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Feminist Readings of Antigone PDF

261 Pages·2010·5.09 MB·English
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feminist readings of antigone edited by fanny söderbäck Feminist Readings of Antigone 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd ii 88//1199//1100 22::5522::4422 PPMM SUNY Series in Gender Theory ————— Tina Chanter, editor 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd iiii 88//1199//1100 22::5522::4433 PPMM Feminist Readings of Antigone Edited by FANNY SÖDERBÄCK 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd iiiiii 99//2299//1100 55::0044::5577 PPMM Cover art: Bracha L. Ettinger, Eurydice no. 50 Oil on paper mounted on canvas (25.3 x 31.1 cm), 2006–2007 Published by State University of New York Press, Albany © 2010 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production by Eileen Meehan Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Feminist readings of Antigone / edited by Fanny Söderbäck. p. cm. — (SUNY series in gender theory) Includes bibliographical references and index. ISBN 978-1-4384-3279-3 (alk. paper) ISBN 978-1-4384-3278-6 (pbk. : alk. paper) 1. Sophocles. Antigone. 2. Feminism and literature—Greece. 3. Antigone (Greek mythology) in literature. 4. Women in literature. 5. Sex role in literature. 6. Tragedy. I. Söderbäck, Fanny, 1978– PA4413.A7F46 2010 882'.01—dc22 2010005120 10 9 8 7 6 5 4 3 2 1 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd iivv 88//1199//1100 22::5522::4433 PPMM For Jonna, my sister, who has the courage of Antigone. And for all women who fi ght for the right to speak in their own voice. 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd vv 88//1199//1100 22::5522::4444 PPMM Contents Acknowledgments ix Introduction: Why Antigone Today? 1 Fanny Söderbäck Prologue: Nomadic Antigone 15 Moira Fradinger I. Between Past and Future: Feminist Politics in the Private and Public Realms 1. After Antigone: Women, the Past, and the Future of Feminist Political Thought 27 Catherine A. Holland 2. On the Body of Antigone 45 Adriana Cavarero 3. Impossible Mourning: Sophocles Reversed 65 Fanny Söderbäck 4. The Performative Politics and Rebirth of Antigone in Ancient Greece and Modern South Africa 83 Tina Chanter 5. The Eternal Irony of the Community 99 Luce Irigaray 6. “the celestial Antigone, the most resplendent fi gure ever to have appeared on earth”: Hegel’s Feminism 111 J. M. Bernstein 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd vviiii 88//1199//1100 22::5522::4444 PPMM viii Contents II. Incestuous Desire: Sexuality, Kinship, and Psychoanalytical Approaches 7. Promiscuous Obedience 133 Judith Butler 8. Antigone’s Line 155 Mary Beth Mader 9. Beyond Pleasure: The Other History of Sexuality 173 Cecilia Sjöholm 10. Transgressing With-In-To the Feminine 195 Bracha L. Ettinger 11. Antigone: Limit and Horizon 215 Julia Kristeva Bibliography 231 Contributors 241 Index 245 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd vviiiiii 88//1199//1100 22::5522::4444 PPMM Acknowledgments Editing a book is both a solitary and deeply collective endeavor. This volume not only gathers a series of dialogues and debates in a particular academic fi eld but it is also—like most books—the result of conversations with colleagues, teachers, students, and friends. It is impossible for me to properly thank all those who have contributed along the way. Let me nevertheless attempt to mention a few. First and foremost, I want to express my gratitude to two individuals without whom this book would not exist: J. M. Bernstein, my mentor, in whose seminar on tragedy and philosophy my passion for Antigone was born; and Tina Chanter, whose tireless work on this fi gure is a source of inspiration, and who supported my proposal from the outset. Their ongoing encouragement made this project possible. Great thanks go, as well, to all of the participating authors, whose con- tributions brought this book into existence, and who were simply wonderful to work with throughout the various stages of the process. I want to thank Ella Brians, who kindly lent me her sharp eyes as I prepared the manuscript for pub- lication. My gratitude also goes to the two anonymous readers at SUNY Press, who provided helpful feedback and comments, and to Jane Bunker, Michael Campochiaro, and Eileen Meehan at SUNY Press for their invaluable assistance. I am indebted to Matt Hackett and Anne Marsella for helping me edit Julia Kristeva’s essay, and to Christina Kkona for guidance with Greek translitera- tions. I owe special thanks to Claudia Baracchi for providing keys to unlock the world of ancient Greece. I cannot properly thank Matt Hackett for the tireless work he has put into this project. His philosophical depth and language skills have been an invaluable resource, and his generosity a sign of true friendship. Finally, I would like to thank Ben Goldfarb for giving me courage in the early stages of the project; Rocío Zambrana, Stina Bergman, and my parents for their unfailing love and support; and Tana Ross and Anne Thulin, who so generously welcomed me into their home, providing the abode in which this book came to life. ix 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd iixx 88//1199//1100 22::5522::4444 PPMM x Acknowledgments !" Generous funding has been provided through J. M. Bernstein by the Philosophy Department of the New School for Social Research and by the Lars Hiertas Minne Foundation in Sweden. 3333663399__SSPP__SSOODD__FFMM__0000ii--0000xx..iinndddd xx 88//1199//1100 22::5522::4455 PPMM

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