show). Film Comment Sheehan, Henry. TV as Snowglobe. Film Comment 28:1 Jan- Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- 28:1 Jan-Feb '92, 73. ill. Anita Hill and Clarence Thomas Feb "92, 54-55. ill April '92, 4 needed a better director—Otto Preminger, perhaps? Ref. GOIN’ DOWN THE ROAD (Don Shebib) Out There on a Visit: Christopher Walken interviewed Fiim ANATOMY OF A MURDER and ADVISE AND CONSENT. Pevere, Geoff. Letter from Canada. Film Comment 28:2 Comment 28:4 July-Aug "92, 56-65. ill ALIEN (Ridley Scott) March-April '92, 61-63, 65. ill. Alienation in Canadian fea- A Question of Control: Warren Beatty interviewed. Film Com- Murphy, Kathleen. The Last Temptation of Sigourney Weaver. ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE ment 28:1 Jan-Feb '92, 28-37. ill Film Comment 28:4 July-Aug '92, 17-20. ill. The ALIEN CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 42. trilogy. (Shebib), THE ADJUSTER (Egoyan). ‘That's the way it happens’: Sidney Lumet interviewed. Film ALIENS (David Fincher) HOOK (Steven Spielberg) Comment 28:5 Sept-Oct '92, 50-60. ill Murphy, Kathleen. The Last Temptation of Sigourney Weaver. Sheehan, Henry. The Panning of Steven Spielberg. Film Smith, Gavin and Richard T. Jameson Film Comment 28:4 July-Aug "92, 17-20. ill. The ALIEN Comment 28:3 May-June '92, 54-60. ill. Part One of a ‘The movie you saw is the movie we're going to make’: Robert trilogy. career analysis. Ref. HOOK Altman interviewed. Film Comment 28:3 May-June ‘92, ALIENS (James Cameron) Sheehan, Henry. Spielberg il. Film Comment 28:4 July-Aug 22-30. ill. Murphy, Kathleen. The Last Temptation of Sigourney Weaver. "92, 66-71. ill. Part 2 of a career analysis. Ref. HOOK Smykia, Margaret L. Film Comment 28:4 July-Aug '92, 17-20. ill. The ALIEN HOURS AND TIMES, THE (Christopher Minch) Hope and Glory. Film Comment 28:2 March-April '92, 78. ill trilogy. Belier, Thomas. Love in the Afternoon. Film Comment 28:4 Solman, Gregory ALL THE VERMEERS IN NEW YORK (Jon Jost) July-Aug '92, 26-29. ill The Illusion of a Future. Film Comment 28:2 March-April '92, Hogue, Peter. The Luminous Blue in My Heart. Film Comment Horton, Robert. Other Voices, Other Rooms. Film Comment 32-41. ill 28:2 March-April '92, 42-43, 45. ill. Jost’s career as an 28:4 July-Aug "92, 28. ill. Hotel rooms and other ephemera Ten Great Effects Films Since STAR WARS Not by ILM. Film independent. Ref. SURE FIRE, REMBRANDT LAUGH- in Minch. Ref. THE HOURS AND TIMES. Comment 28:2 March-April '92, 40. ill ING, ALL THE VERMEERS IN NEW YORK. HOWARDS END (James Ivory) Stonehill, Brian AMANTS DU PONT NEUF, LES (Leos Carax) Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- Les auteurs terribles: Jean Gruault interviewed. Film Com- See: New York Film Festival June "92, 14-18. ill. Adapting ‘classics’ to the screen. Ref ment 28:6 Nov-Dec '92, 24-27, 31-35. ill ANATOMY OF A MURDER (Otto Preminger) James Ivory (HOWARDS END et al) and Charles Sturridge Talty, Stephan Thomson, David. Our Process (Our Show). Film Comment (WHERE ANGELS FEAR TO TREAD). Includes comments 4 on Edna May Oliver (actress in early classics) and OAK, THE (Lucian Pintilie) STRANGEST DREAMS (INVASION OF THE SPACE Laurence Olivier. See: New York Film Festival PREACHERS) (Daniel Boyd) HYENAS (Djibril Diop Mambety) OLIVIER, OLIVIER (Agnieszka Holland) Williamson, JW. Life with Video: Hillbilly with Attitude. Film See: New York Film Festival Murphy, Kathleen. The Double Life of Olivier. Film Comment Comment 28:1 Jan-Feb '92, 38-39. West Va. filmmaker IDIOT (Mani Kaul) 28:6 Nov-Dec '92, 66. ill Boyd: ref. STRANGEST DREAMS (INVASION OF THE See: New York Film Festival ONE FALSE MOVE (Carl Franklin) SPACE PREACHERS), and PARADISE PARK. JULES ET JIM (Francois Truffaut) Lyons, Donald. Star City Shrapnel. Film Comment 28:5 Sept- SURE FIRE (Jon Jost) Murphy, Kathleen. La belle dame sans merci. Film Comment Oct '92, 8-9. ill. Hogue, Peter. The Luminous Blue in My Heart. Film Comment 28:6 Nov-Dec '92, 28-30. ill. Programme note for a Univ. of OTHELLO (Orson Welles) 28:2 March-April "92, 42-43, 45. ill. Jost’s career as an Washington spring "74 film series. Jameson, Richard T. Cries and Whispers. Film Comment independent. Ref. SURE FIRE, REMBRANDT LAUGH- Stonehill, Brian. Les auteurs terribles: Jean Gruault inter 28:1 Jan-Feb '92, 56. ill. OTHELLO restored. ING, ALL THE VERMEERS IN NEW YORK. viewed. Film Comment 28:6 Nov-Dec '92, 24-27, 31-35. ill. PARADISE PARK (Daniel Boyd) SWOON (Tom Kalin) Working with Truffaut. Ref. JULES ET JIM. Williamson, JW. Life with Video: Hillbilly with Attitude. Film White, Armond. Outing the Past. Film Comment 28:4 July- KAFKA (Steven Soderbergh) Comment 28:1 Jan-Feb 92, 38-39. ill. West Va. filmmaker Aug ‘92, 21-25. ill. Gay representation on the screen. Ref. Lyons, Donald. Lubricating the Muse. Film Comment 28:1 Boyd: ref. STRANGEST DREAMS (INVASION OF THE SWOON (Tom Kalin). Jan-Feb ‘92, 14-16. ill. Typewriters and writers in films: SPACE PREACHERS), and PARADISE PARK. TALE OF WINTER, A (Eric Rohmer) WHERE SLEEPING DOGS LIE (Finch), BARTON FINK See: New York Film Festival (The Coens), KAFKA (Soderbergh), NAKED LUNCH PATRIOT GAMES (Phillip Noyce) TEMPEST (Paul Mazursky) (Cronenberg). Emerson, Jim. Noyce’s On: Phillip Noyce interviewed. Film Kennedy, Harlan. Prospero’s Flicks. Film Comment 28:1 Jan- LAST OF THE MOHICANS, THE (Michael Mann) Comment 28:4 July-Aug '92, 72-76. ill. Career. Ref. Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Smith, Gavin. Mann Hunters. Film Comment 28:6 Nov-Dec PATRIOT GAMES. LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), "92, 7277. ill PLAYER, THE (Robert Altman) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- LIGHT SLEEPER (Paul Schrader) Jameson, Richard T. Robert Altman on THE PLAYER: Intro- SPERO’S BOOKS (Greenaway). Smith, Gavin. Awakenings: Paul Schrader Interviewed. Film duction. Film Comment 28:3 May-June "92, 20-21. Smith, TEMPEST, THE (Derek Jarman) Comment 28:2 March-April ‘92, 50-59. ill. Schrader's Gavin and Richard T. Jameson. ‘The movie you saw is the Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- career. Ref. LIGHT SLEEPER. movie we're going to make’: Robert Altman interviewed Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- LONG DAY CLOSES, THE (Terence Davies) Film Comment 28:3 May-June "92, 22-30. ill LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), Kennedy, Harlan. Midlife Crises: Cannes '92. Film Comment PROOF (Jocelyn Moorhouse) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- 28:4 July-Aug "92, 3-7. ill. The 45th Cannes Festival. Ref Horton, Robert. PROOF or Dare. Film Comment 28:2 March- SPERO'S BOOKS (Greenaway) THE LONG DAY CLOSES (Terence Davies) and BEST April '92, 29-30. ill. UNFORGIVEN (Clint Eastwood) INTENTIONS (Bille August). PROSPERO'’S BOOKS (Peter Greenaway) Jameson, Richard T. ‘Deserve's got nothin’ to do with it’ Film MAN BITES DOG (Remy Belvaux, André Bonzei, Benoit Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- Comment 28:5 Sept-Oct '92, 12-14. ill. Eastwood's career. Peolvoorde) Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Ref. UNFORGIVEN. See: New York Film Festival LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), WHERE ANGELS FEAR TO TREAD (Charles Sturridge) MARGIE (Henry King) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- Lyons, Donaid. Traditions of Quality. Film Comment 28:3 May- Thomajan, Dale. The Best High School Movie. Film Comment SPERO’S BOOKS (Greenaway). June '92, 14-18. ill. Adapting ‘classics’ to the screen. Ref. 28:4 July-Aug "92, 79. ill. Excerpt from Thomajan’s book, REMBRANDT LAUGHING (Jon Jost) James Ivory (HOWARDS END et al) and Charles Sturridge From Cyd Charisse to PSYCHO. Hogue, Peter. The Luminous Blue in My Heart. Film Comment (WHERE ANGELS FEAR TO