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European Liberty: Four Essays on the Occasion of the 25th Anniversary of the Erasmus Prize Foundation Raymond Aron, Isaiah Berlin, Leszek Kolakowski, Marguerite Yourcenar PDF

144 Pages·1983·6.654 MB·English
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Preview European Liberty: Four Essays on the Occasion of the 25th Anniversary of the Erasmus Prize Foundation Raymond Aron, Isaiah Berlin, Leszek Kolakowski, Marguerite Yourcenar

EUROPEAN LIBERTY EUROPEAN LIBERTY FOUR ESSAYS ON THE OCCASION OF THE 25TH ANNIVERSARY OF THE ERASMUS PRIZE FOUNDATION RAYMOND ARON, ISAIAH BERLIN, LESZEK KOLAKOWSKI, MARGUERITE YOURCENAR BY PIERRE MANENT, ROGER HAUSHEER, WOJCIECH KARPINSKI, WALTER KAISER 1983 MARTIN US NIJHOFF PUBLISHERS A MEMBER OF THE KLUWER ACADEMIC PUBLISHERS GROUP THE HAGUE/BOSTON/LANCASTER Distributors for the United States and.Canada: Kluwer Boston, Inc., I90 Old Derby Street, Hing ham, MA 02043, USA for all other countries: Kluwer Academic Publishers Group, Distribution Center, P.O. Box 332, 3300 AH Dordrecht, The Netherlands ISBN-13: 978-94-009-6907-0 e-ISBN-13: 978-94-009-6905-6 DOl: 10.1 007/978-94-009-6905-6 Copyright © I983 by Martinus Nijhoff Publishers, The Hague. Softcover renrint of the hardcover 1s t edition 1983 All rights reserved. No part of this publication may be reproduced, stored in a re trieval system, or transmitted in any form or by any means, mechanical, photocopy ing, recording, or otherwise, without the prior written permission of the publishers, Martinus NijhoffPublishers, P.O. Box 566, 250I CN The Hague, The Netherlands. Table of contents Foreword VII I RAYMOND ARON by Pierre Manent T exte Originale 24 II ISAIAH BERLIN AND THE EMERGENCE OF LIBERAL PLURALISM by Roger Hausheer 49 III LESZEK KOLAKOWSKI: A PORTRAIT by Wojciech Karpinski IV THE ACHIEVEMENT OF MARGUERITE YOURCENAR by Walter Kaiser 107 ABOUT THE AUTHORS Photographs Opposite page I: Raymond Aron. Courtesy of L'Express, Paris. Page 48: Isaiah Berlin. Page 82: Leszek Kolakowski. Courtesy of BJ. Harris, Oxford. Page 106: Marguerite Yourcenar. Courtesy of Jean-Pierre La!font/Sygma. Foreword This book has been published to mark the twenty-fifth anniversary of the Erasmus Prize and underline the importance of the four laureates who received the Prize in the jubileum year. Raymon Aron, Isaiah Berlin, Leszek Kolakowski and Marguerite Y ourcenarcan be considered four outstanding representatives of the unique European intellectual tradition that is characterised by its critical sense and respect for freedom of the individual. It is for this reason that they have been awarded the Erasmus Prize. The essays included in this book are devoted to these four personalities, a Frenchman strongly influenced by the German philosophical tradition, a Russian who has settled in Oxford, a philosopher banned from his native Poland, and a Frenchwoman of Belgian origin living in America. Each has demonstrated in his or her own way that the ideas on and ideals of European culture and tradition are oflasting value. Each recognizes that human values can only flourish in a pluralistic society, a society in which 'Ie juste milieu' must constantly be sought. The temptation to succumb to monistic, dogmatic and intolerant tendencies that continue to threaten our civilisation not only from the outside but also from within, must be continually resisted. The dignity of man reaches full maturity first and foremost in a society in which man is the moulder and maker of himself and freedom of the individual stands central. Through the spiritual and intellectual process that the four laureates have undergone and their impressive erudition, it is evident that this spiritual richness which forms such an essential part of the European tradition, is most meaningful and lasting when not just inherited, but achieved through hard work, the application of a critical sense and intellectual integrity. We are most grateful to the four authors, designated by the laureates themselves, for having prepared these essays in such a short time and with so much dedication. And lastly, one hopes this book will be read not only by intellectuals and lovers of the 'bonae litterae', but also by the youth of Europe, for it is they, after all, whose task it will be to guard over, defend and pursue the message of these four exemplary Europeans. H.R. Hoetink, director Raymond Aron Among the features that might characterize the XXth century - the one which begins in 1914-at least three are indisputable: in the political field, wars and revolutions which seem to defy all reason by the discrepancy between the mediocrity of men and the scope of the events, by the du ration of their destructive momentum which no longer seems to be con trolled by any rational intent, sometimes even by the active presence of some malignant will which becomes an end in and of itself; in the intellec tual sphere, the separation of intellectual activity into varied disciplines which no longer have any necessary relation to each other, a specializa tion built upon the authority of that which we call science, however de structive of the organizing and integrating capacity of the human spirit; and finally in the spiritual realm, the swayofa temptation, that of bidding adieu to reason. Martin Heidegger, the greatest philosopher of the cen tury, who for some years lent his authority to the national-socialist move ment and who, disdaining any retractatio, ceaselessly denounced reason as 'the most relentless enemy of thought', bears witness to this temptation with emblematic clarity. When the last great representative of German philosophical thought makes an alliance with Acheron, when the com munist movement in the name of the realization and the consummation of the Enlightenment restores the witch trials, how can one maintain one's reason? How can one protect the human city? It is an instructive paradox that in the upheaval caused by his contact with a Germany toppling into darkness, a FrenchJew, faithful to the tra dition of the Enlightenment, found the impetus and resources to confront the danger. The German experience