Table Of Content

Supplement to Film Comment Index Andrew Sarris, Gavin Smith, Dale Thomajan, Anne HEART and TWIN PEAKS). Includes John Waters, George Thompson, David Thomson, Mike Wilmington. Romero, THE ROCKY HORROR PICTURE SHOW, BLADE Bharadwaj, Radha RUNNER, etc. See: CLOSET LAND Curtiz, Michael Blacklist See: CASABLANCA Rosenbaum, Jonathan. Guilty by Omission. Film Comment Cutting of Films 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- See: Editors and Editing ical warfare: demoralization of the Old Left. Ref. Nick Ray, DePaima, Brian John Berry, Cyril Endfield. Role of the auteur theory in White, Armond. Brian DePalma, Political Filmmaker. Film to volume 27, 1991 suppressing radical politics. GUILTY BY SUSPICION and/ Comment 27:3 May-June ‘91, 72-78. ill. Themes in as social criticism. DePalma. Ref. BONFIRE OF THE VANITIES. Bogosian, Eric Demme, Jonathan McDonagh, Maitland. Laughter in the Dark. Film Comment Smith, Gavin. Identity Check: Jonathan Demme interviewed. by Linda Batty 27:2 MarApr ’91, 68-71. ill. Performance artist Eric Bogo- Film Comment 27:1 Jan-Feb '91, 28-30, 33-37. ill. Demme’s sian, subject of John McNaughton's SEX, DRUGS, ROCK career, themes, technique. Ref. THE SILENCE OF THE & ROLL. Includes McNaughton career info. LAMBS. This index is based on indexing rules Books into Films See also: SILENCE OF THE LAMBS, THE and subject headings for film periodicals See: Adaptations Demy, Jacques Borzage, Frank Hogue, Peter. Playing for Keeps. Film Comment 27:4 July-Aug developed by the Federation of Interna- See: LUCKY STAR "91, 76-77. ill. Career. Box-office Directors and Directing tional Film Archives (FIAF). It is divided Thompson, Anne. Flatliner$: The 16th Annual ‘Grosses Lucas, Tim. The Kindest Cut of All. Film Comment 27:3 May- into four parts: a subject index, an Gloss’. Film Comment 27:2 MarApr '91, 26-34. ill. 1990’s June ’91, 47-50. ill. Director's cuts on video usually unre- author index, a film index, and a book Brahintdso ,a ndM afrlioposn. Seel eaaslesod: oAr utuneauvra ilTahbeloe.r y review index. The names of interviewers Schickel, Richard. Accomplices. Film Comment 27:4 July- Dunne, Irene Aug ‘91, 30-33, 36-39. ill. Brando and the Fifties. Schickel, Richard. We Remember Irene. Film Comment 27:2 are included in the author index. Brooks, Albert Mar-Apr '91, 48-52. ill. Career obit. Copyright © 1992 by Linda Batty. All rights reserved. DiMFaitltme o,C omRombeenrtt. 2R7e:a2l AMfaterrAlipfre: A'9l1b,e rt1 8-2B4r.o okilsl. CIanrteeerrv.i eweRedf.. DSeueq:u eM,I RLAiCsaLnEd roI N ROME DEFENDING YOUR LIFE. Editors and Editing Campion, Jane (AN ANGEL AT MY TABLE) Lucas, Tim. The Kindest Cut of All. Film Comment 27:3 May- Subjects See: New York Film Festival June '91, 47-50. ill. Director's cuts on video usually unre- Canada leased or unavailable. Patterson, Alex. Penetration, Urination, and Gratuitous Vomit- Eisenstein, Sergei ing. Film Comment 27:3 May-June '91, 7. Film classifica- Almendros, Nestor. Fortune and Men's Eyes. Fiiri Comment Academy of Motion Picture Arts and Sciences. Awards tion/censorship Canadian style. 27:4 July-Aug '91, 58-61. ill. Eisenstein’s private liie: public Addenda & Errata. Film Comment 27:3 May-June ‘91, 6. Cannes Film Festival perceptions/pressures. His reputation in the Soviet Union Oscar winners. How did Film Comment’s prognosticators Corliss, Mary. Lost Souls. Film Comment 27:5 Sept-Oct '91, today. (Oscar Predix, 27:2, Mar-Apr, 2) do? 2-4. ill. Endfield, Cyril Jameson, Richard T. Oscar Predix: Misery. Film Comment Carné, Marcel Rosenbaum, Jonathan. Guilty by Omission. Film Comment 27:2 MarApr '91, 2. Stonehill, Brian. Forbidden Games: Marcel Carné Inter 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. viewed. Film Comment 27:6 Nov-Dec '91, 58-61. ill. Remi- ical warfare: demoralization of the Old Left. Ref. Nick Ray, David Ansen, Stuart Byron, Jim Emerson, John Hartl, niscences of Carné’s films. Ref. LES ENFANTS DU John Berry, Cyril Endfield. Role of the auteur theory in Gregg Kilday, Andrew Sarris, Stephen Schiff, Gavin Smith, PARADIS. suppressing radical politics. GUILTY BY SUSPICION and/ Anne Thompson, Mike Wilmington predict Oscar winners. Castro, Fidel as social criticism. Actors and Actresses Wald, Malvin. Waiting for Fidel. Film Comment 27:5 Sept-Oct Exploitation Films Smith, Gavin. Arrivals. Film Comment 27:1 Jan-Feb '91, 51. "91, 79. 1959 aborted project to produce a film about Fidel. McDonagh, Maitland. The House by the Cemetery. Film Com- ill. New “arrivals to stardom’ of 1990: Julia Roberts, John Wald’s (projected scriptwriter) and Richard Wilson's (pro- ment 27:4 July-Aug '91, 43-45. ill. European and Oriental Turturro, Larry Fishburne, Michael Rooker, Chas. Dutton, jected director) trip to Cuba to meet him. sex horror video titles. Includes a list of hard-to-find horror/ Tim Roth, Miguel Ferrer, Jason Patric, Kathy Bates, Fisher Censorship fantasy/exploitation magazines. Stevens. Patterson, Alex. Penetration, Urination, and Gratuitous Vomit- Family in Films Smith, Gavin. New Faces [1990]. Film Comment 27:1 Jan- ing. Film Comment 27:3 May-June '91, 7. Film classifica- Talty, Stephan. Family Record. Film Comment 27:3 May-June Feb '91, 52. ill. Wm. Baldwin, Tracy Lind, Robin Bartlett, tion/censorship Canadian style. "91, 51-53. Homevideo as family/historical record. Jack Gwaltney, R.D. Call, Kim McGuire, Tom Towles, Tony Chabrol, Claude Fassbinder, Rainer Werner Shalhoub, Samantha Mathas, Mark Boone Jr, Jamey See: MADAME BOVARY Emerson, Jim. Regarding Hanna. Film Comment 27:4 July- Sheridan, Patricia Tallman, Anne Parillaud. Chalonge, Christian de (DOCTEUR PETIOT) Aug '91, 72-74. ill. Hanna Schygulla’s career, collaborations Adaptations See: New York Film Festival with Fassbinder. Corliss, Richard. By the Book. Film Comment 27:2 Mar-Apr CHINA Ferrara, Abel (KING OF NEW YORK) "91, 37-46. ill. Novels into films: SHELTERING SKY, SLEEP- Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, See: New York Film Festival ING WITH THE ENEMY, MISERY, MIAMI BLUES, BON- 64-66. ill. State of the Chinese film industry. On the set of Festival of Festivals. Toronto FIRE OF THE VANITIES, GRIFTERS, SILENCE OF THE RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. See: Toronto Film Festival LAMBS, MR. & MRS. BRIDGE, et al. Clouzot, Henri-Georges Festivals Aiello, Danny See: WAGES OF FEAR, THE See: Cannes; New York Film Festival; Toronto; Venice Smith, Gavin. Broadway Danny Aialio: Danny Aiello Inter Coen, Joel and Ethan Foster, Jodie viewed. Film Comment 27:4 July-Aug "91, 50-56. ill. Career. Horowitz, Mark. Coen Brothers A-Z: The Big Two-Headed Pic- See: LITTLE MAN TATE Aldrich, Robert ture. Film Comment 27:5 Sept-Oct '91, 27-32. ill. A critical Gavira, Victor Lyons, Donald. Dances with Aldrich. Film Comment 27:2 Mar lexicon for BARTON FINK, MiLLER’S CROSSING, et al. See: RODRIGO D (NO FUTURE) Apr "91, 72-76. ill. Aldrich’s career. Ref. ULZANAS RAID. See also: BARTON FINK Germany Altman, Robert See also: New York Film Festival (MILLER’S CROSSING) Slide, Anthony. Hollywood's Fascist Follies. Film Comment Walker, Beverly. Altman '91. Film Comment 27:1 Jan-Feb 91, Collectors and Collecting 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s 5-10. ill. Robert Altman’s career. Ref. BREWSTER Jameson, Richard T. Life with Video [intro. to new Film Com- between major Hollywood studios and Nazi Germany and McCLOUD and VINCENT AND THEO. ment department]. Film Comment 27:3 May-June ‘91, Mussolini's Italy. Right-wing Hollywood's fascist reaction Archives 44-45. Collecting movies by videotaping. Godard, Jean-Luc See: Preservation Colornbia See: NOUVELLE VAGUE Auteur Theory Manrique, Jaime. The Colombian Connection. Film Comment See: New York Film Festival (NOUVELLE VAGUE) Rosenbaum, Jonathan. Guilty by Omission. Film Comment 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- Goidin, Sidney 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- CLE IN ROME (Lisandro Duque), RODRIGO D (Victor See: UNCLE MOSES; ZAYN VAYBS LUBOVNIK (HIS ical warfare: demoralization of the Old Left. Ref. Nick Ray, Gaviria), MARIA CANO (Camila Loboguerrero). WIFE’S LOVER) John Berry, Cyril Endfield. Role of the auteur theory in Colpaert, Carl Gosho, Heinosuke suppressing radical politics. GUILTY BY SUSPICION and/ See: DELUSION Johnson, William. The Splitting Image. Film Comment 27:1 as social criticism. Coolidge, Martha Jan-Feb '91, 74-78. ill. Career. Ref. THE COCK CROWS B-Movies Horton, Robert. Connecticut Yankee. Film Comment 27:6 TWICE, LAMOUR, ELEGY OF THE NORTH, HUNTING Hogue, Peter. Riders of the Dawn. Film Comment 27:4 July- Nov-Dec '91, 16-20. ill. Coolidge’s career. Ref. RAMBLING RIFLE. Aug '91, 47-48. ill. B-westerns on video. Includes list of deal- ROSE. Greene, Graham ers in public-domain films. Copyright and the Cinema Thomson, David. Greene in the Dark. Film Comment 27:4 Hogue, Peter. Yates’ Fighting Legion. Film Comment 27:2 Luce, Gregory. Protected to Death. Film Comment 27:6 Nov- July-Aug "91, 18-25. ill.Greene—novelist, critic, screenwriter Mar-Apr '91, 6-7. ill. Republic Pictures’ B-movies, mid '30s to Dec ‘91, 73-74. Letter to Congress regarding copyright —the First Man of film literature. mid '40s. Ref. THE REPUBLIC PICTURES STORY (pro- notice and renewal requirements. Ref. pre-1978 works. Harris, Wendell B., Jr duced for American Movie Classics cable TV). Costner, Kevin See: CHAMELEON STREET Bennett, Joan See: DANCES WITH WOLVES Hepburn, Audrey Thomson, David. Lazy Legs. Film Comment 27:2 Mar-Apr '91, Crime and the Cinema Haskell, Molly. Our Fair Lady: Audrey Hepburn. Film Com- 54-55. ill. Career obit. Talty, Stephan. Absolute Images. Film Comment 27:3 May- ment 27:2 MarApr '91, 9-17. ill. Career appreciation. Berry, John June ’91, 52. Significance of the amateur videotape of L.A. Hermosillo, Jaime Humberto Rosenbaum, Jonathan. Guilty by Omission. Film Comment Police Dep't’s apprehension and beating of Rodney King. Lyons, Donald. Chambers of the Sea. Film Comment 27:3 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- Critics and Criticism May-June '91, 13-17. ill.Hermosillo’s career. Ref. THE SUM- ical warfare: demoralization of the Old Left. Ref. Nick Ray, See: Auteur Theory MER OF MISS FORBES. John Berry, Cyril Endfield. Role of the auteur theory in Cuba Hollywood suppressing radical politics. GUILTY BY SUSPICION and/ Wald, Malvin. Waiting for Fidel. Film Comment 27:5 Sept-Oct See: Industry (Hollywood) as social criticism. "91, 79. 1959 aborted project to produce a film about Fidel. Horror Films Bertolucci, Bernardo Wald’s (projected scriptwriter) and Richard Wilson's (pro- McDonagh, Maitland. The House by the Cemetery. Film Com- See: SHELTERING SKY, THE jected director) trip to Cuba to meet him. ment 27:4 July-Aug '91, 43-45. ill. European and Asian sex Best Films Cult Films horror video titles. Includes a list of hard-to-find horror/ Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 50, 53. Hoberman, J. and Jonathan Rosenbaum. Curse of the Cult fantasy/exploitation magazines. Richard Jameson, Richard Corliss, Peter Hogue, Rob't Hor People. Film Comment 27:1 Jan-Feb '91, 18-21. ill. Cult film Huston, John ton, Donald Lyons, Kathleen Murphy, Richard Pefia, subculture in the 1980s. Ref. David Lynch (WILD AT See: LIST OF ADRIAN MESSENGER, THE Industry (Hollywood) Horton, Robert. Kings of New York. Film Comment 27:1 Jan- Scott, Ridley Slide, Anthony. Hollywood's Fascist Follies. Filr Comment Feb '91, 54-56. ill. GOLDEN BOAT (Ruiz); TALE OF See: THELMA & LOUISE 27:4 July-Aug ‘91, 62-67. ill. Relationships in the 1930s SPRINGTIME (Rohmer); NOUVELLE VAGUE (Godard); Selander, Lesley between major Hollywood studios and Nazi Germany and MATCH FACTORY GIRL & | HIRED A CONTRACT KILLER See: VAMPIRE’S GHOST, THE Mussolini's Italy. Right-wing Hollywood's fascist reaction. (Kaurismaki); NO, OR THE VAIN GLORY OF COMMAND Siegel, Don Italy (Oliveira); MILLER’S CROSSING (Coen); KING OF NY Eastwood, Clint. Don Siegel: The Padrén. Film Comment Slide, Anthony. Hollywood's Fascist Follies. Film Comment (Ferrara). 