TREAD). Includes comments MEET ME IN ST. LOUIS (Vincente Minnelli) 28:2 March-April "92, 42-43, 45. ill. Jost’s career as an on Edna May Oliver (actress in early classics) and Thomson, David. Happiness. Film Comment 28:5 Sept-Oct independent. Ref. SURE FIRE, REMBRANDT LAUGH- Laurence Olivier. "92, 28-34. ill. Films in which nothing happens—an undis- ING, ALL THE VERMEERS IN NEW YORK. WHERE SLEEPING DOGS LIE (Charles Finch) covered genre? Ref. MEET ME IN ST. LOUIS. RESERVOIR DOGS (Quentin Tarantino) Lyons, Donald. Lubricating the Muse. Film Comment 28:1 MR. ARKADIN (Orson Welles) Lyons, Donald. Scumbags. Film Comment 28:6 Nov-Dec ‘92, Jan-Feb "92, 14-16. ill. Typewriters and writers in films: Rosenbaum, Jonathan. The Seven ARKADINs. Film Com- 79, ill. Harvey Keitel as Ferrara’s BAD LIEUTENANT and WHERE SLEEPING DOGS LIE (Finch), BARTON FINK ment 28:1 Jan-Feb '92, 50-53, 57-59. ill éminence grise of Tarantino's RESERVOIR DOGS. (The Coens), KAFKA (Soderbergh), NAKED LUNCH NAKED LUNCH (David Cronenberg) ROCK HUDSON'S HOME MOVIES (Mark Rappaport) (Cronenberg). Lyons, Donald. Lubricating the Muse. Film Comment 28:1 White, Armond. Tarnished Angel. Film Comment 28:4 July- YELLOW SKY (William Wellman) Jan-Feb '92, 14-16. ill. Typewriters and writers in films: Aug '92, 25. ill. Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- WHERE SLEEPING DOGS LIE (Finch), BARTON FINK SENTINELLE, LA (Arnaud Desplechin) Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- (The Coens), KAFKA (Soderbergh), NAKED LUNCH See: New York Film Festival LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), (Cronenberg). SHADOW OF THE EAGLE, THE (Ford Beebe) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- NO FEAR, NO DIE (S'EN FOUT LA MORT) (Claire Denis) Hogue, Peter. Life with Video: Bemusement Parks. Film Com- SPERO’S BOOKS (Greenaway). Murphy, Kathleen. The color of home. Film Comment 28:5 ment 28:6 Nov-Dec '92, 48-50. ill. Video changes early YOUNG ONE, THE (Luis Bufuel) Sept-Oct "92, 62-63. ill. Denisss CHOCOLAT and S'EN installment serials into 4-hour long movie marathons. Ref. See: New York Film Festival FOUT LA MORT. THE SHADOW OF THE EAGLE (Ford Beebe). ZABRISKIE POINT (Michelangelo Antonioni) NOBODY WAVED GOODBYE (Don Owens) STORY OF QIU JU (Zhang Yimou) Walker, Beverly. Michelangelo and the Leviathan: The Mak- Pevere, Geoff. Letter from Canada. Film Comment 28:2 See: New York Film Festival ing of ZABRISK!IE POINT. Film Comment 28:5 Sept-Oct March-April "92, 61-63, 65. ill. Alienation in Canadian fea- STRANGERS ON A TRAIN (Alfred Hitchcock) "92, 36-49. ili ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE Desowitz, Bill. Life with Video: Strangers on Which Train? CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD Film Comment 28:3 May-June '92, 4-5. ill. 2 versions of (Shebib), THE ADJUSTER (Egoyan). STRANGERS—1 American, 1 British

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Index Beatty’s career as actor, producer, co-writer and director. the Law. Film Comment 28:5 Sept-Oct "92, 7. Public Law Ref. BUGSY. 102-307 (1992): films released from 1964 through 1977, Beebe, Ford properly copyrighted at the time of release but not renewed See: SHADOW OF THE EAGLE, THE in their 28th year, now receive automatic renewal, i.e. they Belvaux, Remy (MAN BITES DOG) are no longer in the public domain See: New York Film Festival Cowboy Films Berlin Film Festival See: Westerns Kennedy, Harlan. Of Walls and Grand Canyons. Film Com- Cronenberg, David ment 28:3 May-June '92, 68, 71-73. ill. See: NAKED LUNCH Vogel, Amos. Lessons in Darkness. Film Comment 28:3 May- CRYING GAME, THE (Neil Jordan) to volume 28, 1992 June '92, 69-70. Ill. International independent film at Lyons, Donald. Bloody Miracle. Film Comment 28:6 Nov-Dec Berlin's Forum of Young Cinema. "92, 67. ill. Best Films Davies, Terence Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 40, 42, 44. See: LONG DAY CLOSES, THE by Linda Batty Richard T. Jameson, Richard Corliss, Kathleen Murphy, Davis, Judy Gavin Smith, Peter Hogue, Robert Horton, Donald Lyons, Smith, Gavin. ‘I go to the core’: Judy Davis interviewed. Film This index is based on indexing rules SeeA nnaels o:T hAocmpasdoenm,y Moifk eM oWtiilomni ngPtiocntu rceh oAorstes tahnedir S‘c‘tioepn cteens’’. DeMCiolmlem,e nCte ci2l8 :6 Nov-Dec '92, 40-47. ill. Career. and subject headings for film periodicals Awards; Box-office; Festivals; Guilty Pleasures Eyman, Scott. The Best Years of Their Lives: Cecil and Bonzel, André (MAN BITES DOG) William de Mille in Hollywood. Film Comment 28:2 March- developed by the Federation of Interna- See: New York Film Festival April "92, 46-48. ill. Cecil and William de Mille retrospective tional Film Archives (FIAF). It is divided Box-office at the 10th Pordenone (Italy) Film Festival Thompson, Anne. Scene$ from a Mall (‘Grosses Gloss’). Film De Mille, William into three parts: a subject index, an Comment 28:2 March-April '92, 67-73. ill. 1991's hits, flops, Eyman, Scott. The Best Years of Their Lives: Cecil and author index, and a film index. The box-office shares, etc William de Mille in Hollywood. Film Comment 28:2 March- Boyd, Daniel April "92, 46-48. ill. Cecil and William DeMille retrospective names of interviewers are included in the Williamson, JW. Life with Video: Hillbilly with Attitude. Film at the 10th Pordenone (Italy) Film Festival author index. CBooymdm:e nRtef . 28S:1T RJAaNn-GFEeSb T '92,D R3E8-A3M9.S ill.( IWNeVsAtS IVOaN. fiOlFm maTkHeEr DMeunripshy,, ClKaaitrh leen. The Color of Home. Film Comment 28:5 Copyright © 1993 by Linda Batty. All rights reserved. BrSowPnAiCnEg , PRTEodA CHERS), and PARADISE PARK SFeOpUtT- OcLtA 'M9O2R, T.6 2-53. ill. Denisss CHOCOLAT and S’EN Wood, Bret. The WITCH, the DEVIL, and the Code: A Horror Desplechin, Arnaud (LA SENTINELLE) Story of Hollywood in the Golden Age. Film Comment 28:6 See: New York Film Festival Nov-Dec '92, 52-56. ill. Tod Browning's career. Ref. Brown- Dialogue in Films Subjects ing’s DEVIL DOLL vs. MGM and the Breen Office. See: Scriptwriters and Scriptwriting Bufuel, Luis (THE YOUNG ONE) Directors and Directing See: New York Film Festival Corliss, Richard. Still Talking. Film Comment 28:6 Nov-Dec Academy of Motion Picture Arts and Sciences. Awards Byron, Stuart "92, 11-23. ill. Corliss's Talking Pictures ('74) saw screenwrit- Jameson, Richard T. The Morning After. Film Comment 28:3 Thompson, Anne. Industry Savant Film Comment 28:2 ers and directors as co-authors. A Talking Pictures of the May-June '92, 7. Brief comments on the Oscars for '91 March-April '92, 73. ill. In memoriam Seventies and Eighties would not concern itself with How did ‘Oscar Predix”’ do? Cambodia screenwriters: the subject would be writer-directors Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Shapiro, John Eli. Life with Video: Hollywood on the Mekong. Disney, Walt April '92, 4. David Ansen, Jim Emerson, John Hartl, Gregg Film Comment 28:5 Sept-Oct '92, 2, 6. ill. State of the See: Walt Disney Studio Kilday, Andrew Sarris, Richard Schickel, Stephen Schiff, Cambodian video/film industry today. Eastwood, Clint Gavin Smith, Anne Thompson, Mike Wilmington predict Camcorders Jameson, Richard T. ‘Deserve's got nothin’ to do with it’. Film Oscar winners See: Life with Video Comment 28:5 Sept-Oct '92, 12-14. ill. Eastwood's career. Actors and Actresses Cameron, James Ref. UNFORGIVEN Smith, Gavin. New Faces [1991]. Film Comment 28:1 Jan- See: ALIENS Sheehan, Henry. Scraps of Hope: Clint Eastwood and the Feb '92, 41. ill. Juliette Lewis, John Leguizamo, Ileana Canada Western. Film Comment 28:5 Sept-Oct '92, 1727. ill Douglas, Brad Pitt, Jack Shepherd, Samuel L. Jackson, Pevere, Geoff. The Children of McKenzie and McLuhan. Film Eastwood—actor, icon, director—and the Western Robert Patrick, Peter