Ethnomusicology 2009: Vol 53 Index & Table of Contents

2009·1.6 MB·English

VoL. 53, No. 3 ETHNOMUSICOLOGY Fait 2009
Index to Volume 53
A
“Acoustemology, Indigeneity, and Joik in Valkeapaa’s Symphonic Activism: Views from Europe’s
Arctic Fringes for Environmental Ethnomusicology,” by Tina K. Ramnarine, 2:187-217
Aragon y Valencia (recording), rev. by Jesus A. Ramos-Kittrell, recorded by Alan Lomax, 1:171-
76
ARNOLD, ALISON, rev. of recordings, Sidi Goma: Live in India! D'Bhuyaa Saaj: Live in India!;
The Rivers of Babylon: Live in India!, 1:166-70
Asante Kete Drumming: Music of Ghana (recording), rev. by James Burns, 1:159-65
B
BAKAN, MICHAEL B., “Measuring Happiness in the Twenty-First Century: Ethnomusicology,
Evidence-Ba sed Research, and the New Science of Autism,” 3:510-18
Balkan Popular Culture and the Ottoman Ecumene: Music, Image and Regional Political
Discourse, edited by Donna A. Buchanan, rev. by Irene Markoff, 2:336-43
Basque Country: Biscay and Guipuzcoa (recording), rev. by Jesus A. Ramos-Kittrell, recorded
by Alan Lomax, 1:171-76
Basque Country: Navarre (recording), rev. by Jesus A. Ramos-Kittrell, recorded by Alan Lomax,
1:171-76
BEASTERJ-AYJSONO, N“EEverSgr,een s to Remixes: Hindi Film Songs and India’s Popular Music
Heritage,” 3:425-48
BECKER, JUDITH, “Ethnomusicology and Empiricism in the Twenty-First Century,” 3:478-501
Bissa du Burkina Faso: Musique vocale et instrumentale (recording), rev. by James Burns,
1:159-65
Black Mirror: Reflections in Global Musics (recording), rev. by Jeremy Wallach, 1:176-78
BUCHANAN, DONNAA. ed., Balkan Popular Culture and the Ottoman Ecumene: Music, Image
and Regional Political Discourse, rev. by Irene Markoff, 2:336-43
BUCKLAND, THERESA JILL, Dancing from Past to Present: Nation, Culture, Identities, rev. by
Colin Quigley, 3:522-25
BURNS, JAMES, rev. of recordings, Bissa du Burkina Faso: Musique vocale et instrumentale;
Choeurs royaux du Benin: Fon-Gbe d’Abomey; Mossi du Burkina Faso: Musiques de
coeur et de village; Yoruba du Benin: Sakara & Gelede; Asante Kete Drumming: Music
of Ghana; Niger: Musique des Touaregs, Vol. 1: Azawagh, 1:159-65
C
“A Carioca Blade Runner,o r How Percussionist Marcos Suzano Turned the Brazilian Tambourine
into a Drum Kit, and Other Matters of (Politically) Correct Music Making,” by Frederick
Moehn, 2:277-307
© 2009 by the Society for Ethnomusicology
536 Ethnomusicology, Fall 2009 Index 536
CASTELO-BRANCO, SALWA EL-SHAWAN, rev. of Music in Egypt: Experiencing Music, Expressing
Culture, by Scott L. Marcus, 2:343-45
Choeurs royaux du Benin: Fon-Gbe d’Abomey (recording), rev. by James Burns, 1:159-65
COHEN, JUDAH, “Music Institutions and the Transmission of Tradition,” 2:308-325
“Concept, Style, and Structure in the Music of the African Pygmies and Bushmen: A Study in
Cross-Cultural Analysis,” by Victor A. Grauer, 3:396-424
D
Dancing from Past to Present: Nation, Culture, Identities, edited by Theresa Jill Buckland, rev.