27:5 Sept-Oct '91, 35-36. ill. Memoir: in memoriam. 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s Katzman, Lisa. Kings of New York. Film Comment 27:1 Jan- Sarris, Andrew. Don Siegel: The Pro. Film Comment 27:5 between major Hollywood studios and Nazi Germany and Feb '91, 54, 58-62. ill. ANGEL AT MY TABLE (Campion); Sept-Oct '91, 34,36-38. ill. Obit. Appraisal of Siegel's early Mussolini's Italy. Right-wing Hollywood's fascist reaction. NASTY GIRL (Verhoeven); AMERICAN DREAM (Kopple); film work. Jasny, Vojtech SIDDHESHWARI (Kaul); FREEZE-DIE-COME TO LIFE Silent Cinema See: WHY HAVEL? (Kanevski); TAX! BLUES (Lounguine). Beckerman, Jim. Tales from the Crypt. Film Comment 27:1 Kanevski, Vitaly (FREEZE-DIE-COME TO LIFE) Lyons, Donald. Festivals: New York: Nights on Earth. Film Jan-Feb '91, 79-80. ill. The perils of rediscovery: JANICE See: New York Film Festival Comment 27:6 Nov-Dec '91, 50, 53-56. ill. UNE CHAMBRE MEREDITH; SHERLOCK HOLMES ('22); LONDON Kaul, Mani (SIDDHESHWARI) EN VILLE (Demy); JACQUOT DE NANTES (Varda); THE AFTER MIDNIGHT, FRANKENSTEIN (Edison one-reeler) SKSeeaeeuA::r iCNsNOmeeNawwkT iRY,YAoo rrCAkkTk i FF ii(KllTImmH LELFF eEessRMtt)Aii vvTaaCllH FACTORY GIRL and | HIRED O(STRTOUiTvHSeOEtP tREe T)N;H DEEYEL EADH ED(RHOOSeUe TBrE( LPvE&a n SODVcFoIh rEmm iaeTDedHEleE )l ;)V ;E SIRTNLOOVANR EIKNBQ TEUOLELR(A EYn g(eK(NliEOeoXspIlAoSolMEwoIsUukNsSiA))E-;; SSSleoueeui:tnz edaVrl .,A NinGI eSFoHirlIgmNseG , (TTHHEE VANISHING) Koller, Xavier TION OF CONSCIENCE) (Zanussi); THE ADJUSTER Hoberman, J. Der Ershter Talkies: UNCLE MOSES and the See: JOURNEY OF HOPE (Egoyan); NIGHT ON EARTH (Jarmusch); PROSPERO'S Coming of Yiddish Sound Film. Film Comment 27:6 Nov- Kopple, Barbara (AMERICAN DREAM) BOOKS (Greenaway); WOMAN OF THE PORT (Ripstein); Dec 91, 32-39. ill. See: New York Film Festival ADAN'S RIB (Krishtofovich); HOMICIDE (Mamet). Soviet Union Kubrick, Stanley Nicastro, Nicholas. Festivals: New York: Nights on Earth. Film Andreev, Felix. Red Star Final. Film Comment 27:2 MarApr See: SPARTACUS Comment 27:6 Nov-Dec ‘91, 50-51. THE VISIBLE COM- "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 Laservision PENDIUM (L.Jordan); AFTER THE FALL (J.Priestly); SECONDS, and his compilation film TROUBLED TIMES. Ebert, Roger. Laservision. Film Comment 27:3 May-June '91, BODY BEAUTIFUL (Onwurah); WITH RAISED HANDS Stone, Oliver 46 (Panov); HOME STORIES (Muller); GREAT REGULAR Horton, Robert. Riders on the Storm. Film Comment 27:3 Lean, David FLAVOR (Burckhardt); PUPPENHEAD (Cox); A YEAR May-June '91, 57-61. ill. Themes in Stone's films. Ref. Horton, Robert. Jungle Fever: A David Lean Joint. Film Com- ALONG THE ABANDONED ROAD (Skallerud). THE DOORS. ment 27:5 Sept-Oct '91, 13-16. ill. Obit. Career appreciation: Thompson, Frank. Kings of New York. Film Comment 27:1 Studios themes, techniques, etc. Jan-Feb '91, 54,5758. ill. MILLER’S CROSSING (Coen); Slide, Anthony. Hollywood's Fascist Follies. Film Comment Leigh, Mike KING OF NEW YORK (Ferrara); LATALANTE (Vigo); TALE 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s Kennedy, Harlan. Mike Leigh: About His Stuff.... Film Com- OF SPRINGTIME (Rohmer); DR. PETIOT (Chalonge). between major Hollywood studios and Nazi Germany and ment 27:5 Sept-Oct '91, 18-24. ill. Leigh's 3 features: BLEAK Nichols, Mike Mussolini's Italy. Right-wing Hollywood's fascist reaction. MOMENTS, HIGH HOPES, LIFE IS SWEET. Smith, Gavin. Without Cutaways: Mike Nichols Interviewed. See also: name of studio, e.g. Republic Pictures Life With Video Film Comment 27:3 May-June "91, 27-42. ill. Includes Filmo- Talkies Life with Video. Film Comment 27:3 May-June '91, 44-56. iil graphy and Theater Direction. Career. See: Sound in Films [Intro to new FC department] (Jameson); Laservision Noir Taviani Brothers (NIGHT SUN) (Ebert); Kindest Cut of All [director's cuts] (T.Lucas); Family Lyons, Donald. Detours. Film Comment 27:4 July-Aug '91, 2- See: New York Film Festival Record [home videos] (Salty); Absolute Images [Rodney 3. ill. Reflections on the noir road film. Ref. DELUSION Television King] (Talty); Vidiocy (R.Corliss). (Colpaert) and DETOUR (Uimer). Andreev, Felix. Red Star Final. Film Comment 27:2 Mar-Apr Life with Video. Film Comment 27:4 July-Aug "91, 40-48. ill. Novels into Films "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 [Lesley Selander’s THE VAMPIRE’S GHOST] (Jameson); See: ADAPTATIONS SECONDS, and his compilation film TROUBLED TIMES. The Lost World [mail order video] (E.Forbes); House by the Oliveira, Manoel de (NO, OR THE VAIN GLORY OF COM- Toronto Film Festival Cemetery [Eurohorror] (M. McDonagh); Riders of the Dawn MAND) Chute, David. Festivals: Toronto: Echo Chambers. Film Com- [B Westerns] (P.Hogue). See: New York Film Festival ment 27:6 Nov-Dec '91, 48-49. ill. Life with Video. Film Comment 27:5 Sept-Oct '91, 75-76. ill. Oscars Murphy, Kathleen. Festivals: Toronto: Illuminated Texts. Film Reaching Kiloran [| KNOW WHERE I’M GOING] (K.Lee See: Academy of Motion Picture Arts and Sciences. Comment 27:5 Nov-Dec '91, 46, 49. ill. Buford); Classics-on-Video Update (R.T.Jameson). Awards Tourneur, Jacques Life with Video. Film Comment 27:6 Nov-Dec '91, 72-74. ill Penn, Sean See: OUT OF THE PAST Time Machines [Shelf life/preservation of video] (Frank Smith, Gavin. Sean Penn at Close Range. Film Comment Ulmer, Edgar G. Thompson); Protected to Death [copyright] (letter from 27:5 Sept-Oct '91, 58-68. ill. Sean Penn's career. Ref. his See: DETOUR Gregory Luce). writing-directing Gebut THE INDIAN RUNNER. Van Sant, Gus LSLSLSLSLHSMMMSeoeooeeyooeaecaeesbeegnubseePHRR:gnmD:hft::oac:unee oo ae a nEUognh obgrrmnn,zanANM,Sup,FcPNrtuemltM ilau oie RANaeAsRira erlnlAogrsTREowMnnYJD.E :tmye2rhN,i I ea R ,ous/SO7se, cvv, rAseH:, TFENaYr i hie x4hi T WonUodRadAp JlurdHeMI.,Ple mNCVRJ aakeo Eao NliutAA T i aAvi T cntClnteCTN EF lWytoadlRaiaPIiO-IRt tmnmltOEAlO iNdhm iem(uJCo.AseN lT.geno K K aA FnnPYS XeaTEt1'm!sI ht9A9 t an1eh8K,icgH 0 aB2Svlasn7O4aL)uH.z:3 ld.UoR 1-i e uE4 RnRs5sSe RJOo.Iee) sansRf cnae. li -bnlluFy.bl Pdi eDaseEtIbtaush u Cve mrioT .'foJdC9U o p1eR,hhem EnaaCeL1r nut8yd-r enW-S2sratc1Haoteyh.n-Oe. fdr Wii osl,(nlfF,.Ad W i s CltIiuGmhBLlae heLDtn ooC A rrCorfDusgmoiAlEerle-tTxm/ PSPBTPSRPRRReoreerhaaaaewoeceJteyAMeytocDit:e2juss:t,tka,sienmeF iE7lon e eegn esnn:uco!ppTaR.rr|-nrNrb5cgN|n, ul ssE vEinF bmKeu /sbioKocaaR'eF c.Draa cnNS9hlnMtNib e gn1,huIosei,liO, n eO,lo,mp mTco sa MrWbl t ,W7hAno'Hs,oIa2-l 9t Fa.r .Ce; oJ1sODar se x,ikoac p WN. hJmlWEn et im.oiI H7RklsmH lnpm.G9ea..PeE a E-dSy H'eerVTt8iR9'nRTCHnai1hi0tTse,El,aacE.etdE itenn d e rm s4WR .aoa7 eo iILd-FttlI2 brl4'fiia.'7ROyl9 MroMMpa:G. d AoTnCa 3 eun Sm,hGNc i KG uelhOAiKO lMst siscltUIE.yhIaatnh cre yNpynNeTeNiolle Gn- HshebrfSGra.J. eiy dCO T tRl u irlisLaEiynnOo fRyFpMgmIeenai t o, i NElfy.a sf m tnSs'r aord9io‘ Fne1C (msoi,RddEo ilnaih dgmm.ys(a7Nni G.. 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Hogue, Peter. Yates’ Fighting Legion. Film Comment 27:2 leased or unavailable See: BEGOTTEN Mar-Apr '9i, 6-7. ill. Republic Pictures’ B-movies, mid '30s to McDonagh, Maitland. The House by the Cemetery. Film Com- Midnight Movies mid ‘40s. Ref. THE REPUBLIC PICTURES STORY (pro- ment 27:4 July-Aug ‘91, 43-45. ill. European and Asian sex See: CULT FILMS duced for American Movie Classics cable TV). horror video titles. Includes a list of hard-to-find horror/ Nazism and the Cinema Road Movies fantasy/exploitation magazines. Slide, Anthony. Hollywood's Fascist Follies. Film Comment Lyons, Donald. Detours. Film Comment 27:4 July-Aug ‘91, 2- Talty, Stephan. Absolute Images. Film Comment 27:3 May- 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s 3. ill. Reflections on the noir road film. Ref. DELUSION June "91, 52. Significance of the amateur videotape of L.A between major Hollywood studios and Nazi Germany and (Colpaert) and DETOUR (Uimer). Police Dep't's apprehension and beating of Rodney King Mussolini's Italy. Right-wing Hollywood's fascist reaction Robson, Mark Talty, Stephan. Family Record. Film Comment 27:3 May-June Nevzorov, Alexander See: MY FOOLISH HEART "91, 51-53. Homevideo as family/historical record Andreev, Felix. Red Star Final. Film Comment 27:2 Mar-Apr Rohmer, Eric (A TALE OF SPRINGTIME) Thompson, Frank. Time Machines. Film Comment 27:6 Nov- "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 See: New York Film Festival Dec ‘91, 72. ill. Videotape shelf life and hardware obsoles- SECONDS, and his compilation film TROUBLED TIMES. Roiian, Brigitte cence. New York Film Festival See: OUTREMER Vigo, Jean (LATALANTE) Horton, Robert. Festivals: New York: Nights on Earth. Film Rudolph, Alan See: New York Film Festival Comment 27:6 Nov-Dec '91, 50-53. ill. LA BELLE See: MORTAL THOUGHTS Von Trier, Lars NOISEUSE (Rivette); PROSPERO’S BOOKS (Greenaway); Ruiz, Raul (THE GOLDEN BOAT) See: EUROPA SUSPENDED STEP OF THE STORK (Angelopoulos); THE See: New York Film Festive! Welles, Orson RAPTURE (Tolkin); THE ADJUSTER (Egoyan); ZOMBIE & Sayles, John Naremore, James. The Tial: The FBI vs. Orson Welles. Film THE GHOST TRAIN (Kaurismaki); NIGHT ON EARTH See: CITY OF HOPE Comment 27:1 Jan-Feb °91, 22-27. ill. Description of FBI (Jarmusch); MY OWN PRIVATE IDAHO (Van Sant); Schyguiia, Hanna file, gathered between 1941 an? 195on6 Wel,les . BEAUTY AND THE BEAST (Walt Disney Pictures); Emerson, Jim. Regarding Hanna. Film Comment 27:4 July- See also: CITIZEN KANE LOCKED UP TIME (Schonemann); INTIMATE STRANGER Aug '91, 72-74. ill. Hanna Schygulla's career, collaborations Westerns (Berliner). with Fassbinder. Hogue, Peter. Ridofe thre Dsawn . Film Comm2e7:n4 Jtul y- Aug ‘91, 47-48. ill. B westerns on video. Includes a list of Jungle Fever: A David Lean Joint. Film Comment 27:5 Sept- The Heart Is A Lonely Hunter. Film Comment 27:1 Jan-Feb dealers in public-domain films. Oct '91, 13-16. ill. "91, 42-48. ill. Wilder, Billy Kings of New York. Film Comment 27:1 Jan-Feb "91, 54-56. ill. Oscar Predix: Misery. Film Comment 27:2 March-April '91, 2. Sarris, Andrew. Why Billy Wilder Belongs in the Pantheon. Life Upside Down. Film Comment 27:1 Jan-Feb '91, 38-39. ill. Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Film Comment 27:4 July-Aug ’91, 9-14. ill. Riders on the Storm. Film Comment 27:3 May-June "91, 57-61. Why Billy Wilder Belongs in the Pantheon. Film Comment Women in Film ill. 27:4 July-Aug 91, 9-14. ill. Murphy, Kathleen. Only Angels Have Wings. Film Comment Sayles’ New Pitch. Film Comment 27:4 July-Aug "91, 79-80. Schickel, Richard 27:4 July-Aug "91, 26-29. ill. Women in revolt. Ref. MORTAL Wi. Accomplices. Film Comment 27:4 July-Aug "91, 30-33, 36-39. THOUGHTS (Rudolph) and THELMA & LOUISE (Scott). Ten Best of 1990. Film Comment 27:1 .'an Feb '91. 