Murnik, Paul Benvictor, Michael Jeter, Comment 28:2 March-April '92, 64. Career briefs of Cana- Egoyan, Atom Jim Broadbent, Cuba Gooding Jr, Ice-T, Christina Ricci dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Pevere, Geoff. The Children of McKenzie and McLuhan. Film Smith, Gavin. Overlooked & Underrated [1991]. Film Com- 61), Atorn Egoyan (THE ADJUSTER), Guy Maddin, Darryl Comment 28:2 March-April '92, 64. Career briefs of Cana- ment 28:1 Jan-Feb '92, 43. ill. Robert De Niro, Willem Wasyk (‘H’), NAKED LUNCH dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Dafoe, Danny Aiello, Michael Wright, Sam Shepard, Lili Pevere, Geoff. Letter from Canada. Film Comment 28:2 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Darryl Taylor, Wm. H. Macy, Maury Chaykin, Steven Hill, Linda March-April '92, 61-63, 65. ill. Alienation in Canadian fea- Wasyk (‘H’), NAKED LUNCH Hamilton, Rachel Ticotin, Donald Sutherland ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE See also: ADJUSTER, THE Adaptations CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD Ferrara, Abel Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- (Shebib), THE ADJUSTER (Egoyan) See: BAD LIEUTENANT June '92, 14-18. ill. Adapting ‘‘classics’’ to the screen. Ref. Cannes Film Festival Festival of Festivals. Toronto James Ivory (HOWARDS END et al) and Charles Sturridge Corliss, Mary. Midlife Crises: Cannes '92. Film Comment See: Toronto Festival of Festivals (WHERE ANGELS FEAR TO TREAD). Includes comments 28:4 July-Aug ‘92, 2,8. ill. The 45th official Cannes Festival Festivals on Edna May Oliver (actress in early classics) and Kennedy, Harlan. Midlife Crises: Cannes '92. Film Comment See: Berlin; Cannes; New York; Pordenone; Toronto Fes- Laurence Olivier. 28:4 July-Aug "92, 3-7. ill. The 45th Cannes Festival. Ref. tival of Festivals; Venice Adventure Movies THE LONG DAY CLOSES (Terence Davies) and BEST Figueroa, Gabriel See: Serials INTENTIONS (Bille August) White, Armond. Figueroa in a Landscape. Film Comment Agee, James Capra, Frank 28:1 Jan-Feb '92, 60-63. ill. Tribute. Talty, Stephan. The Passion of James Agee. Film Comment Jameson, Richard T. The Lighthouse. Film Comment 28:1 Film School 28:3 May-June "92, 9-12. ill Jan-Feb '92, 24-27. ill. In memoriam, 1897-1991 See: Study and Teaching Altman, Robert Carax, Leos (LES AMANTS DU PONT NEUF) Finch, Charles See: PLAYER, THE See: New York Film Festival See: WHERE SLEEPING DOGS LIE American Indians and the Cinema Carreras, Michael Fincher, David See: Native Americans and the Cinema See: Hammer Films See: ALIENS Animation Cartoons Bisher, Terence Kaufman, J.B. The Shadow of the Mouse. Film Comment 28:5 See: Animation See:,Hammer Films Sept-Oct ‘92, 68-71. ill. Disney's pre1928 (i.e. pre-Mickey Chen, Kaige Fi&ming, Victor Mouse) silent animations Cheshire, Godfrey. The Long Way Home. Film Comment 28:4 See: BOMBSHELL Tebbel, John Robert. Looney Tunester. Film Comment 28:5 July-Aug ‘92, 36-39. ill. If only China could see the films Foreign Films Sept-Oct '92, 64-66. ill. Carl Stalling, music composer for of Chen Kaige. Chen's career. Ref. FAREWELL TO MY Schickel, Richard. Days and Nights in the Arthouse. Film the cartoons CONCUBINE Comment 28:3 May-June '92, 32-34. ill Antonioni, Michelangelo Children and the Cinema Forster, E.M. on Film See: ZABRISKIE POINT Smykla, Margaret L. Hope and Glory. Film Comment 28:2 Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- August, Bille March-April 92, 78. ill. Good films with richly detailed June "92, 14-8. ill. Adapting ‘‘classics’’ to the screen. Ref. See: BEST INTENTIONS scenes of childhood are more meaningful to children than James Ivory (HOWARDS END et al) and Charles Sturridge Authors in Films most made-for-children movies. Ref. HOPE AND GLORY (WHERE ANGELS FEAR TO TREAD). Includes comments See: Scriptwriters and Scriptwriting and CINEMA PARADISO. on Edna May Oliver (actress in early classics) and Aviation Films China Laurence Olivier. Hogue, Peter. For Conspicuous Gallantry. Film Comment 28:4 Cheshire, Godfrey. The Long Way Home. Film Comment 28:4 Francis, Freddie July-Aug "92, 48-49. ill. Honor roll of aces: Howard Hawks, July-Aug "92, 36-39. ill. If only China could see the films See: Hammer Films Wm. Wellman, Richard Barthelmess, Frank Wead, John of Chen Kaige. Chen's career. Ref. FAREWELL TO MY Franklin, Carl Monk Saunders, Myrna Loy, June Travis, Clark Gable, CONCUBINE See: ONE FALSE MOVE Ralph Bellamy, Roscoe Karns, Harry Carey, Elmer Dyer, Classics of Literature on the Screen Frumin, Boris Paul Mantz, Dick Grace See: Adaptations See: BLACK AND WHITE Hogue, Peter. Legion of the Lost Genre. Film Comment 28:4 Cliffhangers Fuller, Samuel July-Aug "92, 40-47, 50-51. ill. History of the aviation genre See: Serials See: BIG RED ONE, THE between WW | and the end of WW II Coen Brotners Gays and the Cinema Baker, Roy Ward See’ BARTON FINK See: Homosexuality and the Cinema See: Hammer Films Composer's Lives on Film Grant, Cary Beatty. Warren See: Music Buford, Kate. A Death in the Family. Film Comment 28:3 May- Smith, Gavin. A Question of Control: Warren Beatty inter- Copyright June '92, 74-75. ill. Remembering Cary Grant. Were the viewed. Film Comment 28:1 Jan-Feb '92, 28-37. ill. Warren Priest, William Pitman. Life with Video: At Play in the Fields of obituaries of record worth the writing? Greenaway, Peter ING, ALL THE VERMEERS IN NEW YORK Music See: PROSPERO’S BOOKS Jost, Jon. Jost Speaking Directly. Film Comment 28:2 March- Klein, David Shawn. Possession. Film Comment 28:3 May- Groulx, Filles April '92, 44. ill. Why Jost works “‘small:"’ why big, bigger, June '92, 79. ill. Appreciating music from films See: CHAT DANS LE SAC, LE biggest production is not for him Tebbel, John Robert. Looney Tunester. Film Comment 28:5 Gruault, Jean Jost, Jon. [Letter]. Film Comment 28:3 May-June '92, 80 Sept-Oct '92, 64-66. ill. Carl Stalling, music composer for Stonehill, Brian. Les auteurs terribles: Jean Gruault inter Letter from Jost re: Peter Hogue’s article (Film Comment the cartoons viewed. Film Comment 28:6 Nov-Dec '92, 24-27, 31-35. ill 28:2 March-April '92) on Jost. Tibbetts, John C. The Lyre of Light. Film Comment 28:1 Jan- Working with Truffaut. Ref. JULES ET JIM. Kalin, Tom Feb '92, 66-73. ill. Music composer biopics, a history. Guest, Val See: SWOON Music Composers’ Lives on Film See: Hammer Films Kaul, Mani (IDIOT) See: Music Guilty Pleasures See: New York Film Festival Native Americans and the Cinema Foley, James. Guilty Pleasures. Film Comment 28:5 Sept-Oct Keitel, Harvey Weatherford, Elizabeth. Starting Fire with Gunpowder. Film 92, 76-78. ill. Lyons, Donald. Scumbags. Film Comment 28:6 Nov-Dec '92, Comment 28:3 May-June '92, 64-67. ill. Independent native Jarmusch, Jim. Guilty Pleasures. Film Comment 28:3 May- 7-9, ill. Harvey Keitel as Ferrara’s BAD LIEUTENANT and American mediamakers—U.S. and Canada June '92, 35-37. ill éminence grise of Tarantino's RESERVOIR DOGS New York Film Festival Jordan, Neil. Guilty Pleasures. Film Comment 28:6 Nov-Dec King, Henry Horton, Robert. New Bridges. Film Comment 28:6 Nov-Dec "92, 36-39. ill See: MARGIE 92, 63-70. ill. The 30th. LES AMANTS DU PONT NEUF Wenders, Wim. Guilty Pleasures. Film Comment 28:1 Jan- Lang, Fritz (Carax), TALE OF WINTER (Rohmer), STORY OF QIU JU Feb '92, 74-77. ill Rolfe, Hilda. The Perfectionist. Film Comment 28:6 Nov-Dec (Zhang Yimou), THE OAK (Pintilie), MAN BITES DOG Hammer Films "92, 3-4. ill. A Hollywood memoir of Fritz Lang by his (Belvaux, Bonzel, Peolvoorde), IDIOT (Kaul), THE YOUNG Cumbow, Robert C. Pictures on the Walls of the House of secretary. ONE (Bufuel), LA SENTINELLE (Desplechin), HYENAS Hammer. Film Comment 28:3 May-June '92, 51-52. ill. Ham- Levinson, Barry (Mamberty), CAREFUL (Madden), LA VIE DE BOHEME mer Who's Who: Directors (Terence Fisher, Val Guest, Fred- See: BUGSY (Kaurismaki) die Francis, Michael Carreras, Don Sharp, Roy Ward Life with Video New York University's Graduate Film Division Baker); Writers (Jimmy Sangster, Anthony Hinds, Nigel Desowitz, Bill. Strangers on Which Train? Film Comment 28:3 Nicastro, Nicholas. Sweet Smell of Success. Film Comment Kneale); Nods & One-Shots May-June '92, 4-5. ill. 2 versions of STRANGERS ON A 28:5 Sept-Oct '92, 73-75. ill. Going to film school—why? Greenfield, Pierre. [Letter]. Film Comment 28:5 Sept-Oct '92, TRAIN—1 American, 1 British why not? Ref. NYU. 80. Comments, corrections re: Mangravite and Cumbow Hogue, Peter. Bemusement Parks. Film Comment 28:6 Nov- Noyce, Phillip articles (May-June '92) on Hammer. Includes response Dec '92, 48-50. ill. Video changes early installment serials Emerson, Jim. Noyce’s On: Phillip Noyce interviewed. Film from Cumbow. into 4-hour long movie marathons. Ref. THE SHADOW OF Comment 28:4 July-Aug ‘92, 72-76. ill. Career. Ref Mangravite, Andrew. The House of Hammer. Film Comment THE EAGLE (Ford Beebe) PATRIOT GAMES. 