by Colin Quigley, 3:522-25
D’Bbhuyaa Saaj: Live in India! (recording), rev. by Alison Arnold, 1:166-70
DUJUNCO, MERCEDES M.., rev. of Plucking the Winds: Lives of Village Musicians in Old and
New China, by Stephen Jones, 2:346-50
E
“Ecology, Phenomenology, and Biocultural Thinking: A Response to Judith Becker, by Jeff Todd
Titon, 3:502-09
Electric Folk: The Changing Face of English Traditional Music, by Britta Sweers, rev. by Eoghan
Neff, 2:326-29
ENGELHARDT, JEFFERS, “Right Singing in Estonian Orthodox Christianity: A Study of Music, The-
ology, and Religious Ideology,” 1:32-57; rev. of The Singing Revolution (DVD), 1:179-81
“Ethnomusicology and Empiricism in the Twenty-First Century,” by Judith Becker, 3:478-501
“Ethnomusicology and the Twenty-First Century Music Scene,” by Bill Ivey, 1:18-31
“Evergreens to Remixes: Hindi Film Songs and India’s Popular Music Heritage,” by Jayson Beaster-
Jones, 3:425-48
Extremadura (recording), rev. by Jesus A. Ramos-Kittrell, recorded by Alan Lomax, 1:171-76
F
FLORES, JUAN, rev. of From Mambo to Hip Hop: A Bronx Tale (DVD), 1:181-84
“Flowing Down Taiwan’s Tamsui River: Towards an Ecomusicology of the Environmental Imagi-
nation,” by Nancy Guy, 2:218-48
From Mambo to Hip Hop: A Bronx Tale (DVD), rev. by Juan Flores, 1:181-84
Funeral Chants of the Caucasus (DVD), by Hugo Zemp, rev. by John A. Graham, 2:357-60
G
Galicia (recording), rev. by Jesus A. Ramos-Kittrell, recorded by Alan Lomax, 1:171-76
GELBART, MATTHEW, “‘The Language of Nature’: Music as Historical Crucible for the Methodol-
ogy of Folkloristics,” 3:363-95
GRAHAM, JOHN A., rev. of Funeral Chants of the Caucasus (DVD), by Hugo Zemp, 2:357-60
GRAUER, VICTOR A., “Concept, Style, and Structure in the Music of the African Pygmies and
Bushmen: A Study in Cross-Cultural Analysis,” 3:396-424
GUY, NANCY, “Flowing Down Taiwan’s Tamsui River: Towards an Ecomusicology of the Envi-
ronmental Imagination,” 2:218-48
Index
H
HARRIS, RACHEL, rev. of Where Rivers and Mountains Sing: Sound, Music, and Nomadism in
Tuva and Beyond, by Theodore Levin, 1:142-44
HILL, JUNIPER,“Rebellious Pedagogy, Ideological Transformation, and Creative Freedom in Finn-
ish Contemporary Folk Music,” 1:86-114
HILL, SARAH, rev. of Sgt. Pepper and the Beatles: lt Was Forty Years Ago Today, edited by Olivier
Julien, 2:329-32
Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church, by Barbara Rose Lange,
rev. by Iren Kertesz-Wilkinson, 2:332-36
I
IVEY, BILL,“ Ethnomusicology and the Twenty-First Century Music Scene,” 1:18-31
J
JACOBSEN, KRISTINA, “Rita(hhh): Placemaking and Country Music on the Navajo Nation,”
3:449-77
Jobn Work, III: Recording Black Culture (recording), rev. by Susan E. Oehler, 2:351-54
JONES, STEPHEN, Plucking the Winds: Lives of Village Musicians in Old and New China, rev
by Mercedes M. DuJunco, 2:346-50
JULIEN, OLIVIER, ed., Sgt. Pepper and the Beatles: It Was Forty Years Ago Today, rev. by Sarah
Hill, 2:329-32
K
KERTESZ-WILKINSON, IREN, rev.o f Holy Brotherbood: Romani Music in a Hungarian Pente-
costal Church, by Barbara Rose Lange, 2:332-36
Kusisqa Waqashayku [From grief and joy we sing] (DVD), directed by Holly Wissler, rev. by
Raul R. Romero, 3:529-32
L
LANGE, BARBARA ROSE, Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church,
rev. by Iren Kertesz-Wilkinson, 2:332-36
“The Language of Nature’: Music as Historical Crucible for the Methodology of Folkloristics,”
