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Facing Black and Jew: Literature as Public Space in Twentieth-Century America (Cultural Margins) PDF

238 Pages·1999·0.99 MB·English
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XXXXXX This page intentionally left blank Facing Black and Jew LiteratureasPublicSpaceinTwentieth-CenturyAmerica InFacingBlackandJew,AdamZacharyNewtoncouplesworksof prosefictionbyAfricanAmericanandJewishAmericanauthors fromHenry RothandRalph EllisontoPhilip Rothand David Bradley.Readingtheworkofsuchwritersalongsideandthrough oneanother,Newton’sbookoffersanoriginalwayofjuxtaposing twomajortraditionsinmodernAmericanliterature,andrethink- ingthesometimesvexedrelationshipbetweentwoconstituen- ciesordinarilyconfinedtosociopoliticalormediacommentary alone. Newton combines Emmanuel Levinas’s ethical philos- ophy and Walter Benjamin’s theory of allegory in shaping an innovative kind of ethical–political criticism. Through artful, dialogical readings of Saul Bellow and Chester Himes, David MametandAnnaDeavereSmith,andothers,Newtonseeksto representAmericanBlacksandJewsoutsidethedistortingmir- rorof‘‘Black–JewishRelations,’’andrestrictiveliteraryhistories alike.AfinalchapteraddressestheBlack/Jewishdimensionof theO.J.Simpsontrial. adamzacharynewtonisAssociateProfessorofEnglishat the University of Texas, Austin. He is the author of Narrative Ethics(1995)andnumerousarticlesinscholarlyjournals. XXXXXX CulturalMargins Generaleditor TimothyBrennan Department of Cultural Studies and Comparative Literature and English, UniversityofMinnesota TheseriesCulturalMarginsoriginatedinresponsetotherapidly increasing interest in postcolonial and minority discourses amongliterary and humanistscholars in the US, Europe, and elsewhere. The aim of the series is to present books which investigatethecomplexculturalzonewithinandthroughwhich dominant and minority societies interact and negotiate their differences.Studiesintheseriesrangefromexaminationsofthe debilitatingeffectsofculturalmarginalisation,toanalysesofthe formsofpowerfoundatthemarginsofculture,tobookswhich mapthevariedandcomplexcomponentsinvolvedintherela- tions of domination and subversion. This is an international series, addressing questions crucial to the deconstruction and reconstructionofculturalidentityinthelatetwentieth-century world. 1 AnnMarieSmith,NewRightsDiscoursesonRaceandSexual- ity:Britain,1968–19900521459214 2 DavidRichards,MasksofDifference:CulturalRepresentations inLiterature,Anthropology,andArt052147972x 3 Vincent,J.Cheng,Joyce,Race,andEmpire0521478596 4 Alice Gambrell, Women Intellectuals, Modernism, and Differ- ence:TransatlanticCulture,1991–1945052155688 5 Francis Barker, Peter Hulme, and Margaret Iversen (eds.), CannibalismandtheColonialWorld052162908x 6 Kenneth Mostern, Autobiography and Black Identity Politics: RacializationinTwentieth-centuryAmerica0521646790 XXXXXX Facing Black and Jew LiteratureasPublicSpacein Twentieth-CenturyAmerica Adam Zachary Newton           The Pitt Building, Trumpington Street, Cambridge, United Kingdom    The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org ©Adam Zachary Newton 2004 First published in printed format 1999 ISBN 0-511-03699-X eBook(Adobe Reader) ISBN 0-521-65106-9 hardback ISBN 0-521-65870-5 paperback ForBuster ...andotherabsentpresences: XXXXXX XXXXXX

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Adam Zachary Newton couples works of prose fiction by African American and Jewish American authors from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton offers an original way of juxtaposing two major traditions
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