28:3 May-June ‘92, 46-50, 53. ill. Characteristics of Ham- Lucas, Tim. Who Framed EDWARD SCISSORHANDS? Film Oliver, Edna May mer ‘monster movies’: ref. CURSE OF FRANKENSTEIN, Comment 28:2 March-April '92, 75-76. ill. Crop-boxing: Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- REVENGE OF FRANKENSTEIN, THE MUMMY. what happens when a widescreen film is imprecisely letter- June "92, 14-18. ill. Adapting ‘classics’ to the screen. Ref. Newsom, Ted. [Letter]. Film Comment 28:5 Sept-Oct '92, 80 boxed for home video. James Ivory (HOWARDS END et al) and Charles Sturridge Comments, corrections re: Mangravite and Cumbow arti- Mannes, George. Monkey See. Film Comment 28:3 May-June (WHERE ANGELS FEAR TO TREAD). Includes comments cles (May-June '92) on Hammer. Includes response from "92, 6-7. Camcorders: narrowing the gap between home- on Oliver (actress in early classics) and Laurence Olivier. Cumbow. video and professional images Olivier, Laurence Haneke, Michael Priest, William Pitman. At Play in the Fields of the Law. Film Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- See: BENNY’S VIDEO Comment 28:5 Sept-Oct '92, 7. Public Law 102-307 (1992) June '92, 14-18. ill. Adapting ‘‘classics’’ to the screen. Ref Happy Endings in Films films released from 1964 through 1977, properly copy- James Ivory (HOWARDS END et al) and Charles Sturridge Thomson, David. Happiness. Film Comment 28:5 Sept-Oct righted at the time of release but not renewed in their 28th (WHERE ANGELS FEAR TO TREAD). Includes comments 92, 28-34. ill. Films in which nothing happens—an undis- year, now receive automatic renewal, i.e. they are no longer on Edna May Oliver (actress in early classics) and Olivier. covered genre? Ref. MEET ME IN ST. LOUIS. in the public domain Oscars Hill, Anita Shapiro, John Eli. Hollywood on the Mekong. Film Comment See: Academy of Motion Picture Arts and Sciences. Thomson, David. Our Process (Our Show). Film Comment 28:5 Sept-Oct '92, 2, 6. ill. State of the Cambodian video/ Awards 28:1 Jan-Feb '92, 7-13. ill. Anita Hill and Clarence Thomas film industry today. Owens, Don needed a better director—Otto Preminger, perhaps? Ref Smykla, Margaret L. Hope and Glory. Film Comment 28:2 See: NOBODY WAVED GOODBYE ANATOMY OF A MURDER and ADVISE AND CONSENT. March-April '92, 78. Good films with richly detailed scenes Peck, Gregory Hinds, Anthony of childhood are more meaningful to children than most Murphy, Kathleen. The World in His Arms. Film Comment See: Hammer Films made-for-children movies. Ref. HOPE AND GLORY and 28:2 March-April '92, 20-26. ill. Career. Film Comment Hitchcock, Alfred CINEMA PARADISO. salutes Atticus Finch, Lewt McCanles, Gen. Frank Savage, See: STRANGERS ON A TRAIN Thompson, Frank. Big. Film Comment 28:2 Marcti-April 92, Jimmy Ringo, Capts. Ahab & Horatio Hornblower, etc Holland, Agnieszka 77. ill. The diminution of movies: big screen films on video. Peolvoorde, Benoit (MAN BITES DOG) See: OLIVIER, OLIVIER Williamson, JW. Hillbilly with Attitude. Film Comment 28:1 See: New York Film Festival Hollywood (industry) Jan-Feb ‘92, 38-39. ill. West Va. filmmaker Boyd: ref Perkins, Tony See: Industry (Hollywood) STRANGEST DREAMS (INVASION OF THE SPACE Thomson, David. Anthony Perkins, 1932-92. Film Comment Homosexuality and the Cinema PREACHERS) and PARADISE PARK 28:6 Nov-Dec '92, 78-79. ill. In memoriam White, Armond. Outing the past. Film Comment 28:4 July- Literature into Film Pilots in Films Aug '92, 21-25. ill. Gay representation on the screen. Ref See: Adaptations See: Aviation Films SWOON (Tom Kalin) Lumet, Sidney Pintilie, Lucian (THE OAK) Horror Films Smith, Gavin. ‘That's the way it happens’: Sidney Lumet inter- See: New York Film Festival Mangravite, Andrew. The House of Hammer. Film Comment viewed. Film Comment 28:5 Sept-Oct '92, 50-60. ill Pordenone Film Festival 28:3 May-June '92, 46-50, 53. ill. Characteristics of Ham- Career. Talks about his films Eyman, Scott. The Best Years of Their Lives: Cecil and mer ‘‘monster movies’: ref. CURSE OF FRANKENSTEIN, Maddin, Guy William de Mille in Hollywood. Film Comment 28:2 March- REVENGE OF FRANKENSTEIN, THE MUMMY. Pevere, Geoff. The Children of McKenzie and McLuhan. Film April 92, 46-48. ill. Cecil and William DeMille retrospective Independent Cinema Comment 28:2 March-April "92, 64. Career briefs of Cana- at 10th Pordenone (Italy) Film Festival Vogel, Amos. Lessons in Darkness. Film Comment 28:3 May- dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Preminger, Otto June '92, 69-70. ill. International independent film at 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Darryl Thomson, David. Our Process (Our Show). Film Comment Berlin's Forum of Young Cinema Wasyk (‘H’), NAKED LUNCH 28:1 Jan-Feb '92, 7-13. ill. Anita Hill and Clarence Thomas Weatherford, Elizabeth. Starting Fire with Gunpowder. Film See also: New York Film Festival needed a better director—Otto Preminger, perhaps? Ref Comment 28:3 May-June '92, 64-67. ill. Independent native Mambety, Djhibril Diop (HYENAS) ANATOMY OF A MURDER and ADVISE AND CONSENT. American mediamakers—U.S. and Canada See: New York Film Festival Production Code Administration Indians and the Cinema Mann, Michael Wood, Bret. The WITCH, the DEVIL, and the Code: A Horror See: Native Americans and the Cinema See: LAST OF THE MOHICANS, THE Story of Hollywood in the Golden Age. Film Comment 28:6 industrial Light & Magic Mazursky, Paul Nov-Dec "92, 52-56. ill. Tod Browning's career. Ref. Brown- Solman, Gregory. The Illusion of a Future. Film Comment See: TEMPEST ing’s DEVIL DOLL vs. MGM and the Breen Office. 28:2 March-April '92, 32-41. ill. The good and the bad of McDonald, Bruce Public Domain Industrial Light & Magic. Includes ILM credits Pevere, Geoff. The Children of McKenzie and McLuhan. Film See: Copyright Industry (Hollywood) Comment 28:2 March-April ‘92, 64. Career briefs of Cana- Rappaport, Mark McGilligan, Patrick. Journey into Light: Bertrand Tavernier on dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY See: ROCK HUDSON'S HOME MOVIES the American Cinema (Interview). Film Comment 28:2 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Darryl Ray, Satyajit March-April '92, 6-18. ill. Bertrand Tavernier’s career as a Wasyk (‘H’), NAKED LUNCH Schickel, Richard. Days and Nights in the Arthouse. Film film journalist and critic. The evolution of his book 50 Ans Mexico Comment 28:3 May-June "92, 32-34. ill de Cinéma Américain, with comments on directors, films, Thomajan, Dale. Cinemex: A Tour Guide: Ten Things | Know Rohmer, Eric Hollywood, studios, etc about Mexico after Having Watched Dozens of Mexican Haskell, Molly. Making Book. Film Comment 28:1 Jan-Feb Thompson, Anne. Scene$ from a Mall (17th Annual ‘Grosses Movies on Spanish-Language TV without Understanding a "92, 4-5. ill. ls Christian Vincent the new Rohmer? Ref. LA Gloss’). Film Comment 28:2 March-April '92, 67-73. ill Word of Spanish except ‘Cantina.’ Film Comment 28:1 Jan- DISCRETE 1991's hits, flops, box-office shares, etc Feb '92, 65. ill Rohmer, Eric (A TALE OF WINTER) Inuit and the Cinema Mitchum, Robert See: New York Film Festival See: Native Americans and the Cinema Kennedy, Harlan. Mitchum: Robert Mitchum interviewed Russell, Jane Ivory, James Film Comment 28:4 July-Aug '92, 30, 34-35. ill. Career. Peary, Gerald. Russell: Jane Russell interviewed. Film Com- See: HOWARD'S END Monster Movies ment 28:4 July-Aug ‘92, 31-33. ill. Career. Jarman, Derek See: Horror Films Sangster, Jimmy See: TEMPEST, THE Moorhouse, Jocelyn See: Hammer Films Jordan, Neil See: PROOF School, Film See: CRYING GAME, THE; GUILTY PLEASURES Munch, Christopher See: Study and Teaching Jost, Jon Horton, Robert. Other Voices, Other Rooms. Film Comment Schrader, Paul Hogue, Peter. The Luminous Blue in My Heart. Film Comment 28:4 July-Aug '92, 28. ill. Hotel rooms and other ephemera Smith, Gavin. Awakenings: Paul Schrader interviewed. Film 28:2 March-April '92, 42-43, 45. ill. Jost’s career as an in Minch. Ref. THE HOURS AND TIMES. Comment 28:2 March-April ‘92, 50-59. ill. Schrader’s independent. Ref. SURE FIRE, REMBRANDT LAUGH- See also: HOURS AND TIMES, THE career. Ref. LIGHT SLEEPER Science Fiction Truffaut, Francois Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Solman, Gregory. The Illusion of a Future. Film Comment Stonehill, Brian. Les auteurs terribles: Jean Gruault inter April "92, 4. 28:2 March-April '92, 32-41. ill. The good and the bad of viewed. Film Comment 28:6 Nov-Dec '92, 24-27, 31-35. ill. Eyman, Scott Industrial Light & Magic. Includes ILM credits Working with Truffaut. Ref. JULES ET JIM The Best Years of Their Lives: Cecil and William de Mille in Soliman, Gregory. Ten Great Effects Films Since STAR WARS See also: JULES ET JIM Hollywood. Film Comment 28:2 March-April '92, 46-48. ill Not by ILM. Film Comment 28:2 March-April "92, 40. ill Typewriters in Films Foley, James ALIEN, BEETLEJUICE, BLADE RUNNER, CLOSE See: Scriptwriters and Scriptwriting Guilty Pleasures. Film Comment 28:5 Sept-Oct '92, 76-78. ill ENCOUNTERS, DARKMAN, DUNE, THE HOWLING, 1941, Venice Film Festival Greenfield, Pierre THE RIGHT STUFF, SUPERMAN 1,2,3 Kennedy, Harlan. To Regret Venice. Film Comment 28:6 Nov- [Letter]. Film Comment 28:5 Sept-Oct '92, 80 Scott, Ridley Dec '92, 60-62. ill. Hartl, John See: ALIEN; BLADE RUNNER Video Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Screenwriters and Screenwriting See: LIFE WITH VIDEO April "92, 4. See: Scriptwriters and Scriptwriting Vincent, Christian Haskell, Molly Scriptwriters and Scriptwriting Haskell, Molly. Making Book. Film Comment 28:1 Jan-Feb Making Book. Film Comment 28:1 Jan-Feb 92, 4-5. ill Corliss, Richard. Still Talking. Film Comment 28:6 Nov-Dec "92, 4-5. ill. Is Christian Vincent the new Rohmer? Ref. LA Hitchens, Gordon ‘92, 11-23. ill. Corliss's Talking Pictures ('74) saw screenwrit- DISCRETE [Letter]. Film Comment 28:4 July-Aug 92, 80. ill ers and directors as co-authors. A Talking Pictures of the Walken, Christopher Hogue, Peter Seventies and Eighties would not concern itself with Smith, Gavin. Out There on a Visit: Christopher Walken inter- For Conspicuous Gallantry. Film Comment 28:4 July-Aug '92, screenwriters: the subject would be writer-directors viewed. Film Comment 28:4 July-Aug '92, 56-85. ill. Career. 48-49. ill Lyons, Donald. Lubricating the Muse. Film Comment 28:1 Talks about his films Legion of the Lost Genre. Film Comment 28:4 July-Aug '92, Jan-Feb '92, 14-16. ill. Typewriters and writers in films: Walt Disney Studio 40-47, 50-51. ill WHERE SLEEPING DOGS LIE (Finch), BARTON FINK Kaufman, J.B. The Shadow of the Mouse. Film Comment 28:5 Life with Video: Bemusement Parks. Film Comment 28:6 (The Coens), KAFKA (Soderbergh), NAKED LUNCH Sept-Oct '92, 68-71. ill. Disney’s pre-1928 (i.e. pre-Mickey Nov-Dec '92, 48-50. ill (Cronenberg). Mouse) silent animations The Luminous Blue in My Heart. Film Comment 28:2 March- Serials War Films April '92, 42-43, 45. ill Hogue, Peter. Life with Video: Bemusement Parks. Film Com- See: Aviation Films Ten Best of 1991. Film Comment 28:1 Jan-Feb ‘92, 44. ment 28:6 Nov-Dec ‘92, 48-50. ill. Video changes early Wasyk, Darryl Horton, Robert installment serials into 4-hour long movie marathons. Ref Pevere, Geoff. The Children of McKenzie and McLuhan. Film Festivals: New York: New Bridges. Film Comment 28:6 Nov- THE SHADOW OF THE EAGLE (Ford Beebe) Comment 28:2 March-April "92, 64. Career brieis of Cana- Dec '92, 63-70. ill Serrano, Irma dian filmmakers: Bruce McDonald (ROADKILL, HIGHWAY Other Voices, Other Rooms. Film Comment 28:4 July-Aug Coe, Andrew. La Tigresa. Film Comment 28:1 Jan-Feb ‘92, 61), Atom Egoyan (THE ADJUSTER), Guy Maddin, Wasyk "92, 28. ill 64-65. Film career. Her campaign for the Mexican Senate. (‘H’), NAKED LUNCH PROOF or Dare. Film Comment 28:2 March-April ‘92, Shakespeare on Film Welles, Orson 29-30. ill Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- See: FOUNTAIN OF YOUTH; MR. ARKADIN; OTHELLO Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 44. Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Weilman, William Jameson, Richard T. LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), See: Aviation Films; Bertrand Tavernier; YELLOW SKY Cries and Whispers. Film Comment 28:1 Jan-Feb '92, 56. ill TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- Westerns ‘Deserve's got nothin’ to do with it”’ Film Comment 28:5 Sept- SPERO'S BOOKS (Greenaway) Sheehan, Henry. Scraps of Hope: Clint Eastwood and the Oct '92, 12-14. ill Western. Film Comment 28:5 Sept-Oct ‘92, 17-27. ill The Lighthouse. Film Comment 28:1 Jan-Feb '92, 24-27. ill Sharp, Don Eastwood—actor, icon, director—and the Western The Morning After. Film Comment 28:3 May-June ’92, 7. See: Hammer Films Thompson, Anne. Beyond-the-Pale Riders. Film Comment Robert Altman on THE PLAYER: Introduction. Film Comment Shebib, Don 28:4 July-Aug '92, 52-54. ill. Making Westerns in the 1990s 28:3 May-June '92, 20-21 See: GOIN’ DOWN THE ROAD Is the genre alive? Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 40 Soderbergh, Steven Widescreen Cinema Jameson, Richard T. and Gavin Smith See: KAFKA Thompson, Frank. Big. Film Comment 28:2 March-April '92 ‘The movie you saw is the movie we're going to make’: Robert Special Effects 77. The diminution of movies: big-screen films on video. Altman interviewed. Film Comment 28:3 May-June ‘92, Solman, Gregory. The Illusion of a Future. Film Comment Widescreen Cinema 22-30. ill. 28:2 March-April '92, 32-41. ill. The good and the bad of Lucas, Tim. Who Framed EDWARD SCISSORHANDS? Film Jameson, Richard T. and Kathleen Murphy Industrial Light & Magic. Includes ILM credits Comment 28:2 March-April 92, 75-76. ill. Crop-boxing Moments out of Time. Film Comment 28:1 Jan-Feb ‘92, Solman, Gregory. Ten Great Effects Films Since STAR /ARS what happens when a widescreen film is imprecisely letter 40-44. ill Not by ILM. Film Comment 28:2 March-April '92, 4u. ill boxed for home video Jarmusch, Jim ALIEN, BEETLEJUICE, BLADE RUNNER, CLOSE Wilcox, Fred McLeod Guilty Pleasures Film Comment 28:3 May-June ‘92, ENCOUNTERS, DARKMAN, DUNE, THE HOWLING, 1941, See: FORBIDDEN PLANET 35-37. ill THE RIGHT STUFF, SUPERMAN 1,2,3 Writers Johnson, William Spielberg, Steven See: Scriptwriters and Scriptwriting Harlow's Time Bomb. Film Comment 28:3 May-June ‘92, Sheehan, Henry. The Panning of Steven Spielberg. Film Writers in Films 41-43. ill Comment 28:3 May-June ‘92, 54-60. ill. Part One of a See: Scriptwriters and Scriptwriting