by Matthew Gelbart, 3:363-95
LAU, FREDERICK, Music in China: Experiencing Music, Expressing Culture, rev. by Jonathan
P. J. Stock, 1:156-58
LEVIN, THEODORE, Where Rivers and Mountains Sing: Sound, Music, and Nomadism in
Tuva and Beyond, rev. by Rachel Harris, 1:142-44
LOMAX, ALAN, recordings, Galicia; Aragony Valencia; Extremadura; Basque Country: Biscay
and Guiptizcoa; Basque Country: Navarre, rev. by Jesus A.R amos-Kittrell, 1:171-76
M
MACHIN, MATTHEW, rev. of Music and Marx: Ideas, Practice, Politics, edited by Regula Burck-
hardt Qureshi, 3:519-22
538 Ethnomusicology, Fall 2609 Index 538
MANUEL, PETER, rev. of Mobilizing India:Women, Music, and Migration between India and
Trinidad, by Tejaswini Niranjana, 1:144-46
MARCUS, SCOTT L., Music in Egypt: Experiencing Music, Expressing Culture, rev. by Salwa
El-Shawan Castelo-Branco, 2:343-45
MARKOFE IRENE, rev. of Balkan Popular Culture and the Ottoman Ecumene: Music, Image
and Regional Political Discourse, edited by Donna A. Buchanan, 2:336-43
McDONALD, DAVID A.,“Poetics and the Performance of Violence in Israel/Palestine,” 1:58-85
“Measuring Happiness in the Twenty-First Century: Ethnomusicology, Evidence-Based Research,
and the New Science of Autism,” by Michael B. Bakan, 3:510-18
MERCHANT, TANYA, rev. of recording, Uzbekistan, Maqam Dugah: Uzbek-Tajik Shash-maqam,
3:526-28
Mobilizing India:Women, Music, and Migration between India and Trinidad, by Tejaswini
Niranjana, rev. by Peter Manuel, 1:144-46
MOEHN, FREDERICK,“ A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned
the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music
Making,” 2:277-307
Mossi du Burkina Faso: Musiques de coeur et de village (recording), rev. by James Burns,
1:159-65
Music and Marx: Ideas, Practice, Politics, edited by Regula Burckhardt Qureshi, rev. by Mat-
thew Machin, 3:519-22
Music in China: Experiencing Music, Expressing Culture, by Frederick Lau, rev. by Jonathan
P. J. Stock, 1:156-58
Music in Egypt: Experiencing Music, Expressing Culture, by Scott L. Marcus, rev. by Salwa El-
Shawan Castelo-Branco, 2:343-45
“Music Institutions and the Transmission of Tradition,” by Judah M. Cohen, 2:308-325
Music Making in the Arab World: The Culture and Artistry of Tarab, by Ali Jihad Racy, rev. by
Anne K. Rasmussen, 1:152-55
N
NEFE EOGHAN , rev. of Electric Folk: The Changing Face of English Traditional Music, by Britta
Sweers, 2:326-29
Niger: Musique des Touaregs, Vol. 1: Azawagh (recording), rev. by James Burns, 1:159-65
NIRANJANA, TEJASWINI, Mobilizing India:Women, Music, and Migration between India and
Trinidad, rev. by Peter Manuel, 1:144-46
NYAHO, WILLIAM H. CHAPMAN, ed., Piano Music of Africa and the African Diaspora, Vol. 1,
Piano Music of Africa and the African Diaspora, Vol. 2, Piano Music of Africa and the
African Diaspora, Vol. 3, rev. by Caroline Rae, 1:146-51
O
OEHLER, SUSAN E., rev. of recording, John Work, III: Recording Black Culture, 2:351-54
OMOJOLA, BODE, “Politics, Identity, and Nostalgia in Nigerian Music: A Study of Victor Olaiya’s
Highlife,” 2:249-76
P
Piano Music of Africa and the African Diaspora, Vol. 1, Piano Music of Africa and the African
Diaspora, Vol. 2, Piano Music of Africa and the African Diaspora, Vol. 3, edited by William
H. Chapman Nyaho, rev. by Caroline Rae, 1:146-51
Plucking the Winds: Lives of Village Musicians in Old and New China, by Stephen Jones, rev.
