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Excursions with Thoreau : philosophy, poetry, religion PDF

291 Pages·2015·1.42 MB·English
by  Mooney
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Excursions with Thoreau Excursions with Thoreau Philosophy, Poetry, Religion Edward F. Mooney Bloomsbury Academic An imprint of Bloomsbury Publishing Inc Bloomsbury Academic An imprint of Bloomsbury Publishing Inc 1385 Broadway 50 Bedford Square New York London NY 10018 WC1B 3DP USA UK www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Edward F. Mooney, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1-5013-0565-8 PB: 978-1-5013-0564-1 ePub: 978-1-5013-0566-5 ePDF: 978-1-5013-0567-2 Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN [I would] go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. —Walden, “Conclusion” Suppose I try to describe faithfully the prospect which a strain of music exhibits to me. The field of my life becomes a boundless plain, glorious to tread, with no death nor disappointment at the end of it. All meanness and trivialness disappear. I become adequate to any deed. No particulars survive this expansion; persons do not survive it. In the light of this strain there is no thou nor I. We are actually lifted above ourselves. —Journal, January 15, 1857 [O]ur prospects brighten on the influx of better thoughts. We should be blessed if we lived in the present always, and took advantage of every accident that befell us. —Walden, “Spring” [G]ratitude for life having been given at all is the spring of remembrance, for a life is cherished even in misery … What ultimately stills the fear of death is not hope or desire [for outcomes], but remembrance and gratitude —Hannah Arendt, Love and St. Augustine* * Epigraphs: Walden; or Life in the Woods, Jeffrey Cramer (ed.) (New Haven: Yale University Press, 2004), “Conclusion” p. 133 [para 4]; I give paragraph numbers in brackets after chapter titles for Walden. Journal January 15, 1857, p. 222; Journal citations will be from The Journal of Henry D. Thoreau, Bradford Torrey (ed.) (Boston: Houghton Mifflin, 2006) Vols I–XIV, available on-line: The Writings of Henry David Thoreau: The Digital Collection. Walden, “Spring,” p. 303 [para 19]. Hannah Arendt, Love and St. Augustine (Chicago: University Press, 1996), p. 52. Contents Acknowledgments ix Note on Abbreviations xi Preface xiii 1 Overture 1 2 Celebration and Lamentation 17 3 Sympathy with Intelligence 37 4 Concord Reflections 59 5 Transforming Perceptions 81 6 Ethics and the Wild 97 7 Expressive Bones 111 8 Child of the Mist 119 9 Deaths and Rebirths 135 10 Affliction and Affinity 147 11 John Brown 165 12 Souls in Infinite Culture 179 13 Currents of Time 191 14 Grounding Poetry 203 15 Face of the River 223 Closing Thoughts 239 Closing Images, Reveries, Prayers 241 Closing Passions 243 Chronology 253 Works Cited 255 Credits 263 Index 265 Acknowledgments Writing is invitational and conversational. Whether we are rational, knowing or political animals, whether we are wounded, grieving or laughing animals, whether our primary capacity is language-use, cultural-construction, tool-use, or reverencing, each of these distinctively human activities and sufferings emerges in the nexus of our being passionately conversational. We are beings who negotiate the truths of our condition through earnest, playful, practical, tragical, comical, and stoical improvisations. This conversing seems destined to invite ever-wider circles of participants who listen often cross- generationally and over centuries to ongoing and emerging flows, adding to (and subtracting from) the mutuality of address that gives direction and depth to human existence. Jim Hatley invited my thoughts on Thoreau and Levinas; I invited Lyman Mower to join in for it was he who first made the startling suggestion that the two might converse fruitfully. Clark West invited me to think of Thoreau’s narration of Hannah Duston’s capture and her revenge killings as the Fall of America, and prompted me to think twice about Levinas’ story of the woman with bread and a brick. Some women and men are islands but luckily not all, or not all the time, and become partners in conversing. I’ve learned from Carson Webb, Rob Reuhl, and Andrew Corsa of Syracuse, from Kristen Case and Brendan Mahoney, of Maine and Vermont, from Sandy and Emily Budick and Milette Shamir, of Jerusalem and Tel Aviv. Ada Jaarsma of the Canadian colds got me to speak about warm passions. Tzachi and Orit Zamir welcomed my wandering ways and aimed me toward aspects of yoga and Lear’s fury I otherwise would have missed. William Day put me on the track of Virgil’s Aeneas contemplating war and seeing a world where “things weep,” and thanks to Dan Conway who years ago pushed me along toward Thoreau long before the Concord saunterer really took hold. I’ve taken heart and learned from the inspiring Branka Arsić, and from Kelly Jolley, who invited me to Auburn; they’ve been nothing but encouraging. Tami Yaguri has been at my side throughout and helpful on the anomaly of becoming young through aging. I’ve learned from William Eaton, editor of Zeteo, from Haaris Naqvi my editor, from Steve Webb, a friend who knows Henry Bugbee and Thoreau’s Journal inside out, from Gary Whited, a brother and poet in Boston, from Rick Furtak, my long-time Colorado friend who showed how to shift gears from Kierkegaard

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Excursions with Thoreau is a major new exploration of Thoreau's writing and thought that is philosophical yet sensitive to the literary and religious. Edward F. Mooney's excursions through passages from Walden, Cape Cod, and his late essay “Walking” reveal Thoreau as a miraculous writer, artist,
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