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Exploring Society Photographically PDF

104 Pages·1981·6.522 MB·English
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'>fr .W* • V" * . 4 - § 4 i - *d -y*y ♦ - *.' ■*< ■ *.y * * - -*r. j'rtt-" ^ • * , •;>-■*. fc. f 4^1 f.y Af.-* '»;**/_ » / • ^ fv': . .••* * kit.., I > . • ‘ ■ '.: r. ■ 'Zt* / • V? rV'< _ -»•'.* - •*’ .j < •:' * ‘ f-' • ' ■- V • ,yv. • V - >f • - ■ »■ ■- »«^r' • » :■•••* V •■ •.#♦ r* .’•••• ••** -' .*' - - ■ y/V. • r * . /, 1 .• •• f* ,-yi*** ■ ••'' »* . *- , • .• ■ .* > *■'*'. .v .fv- ■• . -. •: -- • - - i .v ;•»'< -•*■- ■ - • •' • -- r I ♦ i ‘ • » > •. * • X>N A0 ov aA Exploring Society Balinese Character: A Photographic Analysis, Gregory Bateson Photographically is published and Margaret Mead, copyright 1942, The New York Academy of to accompany an exhibition of Sciences. Material from Balinese Character used with the permis¬ the same title on view at the sion of The New York Academy of Sciences. Cardens of War, Mary and Leigh Block Gallery, Robert Gardner and Karl G. Heider, copyright 1968, The Film Study October 16 through November Center, Peabody Museum, Harvard University. Photographs by 29, 1981. Frank Cancian used with his permission. Photographs by John Collier Jr. used with his permission. Killing Time: Life in the © Copyright 1981, Mary and Arkansas Penitentiary, Bruce Jackson, copyright 1977, Cornell Uni¬ Leigh Block Gallery, versity Press, used with the permission of Cornell University Press Northwestern University and Bruce Jackson. Photographs by Douglas A. Harper are taken Library of Congress Catalogue from Good Company: A Tramp Life by Douglas A. Harper, to be Card Number: 81-83668 published in Spring 1982 by The University of Chicago Press, ISBN 0-941680-00-2 © 1981 by Douglas A. Harper. All rights reserved. The text for "Selections from the Road" is excerpted from Good Company: A Tramp Life by Douglas A. Harper, to be published in Spring 1982 Exploring Society by The University of Chicago Press. © 1981 by The University of Photographically is distributed by Chicago. All rights reserved. Photographs by Karin B. Ohrn The University of Chicago Press used with her permission. Text by Richard Horwitz used with his permission. Photographs by Bill Aron used with his permission. Printed in the United States of Material from PATIENTS: The Experience of Illness, Mark L. America Rosenberg, MD, reproduced with the kind permission of The Printer: Congress Printing Saunders Press, Philadelphia, copyright 1980 by W. B. Saunders Company Company. Photographs by Euan Duff used with his permission. Photographs by Charles Berger used with his permission. Design: Hayward Blake & Company Composition: Automated Office Systems, Inc. Exploring Society Cover illustrations: Details from Balinese Character: A Photographically is supported Photographic Analysis by Gregory Bateson and Margaret Mead. by funds from Northwestern University, the Mary and Leigh Block Gallery Friends of Art, a grant from the Illinois Arts Council, a State agency, and a grant from the National Endowment for the Arts, a Federal agency. $ X? nO s\ s> \° Howard S. Becker Department of Sociology Northwestern University Mary and Leigh Block Gallery Northwestern University Evanston, Illinois Digitized by the Internet Archive in 2019 with funding from Kahle/Austin Foundation https://archive.org/details/exploringsocietyOOOOunse Foreword 6 Kathy Kelsey Foley Introduction g Floward 5. Becker Balinese Character 12 Gregory Bateson and Margaret Mead Cardens of War is Harvard University, Film Study Center Joel Bruinooge: The Experience of Illness 24 Mark L. Rosenberg, MD The People in Between 32 John Collier \r. Killing Time 40 Bruce Jackson Two Views of Venice, California 46 Bill Aron Two Rituals of the Xingu 54 Eduardo B. Viveiros de Castro Mac's and Mil's 60 Karin B. Ohrn and Richard P. Horwitz Flamenco Gitano: A Palo Seco 68 Charles Berger Working World 74 Euan Duff Law in Zinacantan, Mexico 80 Frank Cancian Selections from the Road 86 Douglas A. Harper Bibliography 9 4 The idea of organizing an exhibition devoted to the photo¬ graphic work of visual sociologists and anthropologists was first presented to me by Howard Becker, Professor of Soci¬ ology, in fall 1979. I spent time becoming familiar with the material and quickly learned that the world of the social scientist, particularly when photography is the research tool, is indeed most fascinating. Exploring Society Photographically thus developed and Professor Becker be¬ gan his search for significant scientific, artistic, and cultural projects to include in the exhibition and in this publication. 6

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