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Fiction and the Incompleteness of History: Toni Morrison, V. S. Naipaul, and Ben Okri PDF

161 Pages·2007·0.563 MB·English
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Fiction and the Incompleteness of History Zhu Ying Fiction and the Incompleteness of History Toni Morrison, V. S. Naipaul, and Ben Okri PETER LANG Oxford • Bern • Berlin • Bruxelles • Frankfurt am Main • New York • Wien Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografi e; detailed bibliographic data is available on the Internet at ‹http://dnb.ddb.de›. British Library and Library of Congress Cataloguing-in-Publication Data: A catalogue record for this book is available from The British Library, Great Britain, and from The Library of Congress, USA ISBN 3­03910­746­1 E­ISBN 978­3­0353­0221­9 US­ISBN 0­8204­8006­1 © Peter Lang AG, International Academic Publishers, Bern 2006 Hochfeldstrasse 32, Postfach 746, CH-3000 Bern 9, Switzerland [email protected], www.peterlang.com, www.peterlang.net All rights reserved. All parts of this publication are protected by copyright. Any utilisation outside the strict limits of the copyright law, without the permission of the publisher, is forbidden and liable to prosecution. This applies in particular to reproductions, translations, microfi lming, and storage and processing in electronic retrieval systems. Printed in Germany To Timothy Weiss and the memories of Hong Kong Contents Acknowledgements 9 Chapter One Introduction: imagining and repatterning the incompleteness of history 11 Chapter Two A shadowless participation: Toni Morrison’s Beloved and discredited history 43 Chapter Three A little chasm filled: the transformation of history in V.S. Naipaul’s The Enigma of Arrival and A Way in the World 75 Chapter Four An undiscovered continent: Ben Okri’s The Famished Road and the enlargement of historical reality 107 Chapter Five Conclusion 141 Bibliography 151 Index 159 Acknowledgements This book is based on a dissertation submitted to The Chinese University of Hong Kong for my doctoral degree in English Literary Studies in 2005, and therefore, I owe this book to my dissertation committee professors. First of all, I am indebted to Timothy Weiss, for providing with continued attention, strong support and significant guidance during my study in Hong Kong. Without his vision, knowledge, and encouragement, this project, which was conceived in early 2003, would not have been possible. It has also benefited immeasurably by the careful readings, stimulating questions, and insightful suggestions of David Parker, Lisa Lai-ming Wong, and Barry Asker, to whom I am very grateful. I am also very grateful to Bill Mullen, who inspired me to develop a keen interest in African-American history and literature, and especially in Toni Morrison scholarship. Adam Schwartz deserves special appreciation for his generosity and help that made my short research in the library at Wellesley College both rewarding and memorable. I wish to express my gratitude to Paul Levine, a reliable mentor and warm friend, for constantly advising me on academic issues, to Ren Xiaojin for believing me from the very beginning, and to George Braine for always wishing me well. I would like to thank the English Department and School of Foreign Languages at Shanghai East China Normal University for offering me a reasonable grant, and especially Dean Zhang Chunbai for his understanding and thoughtfulness. I would also like to thank Alexis Kirschbaum at Peter Lang Publishers in England, for her enthusiasm and professionalism. Helena Sedgwick has my sincere thanks for her technical assistance that has brought about a smooth publication of this book. My parents have been extremely caring and patient during the years I pursued my intellectual ideals. They provided a firm, much- needed anchor of love and warmth, without which I would not have persevered.

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