by Mercedes M. DuJunco, 2:346-50
Index 539
“Poetics and the Performance of Violence in Israel/Palestine” by David A.M cDonald, 1:58-85
“Politics, Identity, and Nostalgia in Nigerian Music: A Study of Victor Olaiya’s Highlife,” by Bode
Omojola, 2:249-76
PO-WEI WENG, rev. of What Is the Chinese Opera? (DVD), directed by Shu Kong, 3:532-34
Q
QUIGLEY, COLIN, rev. of Dancing from Past to Present: Nation, Culture, Identities, edited by
Theresa Jill Buckland, 3:522-25
QURESHI, REGULA BURCKHARDT, ed., Music and Marx: Ideas, Practice, Politics, rev. by Mat-
thew Machin, 3:519-522
R
RACY, ALI JIHAD, Music Making in the Arab World: The Culture and Artistry of Tarab, rev. by
Anne K. Rasmussen, 1:152-55
RAE, CAROLINE, rev. of Piano Music of Africa and the African Diaspora, Vol. 1, Piano Music of
Africa and the African Diaspora, Vol. 2, Piano Music of Africa and the African Diaspora,
Vol. 3, edited by William H. Chapman Nyaho, 1:146-51
RAMNARINE, TINA K. “Acoustemology, Indigeneity, and Joik in Valkeapaa’s Symphonic Activ-
ism: Views from Europe’s Arctic Fringes for Environmental Ethnomusicology,” by Tina K.
Ramnarine, 2:187-217
RAMOS-KITTRELL, JESUS A., rev. of recordings, Galicia; Aragon y Valencia; Extremadura;
Basque Country: Biscay and Guipuzcoa; Basque Country: Navarre, recorded by Alan
Lomax, 1:171-76
RASMUSSEN, ANNE K., rev. of Music Making in the Arab World: The Culture and Artistry of
Tarab, by Ali Jihad Racy, 1:152-55
“Rebellious Pedagogy, Ideological Transformation, and Creative Freedom in Finnish Contemporary
Folk Music,” by Juniper Hill, 1:86-114
REYES, ADELAIDA, What Do Ethnomusicologists Do? An Old Question for a New Century,
1:1-17
“Right Singing in Estonian Orthodox Christianity: A Study of Music, Theology, and Religious
Ideology,” by Jeffers Engelhardt, 1:32-57
“Rita(hhh): Placemaking and Country Music on the Navajo Nation,” by Kristina Jacobsen, 3:449-
The Rivers of Babylon: Live in India! (recording), rev. by Alison Arnold, 1:166-70
ROMERO, RAUL R., rev. of Kusisqgqa Waqashayku [From griaendf j oy we sing] (DVD), directed
by Holly Wissler, 3:529-32
S
SHU KONG, dir., What Is the Chinese Opera? (DVD), rev. by Po-wei Weng, 3:532-34
Siaka, An African Musician (DVD), by Hugo Zemp, rev. by Julie Strand, 2:355-57
Sidi Goma: Live in India! (recording), rev. by Alison Arnold, 1:166-70
The Singing Revolution (DVD), rev. by Jeffers Engelhardt, 1:179-81
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today, edited by Olivier Julien, rev. by Sarah
Hill, 2:329-32
STOCK, JONATHAN P. J., rev. of Music in China: Experiencing Music, Expressing Culture, by
Frederick Lau, 1:156-58
STRAND, JULIE, rev. of Siaka, An African Musician (DVD), by Hugo Zemp, 2:355-57
SWEERS, BRITTA, Electric Folk: The Changing Face of English Traditional Music, rev.by Eoghan
540 Ethnomusicology, Fall 2009 Index 540
T
TITON, JEFF TODD, “Ecology, Phenomenology, and Biocultural Thinking: A Response to Judith
Becker, 3:502-09
U
Uzbekistan, Maqgam Dugah: Uzbek-Tajik Shash-maqam (recording), rev. by Tanya Merchant,
3:526-28
WwW
WALLACH, JEREMY, rev. of recording, Black Mirror: Reflections in Global Musics, 1:176-78
“What Do Ethnomusicologistsn Do? An Old Question for a New Century,” by Adelaida Reyes,
1:1-17
What Is the Chinese Opera? (DVD), directed by Shu Kong, rev. by Po-wei Weng, 3:532-34
Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond, by
Theodore Levin, rev. by Rachel Harris, 1:142-44
WISSLER, HOLLY, dir., Kusisqa Waqashayku [From griaendf j oy we sing] (DVD), rev. by Raul
R. Romero, 3:529-32
Y
Yoruba du Benin: Sakara & Gelede (recording), rev. by James Burns, 1:159-65
Z
ZEMP, HUGO, Siaka, An African Musician (DVD), rev. by Julie Strand, 2:355-57
ZEMP, HUGO, Funeral Chants of the Caucasus (DVD), rev. by John A. Graham, 2:357-60
rte