53. ill. Yiddish Cinema Jameson, Richard T We Remember Irene. Film Comment 27:2 Mar-Apr '91, 48-52. HoCboermmianng, ofJ . YDiedrdi sEhr shStoeurn dT alFkiilems.: FUiNlmC LCEo mMmeOnStE S 27a:6n d Notvh-e Cla7s6.s ics-on-Video Update. Film Comment 27:5 Sept-Oct '91, Schiillf. f, Stephen Dec '91, 32-39. ill. Life with Video [intro. to new Film Comment department]. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. Zhang, Yimou Film Comment 27:3 May-June "91, 44-45. Schwager, Jeff Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, Life with Video. Film Comment 27:4 July-Aug ‘91, 40. ill The PAST Rewritten. Film Comment 27:1 Jan-Feb ‘91, 12-17. 64-66. ill. State of the Chinese film industry. On the set of Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. ill. y RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. Ten Best of 1990. Film Comment 27:1 Jan-Feb "91, 50. Sheehan, Henry What's in the Box. Film Comment 27:5 Sept-Oct "91, 26, 32. The Fall and Rise of SPARTACUS. Film Comment 27:2 Mar ill. Apr "91, 5763. ill. Authors JMaommeesnotns , ouRti cofh aTridm e.T . Failnmd CKoamtmhleenetn 2M7u:1r pJhayn -Feb '91, 50-52. SHloildley,w oAond'tsh onFays cist Follies. Film Comment 27:4 July-Aug "91, ill. 62-67. ill. Johnson, William Smith, Gavin Almendros, Nestor The Splitting Image. Film Comment 27:1 Jan-Feb "91, 74-78. Arrivals. Film Comment 27:1 Jan-Feb "91, 51. ill. Fortune and Men's Eyes. Film Comment 27:4 July-Aug '91, ill. Broadway Danny Aiello: Danny Aiello interviewed. Film Com- 58-61. ill. Katzman, Lisa ment 27:4 July-Aug '91, 50-56. ill. Andreev, Felix Kings of New York. Film Comment 27:1 Jan-Feb '91, 54, 58- Identity Check: Jonathan Demme interviewed. Film Com- Red Star Final. Film Comment 27:2 Mar-Apr ‘91, 79-80. 62. ill. ment 27:1 Jan-Feb '91, 28-30,33-37. ill. Ansen, David Kennedy, Harlan New Faces [1990]. Film Comment 27:1 Jan-Feb 91, 52. ill. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. Festivals: Venice: An Affectionate Beast. Film Comment 27:6 Oscar Predix: Misery. Film Comment 27:2 MarApr '91, 2. Baumbach, Jonathan Nov-Dec '91, 42-44. lil. Sean Penn at Close Range. Film Comment 27:5 Sept-Oct '91, Stills from Imaginary Movies: The Man Who Invented the Go Deeper. Film Comment 27:4 July-Aug '91, 68-71. ill. 58-68. ill. World; Three Feet of Fury. Film Comment 27:3 May-June Mike Leigh: About His Stuff Film Comment 27:5 Sept- Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. "91, 62-65. ill. with images by David Baumbach. Oct '91, 18-24. ill. Without Cutaways: Mike Nichols interviewed. Film Comment Beckerman, Jim Kilday, Gregg 27:3 May-June '91, 27-42. ill. Includes Filmography and Tales from the Crypt. Film Comment 27:1 Jan-Feb '91, 79-80. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr ‘91, 2. Theater Direction. ill. Lopate, Phillip Stam, Robert Buford, K. Lee Films as Spiritual Life. Film Comment 27:6 Nov-Dec '91, 16- The Lake, The Trees. Film Comment 27:1 Jan-Feb '91, 63-66. Reaching Kiloran. Film Comment 27:5 Sept-Oct '91, 75-76. ill. 30. ill. ill. Byron, Stuart Lucas, Tim Stonehill, Brian Oscar Predix: Misery. Film Comment 27:2 Mar-Apr 91, 2. The Kindest Cut of All. Film Comment 27:3 May-June "91, 47 Forbidden Games: Marcel Carné interviewed. Film Comment Chase, Donald 50. ill. 27:6 Nov-Dec '91, 58-61. ill. A Day in the Country. Film Comment 27:6 Nov-Dec '91, 714. ill. Luce, Gregory Talty, Stephan Chute, David Protected to Death. Film Comment 27:6 Nov-Dec '91, 73-74. Absolute Images. Film Comment 27:3 May-June '91, 52. Festivals: Toronto: Echo Chambers. Film Comment 27:6 Nov- Lyons, Donald Family Record. Film Comment 27:3 May-June '91, 51-53 Dec '91, 48-49. ill. Chambers of the Sea. Film Comment 27:3 May-June ‘91, 13- Thomajan, Dale Golden Hours. Film Comment 27:2 Mar-Apr '91, 64-66. Ill 17. ill. Clouzot’s Wild Bunch. Film Comment 27:6 Nov-Dec '91, 75- Corliss, Mary Dances with Aldrich. Film Comment 27:2 Mar-Apr '91, 72-76. 76. ill. Lost Souls. Film Comment 27:5 Sept-Oct '91, 2-4. ill. ill. Ten Best of 1950. Film Comment 27:1 Jan-Feb '91, 53. Corliss, Richard Detours. Film Comment 27:4 July-Aug ‘91, 2-3. ill Weitz Update. Film Comment 27:3 May-June ‘91, 78. Book reviews. Film Comment 27:3 May-June "91, 53-56. By Festivals: New York: Nights on Earth. Film Comment 27:6 Thompson, Anne the Book. Film Comment 27:2 Mar-Apr '91, 37-46. ill. Nov-Dec "91, 50, 53-56. ill. Flatliner$: The 16th Annual ‘Grosses Gloss’. Film Comment Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 50. Gus Van Sant. Film Comment 27:5 Sept-Oct '91, 6-12. ill. 27:2 Mar-Apr '91, 26-34. ill. Vidiocy. Film Comment 27:3 May-June "91, 53-56. ill. Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. DiMatteo, Robert Manrique, Jaime Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Future Primeval. Film Comment 27:1 Jan-Feb '91, 2. ill. The Colombian Connection. Film Comment 27:1 Jan-Feb '91, Thompson, Frank Real Afterlife: Albert Brooks Interviewed. Film Comment 27:2 68-73. ill. Kings of New York. Film Comment 27:1 Jan-Feb '91, 54,5758 Mar-Apr 91, 18-24. ill. McDonagh, Maitland ill. Eastwood, Clint The House by the Cemetery. Film Comment 27:4 July-Aug Time Machines. Film Comment 27:6 Nov-Dec '91, 72. ill. Don Siegel: The Padrén. Film Comment 27:5 Sept-Oct '91, "91, 43-45. Thomson, David 35-36. ill. Laughter in the Dark. Film Comment 27:2 Mar-Apr '91, 68-71. Gone Away. Film Comment 27:3 May-June 91, 18-23. ill. Ebert, Roger ill. Greene in the Dark. Film Comment 27:4 July-Aug 91, 18-25. Laservision. Film Comment 27:3 May-June '91, 46. Murphy, Kathleen ill. Emerson, Jim Communion. Film Comment 27:1 Jan-Feb ‘91, 31-32. ii. Lazy Legs. Film Comment 27:2 Mar-Apr '91, 54-55. ill Oscar Predix: Misery. Film Comment 27:2 March-April "91, 2. Festivals: Toronto: Illuminated Texts. Film Comment 27:6 Nov- Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Regarding Hanna. Film Comment 27:4 July-Aug '91, 72-74. Dec '91, 46,49. ill. Wald, Malvin ill. Foreign Parts. Film Comment 27:3 May-June "91, 9-13. ill Waiting for Fidel. Film Comment 27:5 Sept-Oct '91, 79. Eyman, Scott Only Angels Have Wings. Film Comment 27:4 July-Aug ‘91, Walker, Beverly The Silent Heart. Film Comment 27:6 Nov-Dec ‘91, 2-4. ill. 26-29. ill. Altman '91. Fiim Comment 27:1 Jan-Feb '91, 5-10. ill Forbes, Elliot Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Behind the Mountains. Film Comment 27:3 May-June '91, 2 The ‘Lost’ World. Film Comment 27:4 July-Aug '91, 41-42, 45- Murphy, Kathleen and Richard T. Jameson Wellman, William A., Jr 46. ill. Moments out of Time. Film Comment 27:1 Jan-Feb '91, 50-52. Runnin’ into Marlon. Film Comment 27:4 July-Aug "91, 34-36. Gilliam, Terry ill. il Guilty Pleasures. Film Comment 27:5 Sept-Oct '91, 70-72. ill. Naremore, James White, Armond Hartl, John The Trial: The FBI vs. Orson Welles. Film Comment 27:1 Jan- Brian DePaima, Political Filmmaker. Film Comment 27:3 May- Oscar Predix: Misery. Film Comment 27:2 March-April "91, 2. Feb '91, 22-27. ill. June 91, 72-78. ill Haskell, Molly Nicastro, Nicholas Underground Man. Film Comment 27:3 May-June "91, 4-6. ill. Our Fair Lady: Audrey Hepburn. Film Comment 27:2 March- Festivals: New York: Nights on Earth. Film Comment 27:6 Wilder, Jesse Bryant April '91, 9-17. ill. Nov-Dec 91, 50-51. Intimate Lighting. Film Comment 27:4 July-Aug '91, 4-6 Hoberman, J Passengers. Film Comment 27:2 Mar-Apr ‘91, 5. ill Wilmington, Mike Der Ershter Talkies: UNCLE MOSES and the Coming of Olson, Greg Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. Yiddish Sound Film. Film Comment 27:6 Nov-Dec '91, See You in the Trees. Film Comment 27:6 Nov-Dec '91, 79-80 Ten Best of 1990. Film Comment 27:1 Jan-Feb ‘91, 53. 32-39. ill. il. Hoberman, J. and Jonathan Rosenbaum Patterson, Alex Curse of the Cult People. Film Comment 27:1 Jan-Feb '91, Penetration, Urination, and Gratuitous Vomiting. Film Com- 18-21. ill. ment 27:3 May-June '91, 7. Film Titles Hogue, Peter Pefia, Richard The Friends of Kane. Film Comment 27:6 Nov-Dec '91, 22-25. Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. il. Ray, Nicholas “| Bet They're Asleep All Over America”: A Heretical View of Ray’s World According to Ray. Film Comment 27:5 Sept-Oct ADAM'S RIB (Vyacheslav Krishtofovich) CASABLANCA. Film Comment 27:3 May-June 91, 24-26. "91, 47-49. ill. See: New York Film Festival il Richards, Peter ADJUSTER, THE (Atom Egoyan) Playing for Keeps. Film Comment 27:4 July-Aug '91, 76-77. ill. Huston’s Killer Comedy. Film Comment 27:3 May-June "91, 66- See: New York Film Festival Riders of the Dawn. Film Comment 27:4 July-Aug '91, 47-48. 71. ill. AFTER THE FALL (Joanna Priestly) in. Rosenbaum, Jonathan See: New York Film Festival Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Guilty by Omission. Film Comment 27:5 Sept-Oct '91, 42-46, AMERICAN DREAM (Barbara Kopple) Yates’ Fighting Legion. Film Comment 27:2 Mar-Apr '91, 6-7. 50-57. ill. See: New York Film Festival i. Rosenbaum, Jonathan and J. Hoberman ANGEL AT MY TABLE, AN (Jane Campion) Horowitz, Mark Curse of the Cult People. Film Comment 27:1 Jan-Feb '91, 18- See: New York Film Festival Coen Brothers A-Z: The Big Two-Headed Picture. Film Com- 21. ill. ATALANTE, L’ (Jean Vigo) ment 27:5 Sept-Oct '91, 27-32. ill. Sarf, Wayne Michael See: New York Film Festival Horton, Robert Oscar Eaten by Wolves. Film Comment 27:6 Nov-Dec "91, 62- BARTON FINK (Joel and Ethan Coen) Connecticut Yankee. Film Comment 27:6 Nov-Dec "91, 16-20. 70. ill. Jameson, Richard T. What's in the Box. Film Comment 27:5 i. Sarris, Andrew Sept-Oct '91, 26, 32. ill. Festivals: New York: Nights on Earth. Film Comment 27:6 Don Siegel: The Pro. Film Comment 27:5 Sept-Oct '91, 34,36- BEAUTY AND THE BEAST (Walt Disney Pictures) Nov-Dec "91, 50-53. ill. 38. ill. See: New York Film Festival BEGOTTEN (E. Elias Merhige) DiMatteo, Robert. Future Pri- See: New York Film Festival REPUBLIC PICTURES STORY, THE (American Movie Clas- meval. Film Comment 27:1 Jan-Feb '91, 2. ill. INVENTORY (EXAMINATION OF THE CONSCIENCE) sics TV production) BELLE NOISEUSE, LA (Jacques Rivette) (Krzysztof Zanussi) Hogue, Peter. Yates’ Fighting Legion. Film Comment 27:2 See: New York Film Festival See: New York Film Festival Mar-Apr '91, 6-7. ill. Republic Pictures’ B-movies, mid ‘30s to BLEAK MOMENTS (Mike Leigh) JACQUOT DE NANTES (Agnés Varda) mid '40s. Ref. THE REPUBLIC PICTURES STORY (pro- See: LEIGH, MIKE See: New York Film Festival duced for American Movie Classics cabie TV). BODY BEAUTIFUL, THE (Ngozi Onwurah) JOURNEY OF HOPE (Xavier Koller) RODRIGO D (NO FUTURE) (Victor Gaviria) See: New York Film Festival Walker, Beverly. Behind the Mountains. Film Comment 27:3 Manrique, Jaime. The Colombian Connection. Film Comment BONFIRE OF THE VANITIES, THE (Brian DePalma) May-June '91, 2. 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- White, Armond. Brian DePalma, Political Filmmaker. Film JU DOU (Zhang Yimou) CLE IN ROME (Lisandro Duque), RODRIGO D (Victor Comment 27:3 May-June ‘91, 72-78. ill. Themes in Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, Gaviria), MARIA CANO (Camila Loboguerrero). DePaima. Ref. BONFIRE OF THE VANITIES. 