Jordan, Neil career analysis. Ref. HOOK Zhang, Yimou (STORY OF QIU JU) Guilty Pleasures. Film Comment 28:6 Nov-Dec '92, 36-39. ill Sheehan, Henry. Spielberg II. Film Comment 28:4 July-Aug See: New York Film Festival Jost, Jon "92, 66-71. ill. Part Two of a career analysis. Ref. HOOK Jost Speaking Directly. Film Comment 28:2 March-April '92, Stalling, Carl 44. ill Tebbel, John Robert. Looney Tunester. Film Comment 28:5 [Letter]. Film Comment 28:3 May-June '92, 80 Sept-Oct '92, 64-66. ill. Carl Stalling, music composer for Kaufman, J.B. the cartoons The Shadow of the Mouse. Film Comment 28:5 Sept-Oct '92, Studios 68-71. ill See: Hammer Films; Walt Disney Studio Authors Study and Teaching Kennedy, Harlan Nicastro, Nicholas. Sweet Smell of Success. Film Comment Midlife Crises: Cannes "92. Film Comment 28:4 July-Aug "92, SSteeu2w:r8h r:yi5W dHgnSeoEet,R?p tEC-R hOefac.Art l NeNG'sYE9 U2L, S 73-F75E.A R ill. TOG oiTnRgE AtDo film school—why? AAAOnsnn cdsareOrern ed,vi Pn,raD edraiyFvxe i:l dSi txoB reya.s tFsi lm& CBeoamumtieens.t F2i8l:m1 CJoanm-mFeenbt '9228, :27 8-M7a9.r chi-ll MOfi tJ3c7Wu.hal ulylm-ils:Al uga nRdo' 9b2e,G rrta3 n0,dM i3tG4c-a3hn5yu.om n sil.il nteFrivlime weCdo. mmeFinltm C2o8:m3m eMnaty -J2u8n:e4 SCTWhhuauiznB"ttun9eeR2ke,,,irA ,,N D2ADa0rASv-Emlei2oda2Din..ij dnu. nT B COra arTeniKedImrLee,Ld Ztothon eemTshe.rs il.l .F ilFRmei fl.m C oCTmoOmm0K emYneOtn t 2D8R2:8I3: F1T MEaJRya -nJ-uFaennbed BALBe oulvfA2lDepo6eer- rria2d,l8t ,i .hn T' 9hK2ti,ialholn e t m e4a.t Ahsef teFranmoiolny.. FFiillmm CCoommmmeenntt 2288::34 MJauyl-yJ-uAnuge '‘9922, PVKOiresloncN"dsi9aoa2pcr,vyee ,-r D6oP8er'FG,eiscr dl iem7xF g1:'l-9 gi7F2c3 ,ek. sBs te.i6 av9ilsa-ll Ft6:i2s .l m &T oiCl Blo eRmaeumgtreieentst . Ve2Fn8ii:lc1me . JCaonFmi-mlFmee bn Cto '9m22m,8 e:42n5 t-M4 9a.r2 c8h:i-6ll TTSMeaacevrGA":eia9m rln2e,nltR riiiiegE6nr2caoS-,na,6E , n3 R .BQ VeuCPOreaiiltItln.nrr RtieaCic mnakn.rad D e eOr(G:Ji onStu efrrinvleimesyw, ) .t ihnteFomi lemsL igChto:m meTnavte rni2e8r: 2 oMna rcthh-e CTCBhhhreeu7a3s4 t6n--hed73i,5Le9.r o.d e n D,gai lit lvlo li GWdToha driyfll r. eHyoF imlem. CoFmilmme ntC om2m8:e1n tJ an2-8F:e4b J'u92l,y -2A0u-g2 2 ‘92, KLWPluohesc2Aoisap8n ers:,is2, lsF iDrMo'Taa9anivm2r.,miec dhd 4- F ASiplEhrmiDa lwW CnAo 'Rm92mD, e n75tS- 7C6.I2 8S:S3il lO MRaHyA-JNuDnSe? '92,F il7m9 . Cilol mment April '92, 6-18. ill. Tavernier’s career as a film journalist and Coe, Andrew Lyons, Donald critic. The evolution of his book 50 Ans de Cinéma Améri- La Tigresa. Film Comment 28:1 Jan-Feb ‘92, 64-65 bk. rev. Patrick McGilligan, A LIFE OF HIS OWN. Film Com- cain, with comments on directors, films, Hollywood, stu- Corliss, Mary ment 28:3 May-June '92, 76-77. ill dios, etc Midlife Crises: Cannes '92. Film Comment 28:4 July-Aug '92, Bloody Miracle. Fi’m Comment 28:6 Nov-Dec ‘92, 67. ill Tempest, The (Shakespeare) on Film 2, 8. ill Lubricating the Muse. Film Comment 28:1 Jan-Feb ‘92, See: Shakespeare on Film Corliss, Richard 14-16. ill Thomas, Clarence Still Talking. Film Comment 28:6 Nov-Dec ‘92, 11-23. ill Scumbags. Film Comment 28:6 Nov-Dec '92, 7-9, ill Thomson, David. Our Process (Our Show). Film Comment Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 42 Star City Shrapnel. Film Comment 28:5 Sept-Oct '92, 8-9. ill 28:1 Jan-Feb '92, 7-13. ill. Anita Hill and Clarence Thomas Cumbow, Robert C. Ten Best of 1991. Film Comment 28:1 Jan-Feb "92, 44 needed a better director—Otto Preminger, perhaps? Ref Pictures on the Walls of the House of Hammer. Film Comment Traditions of Quality Film Comment 28:3 May-June ‘92, ANATOMY OF A MURDER and ADVISE AND CONSENT. 28:3 May-June '92, 51-52. ill 14-18. ill Toronto Festival of Festivals Desowitz, Bill “We don't murder, we kill’: THE BIG RED ONE. Film Comment Rosenbaum, Jonathan. Talking Back to the Screen. Film Life with Video. Strangers on Which Train? Film Comment 28:4 July-Aug ‘92, 9-16. ill Comment 28:6 Nov-Dec '92, 57-59. ill 28:3 May-June 92, 4-5. ill Tracy, Lee Emerson, Jim Mangravite, Andrew Phelps, Donald. Another Tracy. Film Comment 28:3 May-June Noyce’s On: Phillip Noyce interviewed. Film Comment 28:4 The House of Hammer. Film Comment 28:3 May-June ‘92, "92, 38-40, 43-45. ill. Career. July-Aug "92, 72-76. ill 46-50, 53. ill Mannes, George The Passion of James Agee. Film Comment 28:3 May-June 28:1 Jan-Feb "92, 713. ill. Anita Hill and Clarence Thomas Life with Video: Monkey See. Film Comment 28:3 May-June "92, 9-12. ill. needed a better director—Otto Preminger, perhaps? Ref. "92, 6-7. Tebbel, John Robert ANATOMY OF A MURDER and ADVISE AND CONSENT. McGilligan, Patrick Looney Tunester. Film Comment 28:5 Sept-Oct '92, 64-66. ill. BAD LIEUTENANT (Abe! Ferrara) Journey into Light: Bertrand Tavernier on the American Cin- Thomajan, Dale Lyons, Donald. Scumbags. Film Comment 28:6 Nov-Dec '92, ema. [Interview] Film Comment 28:2 March-April '92, The Best High School Movie. Film Comment 28:4 July-Aug 7-9, ill. Harvey Keitel as Ferrara's BAD LIEUTENANT and 6-18. ill "92, 79. ill. éminence grise of Tarantino's RESERVOIR DOGS. Murphy, Kathleen Cinemex: A Tour Guide: Ten Things | Know about Mexico BARTON FINK (Coen brothers) La belle dame sans merci. Film Comment 28:6 Nov-Dec '92, after Having Watched Dozens of Mexican Movies on Span- Lyons, Donald. Lubricating the Muse. Film Comment 28:1 28-30. ill ish-Language TV Without Understanding a Word of Span- Jan-Feb "92, 14-16. ill. Typewriters and writers in films: The Color of Home. Film Comment 28:5 Sept-Oct ‘92, ish except ‘Cantina’ Film Comment 28:1 Jan-Feb ‘92, WHERE SLEEPING DOGS LIE (Finch), BARTON FINK 62-63. ill. 65. ill. (The Coens), KAFKA (Soderbergh), NAKED LUNCH The Double Life of Olivier. Film Comment 28:6 Nov-Dec '92, Thompson, Anne (Cronenberg). 66. ill. Beyond-the-Pale Riders. Film Comment 28:4 July-Aug ‘92, BENNY’S VIDEO (Michael Haneke) The Last Temptation of Sigourney Weaver. Film Comment 52-54. ill. Vogel, Amos. Too Close for Comfort. Film Comment 28:6 Nov- 28:4 July-Aug '92, 17-20. ill. Industry Savant. Film Comment 28:2 March-April '92, 73. ill. Dec '92, 69. ill. Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 42 Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- BEST INTENTIONS (Bille August) The World in His Arms. Film Comment 28:2 March-April '92, April 92, 4. Kennedy, Harlan. Midlife Crises: Cannes ‘92. Film Comment 20-26. ill Scene$ from a Mall: [Grosses Gloss]. Film Comment 28:2 28:4 July-Aug '92, 3-7. ill. The 45th Cannes Festival. Ref. Murphy, Kathleen and Richard T. Jameson March-April "92, 67-73. ill. THE LONG DAY CLOSES (Terence Davies) and BEST Moments out of Time. Film Comment 28:1 Jan-Feb ‘92, Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 44. INTENTIONS (Bille August). 40-44. ill Thompson, Frank BIG RED ONE, THE (Samuel Fuller) Newsom, Ted Big. Film Comment 28:2 March-April '92, 77. Lyons, Donald. ‘We don't murder, we kill’: THE BIG RED ONE. [Letter]. Film Comment 28:5 Sept-Oct '92, 80 Thomson, David Film Comment 28:4 July-Aug '92, 9-16 Nicastro, Nicholas Anthony Perkins, 1932-92. Film Comment 28:6 Nov-Dec ‘92, BLACK AND WHITE (Boris Frumin) Sweet Smell of Success. Film Comment 28:5 Sept-Oct '92, 78-79. ill. Andreev, Felix. An Ordinary Story. Film Comment 28:1 Jan- 73-75. ill. Happiness. Film Comment 28:5 Sept-Oct '92, 28-34. ill. Feb '92, 78-79. ill Peary, Gerald Our Process (Our Show). Film Comment 28:1 Jan-Feb ‘92, BLADE RUNNER (Ridley Scott) Russell: Jane Russell interviewed. Film Comment 28:4 July- 7A3. ill. Wilmington, Michael. The Rain People. Film Comment 28:1 Aug 92, 31-33. ill Tibbetts, John C. Jan-Feb '92, 17,9. ill. The recently ‘‘restored’’ director's cut Pevere, Geoff The Lyre of Light. Fiim Comment 28:1 Jan-Feb '92, 66-73. ill. BOMBSHELL (Victor Fleming) The Children of McKenzie and McLuhan. Film Comment 28:2 Vogel, Amos Johnson, William. Harlow's Time Bomb. Film Comment 28:3 March-April '92, 64. Lessons in Darkness. Film Comment 28:3 May-June ‘92, May-June '92, 41-43. ill Letter from Canada. Film Comment 28:2 March-April "92, 69-70. ill BUGSY (Barry Levinson) 61-63, 65. ill Too Close for Comfort. Film Comment 28:6 Nov-Dec ‘92, Smith, Gavin. A Question of Control: Warren Beatty inter- Phelps, Donald 69. ill. viewed. Film Comment 28:1 Jan-Feb '92, 28-37. ill. Warren Another Tracy. Film Comment 28:3 May-June ‘92, 38-40, Walker, Beverly Beatty's career as actor, producer, co-writer and director. 