protected Raymon Aron - although one had to be permeable to its lesson - from the liberal naivete so wide spread in France. By revealing the dependence of political events upon the adventures of the mind, it also saved him from the traditionalist and empiricist complacency to which an old civic culture such as the Anglo Saxon tends; in this particular case the German experience revived the Cartesian elan: the mind is not free as long as it is incapable of unraveling the long chain of motives that underlie events. With apparent effortless ness, Raymond Aron has maintained these three loyalties, tempered and 2 enlightened by each other, to the German philosophic ambition, to the French intransigence and clarity and to the Anglo-Saxon civic spirit: this marks the breadth of his soul as well as the vivacity of his mind. Born in 1905 of an assimilatedJe wish family from Lorraine, Raymond Aron received the education and followed the same academic curriculum as a number of 'good students' who were to become famous after World War II: the Ecole Normale Superieure (1924 - 1928), where he would meet Jean-Paul Sartre and Paul Nizan; his philosophy 'agregation' (1928); his stay in Germany (Cologne in 1930 - 1931; Berlin from 1931 to 1933). This visit led Aron to break with the dominant ideas of the aca demic circle of which he was a part in Paris. In this circle the two main personalities were Leon Brunschvicg and Alain. The former, a dis tinguished mind, retraced the history of western philosophy and read therein the growing progress of rationality which he identified with sci ence. He tended to consider that henceforth the task of philosophy was but to comment on the results and above all the procedures of science; he was hardly interested in politics. The second personality, an entrancing teacher, cruelly marked by his experience in World War I, developed an ti-authoritarian political considerations, inviting citizens to always be ware of the powers-that-be, to whom they owed obedience but never re spect. Brunschvicg's political insensitivity and Alain's summary and literary politics did not help Aron to understand what was happening before his eyes on the other side of the Rhine. Other efforts were required to understand history and politics; other methods, another kind of knowledge than that with which university philosophers and partisan essayists contented themselves. To be sure, French sociology - the disciples of Durkheim - was not lacking in either knowledge or method; however, it seemed to have nothing to say about the political events which it disdained, those political events which the Russian Revolution had glaringly shown determined the fate of men. And now, here was Raymond Aron in Germany who would read a good number of authors who, to differing degrees, asked the same questions as the questions which the French ignored: what does it mean to understand an historic event? Can the historian achieve objectivity? What method is adapted tot the understanding of the political and historical universe? What is the relationship between the actor and the spectator in history? Dilthey and Weber were the two greatest thinkers to deal with these questions. Aron was above all fascinated by Max Weber. Above and beyond his incomparable erudition, his penetrating historical insights, the fecundity 3 of his methodological propositions, the Stimmung of the German sociol ogist won him over: the existence simultaneously of the most rigorous scientific ideal and the most acute awareness of the tragic nature of his tory, tragic because it obliged human liberty to choose between causes when reason itself could not. Weber's influence on Aron, regularly re marked upon by commentators and recognized by Aron himself, is all the more worthy of our consideration precisely since the general tone of the two works is so different. Weber's vehement and movingly overcharged writing contrasts with Aron's extreme sobriety of tone. The latter never adopted in either style or thought the nietzschean mood that was so evi dent in the work of the German sociologist. IfA ron never systematically developed his criticism of the weberian philosophy or method, this criti cism can be found and is none the less clear for its being implicit, in this stylistic difference: if, in order to remain faithful to the scientific ideal, we must renounce transcendental religions, then why conserve the pathos with which for ages the faithful described 'the wretchedness of man with out God'? If scientific knowledge is today our only recourse, then why highlight the contradictions oflife and science, dramatization which can only hinder the salutary influence of this knowledge upon action? In any case, if this reception, renewal and correction of Max Weber had decisive consequences on Aron's own itinerary, its consequences on the destiny of Weber's thought were also not negligible. It was largely due to Aron that readers were prevented from becoming obsessed by weberi an nietzscheism and expressionism, and that the knowledgeable and per ceptive sociologist was not eclipsed by the Machtpolitiker. In some ways, it is in part thanks to the aronian renewal-Aron's interpretation of Weber as well as Aron's own personal work - that Max Weber owes his healthi est posterity in European sociology. Indelibly marked by his encounter with Max Weber, Raymond Aron, back in France, wrote his 'these d'Etat', which he defended in 1938 and a published the same year under the title Introduction la Philosophie de ['His toire. The occasion was an intellectual event; the Revue de Metaphysique et de Morale gave an account of the defence. Henri-Irenee Marrou said later that Aron's stay in Germany was an important moment for French intel lectual history because it contributed substantially by the intermediary of the dissertation, to the weakening of the then dominant historical and sociological positivism. Besides, the members of the jury - in particular the philosopher Leon Brunschvicg and the sociologists Celestin BougIe and Paul Fauconnet - were themselves in one form or another, marked by

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