64-66. Ill. State of the Chinese film industry. On the set of SAYONARA (Joshua Logan) BREWSTER McCLOUD (Robert Altman) Walker, Beverly. RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. Wellman, William A., Jr. Runnin’ into Marlon. Film Comment Altman '91. Film Comment 27:1 Jan-Feb ‘91, 5-10. ill. KING OF NEW YORK (Abel Ferrara) 27:4 July-Aug '91, 34-36. ill. A day's work on SAYONARA. Robert Altman's career. Ref. BREWSTER McCLOUD and See: New York Film Festival SEX, DRUGS, ROCK & ROLL (John McNaughton) VINCENT AND THEO. LIFE IS SWEET (Mike Leigh) McDonagh, Maitiand. Laughter in the Dark. Film Comment CASABLANCA (Michael Curtiz) See: LEIGH, MIKE 27:2 MarApr '91, 68-71. ill. Performance artist Eric Bogo- Hogue, Peter. “| Bet They're Asleep All Over America”: A LIST OF ADRIAN MESSENGER, THE (John Huston) sian, subject of John McNaughton’s SEX, DRUGS, ROCK Heretical View of CASABLANCA. Film Comment 27:3 May- Richards, Peter. Huston’s Killer Comedy. Film Comment 27:3 & ROLL. Includes McNaughton career info. June '91, 24-26. iii May-June "91, 66-71. ill. SHELTERING SKY, THE (Bernardo Bertolucci) CHAMBRE EN VILLE, UNE / A ROOM IN TOWN (Jacques LITTLE MAN TATE (Jodie Foster) Thomson, David. Gone Away. Film Comment 27:3 May-June Demy) Horton, Robert. Life Upside Down. Film Comment 27:1 Jan- *91, 18-23. ill. See: New York Film Festival Feb ‘91, 38-39. ill. A visit to the set. Includes interview SIDDHESHWARI (Mani Kaul) CHAMELEON STREET (Wendell B. Harris Jr.) material. See: New York Film Festival White, Armond. Underground Man. Film Comment 27:3 May- LOCKED UP TIME (Sibylle Schonemann) SILENCE OF THE LAMBS, THE (Jonathan Demme) June "91, 4-6. ill. See: New York Film Festival Murphy, Kathleen. Communion. Film Comment 27:1 Jan-Feb CHILDREN OF PARADISE (Marcel Carne) LUCKY STAR (Frank Borzage) "91, 31-32. ill. THE SILENCE OF THE LAMBS (Jonathan See: ENFANTS DU PARADIS, LES Eyman, Scott. The Silent Heart. Film Comment 27:6 Nov-Dec Demme) and MANHUNTER (Michael Mann), both based CITIZEN KANE (Orson Welles) "91, 2-4. ill on a Thomas Harris novel, compared. Hogue, Peter. The Friends of Kane. Film Comment 27:6 Nov- MADAME BOVARY (Claude Chabrol) Smith, Gavin. Identity Check: Jonathan Demme interviewed. Dec '91, 22-25. ill. Chase, Donald. A Day in the Country. Film Comment 27:6 Film Comment 27:1 Jan-Feb '91, 28-30, 33-37. ill. Demme's CITY OF HOPE (John Sayles) Nov-Dec '91, 7-14. ill. On the set in Normandy. career, themes, technique. Ref. THE SILENCE OF THE Horton, Robert. Sayles’ New Pitch. Film Comment 27:4 July- MALA NOCHE (Gus Van Sant) LAMBS. Aug "91, 79-80. ill. Lyons, Donald. Gus Van Sant. Film Comment 27:5 Sept- SIX HUNDRED SECONDS (600 SECONDS) (Soviet TV CLOSET LAND (Radha Bharadwaj) Oct '91, 6-12. ill. Van Sant’s 3 features: MALA NOCHE (’86), program) Murphy, Kathleen. Foreign Parts. Film Comment 27:3 May- DRUGSTORE COWBOY ('89), MY OWN PRIVATE IDAHO Andreev, Felix. Red Star Final. Film Comment 27:2 MarApr June "91, 9-13. ill. CLOSET LAND (Bharadwaj) and OUTRE- ('91) "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 MER (Roiian) compared. MANHUNTER (Michael Mann) SECONDS, and his compilation film TROUBLED TIMES. DANCES WITH WOLVES (Kevin Costner) Murphy, Kathleen. Communion. Film Comment 27:1 Jan-Feb SPARTACUS (Stanley Kubrick) Sarf, Wayne Michael. Oscar Eaten by Wolves. Film Comment "91, 31-32. ill. THE SILENCE OF THE LAMBS (Jonathan Sheehan, Henry. The Fall and Rise of SPARTACUS. Film 27:6 Nov-Dec '91, 62-70. ill Demme) and MANHUNTER (Michael Mann), both based Comment 27:2 Mar-Apr '91, 57-63. ill. DEFENDING YOUR LIFE (Albert Brooks) on a Thomas Harris novel, compared. SUMMER OF MISS FORBES, THE (Jaime Humberto DiMatteo, Robert. Real Afterlife: Albert Brooks Interviewed. MARIA CANO (Camila Loboguerrero) Hermosillo) Film Comment 27:2 MarApr '91, 18-24. ill. Career. Ref. Manrique, Jaime. The Colombian Connection. Film Comment Lyons, Donald. Chambers of the Sea. Film Comment 27:3 DEFENDING YOUR LIFE 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- May-June '91, 13-17. ill. Hermosillo's career. Ref. THE SUM- DELUSION (Carl Colpaert) CLE IN ROME (Lisandro Duque), RODRIGO D (Victor MER OF MISS FORBES. Lyons, Donald. Detours. Film Comment 27:4 July-Aug ‘91, 2- Gaviria), MARIA CANO (Camila Loboguerrero). SUSPENDED STEP OF THE STORK (Theo Angelopolous) 3. ill. Reflections on the noir road film. Ref. DELUSION MATCH FACTORY GIRL, THE (Aki Kaurismaki) See: New York Film Festival (Colpaert) and DETOUR (UImer). See: New York Film Festival TALE OF SPRINGTIME, A (Eric Rohmer) DETOUR (Edgar G. Ulmer) MILLER’S CROSSING (Joel and Ethan Coen) See: New York Film Festival Lyons, Donald. Detours. Film Comment 27:4 July-Aug ‘91, 2- See: New York Film Festival TAX! BLUES (Pavel Lounguine) 3. ill. Reflections on the noir road film. Ref. DELUSION MIRACLE IN ROME (Lisandro Duque) See: New York Film Festival (Colpaert) and DETOUR (UImer). Manrique, Jaime. The Colombian Connection. Film Comment THELMA & LOUISE (Ridley Scott) DIARY OF A COUNTRY PRIEST (Robert Bresson) 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- Murphy, Kathleen. Only Angels Have Wings. Film Comment Lopate, Phillip. Films as Spiritual Life. Film Comment CLE IN ROME (Lisandro Duque), RODRIGO D (Victor 27:4 July-Aug '91, 26-29. ill. Women in revolt. Ref. MORTAL 27:6 Nov-Dec ‘91, 16-30. ill. DIARY’s influence on the novel- Gaviria), MARIA CANO (Camila Loboguerrero). THOUGHTS (Rudolph) and THELMA & LOUISE (Scott). ist's life. MORTAL THOUGHTS (Alan Rudolph) TOTO THE HERO (Jaco van Dormael) DOCTEUR PETIOT (Christian de Chalonge) Murphy, Kathleen. Only Angels Have Wings. Film Comment See: New York Film Festival See: New York Film Festival 27:4 July-Aug "91, 26-29. ill. Women in revolt. Ref. MORTAL TROUBLED TIMES (Alexander Nevzorov) DOORS, THE (Oliver Stone) THOUGHTS (Rudolph) and THELMA & LOUISE (Scott). Andreev, Felix. Red Star Final. Film Comment 27:2 MarApr Horton, Robert. Riders on the Storm. Film Comment 27:3 MY FOOLISH HEART (Mark Robson) "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 May-June "91, 57-61. ill. Themes in Stone's films. Ref. THE Sarris, Andrew. The Heart Is A Lonely Hunter. Film Comment SECONDS, and his compilation film TROUBLED TIMES. DOORS. 27:1 Jan-Feb '91, 42-48. ill. TWIN PEAKS (the movie) (David Lynch) DOUBLE VIE DE VERONIQUE, LA (Krzysztof Kiesiowski) MY OWN PRIVATE IDAHO (Gus Van Sant) Olson, Greg. See You in the Trees. Film Comment 27:6 Nov- See: New York Film Festival Lyons, Donald. Gus Van Sant. Film Comment 27:5 Sept- Dec '91, 79-80. ill. DRUGSTORE COWBOY (Gus Van Sant) Oct '91, 6-12. ill. Van Sant’s 3 features: MALA NOCHE (’86), ULZANA’S RAID (Robert Aldrich) Lyons, Donald. Gus Van Sant. Film Comment 27:5 Sept- DRUGSTORE COWBOY ('89), MY OWN PRIVATE IDAHO Lyons, Donald. Dances with Aldrich. Film Comment 27:2 Mar Oct "91, 6-12. ill. Van Sant’s 3 features: MALA NOCHE (’86), (91). Apr '91, 72-76. ill. Aldrich’s career. Ref. ULZANAS RAID. DRUGSTORE COWBOY (’89), MY OWN PRIVATE IDAHO See also: New York Film Festival UNCLE MOSES (Sidney Goldin and Aubrey Scotto) (91) NASTY GIRL, THE (Michael Verhoeven) Hoberman, J. Der Ershter Talkies: UNCLE MOSES and the ENFANTS DU PARADIS, LES (Marcel Carné) See: New York Film Festivai Coming of Yiddish Sound Film. Film Comment 27:6 Nov- Stonehill, Brian. Forbidden Games: Marcel Carné Inter NIGHT ON EARTH (Jim Jarmusch) Dec '91, 32-39. ill. viewed. Film Comment 27:6 Nov-Dec ‘91, 58-61. ill. Remi- See: New York Film Festival VAMPIRE’S GHOST, THE (Lesley Selander) niscences of Carné’s films. Ref. LES ENFANTS. NIGHT SUN (Taviani brothers) Jameson, Richard T. Life with Video. Film Comment 27:4 EUROPA (Lars Von Trier) See: New York Film Festival July-Aug '91, 40-41. Kennedy, Harlan. Go Deeper. Film Comment 27:4 July-Aug NO, OR THE VAIN GLORY OF COMMAND (Manoel de VANISHING, THE (George Sluizer) FSeRe"E:91 E, ZN6Ee8w--7 D1.IY oEri-lklC OFMilEm FTeOs tiLvIaFlE (Vitaly Kanevski) SNeOeOU:l iVvNEeieLrwaL )E Y orVkA GFUiElm (FJeestainv-aLlu c Godard) VNiIc"Na9s1Ct,E roN5,.T ilNl.iA cNhDol asT.H EPOa ss(eRnogbeerrst. AlFtimlam n)C omment 27:2 MarApr GOLDEN BOAT, THE (Rau! Ruiz) Stam, Robert. The Lake, The Trees. Film Comment 27:1 Jan- Walker, Beverly. Altman '91. Film Comment 27:1 Jan-Feb '91, See: New York Film Festival Feb '91, 63-66. ill. 5-10. ill. Robert Altman’s career. Ref. BREWSTER GREAT REGULAR FLAVOR (Rudy Burckhardt) See also: New York Film Festival McCLOUD and VINCENT AND THEO. See: New York Film Festival OTHER EYE, THE (Johanna Heer & Werner Schmiedel) VISIBLE COMPENDIUM, THE (Larry Jordan) GUILTY BY SUSPICION (Irwin Winkler) See: New York Film Festival See: New York Film Festival Rosenbaum, Jonathan. Guilty by Omission. Film Comment OUT OF THE PAST (Jacques Tourneur) WAGES OF FEAR, THE (Henri-Georges Clouzot) 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- Schwager, Jeff. The PAST Rewritten. Film Comment 27:1 Thomajan, Dale. Clouzot’s Wild Bunch. Film Comment 27:6 ical warfare: demoralization of the Old Left. Ref. Nick Ray, Jan-Feb '91, 12-17. ill. Who did what on the screenplay? Nov-Dec ’91, 75-76. ill. John Berry, Cyril Endfield. Place of the auteur theory in Geoffrey Homes (Daniel Mainwaring), James M. Cain, and WHY HAVEL? (Vojtech Jasny) suppressing radical politics. GUILTY BY SUSPICION and/ Frank Fenton. Wilder, Jesse Bryant. Intimate Lighting. Film Comment 27:4 as social criticism. OUTREMER (Brigitte Rowan) July-Aug '91, 4-6. HIGH HOPES (Mike Leigh) Murphy, Kathleen. Foreign Parts. Film Comment 27:3 May- WITH RAISED HANDS (Mitko Panov) See: LEIGH, MIKE June "91, 9-13. ill. CLOSET LAND (Bharadwaj) and OUTRE- See: New York Film Festival HOME STORIES (Matthias Muller) MER (Roian) compared. WOMAN OF THE PORT (Arturo Ripstein) See: New York Film Festival PROSPERO’S BOOKS (Peter Greenaway) See: New York Film Festival HOMICIDE (David Mamet) See: New York Film Festival YEAR ALONG THE ABANDONED ROAD, A (Morten See: New York Film Festival PUPPENHEAD (David Cox) Skalierud) | HIRED A CONTRACT KILLER (Aki Kaurismaki) See: New York Film Festival See: New York Film Festival See: New York Film Festival RAISE THE RED LANTERN (Zhang Yimou) ZAYN VAYBS LUBOVNIK / HIS WIFE’S LOVER (Sidney | KNOW WHERE I’M GOING (Michael Powell and Emeric Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, Goldin) Pressburger) 64-66. Ill. State of the Chinese film industry. On the set of Hoberman, J. Der Ershter Talkies: UNCLE MOSES and the Buford, K. Lee. Reaching Kiloran. Film Comment 27:5 Sept- RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. Coming of Yiddish Sound Film. Film Comment 27:6 Nov- Oct '91, 75-76. ill RAMBLING ROSE (Martha Coolidge) Dec '91, 32-39. ill. INDIAN RUNNER, THE (Sean Penn) Horton, Robert. Connecticut Yankee. Film Comment 27:6 ZENTROPA / EUROPA (Lars von Trier) Smith, Gavin. Sean Penn at Close Range. Film Comment Nov-Dec 91, 16-20. ill. Coolidge’s career. Ref. RAMBLING See: New York Film Festival 27:5 Sept-Oct '91, 58-68. ill. Sean Penn's career. Ref. his ROSE. ZOMBIE AND THE GHOST TRAIN (Mika Kaurismaki) writing-directing debut THE INDIAN RUNNER. RAPTURE, THE (Michael Tolkin) See: New York Film Festival INTIMATE STRANGER (Alan Berliner) See: New York Film Festival @ aloe eks Peacteeered ie