43-45. ill. Michelangelo and the Leviathan: The Making of ZABRISKIE Ref. BUGSY. Priest, William Pitman POINT. Film Comment 28:5 Sept-Oct "92, 36-49. ill. Hitchens, Gordon. [Letter]. Film Comment 28:4 July-Aug "92, Life with Video: At Play in the Fields of the Law. Film Com- Weatherford, Elizabeth 80. ill. Errors of historical accuracy in BUGSY. ment 28:5 Sept-Oct '92, 7. Starting Fire with Gunpowder. Film Comment 28:3 May-June CAREFUL (Guy Maddin) Rolfe, Hilda "92, 64-67. ill. See: New York Film Festival The Perfectionist. Film Comment 28:6 Nov-Dec ‘92, 3-4. ill Wenders, Wim CHAT DANS LE SAC, LE (Gilles Groulx) Rosenbaum, Jonathan Guilty Pleasures. Film Comment 28:1 Jan-Feb '92, 74-77. ill. Pevere, Geoff. Letter from Canada. Film Comment 28:2 Festivals: Toronto: Talking Back to the Screen. Film Comment White, Armond March-April "92, 61-63, 65. ill. Alienation in Canadian fea- 28:6 Nov-Dec '92, 57-59. ill Figueroa in a Landscape. Film Comment 28:1 Jan-Feb '92, ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE The Seven ARKADINs. Film Comment 28:1 Jan-Feb '92, 60-63. ill. CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD 50-53, 57-59. ill Outing the Past. Film Comment 28:4 July-Aug "92, 21-25. ill. (Shebib), THE ADJUSTER (Egoyan). Sarris, Andrew Tarnished Angel. Film Comment 28:4 July-Aug '92, 25. ill. CHOCOLAT (Claire Denis) Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Time Zones. Film Comment 28:3 May-June "92, 62-63. ill Murphy, Kathleen. The Color of Home. Film Comment 28:5 April "92, 4 Williamson, JW. Sept-Oct '92, 62-63. ill, Denisss CHOCOLAT and S'EN Schickel, Richard Life with Video: Hillbilly with Attitude. Film Comment 28:1 FOUT LA MORT. Days and Nights in the Arthouse. Film Comment 28:3 May- Jan-Feb '92, 38-39. ill. CONFIDENTIAL REPORT (Orson Welles) June "92, 32-34. ill. Wilmington, Michael See: MR. ARKADIN (Orson Welles) Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- DEVIL DOLL, THE (Tod Browning) April 92, 4 April '92, 4. Wood, Bret. The WITCH, the DEVIL, and the Code: A Horror Schiff, Stephen The Rain People. Film Comment 28:1 Jan-Feb "92, 17-19. ill Story of Hollywood in the Golden Age. Film Comment 28:6 Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 44. Nov-Dec '92, 52-56. ill. Tod Browning's career. Ref. Brown- April "92, 4. Wood, Bret ings DEVIL DOLL vs. MGM and the Breen Office. Shapiro, John Eli The WITCH, the DEVIL, and the Code: A Horror Story of DISCRETE, LA (Christian Vincent) Life with Video: Hollywood on the Mekong. Film Comment Hollywood in the Golden Age. Film Comment 28:6 Nov-Dec Haskell, Molly. Making Book. Film Comment 28:1 Jan-Feb 28:5 Sept-Oct '92, 2, 6. ill. "92, 52-56. ill "92, 4-5. ill. Is Christian Vincent the new Rohmer? Ref. LA Sheehan, Henry DISCRETE The Panning of Steven Spielberg (part one). Film Comment FAREWELL TO MY CONCUBINE (Chen Kaige) 28:3 May-June '92, 54-60. ill Cheshire, Godfrey. The Long Way Home. Film Comment 28:4 Scrmaepnst o2f8 :H5o peS:e ptC-lOicntt E'a92s,t w1o7o-2d7 . ainlld. the Western. Film Com- Film Titles oJfu lyC-hAeung 'K9a2i,g e.3 6-3C9h.e n'isll. Icfa roenelry. ChReifn.a FcAouRlEdW EsLeeL thTeO fiMlmYs Spielberg |i (part two of The Panning of Steven Spielberg). CONCUBINE Film Comment 28:4 July-Aug 92, 66-71. ill FORBIDDEN PLANET (Fred Wilcox) TV as Snowglobe. Film Comment 28:1 Jan-Feb '92, 54-55. ill ADJUSTER, THE (Atom Egoyan) Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- Smith, Gavin Pevere, Geoff. Letter from Canada. Film Comment 28:2 Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Awakenings: Paul Schrader interviewed. Film Comment 28:2 March-April '92, 61-63, 65. ill. Alienation in Canadian fea- LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), March-April "92, 50-59. ill ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- ‘I go to the core’: Judy Davis interviewed. Film Comment 28:6 CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD SPERO’S BOOKS (Greenaway). Nov-Dec '92, 40-47. ill (Shebib), THE ADJUSTER (Egoyan). FOUNTAIN OF YOUTH (Orson Welles, TV production for Mann Hunters. Fiim Comment 28:6 Nov-Dec '92, 72-77. ill ADVISE AND CONSENT (Otto Preminger) Desilu) New Faces [1991]. Film Comment 28:1 Jan-Feb '92, 41. ill Thomson, David. Our Process (Our Show). Film Comment Sheehan, Henry. TV as Snowglobe. Film Comment 28:1 Jan- Oscar Predix: Beasts & Beauties. Film Comment 28:2 March- 28:1 Jan-Feb '92, 73. ill. Anita Hill and Clarence Thomas Feb "92, 54-55. ill April '92, 4 needed a better director—Otto Preminger, perhaps? Ref. GOIN’ DOWN THE ROAD (Don Shebib) Out There on a Visit: Christopher Walken interviewed Fiim ANATOMY OF A MURDER and ADVISE AND CONSENT. Pevere, Geoff. Letter from Canada. Film Comment 28:2 Comment 28:4 July-Aug "92, 56-65. ill ALIEN (Ridley Scott) March-April '92, 61-63, 65. ill. Alienation in Canadian fea- A Question of Control: Warren Beatty interviewed. Film Com- Murphy, Kathleen. The Last Temptation of Sigourney Weaver. ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE ment 28:1 Jan-Feb '92, 28-37. ill Film Comment 28:4 July-Aug '92, 17-20. ill. The ALIEN CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD Ten Best of 1991. Film Comment 28:1 Jan-Feb '92, 42. trilogy. (Shebib), THE ADJUSTER (Egoyan). ‘That's the way it happens’: Sidney Lumet interviewed. Film ALIENS (David Fincher) HOOK (Steven Spielberg) Comment 28:5 Sept-Oct '92, 50-60. ill Murphy, Kathleen. The Last Temptation of Sigourney Weaver. Sheehan, Henry. The Panning of Steven Spielberg. Film Smith, Gavin and Richard T. Jameson Film Comment 28:4 July-Aug "92, 17-20. ill. The ALIEN Comment 28:3 May-June '92, 54-60. ill. Part One of a ‘The movie you saw is the movie we're going to make’: Robert trilogy. career analysis. Ref. HOOK Altman interviewed. Film Comment 28:3 May-June ‘92, ALIENS (James Cameron) Sheehan, Henry. Spielberg il. Film Comment 28:4 July-Aug 22-30. ill. Murphy, Kathleen. The Last Temptation of Sigourney Weaver. "92, 66-71. ill. Part 2 of a career analysis. Ref. HOOK Smykia, Margaret L. Film Comment 28:4 July-Aug '92, 17-20. ill. The ALIEN HOURS AND TIMES, THE (Christopher Minch) Hope and Glory. Film Comment 28:2 March-April '92, 78. ill trilogy. Belier, Thomas. Love in the Afternoon. Film Comment 28:4 Solman, Gregory ALL THE VERMEERS IN NEW YORK (Jon Jost) July-Aug '92, 26-29. ill The Illusion of a Future. Film Comment 28:2 March-April '92, Hogue, Peter. The Luminous Blue in My Heart. Film Comment Horton, Robert. Other Voices, Other Rooms. Film Comment 32-41. ill 28:2 March-April '92, 42-43, 45. ill. Jost’s career as an 28:4 July-Aug "92, 28. ill. Hotel rooms and other ephemera Ten Great Effects Films Since STAR WARS Not by ILM. Film independent. Ref. SURE FIRE, REMBRANDT LAUGH- in Minch. Ref. THE HOURS AND TIMES. Comment 28:2 March-April '92, 40. ill ING, ALL THE VERMEERS IN NEW YORK. HOWARDS END (James Ivory) Stonehill, Brian AMANTS DU PONT NEUF, LES (Leos Carax) Lyons, Donald. Traditions of Quality. Film Comment 28:3 May- Les auteurs terribles: Jean Gruault interviewed. Film Com- See: New York Film Festival June "92, 14-18. ill. Adapting ‘classics’ to the screen. Ref ment 28:6 Nov-Dec '92, 24-27, 31-35. ill ANATOMY OF A MURDER (Otto Preminger) James Ivory (HOWARDS END et al) and Charles Sturridge Talty, Stephan Thomson, David. Our Process (Our Show). Film Comment (WHERE ANGELS FEAR TO TREAD). Includes comments 4 on Edna May Oliver (actress in early classics) and OAK, THE (Lucian Pintilie) STRANGEST DREAMS (INVASION OF THE SPACE Laurence Olivier. See: New York Film Festival PREACHERS) (Daniel Boyd) HYENAS (Djibril Diop Mambety) OLIVIER, OLIVIER (Agnieszka Holland) Williamson, JW. Life with Video: Hillbilly with Attitude. Film See: New York Film Festival Murphy, Kathleen. The Double Life of Olivier. Film Comment Comment 28:1 Jan-Feb '92, 38-39. West Va. filmmaker IDIOT (Mani Kaul) 28:6 Nov-Dec '92, 66. ill Boyd: ref. STRANGEST DREAMS (INVASION OF THE See: New York Film Festival ONE FALSE MOVE (Carl Franklin) SPACE PREACHERS), and PARADISE PARK. JULES ET JIM (Francois Truffaut) Lyons, Donald. Star City Shrapnel. Film Comment 28:5 Sept- SURE FIRE (Jon Jost) Murphy, Kathleen. La belle dame sans merci. Film Comment Oct '92, 8-9. ill. Hogue, Peter. The Luminous Blue in My Heart. Film Comment 28:6 Nov-Dec '92, 28-30. ill. Programme note for a Univ. of OTHELLO (Orson Welles) 28:2 March-April "92, 42-43, 45. ill. Jost’s career as an Washington spring "74 film series. Jameson, Richard T. Cries and Whispers. Film Comment independent. Ref. SURE FIRE, REMBRANDT LAUGH- Stonehill, Brian. Les auteurs terribles: Jean Gruault inter 28:1 Jan-Feb '92, 56. ill. OTHELLO restored. ING, ALL THE VERMEERS IN NEW YORK. viewed. Film Comment 28:6 Nov-Dec '92, 24-27, 31-35. ill. PARADISE PARK (Daniel Boyd) SWOON (Tom Kalin) Working with Truffaut. Ref. JULES ET JIM. Williamson, JW. Life with Video: Hillbilly with Attitude. Film White, Armond. Outing the Past. Film Comment 28:4 July- KAFKA (Steven Soderbergh) Comment 28:1 Jan-Feb 92, 38-39. ill. West Va. filmmaker Aug ‘92, 21-25. ill. Gay representation on the screen. Ref. Lyons, Donald. Lubricating the Muse. Film Comment 28:1 Boyd: ref. STRANGEST DREAMS (INVASION OF THE SWOON (Tom Kalin). Jan-Feb ‘92, 14-16. ill. Typewriters and writers in films: SPACE PREACHERS), and PARADISE PARK. TALE OF WINTER, A (Eric Rohmer) WHERE SLEEPING DOGS LIE (Finch), BARTON FINK See: New York Film Festival (The Coens), KAFKA (Soderbergh), NAKED LUNCH PATRIOT GAMES (Phillip Noyce) TEMPEST (Paul Mazursky) (Cronenberg). Emerson, Jim. Noyce’s On: Phillip Noyce interviewed. Film Kennedy, Harlan. Prospero’s Flicks. Film Comment 28:1 Jan- LAST OF THE MOHICANS, THE (Michael Mann) Comment 28:4 July-Aug '92, 72-76. ill. Career. Ref. Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Smith, Gavin. Mann Hunters. Film Comment 28:6 Nov-Dec PATRIOT GAMES. LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), "92, 7277. ill PLAYER, THE (Robert Altman) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- LIGHT SLEEPER (Paul Schrader) Jameson, Richard T. Robert Altman on THE PLAYER: Intro- SPERO’S BOOKS (Greenaway). Smith, Gavin. Awakenings: Paul Schrader Interviewed. Film duction. Film Comment 28:3 May-June "92, 20-21. Smith, TEMPEST, THE (Derek Jarman) Comment 28:2 March-April ‘92, 50-59. ill. Schrader's Gavin and Richard T. Jameson. ‘The movie you saw is the Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- career. Ref. LIGHT SLEEPER. movie we're going to make’: Robert Altman interviewed Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- LONG DAY CLOSES, THE (Terence Davies) Film Comment 28:3 May-June "92, 22-30. ill LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), Kennedy, Harlan. Midlife Crises: Cannes '92. Film Comment PROOF (Jocelyn Moorhouse) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- 28:4 July-Aug "92, 3-7. ill. The 45th Cannes Festival. Ref Horton, Robert. PROOF or Dare. Film Comment 28:2 March- SPERO'S BOOKS (Greenaway) THE LONG DAY CLOSES (Terence Davies) and BEST April '92, 29-30. ill. UNFORGIVEN (Clint Eastwood) INTENTIONS (Bille August). PROSPERO'’S BOOKS (Peter Greenaway) Jameson, Richard T. ‘Deserve's got nothin’ to do with it’ Film MAN BITES DOG (Remy Belvaux, André Bonzei, Benoit Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- Comment 28:5 Sept-Oct '92, 12-14. ill. Eastwood's career. Peolvoorde) Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- Ref. UNFORGIVEN. See: New York Film Festival LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), WHERE ANGELS FEAR TO TREAD (Charles Sturridge) MARGIE (Henry King) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- Lyons, Donaid. Traditions of Quality. Film Comment 28:3 May- Thomajan, Dale. The Best High School Movie. Film Comment SPERO’S BOOKS (Greenaway). June '92, 14-18. ill. Adapting ‘classics’ to the screen. Ref. 28:4 July-Aug "92, 79. ill. Excerpt from Thomajan’s book, REMBRANDT LAUGHING (Jon Jost) James Ivory (HOWARDS END et al) and Charles Sturridge From Cyd Charisse to PSYCHO. Hogue, Peter. The Luminous Blue in My Heart. Film Comment (WHERE ANGELS FEAR TO TREAD). Includes comments MEET ME IN ST. LOUIS (Vincente Minnelli) 28:2 March-April "92, 42-43, 45. ill. Jost’s career as an on Edna May Oliver (actress in early classics) and Thomson, David. Happiness. Film Comment 28:5 Sept-Oct independent. Ref. SURE FIRE, REMBRANDT LAUGH- Laurence Olivier. "92, 28-34. ill. Films in which nothing happens—an undis- ING, ALL THE VERMEERS IN NEW YORK. WHERE SLEEPING DOGS LIE (Charles Finch) covered genre? Ref. MEET ME IN ST. LOUIS. RESERVOIR DOGS (Quentin Tarantino) Lyons, Donald. Lubricating the Muse. Film Comment 28:1 MR. ARKADIN (Orson Welles) Lyons, Donald. Scumbags. Film Comment 28:6 Nov-Dec ‘92, Jan-Feb "92, 14-16. ill. Typewriters and writers in films: Rosenbaum, Jonathan. The Seven ARKADINs. Film Com- 79, ill. Harvey Keitel as Ferrara’s BAD LIEUTENANT and WHERE SLEEPING DOGS LIE (Finch), BARTON FINK ment 28:1 Jan-Feb '92, 50-53, 57-59. ill éminence grise of Tarantino's RESERVOIR DOGS. (The Coens), KAFKA (Soderbergh), NAKED LUNCH NAKED LUNCH (David Cronenberg) ROCK HUDSON'S HOME MOVIES (Mark Rappaport) (Cronenberg). Lyons, Donald. Lubricating the Muse. Film Comment 28:1 White, Armond. Tarnished Angel. Film Comment 28:4 July- YELLOW SKY (William Wellman) Jan-Feb '92, 14-16. ill. Typewriters and writers in films: Aug '92, 25. ill. Kennedy, Harlan. Prospero's Flicks. Film Comment 28:1 Jan- WHERE SLEEPING DOGS LIE (Finch), BARTON FINK SENTINELLE, LA (Arnaud Desplechin) Feb '92, 45-49. ill. TEMPEST movies, a history. Ref. YEL- (The Coens), KAFKA (Soderbergh), NAKED LUNCH See: New York Film Festival LOW SKY (Wellman), FORBIDDEN PLANET (Wilcox), (Cronenberg). SHADOW OF THE EAGLE, THE (Ford Beebe) TEMPEST (Mazursky), THE TEMPEST (Jarman), PRO- NO FEAR, NO DIE (S'EN FOUT LA MORT) (Claire Denis) Hogue, Peter. Life with Video: Bemusement Parks. Film Com- SPERO’S BOOKS (Greenaway). Murphy, Kathleen. The color of home. Film Comment 28:5 ment 28:6 Nov-Dec '92, 48-50. ill. Video changes early YOUNG ONE, THE (Luis Bufuel) Sept-Oct "92, 62-63. ill. Denisss CHOCOLAT and S'EN installment serials into 4-hour long movie marathons. Ref. See: New York Film Festival FOUT LA MORT. THE SHADOW OF THE EAGLE (Ford Beebe). ZABRISKIE POINT (Michelangelo Antonioni) NOBODY WAVED GOODBYE (Don Owens) STORY OF QIU JU (Zhang Yimou) Walker, Beverly. Michelangelo and the Leviathan: The Mak- Pevere, Geoff. Letter from Canada. Film Comment 28:2 See: New York Film Festival ing of ZABRISK!IE POINT. Film Comment 28:5 Sept-Oct March-April "92, 61-63, 65. ill. Alienation in Canadian fea- STRANGERS ON A TRAIN (Alfred Hitchcock) "92, 36-49. ili ture films: Ref. NOBODY WAVED GOODBYE (Owens), LE Desowitz, Bill. Life with Video: Strangers on Which Train? CHAT DANS LE SAC (Groulx), GOIN’ DOWN THE ROAD Film Comment 28:3 May-June '92, 4-5. ill. 2 versions of (Shebib), THE ADJUSTER (Egoyan). STRANGERS—1 American, 1 British

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