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Supplement to Film Comment Index Andrew Sarris, Gavin Smith, Dale Thomajan, Anne HEART and TWIN PEAKS). Includes John Waters, George Thompson, David Thomson, Mike Wilmington. Romero, THE ROCKY HORROR PICTURE SHOW, BLADE Bharadwaj, Radha RUNNER, etc. See: CLOSET LAND Curtiz, Michael Blacklist See: CASABLANCA Rosenbaum, Jonathan. Guilty by Omission. Film Comment Cutting of Films 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- See: Editors and Editing ical warfare: demoralization of the Old Left. Ref. Nick Ray, DePaima, Brian John Berry, Cyril Endfield. Role of the auteur theory in White, Armond. Brian DePalma, Political Filmmaker. Film to volume 27, 1991 suppressing radical politics. GUILTY BY SUSPICION and/ Comment 27:3 May-June ‘91, 72-78. ill. Themes in as social criticism. DePalma. Ref. BONFIRE OF THE VANITIES. Bogosian, Eric Demme, Jonathan McDonagh, Maitland. Laughter in the Dark. Film Comment Smith, Gavin. Identity Check: Jonathan Demme interviewed. by Linda Batty 27:2 MarApr ’91, 68-71. ill. Performance artist Eric Bogo- Film Comment 27:1 Jan-Feb '91, 28-30, 33-37. ill. Demme’s sian, subject of John McNaughton's SEX, DRUGS, ROCK career, themes, technique. Ref. THE SILENCE OF THE & ROLL. Includes McNaughton career info. LAMBS. This index is based on indexing rules Books into Films See also: SILENCE OF THE LAMBS, THE and subject headings for film periodicals See: Adaptations Demy, Jacques Borzage, Frank Hogue, Peter. Playing for Keeps. Film Comment 27:4 July-Aug developed by the Federation of Interna- See: LUCKY STAR "91, 76-77. ill. Career. Box-office Directors and Directing tional Film Archives (FIAF). It is divided Thompson, Anne. Flatliner$: The 16th Annual ‘Grosses Lucas, Tim. The Kindest Cut of All. Film Comment 27:3 May- into four parts: a subject index, an Gloss’. Film Comment 27:2 MarApr '91, 26-34. ill. 1990’s June ’91, 47-50. ill. Director's cuts on video usually unre- author index, a film index, and a book Brahintdso ,a ndM afrlioposn. Seel eaaslesod: oAr utuneauvra ilTahbeloe.r y review index. The names of interviewers Schickel, Richard. Accomplices. Film Comment 27:4 July- Dunne, Irene Aug ‘91, 30-33, 36-39. ill. Brando and the Fifties. Schickel, Richard. We Remember Irene. Film Comment 27:2 are included in the author index. Brooks, Albert Mar-Apr '91, 48-52. ill. Career obit. Copyright © 1992 by Linda Batty. All rights reserved. DiMFaitltme o,C omRombeenrtt. 2R7e:a2l AMfaterrAlipfre: A'9l1b,e rt1 8-2B4r.o okilsl. CIanrteeerrv.i eweRedf.. DSeueq:u eM,I RLAiCsaLnEd roI N ROME DEFENDING YOUR LIFE. Editors and Editing Campion, Jane (AN ANGEL AT MY TABLE) Lucas, Tim. The Kindest Cut of All. Film Comment 27:3 May- Subjects See: New York Film Festival June '91, 47-50. ill. Director's cuts on video usually unre- Canada leased or unavailable. Patterson, Alex. Penetration, Urination, and Gratuitous Vomit- Eisenstein, Sergei ing. Film Comment 27:3 May-June '91, 7. Film classifica- Almendros, Nestor. Fortune and Men's Eyes. Fiiri Comment Academy of Motion Picture Arts and Sciences. Awards tion/censorship Canadian style. 27:4 July-Aug '91, 58-61. ill. Eisenstein’s private liie: public Addenda & Errata. Film Comment 27:3 May-June ‘91, 6. Cannes Film Festival perceptions/pressures. His reputation in the Soviet Union Oscar winners. How did Film Comment’s prognosticators Corliss, Mary. Lost Souls. Film Comment 27:5 Sept-Oct '91, today. (Oscar Predix, 27:2, Mar-Apr, 2) do? 2-4. ill. Endfield, Cyril Jameson, Richard T. Oscar Predix: Misery. Film Comment Carné, Marcel Rosenbaum, Jonathan. Guilty by Omission. Film Comment 27:2 MarApr '91, 2. Stonehill, Brian. Forbidden Games: Marcel Carné Inter 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. viewed. Film Comment 27:6 Nov-Dec '91, 58-61. ill. Remi- ical warfare: demoralization of the Old Left. Ref. Nick Ray, David Ansen, Stuart Byron, Jim Emerson, John Hartl, niscences of Carné’s films. Ref. LES ENFANTS DU John Berry, Cyril Endfield. Role of the auteur theory in Gregg Kilday, Andrew Sarris, Stephen Schiff, Gavin Smith, PARADIS. suppressing radical politics. GUILTY BY SUSPICION and/ Anne Thompson, Mike Wilmington predict Oscar winners. Castro, Fidel as social criticism. Actors and Actresses Wald, Malvin. Waiting for Fidel. Film Comment 27:5 Sept-Oct Exploitation Films Smith, Gavin. Arrivals. Film Comment 27:1 Jan-Feb '91, 51. "91, 79. 1959 aborted project to produce a film about Fidel. McDonagh, Maitland. The House by the Cemetery. Film Com- ill. New “arrivals to stardom’ of 1990: Julia Roberts, John Wald’s (projected scriptwriter) and Richard Wilson's (pro- ment 27:4 July-Aug '91, 43-45. ill. European and Oriental Turturro, Larry Fishburne, Michael Rooker, Chas. Dutton, jected director) trip to Cuba to meet him. sex horror video titles. Includes a list of hard-to-find horror/ Tim Roth, Miguel Ferrer, Jason Patric, Kathy Bates, Fisher Censorship fantasy/exploitation magazines. Stevens. Patterson, Alex. Penetration, Urination, and Gratuitous Vomit- Family in Films Smith, Gavin. New Faces [1990]. Film Comment 27:1 Jan- ing. Film Comment 27:3 May-June '91, 7. Film classifica- Talty, Stephan. Family Record. Film Comment 27:3 May-June Feb '91, 52. ill. Wm. Baldwin, Tracy Lind, Robin Bartlett, tion/censorship Canadian style. "91, 51-53. Homevideo as family/historical record. Jack Gwaltney, R.D. Call, Kim McGuire, Tom Towles, Tony Chabrol, Claude Fassbinder, Rainer Werner Shalhoub, Samantha Mathas, Mark Boone Jr, Jamey See: MADAME BOVARY Emerson, Jim. Regarding Hanna. Film Comment 27:4 July- Sheridan, Patricia Tallman, Anne Parillaud. Chalonge, Christian de (DOCTEUR PETIOT) Aug '91, 72-74. ill. Hanna Schygulla’s career, collaborations Adaptations See: New York Film Festival with Fassbinder. Corliss, Richard. By the Book. Film Comment 27:2 Mar-Apr CHINA Ferrara, Abel (KING OF NEW YORK) "91, 37-46. ill. Novels into films: SHELTERING SKY, SLEEP- Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, See: New York Film Festival ING WITH THE ENEMY, MISERY, MIAMI BLUES, BON- 64-66. ill. State of the Chinese film industry. On the set of Festival of Festivals. Toronto FIRE OF THE VANITIES, GRIFTERS, SILENCE OF THE RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. See: Toronto Film Festival LAMBS, MR. & MRS. BRIDGE, et al. Clouzot, Henri-Georges Festivals Aiello, Danny See: WAGES OF FEAR, THE See: Cannes; New York Film Festival; Toronto; Venice Smith, Gavin. Broadway Danny Aialio: Danny Aiello Inter Coen, Joel and Ethan Foster, Jodie viewed. Film Comment 27:4 July-Aug "91, 50-56. ill. Career. Horowitz, Mark. Coen Brothers A-Z: The Big Two-Headed Pic- See: LITTLE MAN TATE Aldrich, Robert ture. Film Comment 27:5 Sept-Oct '91, 27-32. ill. A critical Gavira, Victor Lyons, Donald. Dances with Aldrich. Film Comment 27:2 Mar lexicon for BARTON FINK, MiLLER’S CROSSING, et al. See: RODRIGO D (NO FUTURE) Apr "91, 72-76. ill. Aldrich’s career. Ref. ULZANAS RAID. See also: BARTON FINK Germany Altman, Robert See also: New York Film Festival (MILLER’S CROSSING) Slide, Anthony. Hollywood's Fascist Follies. Film Comment Walker, Beverly. Altman '91. Film Comment 27:1 Jan-Feb 91, Collectors and Collecting 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s 5-10. ill. Robert Altman’s career. Ref. BREWSTER Jameson, Richard T. Life with Video [intro. to new Film Com- between major Hollywood studios and Nazi Germany and McCLOUD and VINCENT AND THEO. ment department]. Film Comment 27:3 May-June ‘91, Mussolini's Italy. Right-wing Hollywood's fascist reaction Archives 44-45. Collecting movies by videotaping. Godard, Jean-Luc See: Preservation Colornbia See: NOUVELLE VAGUE Auteur Theory Manrique, Jaime. The Colombian Connection. Film Comment See: New York Film Festival (NOUVELLE VAGUE) Rosenbaum, Jonathan. Guilty by Omission. Film Comment 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- Goidin, Sidney 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- CLE IN ROME (Lisandro Duque), RODRIGO D (Victor See: UNCLE MOSES; ZAYN VAYBS LUBOVNIK (HIS ical warfare: demoralization of the Old Left. Ref. Nick Ray, Gaviria), MARIA CANO (Camila Loboguerrero). WIFE’S LOVER) John Berry, Cyril Endfield. Role of the auteur theory in Colpaert, Carl Gosho, Heinosuke suppressing radical politics. GUILTY BY SUSPICION and/ See: DELUSION Johnson, William. The Splitting Image. Film Comment 27:1 as social criticism. Coolidge, Martha Jan-Feb '91, 74-78. ill. Career. Ref. THE COCK CROWS B-Movies Horton, Robert. Connecticut Yankee. Film Comment 27:6 TWICE, LAMOUR, ELEGY OF THE NORTH, HUNTING Hogue, Peter. Riders of the Dawn. Film Comment 27:4 July- Nov-Dec '91, 16-20. ill. Coolidge’s career. Ref. RAMBLING RIFLE. Aug '91, 47-48. ill. B-westerns on video. Includes list of deal- ROSE. Greene, Graham ers in public-domain films. Copyright and the Cinema Thomson, David. Greene in the Dark. Film Comment 27:4 Hogue, Peter. Yates’ Fighting Legion. Film Comment 27:2 Luce, Gregory. Protected to Death. Film Comment 27:6 Nov- July-Aug "91, 18-25. ill.Greene—novelist, critic, screenwriter Mar-Apr '91, 6-7. ill. Republic Pictures’ B-movies, mid '30s to Dec ‘91, 73-74. Letter to Congress regarding copyright —the First Man of film literature. mid '40s. Ref. THE REPUBLIC PICTURES STORY (pro- notice and renewal requirements. Ref. pre-1978 works. Harris, Wendell B., Jr duced for American Movie Classics cable TV). Costner, Kevin See: CHAMELEON STREET Bennett, Joan See: DANCES WITH WOLVES Hepburn, Audrey Thomson, David. Lazy Legs. Film Comment 27:2 Mar-Apr '91, Crime and the Cinema Haskell, Molly. Our Fair Lady: Audrey Hepburn. Film Com- 54-55. ill. Career obit. Talty, Stephan. Absolute Images. Film Comment 27:3 May- ment 27:2 MarApr '91, 9-17. ill. Career appreciation. Berry, John June ’91, 52. Significance of the amateur videotape of L.A. Hermosillo, Jaime Humberto Rosenbaum, Jonathan. Guilty by Omission. Film Comment Police Dep't’s apprehension and beating of Rodney King. Lyons, Donald. Chambers of the Sea. Film Comment 27:3 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- Critics and Criticism May-June '91, 13-17. ill.Hermosillo’s career. Ref. THE SUM- ical warfare: demoralization of the Old Left. Ref. Nick Ray, See: Auteur Theory MER OF MISS FORBES. John Berry, Cyril Endfield. Role of the auteur theory in Cuba Hollywood suppressing radical politics. GUILTY BY SUSPICION and/ Wald, Malvin. Waiting for Fidel. Film Comment 27:5 Sept-Oct See: Industry (Hollywood) as social criticism. "91, 79. 1959 aborted project to produce a film about Fidel. Horror Films Bertolucci, Bernardo Wald’s (projected scriptwriter) and Richard Wilson's (pro- McDonagh, Maitland. The House by the Cemetery. Film Com- See: SHELTERING SKY, THE jected director) trip to Cuba to meet him. ment 27:4 July-Aug '91, 43-45. ill. European and Asian sex Best Films Cult Films horror video titles. Includes a list of hard-to-find horror/ Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 50, 53. Hoberman, J. and Jonathan Rosenbaum. Curse of the Cult fantasy/exploitation magazines. Richard Jameson, Richard Corliss, Peter Hogue, Rob't Hor People. Film Comment 27:1 Jan-Feb '91, 18-21. ill. Cult film Huston, John ton, Donald Lyons, Kathleen Murphy, Richard Pefia, subculture in the 1980s. Ref. David Lynch (WILD AT See: LIST OF ADRIAN MESSENGER, THE Industry (Hollywood) Horton, Robert. Kings of New York. Film Comment 27:1 Jan- Scott, Ridley Slide, Anthony. Hollywood's Fascist Follies. Filr Comment Feb '91, 54-56. ill. GOLDEN BOAT (Ruiz); TALE OF See: THELMA & LOUISE 27:4 July-Aug ‘91, 62-67. ill. Relationships in the 1930s SPRINGTIME (Rohmer); NOUVELLE VAGUE (Godard); Selander, Lesley between major Hollywood studios and Nazi Germany and MATCH FACTORY GIRL & | HIRED A CONTRACT KILLER See: VAMPIRE’S GHOST, THE Mussolini's Italy. Right-wing Hollywood's fascist reaction. (Kaurismaki); NO, OR THE VAIN GLORY OF COMMAND Siegel, Don Italy (Oliveira); MILLER’S CROSSING (Coen); KING OF NY Eastwood, Clint. Don Siegel: The Padrén. Film Comment Slide, Anthony. Hollywood's Fascist Follies. Film Comment (Ferrara). 27:5 Sept-Oct '91, 35-36. ill. Memoir: in memoriam. 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s Katzman, Lisa. Kings of New York. Film Comment 27:1 Jan- Sarris, Andrew. Don Siegel: The Pro. Film Comment 27:5 between major Hollywood studios and Nazi Germany and Feb '91, 54, 58-62. ill. ANGEL AT MY TABLE (Campion); Sept-Oct '91, 34,36-38. ill. Obit. Appraisal of Siegel's early Mussolini's Italy. Right-wing Hollywood's fascist reaction. NASTY GIRL (Verhoeven); AMERICAN DREAM (Kopple); film work. Jasny, Vojtech SIDDHESHWARI (Kaul); FREEZE-DIE-COME TO LIFE Silent Cinema See: WHY HAVEL? (Kanevski); TAX! BLUES (Lounguine). Beckerman, Jim. Tales from the Crypt. Film Comment 27:1 Kanevski, Vitaly (FREEZE-DIE-COME TO LIFE) Lyons, Donald. Festivals: New York: Nights on Earth. Film Jan-Feb '91, 79-80. ill. The perils of rediscovery: JANICE See: New York Film Festival Comment 27:6 Nov-Dec '91, 50, 53-56. ill. UNE CHAMBRE MEREDITH; SHERLOCK HOLMES ('22); LONDON Kaul, Mani (SIDDHESHWARI) EN VILLE (Demy); JACQUOT DE NANTES (Varda); THE AFTER MIDNIGHT, FRANKENSTEIN (Edison one-reeler) SKSeeaeeuA::r iCNsNOmeeNawwkT iRY,YAoo rrCAkkTk i FF ii(KllTImmH LELFF eEessRMtt)Aii vvTaaCllH FACTORY GIRL and | HIRED O(STRTOUiTvHSeOEtP tREe T)N;H DEEYEL EADH ED(RHOOSeUe TBrE( LPvE&a n SODVcFoIh rEmm iaeTDedHEleE )l ;)V ;E SIRTNLOOVANR EIKNBQ TEUOLELR(A EYn g(eK(NliEOeoXspIlAoSolMEwoIsUukNsSiA))E-;; SSSleoueeui:tnz edaVrl .,A NinGI eSFoHirlIgmNseG , (TTHHEE VANISHING) Koller, Xavier TION OF CONSCIENCE) (Zanussi); THE ADJUSTER Hoberman, J. Der Ershter Talkies: UNCLE MOSES and the See: JOURNEY OF HOPE (Egoyan); NIGHT ON EARTH (Jarmusch); PROSPERO'S Coming of Yiddish Sound Film. Film Comment 27:6 Nov- Kopple, Barbara (AMERICAN DREAM) BOOKS (Greenaway); WOMAN OF THE PORT (Ripstein); Dec 91, 32-39. ill. See: New York Film Festival ADAN'S RIB (Krishtofovich); HOMICIDE (Mamet). Soviet Union Kubrick, Stanley Nicastro, Nicholas. Festivals: New York: Nights on Earth. Film Andreev, Felix. Red Star Final. Film Comment 27:2 MarApr See: SPARTACUS Comment 27:6 Nov-Dec ‘91, 50-51. THE VISIBLE COM- "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 Laservision PENDIUM (L.Jordan); AFTER THE FALL (J.Priestly); SECONDS, and his compilation film TROUBLED TIMES. Ebert, Roger. Laservision. Film Comment 27:3 May-June '91, BODY BEAUTIFUL (Onwurah); WITH RAISED HANDS Stone, Oliver 46 (Panov); HOME STORIES (Muller); GREAT REGULAR Horton, Robert. Riders on the Storm. Film Comment 27:3 Lean, David FLAVOR (Burckhardt); PUPPENHEAD (Cox); A YEAR May-June '91, 57-61. ill. Themes in Stone's films. Ref. Horton, Robert. Jungle Fever: A David Lean Joint. Film Com- ALONG THE ABANDONED ROAD (Skallerud). THE DOORS. ment 27:5 Sept-Oct '91, 13-16. ill. Obit. Career appreciation: Thompson, Frank. Kings of New York. Film Comment 27:1 Studios themes, techniques, etc. Jan-Feb '91, 54,5758. ill. MILLER’S CROSSING (Coen); Slide, Anthony. Hollywood's Fascist Follies. Film Comment Leigh, Mike KING OF NEW YORK (Ferrara); LATALANTE (Vigo); TALE 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s Kennedy, Harlan. Mike Leigh: About His Stuff.... Film Com- OF SPRINGTIME (Rohmer); DR. PETIOT (Chalonge). between major Hollywood studios and Nazi Germany and ment 27:5 Sept-Oct '91, 18-24. ill. Leigh's 3 features: BLEAK Nichols, Mike Mussolini's Italy. Right-wing Hollywood's fascist reaction. MOMENTS, HIGH HOPES, LIFE IS SWEET. Smith, Gavin. Without Cutaways: Mike Nichols Interviewed. See also: name of studio, e.g. Republic Pictures Life With Video Film Comment 27:3 May-June "91, 27-42. ill. Includes Filmo- Talkies Life with Video. Film Comment 27:3 May-June '91, 44-56. iil graphy and Theater Direction. Career. See: Sound in Films [Intro to new FC department] (Jameson); Laservision Noir Taviani Brothers (NIGHT SUN) (Ebert); Kindest Cut of All [director's cuts] (T.Lucas); Family Lyons, Donald. Detours. Film Comment 27:4 July-Aug '91, 2- See: New York Film Festival Record [home videos] (Salty); Absolute Images [Rodney 3. ill. Reflections on the noir road film. Ref. DELUSION Television King] (Talty); Vidiocy (R.Corliss). (Colpaert) and DETOUR (Uimer). Andreev, Felix. Red Star Final. Film Comment 27:2 Mar-Apr Life with Video. Film Comment 27:4 July-Aug "91, 40-48. ill. Novels into Films "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 [Lesley Selander’s THE VAMPIRE’S GHOST] (Jameson); See: ADAPTATIONS SECONDS, and his compilation film TROUBLED TIMES. The Lost World [mail order video] (E.Forbes); House by the Oliveira, Manoel de (NO, OR THE VAIN GLORY OF COM- Toronto Film Festival Cemetery [Eurohorror] (M. McDonagh); Riders of the Dawn MAND) Chute, David. Festivals: Toronto: Echo Chambers. Film Com- [B Westerns] (P.Hogue). See: New York Film Festival ment 27:6 Nov-Dec '91, 48-49. ill. Life with Video. Film Comment 27:5 Sept-Oct '91, 75-76. ill. Oscars Murphy, Kathleen. Festivals: Toronto: Illuminated Texts. Film Reaching Kiloran [| KNOW WHERE I’M GOING] (K.Lee See: Academy of Motion Picture Arts and Sciences. Comment 27:5 Nov-Dec '91, 46, 49. ill. Buford); Classics-on-Video Update (R.T.Jameson). Awards Tourneur, Jacques Life with Video. Film Comment 27:6 Nov-Dec '91, 72-74. ill Penn, Sean See: OUT OF THE PAST Time Machines [Shelf life/preservation of video] (Frank Smith, Gavin. Sean Penn at Close Range. Film Comment Ulmer, Edgar G. Thompson); Protected to Death [copyright] (letter from 27:5 Sept-Oct '91, 58-68. ill. Sean Penn's career. Ref. his See: DETOUR Gregory Luce). writing-directing Gebut THE INDIAN RUNNER. Van Sant, Gus LSLSLSLSLHSMMMSeoeooeeyooeaecaeesbeegnubseePHRR:gnmD:hft::oac:unee oo ae a nEUognh obgrrmnn,zanANM,Sup,FcPNrtuemltM ilau oie RANaeAsRira erlnlAogrsTREowMnnYJD.E :tmye2rhN,i I ea R ,ous/SO7se, cvv, rAseH:, TFENaYr i hie x4hi T WonUodRadAp JlurdHeMI.,Ple mNCVRJ aakeo Eao NliutAA T i aAvi T cntClnteCTN EF lWytoadlRaiaPIiO-IRt tmnmltOEAlO iNdhm iem(uJCo.AseN lT.geno K K aA FnnPYS XeaTEt1'm!sI ht9A9 t an1eh8K,icgH 0 aB2Svlasn7O4aL)uH.z:3 ld.UoR 1-i e uE4 RnRs5sSe RJOo.Iee) sansRf cnae. li -bnlluFy.bl Pdi eDaseEtIbtaush u Cve mrioT .'foJdC9U o p1eR,hhem EnaaCeL1r nut8yd-r enW-S2sratc1Haoteyh.n-Oe. fdr Wii osl,(nlfF,.Ad W i s CltIiuGmhBLlae heLDtn ooC A rrCorfDusgmoiAlEerle-tTxm/ PSPBTPSRPRRReoreerhaaaaewoeceJteyAMeytocDit:e2juss:t,tka,sienmeF iE7lon e eegn esnn:uco!ppTaR.rr|-nrNrb5cgN|n, ul ssE vEinF bmKeu /sbioKocaaR'eF c.Draa cnNS9hlnMtNib e gn1,huIosei,liO, n eO,lo,mp mTco sa MrWbl t ,W7hAno'Hs,oIa2-l 9t Fa.r .Ce; oJ1sODar se x,ikoac p WN. hJmlWEn et im.oiI H7RklsmH lnpm.G9ea..PeE a E-dSy H'eerVTt8iR9'nRTCHnai1hi0tTse,El,aacE.etdE itenn d e rm s4WR .aoa7 eo iILd-FttlI2 brl4'fiia.'7ROyl9 MroMMpa:G. d AoTnCa 3 eun Sm,hGNc i KG uelhOAiKO lMst siscltUIE.yhIaatnh cre yNpynNeTeNiolle Gn- HshebrfSGra.J. eiy dCO T tRl u irlisLaEiynnOo fRyFpMgmIeenai t o, i NElfy.a sf m tnSs'r aord9io‘ Fne1C (msoi,RddEo ilnaih dgmm.ys(a7Nni G.. 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Hogue, Peter. Yates’ Fighting Legion. Film Comment 27:2 leased or unavailable See: BEGOTTEN Mar-Apr '9i, 6-7. ill. Republic Pictures’ B-movies, mid '30s to McDonagh, Maitland. The House by the Cemetery. Film Com- Midnight Movies mid ‘40s. Ref. THE REPUBLIC PICTURES STORY (pro- ment 27:4 July-Aug ‘91, 43-45. ill. European and Asian sex See: CULT FILMS duced for American Movie Classics cable TV). horror video titles. Includes a list of hard-to-find horror/ Nazism and the Cinema Road Movies fantasy/exploitation magazines. Slide, Anthony. Hollywood's Fascist Follies. Film Comment Lyons, Donald. Detours. Film Comment 27:4 July-Aug ‘91, 2- Talty, Stephan. Absolute Images. Film Comment 27:3 May- 27:4 July-Aug '91, 62-67. ill. Relationships in the 1930s 3. ill. Reflections on the noir road film. Ref. DELUSION June "91, 52. Significance of the amateur videotape of L.A between major Hollywood studios and Nazi Germany and (Colpaert) and DETOUR (Uimer). Police Dep't's apprehension and beating of Rodney King Mussolini's Italy. Right-wing Hollywood's fascist reaction Robson, Mark Talty, Stephan. Family Record. Film Comment 27:3 May-June Nevzorov, Alexander See: MY FOOLISH HEART "91, 51-53. Homevideo as family/historical record Andreev, Felix. Red Star Final. Film Comment 27:2 Mar-Apr Rohmer, Eric (A TALE OF SPRINGTIME) Thompson, Frank. Time Machines. Film Comment 27:6 Nov- "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 See: New York Film Festival Dec ‘91, 72. ill. Videotape shelf life and hardware obsoles- SECONDS, and his compilation film TROUBLED TIMES. Roiian, Brigitte cence. New York Film Festival See: OUTREMER Vigo, Jean (LATALANTE) Horton, Robert. Festivals: New York: Nights on Earth. Film Rudolph, Alan See: New York Film Festival Comment 27:6 Nov-Dec '91, 50-53. ill. LA BELLE See: MORTAL THOUGHTS Von Trier, Lars NOISEUSE (Rivette); PROSPERO’S BOOKS (Greenaway); Ruiz, Raul (THE GOLDEN BOAT) See: EUROPA SUSPENDED STEP OF THE STORK (Angelopoulos); THE See: New York Film Festive! Welles, Orson RAPTURE (Tolkin); THE ADJUSTER (Egoyan); ZOMBIE & Sayles, John Naremore, James. The Tial: The FBI vs. Orson Welles. Film THE GHOST TRAIN (Kaurismaki); NIGHT ON EARTH See: CITY OF HOPE Comment 27:1 Jan-Feb °91, 22-27. ill. Description of FBI (Jarmusch); MY OWN PRIVATE IDAHO (Van Sant); Schyguiia, Hanna file, gathered between 1941 an? 195on6 Wel,les . BEAUTY AND THE BEAST (Walt Disney Pictures); Emerson, Jim. Regarding Hanna. Film Comment 27:4 July- See also: CITIZEN KANE LOCKED UP TIME (Schonemann); INTIMATE STRANGER Aug '91, 72-74. ill. Hanna Schygulla's career, collaborations Westerns (Berliner). with Fassbinder. Hogue, Peter. Ridofe thre Dsawn . Film Comm2e7:n4 Jtul y- Aug ‘91, 47-48. ill. B westerns on video. Includes a list of Jungle Fever: A David Lean Joint. Film Comment 27:5 Sept- The Heart Is A Lonely Hunter. Film Comment 27:1 Jan-Feb dealers in public-domain films. Oct '91, 13-16. ill. "91, 42-48. ill. Wilder, Billy Kings of New York. Film Comment 27:1 Jan-Feb "91, 54-56. ill. Oscar Predix: Misery. Film Comment 27:2 March-April '91, 2. Sarris, Andrew. Why Billy Wilder Belongs in the Pantheon. Life Upside Down. Film Comment 27:1 Jan-Feb '91, 38-39. ill. Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Film Comment 27:4 July-Aug ’91, 9-14. ill. Riders on the Storm. Film Comment 27:3 May-June "91, 57-61. Why Billy Wilder Belongs in the Pantheon. Film Comment Women in Film ill. 27:4 July-Aug 91, 9-14. ill. Murphy, Kathleen. Only Angels Have Wings. Film Comment Sayles’ New Pitch. Film Comment 27:4 July-Aug "91, 79-80. Schickel, Richard 27:4 July-Aug "91, 26-29. ill. Women in revolt. Ref. MORTAL Wi. Accomplices. Film Comment 27:4 July-Aug "91, 30-33, 36-39. THOUGHTS (Rudolph) and THELMA & LOUISE (Scott). Ten Best of 1990. Film Comment 27:1 .'an Feb '91. 53. ill. Yiddish Cinema Jameson, Richard T We Remember Irene. Film Comment 27:2 Mar-Apr '91, 48-52. HoCboermmianng, ofJ . YDiedrdi sEhr shStoeurn dT alFkiilems.: FUiNlmC LCEo mMmeOnStE S 27a:6n d Notvh-e Cla7s6.s ics-on-Video Update. Film Comment 27:5 Sept-Oct '91, Schiillf. f, Stephen Dec '91, 32-39. ill. Life with Video [intro. to new Film Comment department]. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. Zhang, Yimou Film Comment 27:3 May-June "91, 44-45. Schwager, Jeff Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, Life with Video. Film Comment 27:4 July-Aug ‘91, 40. ill The PAST Rewritten. Film Comment 27:1 Jan-Feb ‘91, 12-17. 64-66. ill. State of the Chinese film industry. On the set of Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. ill. y RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. Ten Best of 1990. Film Comment 27:1 Jan-Feb "91, 50. Sheehan, Henry What's in the Box. Film Comment 27:5 Sept-Oct "91, 26, 32. The Fall and Rise of SPARTACUS. Film Comment 27:2 Mar ill. Apr "91, 5763. ill. Authors JMaommeesnotns , ouRti cofh aTridm e.T . Failnmd CKoamtmhleenetn 2M7u:1r pJhayn -Feb '91, 50-52. SHloildley,w oAond'tsh onFays cist Follies. Film Comment 27:4 July-Aug "91, ill. 62-67. ill. Johnson, William Smith, Gavin Almendros, Nestor The Splitting Image. Film Comment 27:1 Jan-Feb "91, 74-78. Arrivals. Film Comment 27:1 Jan-Feb "91, 51. ill. Fortune and Men's Eyes. Film Comment 27:4 July-Aug '91, ill. Broadway Danny Aiello: Danny Aiello interviewed. Film Com- 58-61. ill. Katzman, Lisa ment 27:4 July-Aug '91, 50-56. ill. Andreev, Felix Kings of New York. Film Comment 27:1 Jan-Feb '91, 54, 58- Identity Check: Jonathan Demme interviewed. Film Com- Red Star Final. Film Comment 27:2 Mar-Apr ‘91, 79-80. 62. ill. ment 27:1 Jan-Feb '91, 28-30,33-37. ill. Ansen, David Kennedy, Harlan New Faces [1990]. Film Comment 27:1 Jan-Feb 91, 52. ill. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. Festivals: Venice: An Affectionate Beast. Film Comment 27:6 Oscar Predix: Misery. Film Comment 27:2 MarApr '91, 2. Baumbach, Jonathan Nov-Dec '91, 42-44. lil. Sean Penn at Close Range. Film Comment 27:5 Sept-Oct '91, Stills from Imaginary Movies: The Man Who Invented the Go Deeper. Film Comment 27:4 July-Aug '91, 68-71. ill. 58-68. ill. World; Three Feet of Fury. Film Comment 27:3 May-June Mike Leigh: About His Stuff Film Comment 27:5 Sept- Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. "91, 62-65. ill. with images by David Baumbach. Oct '91, 18-24. ill. Without Cutaways: Mike Nichols interviewed. Film Comment Beckerman, Jim Kilday, Gregg 27:3 May-June '91, 27-42. ill. Includes Filmography and Tales from the Crypt. Film Comment 27:1 Jan-Feb '91, 79-80. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr ‘91, 2. Theater Direction. ill. Lopate, Phillip Stam, Robert Buford, K. Lee Films as Spiritual Life. Film Comment 27:6 Nov-Dec '91, 16- The Lake, The Trees. Film Comment 27:1 Jan-Feb '91, 63-66. Reaching Kiloran. Film Comment 27:5 Sept-Oct '91, 75-76. ill. 30. ill. ill. Byron, Stuart Lucas, Tim Stonehill, Brian Oscar Predix: Misery. Film Comment 27:2 Mar-Apr 91, 2. The Kindest Cut of All. Film Comment 27:3 May-June "91, 47 Forbidden Games: Marcel Carné interviewed. Film Comment Chase, Donald 50. ill. 27:6 Nov-Dec '91, 58-61. ill. A Day in the Country. Film Comment 27:6 Nov-Dec '91, 714. ill. Luce, Gregory Talty, Stephan Chute, David Protected to Death. Film Comment 27:6 Nov-Dec '91, 73-74. Absolute Images. Film Comment 27:3 May-June '91, 52. Festivals: Toronto: Echo Chambers. Film Comment 27:6 Nov- Lyons, Donald Family Record. Film Comment 27:3 May-June '91, 51-53 Dec '91, 48-49. ill. Chambers of the Sea. Film Comment 27:3 May-June ‘91, 13- Thomajan, Dale Golden Hours. Film Comment 27:2 Mar-Apr '91, 64-66. Ill 17. ill. Clouzot’s Wild Bunch. Film Comment 27:6 Nov-Dec '91, 75- Corliss, Mary Dances with Aldrich. Film Comment 27:2 Mar-Apr '91, 72-76. 76. ill. Lost Souls. Film Comment 27:5 Sept-Oct '91, 2-4. ill. ill. Ten Best of 1950. Film Comment 27:1 Jan-Feb '91, 53. Corliss, Richard Detours. Film Comment 27:4 July-Aug ‘91, 2-3. ill Weitz Update. Film Comment 27:3 May-June ‘91, 78. Book reviews. Film Comment 27:3 May-June "91, 53-56. By Festivals: New York: Nights on Earth. Film Comment 27:6 Thompson, Anne the Book. Film Comment 27:2 Mar-Apr '91, 37-46. ill. Nov-Dec "91, 50, 53-56. ill. Flatliner$: The 16th Annual ‘Grosses Gloss’. Film Comment Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 50. Gus Van Sant. Film Comment 27:5 Sept-Oct '91, 6-12. ill. 27:2 Mar-Apr '91, 26-34. ill. Vidiocy. Film Comment 27:3 May-June "91, 53-56. ill. Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. DiMatteo, Robert Manrique, Jaime Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Future Primeval. Film Comment 27:1 Jan-Feb '91, 2. ill. The Colombian Connection. Film Comment 27:1 Jan-Feb '91, Thompson, Frank Real Afterlife: Albert Brooks Interviewed. Film Comment 27:2 68-73. ill. Kings of New York. Film Comment 27:1 Jan-Feb '91, 54,5758 Mar-Apr 91, 18-24. ill. McDonagh, Maitland ill. Eastwood, Clint The House by the Cemetery. Film Comment 27:4 July-Aug Time Machines. Film Comment 27:6 Nov-Dec '91, 72. ill. Don Siegel: The Padrén. Film Comment 27:5 Sept-Oct '91, "91, 43-45. Thomson, David 35-36. ill. Laughter in the Dark. Film Comment 27:2 Mar-Apr '91, 68-71. Gone Away. Film Comment 27:3 May-June 91, 18-23. ill. Ebert, Roger ill. Greene in the Dark. Film Comment 27:4 July-Aug 91, 18-25. Laservision. Film Comment 27:3 May-June '91, 46. Murphy, Kathleen ill. Emerson, Jim Communion. Film Comment 27:1 Jan-Feb ‘91, 31-32. ii. Lazy Legs. Film Comment 27:2 Mar-Apr '91, 54-55. ill Oscar Predix: Misery. Film Comment 27:2 March-April "91, 2. Festivals: Toronto: Illuminated Texts. Film Comment 27:6 Nov- Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Regarding Hanna. Film Comment 27:4 July-Aug '91, 72-74. Dec '91, 46,49. ill. Wald, Malvin ill. Foreign Parts. Film Comment 27:3 May-June "91, 9-13. ill Waiting for Fidel. Film Comment 27:5 Sept-Oct '91, 79. Eyman, Scott Only Angels Have Wings. Film Comment 27:4 July-Aug ‘91, Walker, Beverly The Silent Heart. Film Comment 27:6 Nov-Dec ‘91, 2-4. ill. 26-29. ill. Altman '91. Fiim Comment 27:1 Jan-Feb '91, 5-10. ill Forbes, Elliot Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Behind the Mountains. Film Comment 27:3 May-June '91, 2 The ‘Lost’ World. Film Comment 27:4 July-Aug '91, 41-42, 45- Murphy, Kathleen and Richard T. Jameson Wellman, William A., Jr 46. ill. Moments out of Time. Film Comment 27:1 Jan-Feb '91, 50-52. Runnin’ into Marlon. Film Comment 27:4 July-Aug "91, 34-36. Gilliam, Terry ill. il Guilty Pleasures. Film Comment 27:5 Sept-Oct '91, 70-72. ill. Naremore, James White, Armond Hartl, John The Trial: The FBI vs. Orson Welles. Film Comment 27:1 Jan- Brian DePaima, Political Filmmaker. Film Comment 27:3 May- Oscar Predix: Misery. Film Comment 27:2 March-April "91, 2. Feb '91, 22-27. ill. June 91, 72-78. ill Haskell, Molly Nicastro, Nicholas Underground Man. Film Comment 27:3 May-June "91, 4-6. ill. Our Fair Lady: Audrey Hepburn. Film Comment 27:2 March- Festivals: New York: Nights on Earth. Film Comment 27:6 Wilder, Jesse Bryant April '91, 9-17. ill. Nov-Dec 91, 50-51. Intimate Lighting. Film Comment 27:4 July-Aug '91, 4-6 Hoberman, J Passengers. Film Comment 27:2 Mar-Apr ‘91, 5. ill Wilmington, Mike Der Ershter Talkies: UNCLE MOSES and the Coming of Olson, Greg Oscar Predix: Misery. Film Comment 27:2 Mar-Apr '91, 2. Yiddish Sound Film. Film Comment 27:6 Nov-Dec '91, See You in the Trees. Film Comment 27:6 Nov-Dec '91, 79-80 Ten Best of 1990. Film Comment 27:1 Jan-Feb ‘91, 53. 32-39. ill. il. Hoberman, J. and Jonathan Rosenbaum Patterson, Alex Curse of the Cult People. Film Comment 27:1 Jan-Feb '91, Penetration, Urination, and Gratuitous Vomiting. Film Com- 18-21. ill. ment 27:3 May-June '91, 7. Film Titles Hogue, Peter Pefia, Richard The Friends of Kane. Film Comment 27:6 Nov-Dec '91, 22-25. Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. il. Ray, Nicholas “| Bet They're Asleep All Over America”: A Heretical View of Ray’s World According to Ray. Film Comment 27:5 Sept-Oct ADAM'S RIB (Vyacheslav Krishtofovich) CASABLANCA. Film Comment 27:3 May-June 91, 24-26. "91, 47-49. ill. See: New York Film Festival il Richards, Peter ADJUSTER, THE (Atom Egoyan) Playing for Keeps. Film Comment 27:4 July-Aug '91, 76-77. ill. Huston’s Killer Comedy. Film Comment 27:3 May-June "91, 66- See: New York Film Festival Riders of the Dawn. Film Comment 27:4 July-Aug '91, 47-48. 71. ill. AFTER THE FALL (Joanna Priestly) in. Rosenbaum, Jonathan See: New York Film Festival Ten Best of 1990. Film Comment 27:1 Jan-Feb '91, 53. Guilty by Omission. Film Comment 27:5 Sept-Oct '91, 42-46, AMERICAN DREAM (Barbara Kopple) Yates’ Fighting Legion. Film Comment 27:2 Mar-Apr '91, 6-7. 50-57. ill. See: New York Film Festival i. Rosenbaum, Jonathan and J. Hoberman ANGEL AT MY TABLE, AN (Jane Campion) Horowitz, Mark Curse of the Cult People. Film Comment 27:1 Jan-Feb '91, 18- See: New York Film Festival Coen Brothers A-Z: The Big Two-Headed Picture. Film Com- 21. ill. ATALANTE, L’ (Jean Vigo) ment 27:5 Sept-Oct '91, 27-32. ill. Sarf, Wayne Michael See: New York Film Festival Horton, Robert Oscar Eaten by Wolves. Film Comment 27:6 Nov-Dec "91, 62- BARTON FINK (Joel and Ethan Coen) Connecticut Yankee. Film Comment 27:6 Nov-Dec "91, 16-20. 70. ill. Jameson, Richard T. What's in the Box. Film Comment 27:5 i. Sarris, Andrew Sept-Oct '91, 26, 32. ill. Festivals: New York: Nights on Earth. Film Comment 27:6 Don Siegel: The Pro. Film Comment 27:5 Sept-Oct '91, 34,36- BEAUTY AND THE BEAST (Walt Disney Pictures) Nov-Dec "91, 50-53. ill. 38. ill. See: New York Film Festival BEGOTTEN (E. Elias Merhige) DiMatteo, Robert. Future Pri- See: New York Film Festival REPUBLIC PICTURES STORY, THE (American Movie Clas- meval. Film Comment 27:1 Jan-Feb '91, 2. ill. INVENTORY (EXAMINATION OF THE CONSCIENCE) sics TV production) BELLE NOISEUSE, LA (Jacques Rivette) (Krzysztof Zanussi) Hogue, Peter. Yates’ Fighting Legion. Film Comment 27:2 See: New York Film Festival See: New York Film Festival Mar-Apr '91, 6-7. ill. Republic Pictures’ B-movies, mid ‘30s to BLEAK MOMENTS (Mike Leigh) JACQUOT DE NANTES (Agnés Varda) mid '40s. Ref. THE REPUBLIC PICTURES STORY (pro- See: LEIGH, MIKE See: New York Film Festival duced for American Movie Classics cabie TV). BODY BEAUTIFUL, THE (Ngozi Onwurah) JOURNEY OF HOPE (Xavier Koller) RODRIGO D (NO FUTURE) (Victor Gaviria) See: New York Film Festival Walker, Beverly. Behind the Mountains. Film Comment 27:3 Manrique, Jaime. The Colombian Connection. Film Comment BONFIRE OF THE VANITIES, THE (Brian DePalma) May-June '91, 2. 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- White, Armond. Brian DePalma, Political Filmmaker. Film JU DOU (Zhang Yimou) CLE IN ROME (Lisandro Duque), RODRIGO D (Victor Comment 27:3 May-June ‘91, 72-78. ill. Themes in Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, Gaviria), MARIA CANO (Camila Loboguerrero). DePaima. Ref. BONFIRE OF THE VANITIES. 64-66. Ill. State of the Chinese film industry. On the set of SAYONARA (Joshua Logan) BREWSTER McCLOUD (Robert Altman) Walker, Beverly. RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. Wellman, William A., Jr. Runnin’ into Marlon. Film Comment Altman '91. Film Comment 27:1 Jan-Feb ‘91, 5-10. ill. KING OF NEW YORK (Abel Ferrara) 27:4 July-Aug '91, 34-36. ill. A day's work on SAYONARA. Robert Altman's career. Ref. BREWSTER McCLOUD and See: New York Film Festival SEX, DRUGS, ROCK & ROLL (John McNaughton) VINCENT AND THEO. LIFE IS SWEET (Mike Leigh) McDonagh, Maitiand. Laughter in the Dark. Film Comment CASABLANCA (Michael Curtiz) See: LEIGH, MIKE 27:2 MarApr '91, 68-71. ill. Performance artist Eric Bogo- Hogue, Peter. “| Bet They're Asleep All Over America”: A LIST OF ADRIAN MESSENGER, THE (John Huston) sian, subject of John McNaughton’s SEX, DRUGS, ROCK Heretical View of CASABLANCA. Film Comment 27:3 May- Richards, Peter. Huston’s Killer Comedy. Film Comment 27:3 & ROLL. Includes McNaughton career info. June '91, 24-26. iii May-June "91, 66-71. ill. SHELTERING SKY, THE (Bernardo Bertolucci) CHAMBRE EN VILLE, UNE / A ROOM IN TOWN (Jacques LITTLE MAN TATE (Jodie Foster) Thomson, David. Gone Away. Film Comment 27:3 May-June Demy) Horton, Robert. Life Upside Down. Film Comment 27:1 Jan- *91, 18-23. ill. See: New York Film Festival Feb ‘91, 38-39. ill. A visit to the set. Includes interview SIDDHESHWARI (Mani Kaul) CHAMELEON STREET (Wendell B. Harris Jr.) material. See: New York Film Festival White, Armond. Underground Man. Film Comment 27:3 May- LOCKED UP TIME (Sibylle Schonemann) SILENCE OF THE LAMBS, THE (Jonathan Demme) June "91, 4-6. ill. See: New York Film Festival Murphy, Kathleen. Communion. Film Comment 27:1 Jan-Feb CHILDREN OF PARADISE (Marcel Carne) LUCKY STAR (Frank Borzage) "91, 31-32. ill. THE SILENCE OF THE LAMBS (Jonathan See: ENFANTS DU PARADIS, LES Eyman, Scott. The Silent Heart. Film Comment 27:6 Nov-Dec Demme) and MANHUNTER (Michael Mann), both based CITIZEN KANE (Orson Welles) "91, 2-4. ill on a Thomas Harris novel, compared. Hogue, Peter. The Friends of Kane. Film Comment 27:6 Nov- MADAME BOVARY (Claude Chabrol) Smith, Gavin. Identity Check: Jonathan Demme interviewed. Dec '91, 22-25. ill. Chase, Donald. A Day in the Country. Film Comment 27:6 Film Comment 27:1 Jan-Feb '91, 28-30, 33-37. ill. Demme's CITY OF HOPE (John Sayles) Nov-Dec '91, 7-14. ill. On the set in Normandy. career, themes, technique. Ref. THE SILENCE OF THE Horton, Robert. Sayles’ New Pitch. Film Comment 27:4 July- MALA NOCHE (Gus Van Sant) LAMBS. Aug "91, 79-80. ill. Lyons, Donald. Gus Van Sant. Film Comment 27:5 Sept- SIX HUNDRED SECONDS (600 SECONDS) (Soviet TV CLOSET LAND (Radha Bharadwaj) Oct '91, 6-12. ill. Van Sant’s 3 features: MALA NOCHE (’86), program) Murphy, Kathleen. Foreign Parts. Film Comment 27:3 May- DRUGSTORE COWBOY ('89), MY OWN PRIVATE IDAHO Andreev, Felix. Red Star Final. Film Comment 27:2 MarApr June "91, 9-13. ill. CLOSET LAND (Bharadwaj) and OUTRE- ('91) "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 MER (Roiian) compared. MANHUNTER (Michael Mann) SECONDS, and his compilation film TROUBLED TIMES. DANCES WITH WOLVES (Kevin Costner) Murphy, Kathleen. Communion. Film Comment 27:1 Jan-Feb SPARTACUS (Stanley Kubrick) Sarf, Wayne Michael. Oscar Eaten by Wolves. Film Comment "91, 31-32. ill. THE SILENCE OF THE LAMBS (Jonathan Sheehan, Henry. The Fall and Rise of SPARTACUS. Film 27:6 Nov-Dec '91, 62-70. ill Demme) and MANHUNTER (Michael Mann), both based Comment 27:2 Mar-Apr '91, 57-63. ill. DEFENDING YOUR LIFE (Albert Brooks) on a Thomas Harris novel, compared. SUMMER OF MISS FORBES, THE (Jaime Humberto DiMatteo, Robert. Real Afterlife: Albert Brooks Interviewed. MARIA CANO (Camila Loboguerrero) Hermosillo) Film Comment 27:2 MarApr '91, 18-24. ill. Career. Ref. Manrique, Jaime. The Colombian Connection. Film Comment Lyons, Donald. Chambers of the Sea. Film Comment 27:3 DEFENDING YOUR LIFE 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- May-June '91, 13-17. ill. Hermosillo's career. Ref. THE SUM- DELUSION (Carl Colpaert) CLE IN ROME (Lisandro Duque), RODRIGO D (Victor MER OF MISS FORBES. Lyons, Donald. Detours. Film Comment 27:4 July-Aug ‘91, 2- Gaviria), MARIA CANO (Camila Loboguerrero). SUSPENDED STEP OF THE STORK (Theo Angelopolous) 3. ill. Reflections on the noir road film. Ref. DELUSION MATCH FACTORY GIRL, THE (Aki Kaurismaki) See: New York Film Festival (Colpaert) and DETOUR (UImer). See: New York Film Festival TALE OF SPRINGTIME, A (Eric Rohmer) DETOUR (Edgar G. Ulmer) MILLER’S CROSSING (Joel and Ethan Coen) See: New York Film Festival Lyons, Donald. Detours. Film Comment 27:4 July-Aug ‘91, 2- See: New York Film Festival TAX! BLUES (Pavel Lounguine) 3. ill. Reflections on the noir road film. Ref. DELUSION MIRACLE IN ROME (Lisandro Duque) See: New York Film Festival (Colpaert) and DETOUR (UImer). Manrique, Jaime. The Colombian Connection. Film Comment THELMA & LOUISE (Ridley Scott) DIARY OF A COUNTRY PRIEST (Robert Bresson) 27:1 Jan-Feb '91, 68-73. ill. State of the industry. Ref. MIRA- Murphy, Kathleen. Only Angels Have Wings. Film Comment Lopate, Phillip. Films as Spiritual Life. Film Comment CLE IN ROME (Lisandro Duque), RODRIGO D (Victor 27:4 July-Aug '91, 26-29. ill. Women in revolt. Ref. MORTAL 27:6 Nov-Dec ‘91, 16-30. ill. DIARY’s influence on the novel- Gaviria), MARIA CANO (Camila Loboguerrero). THOUGHTS (Rudolph) and THELMA & LOUISE (Scott). ist's life. MORTAL THOUGHTS (Alan Rudolph) TOTO THE HERO (Jaco van Dormael) DOCTEUR PETIOT (Christian de Chalonge) Murphy, Kathleen. Only Angels Have Wings. Film Comment See: New York Film Festival See: New York Film Festival 27:4 July-Aug "91, 26-29. ill. Women in revolt. Ref. MORTAL TROUBLED TIMES (Alexander Nevzorov) DOORS, THE (Oliver Stone) THOUGHTS (Rudolph) and THELMA & LOUISE (Scott). Andreev, Felix. Red Star Final. Film Comment 27:2 MarApr Horton, Robert. Riders on the Storm. Film Comment 27:3 MY FOOLISH HEART (Mark Robson) "91, 79-80. Alexander Nevzorov, his Soviet TV show 600 May-June "91, 57-61. ill. Themes in Stone's films. Ref. THE Sarris, Andrew. The Heart Is A Lonely Hunter. Film Comment SECONDS, and his compilation film TROUBLED TIMES. DOORS. 27:1 Jan-Feb '91, 42-48. ill. TWIN PEAKS (the movie) (David Lynch) DOUBLE VIE DE VERONIQUE, LA (Krzysztof Kiesiowski) MY OWN PRIVATE IDAHO (Gus Van Sant) Olson, Greg. See You in the Trees. Film Comment 27:6 Nov- See: New York Film Festival Lyons, Donald. Gus Van Sant. Film Comment 27:5 Sept- Dec '91, 79-80. ill. DRUGSTORE COWBOY (Gus Van Sant) Oct '91, 6-12. ill. Van Sant’s 3 features: MALA NOCHE (’86), ULZANA’S RAID (Robert Aldrich) Lyons, Donald. Gus Van Sant. Film Comment 27:5 Sept- DRUGSTORE COWBOY ('89), MY OWN PRIVATE IDAHO Lyons, Donald. Dances with Aldrich. Film Comment 27:2 Mar Oct "91, 6-12. ill. Van Sant’s 3 features: MALA NOCHE (’86), (91). Apr '91, 72-76. ill. Aldrich’s career. Ref. ULZANAS RAID. DRUGSTORE COWBOY (’89), MY OWN PRIVATE IDAHO See also: New York Film Festival UNCLE MOSES (Sidney Goldin and Aubrey Scotto) (91) NASTY GIRL, THE (Michael Verhoeven) Hoberman, J. Der Ershter Talkies: UNCLE MOSES and the ENFANTS DU PARADIS, LES (Marcel Carné) See: New York Film Festivai Coming of Yiddish Sound Film. Film Comment 27:6 Nov- Stonehill, Brian. Forbidden Games: Marcel Carné Inter NIGHT ON EARTH (Jim Jarmusch) Dec '91, 32-39. ill. viewed. Film Comment 27:6 Nov-Dec ‘91, 58-61. ill. Remi- See: New York Film Festival VAMPIRE’S GHOST, THE (Lesley Selander) niscences of Carné’s films. Ref. LES ENFANTS. NIGHT SUN (Taviani brothers) Jameson, Richard T. Life with Video. Film Comment 27:4 EUROPA (Lars Von Trier) See: New York Film Festival July-Aug '91, 40-41. Kennedy, Harlan. Go Deeper. Film Comment 27:4 July-Aug NO, OR THE VAIN GLORY OF COMMAND (Manoel de VANISHING, THE (George Sluizer) FSeRe"E:91 E, ZN6Ee8w--7 D1.IY oEri-lklC OFMilEm FTeOs tiLvIaFlE (Vitaly Kanevski) SNeOeOU:l iVvNEeieLrwaL )E Y orVkA GFUiElm (FJeestainv-aLlu c Godard) VNiIc"Na9s1Ct,E roN5,.T ilNl.iA cNhDol asT.H EPOa ss(eRnogbeerrst. AlFtimlam n)C omment 27:2 MarApr GOLDEN BOAT, THE (Rau! Ruiz) Stam, Robert. The Lake, The Trees. Film Comment 27:1 Jan- Walker, Beverly. Altman '91. Film Comment 27:1 Jan-Feb '91, See: New York Film Festival Feb '91, 63-66. ill. 5-10. ill. Robert Altman’s career. Ref. BREWSTER GREAT REGULAR FLAVOR (Rudy Burckhardt) See also: New York Film Festival McCLOUD and VINCENT AND THEO. See: New York Film Festival OTHER EYE, THE (Johanna Heer & Werner Schmiedel) VISIBLE COMPENDIUM, THE (Larry Jordan) GUILTY BY SUSPICION (Irwin Winkler) See: New York Film Festival See: New York Film Festival Rosenbaum, Jonathan. Guilty by Omission. Film Comment OUT OF THE PAST (Jacques Tourneur) WAGES OF FEAR, THE (Henri-Georges Clouzot) 27:5 Sept-Oct '91, 42-46, 50-57. ill. The Blacklist as ideolog- Schwager, Jeff. The PAST Rewritten. Film Comment 27:1 Thomajan, Dale. Clouzot’s Wild Bunch. Film Comment 27:6 ical warfare: demoralization of the Old Left. Ref. Nick Ray, Jan-Feb '91, 12-17. ill. Who did what on the screenplay? Nov-Dec ’91, 75-76. ill. John Berry, Cyril Endfield. Place of the auteur theory in Geoffrey Homes (Daniel Mainwaring), James M. Cain, and WHY HAVEL? (Vojtech Jasny) suppressing radical politics. GUILTY BY SUSPICION and/ Frank Fenton. Wilder, Jesse Bryant. Intimate Lighting. Film Comment 27:4 as social criticism. OUTREMER (Brigitte Rowan) July-Aug '91, 4-6. HIGH HOPES (Mike Leigh) Murphy, Kathleen. Foreign Parts. Film Comment 27:3 May- WITH RAISED HANDS (Mitko Panov) See: LEIGH, MIKE June "91, 9-13. ill. CLOSET LAND (Bharadwaj) and OUTRE- See: New York Film Festival HOME STORIES (Matthias Muller) MER (Roian) compared. WOMAN OF THE PORT (Arturo Ripstein) See: New York Film Festival PROSPERO’S BOOKS (Peter Greenaway) See: New York Film Festival HOMICIDE (David Mamet) See: New York Film Festival YEAR ALONG THE ABANDONED ROAD, A (Morten See: New York Film Festival PUPPENHEAD (David Cox) Skalierud) | HIRED A CONTRACT KILLER (Aki Kaurismaki) See: New York Film Festival See: New York Film Festival See: New York Film Festival RAISE THE RED LANTERN (Zhang Yimou) ZAYN VAYBS LUBOVNIK / HIS WIFE’S LOVER (Sidney | KNOW WHERE I’M GOING (Michael Powell and Emeric Chute, David. Golden Hours. Film Comment 27:2 Mar-Apr '91, Goldin) Pressburger) 64-66. Ill. State of the Chinese film industry. On the set of Hoberman, J. Der Ershter Talkies: UNCLE MOSES and the Buford, K. Lee. Reaching Kiloran. Film Comment 27:5 Sept- RAISE THE RED LANTERN. Ref. LANTERN, JU DOU. Coming of Yiddish Sound Film. Film Comment 27:6 Nov- Oct '91, 75-76. ill RAMBLING ROSE (Martha Coolidge) Dec '91, 32-39. ill. INDIAN RUNNER, THE (Sean Penn) Horton, Robert. Connecticut Yankee. Film Comment 27:6 ZENTROPA / EUROPA (Lars von Trier) Smith, Gavin. Sean Penn at Close Range. Film Comment Nov-Dec 91, 16-20. ill. Coolidge’s career. Ref. RAMBLING See: New York Film Festival 27:5 Sept-Oct '91, 58-68. ill. Sean Penn's career. Ref. his ROSE. ZOMBIE AND THE GHOST TRAIN (Mika Kaurismaki) writing-directing debut THE INDIAN RUNNER. RAPTURE, THE (Michael Tolkin) See: New York Film Festival INTIMATE STRANGER (Alan Berliner) See: New York Film Festival @ aloe eks Peacteeered ie

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