Table Of Content

ETHNOMUSICOLOGY FALL 2001 Index to Volume 45 A BUCKLAND. THERESAJ . (ed.), Dancei n the All That Is Not Given Is Lost: Irish Tradition- Field: Theory, Methods, and Issues in al Music, Copyright, and Common Prop- Dance Ethnography, rev. by Judith erty,” by Anthony McCann, 1:89-106 Lynne Hanna, 1:177-180 Annual List of Theses and Dissertations,” by Jennifer C. Post, 1:150-156 Kk Anthology of Korean Traditional Folksongs Las Calenas Son Como Las Flores: The Rise (Han'guk minyo taejon) (recording), of All-Women Salsa Bands,” by Lise Wax- rev. by Keith Howard, 3:521-24 er, 2:228-259 AVORGBEDOR, DANIEL, “Competition and CAMPBELL, PATRICIA SHEHAN, Songs in Conflict as a Framework for Understand- Their Heads, rev. by Kari Veblen, 2:353- ing Performance Culture among the Ur- 355 ban Anlo-Ewe,” 2:260-283 CAVICCHI, DANIEL, Tramps Like Us: Mu- sic and Meaning among Springsteen B Fans, rev. by Harris M. Berger, 2:357- BAR-YOSEF, AMATZIA, “Musical Time Orga- 358 nization and Space Concept: A Model of China: “The Sonic Dimensions of National- Cross-Cultural Analogy,” 3:423-42 ism in Modern China: Musical Represen BERGER, HARRIS M., rev. of Tramps Like tation and Transformation,” by Sue Us: Music and Meaning among Spring- ruohy, 1:107-131 steen Fans, by Daniel Cavicchi, )-357- Chinese Opera (video), rev. by J. Lawrence 358 Witzleben, 1:189-193 ‘The Bible, Prayer, and Maqam: Extra-Musi- rhe Classification of Musical Instruments cal Associations of Syrian Jews,” by Mark Changing Trends in Research from the Kligman, 3:443-79 Late Nineteenth Century, with Special A Blues Life, by Henry Townsend, rev. by Reference to the 1990s, by Margaret Stuart Goosman, 2:362-365 Kartomi, 2:284-314 “Books in the Nineties: A Collaborative Re- Competition and Conflict as a Framework view Essay—Part I” (review essay), by for Understanding Performance Culture Hiromi Lorraine Sakata, Melinda Russell, among the Urban Anlo-Ewe,” by Daniel and Victoria Lindsay Levine, 1:157-169 Avorgbedor, 2:260-283 ‘Books in the Nineties: A Collaborative Re- Creative Traditional Orchestral Music view Essay—Part II” (review essay), by (Ch’angjak kugak kwanbyonak) (re- Ellen Koskoff and Deborah Wong, 3:538- cording), rev. by Keith Howard, 3:524- ~ 18 BOR, JOEP (ed.), The Raga Guide: A Survey of 74 Hindustani Songs (recording), rev D by Peter Manuel, 3:527-28 Dance in the Field: Theory, Methods, and Briefly Noted: Performance Instruction Issues in Dance Ethnography, by There- Manuals; Song Books and Music Anthol- sa J. Buckland (ed.), rev. by Judith Lynne ogies” (review article), by Victoria Lind- Hanna, 1:177-180 say Levine, 3:552-96 DIETHRICH, GREGORY, rev. of Music of BROWNER, TARA, rev. of The Power of Kio- Hindu Trinidad, by Helen Myers, 1:174- wa Song, by Luke E. Lassiter, 1:170-172 ETHNOMUSICOLOGY FALL 2001 Index to Volume 45 A BUCKLAND. THERESAJ . (ed.), Dancei n the All That Is Not Given Is Lost: Irish Tradition- Field: Theory, Methods, and Issues in al Music, Copyright, and Common Prop- Dance Ethnography, rev. by Judith erty,” by Anthony McCann, 1:89-106 Lynne Hanna, 1:177-180 Annual List of Theses and Dissertations,” by Jennifer C. Post, 1:150-156 Kk Anthology of Korean Traditional Folksongs Las Calenas Son Como Las Flores: The Rise (Han'guk minyo taejon) (recording), of All-Women Salsa Bands,” by Lise Wax- rev. by Keith Howard, 3:521-24 er, 2:228-259 AVORGBEDOR, DANIEL, “Competition and CAMPBELL, PATRICIA SHEHAN, Songs in Conflict as a Framework for Understand- Their Heads, rev. by Kari Veblen, 2:353- ing Performance Culture among the Ur- 355 ban Anlo-Ewe,” 2:260-283 CAVICCHI, DANIEL, Tramps Like Us: Mu- sic and Meaning among Springsteen B Fans, rev. by Harris M. Berger, 2:357- BAR-YOSEF, AMATZIA, “Musical Time Orga- 358 nization and Space Concept: A Model of China: “The Sonic Dimensions of National- Cross-Cultural Analogy,” 3:423-42 ism in Modern China: Musical Represen BERGER, HARRIS M., rev. of Tramps Like tation and Transformation,” by Sue Us: Music and Meaning among Spring- ruohy, 1:107-131 steen Fans, by Daniel Cavicchi, )-357- Chinese Opera (video), rev. by J. Lawrence 358 Witzleben, 1:189-193 ‘The Bible, Prayer, and Maqam: Extra-Musi- rhe Classification of Musical Instruments cal Associations of Syrian Jews,” by Mark Changing Trends in Research from the Kligman, 3:443-79 Late Nineteenth Century, with Special A Blues Life, by Henry Townsend, rev. by Reference to the 1990s, by Margaret Stuart Goosman, 2:362-365 Kartomi, 2:284-314 “Books in the Nineties: A Collaborative Re- Competition and Conflict as a Framework view Essay—Part I” (review essay), by for Understanding Performance Culture Hiromi Lorraine Sakata, Melinda Russell, among the Urban Anlo-Ewe,” by Daniel and Victoria Lindsay Levine, 1:157-169 Avorgbedor, 2:260-283 ‘Books in the Nineties: A Collaborative Re- Creative Traditional Orchestral Music view Essay—Part II” (review essay), by (Ch’angjak kugak kwanbyonak) (re- Ellen Koskoff and Deborah Wong, 3:538- cording), rev. by Keith Howard, 3:524- ~ 18 BOR, JOEP (ed.), The Raga Guide: A Survey of 74 Hindustani Songs (recording), rev D by Peter Manuel, 3:527-28 Dance in the Field: Theory, Methods, and Briefly Noted: Performance Instruction Issues in Dance Ethnography, by There- Manuals; Song Books and Music Anthol- sa J. Buckland (ed.), rev. by Judith Lynne ogies” (review article), by Victoria Lind- Hanna, 1:177-180 say Levine, 3:552-96 DIETHRICH, GREGORY, rev. of Music of BROWNER, TARA, rev. of The Power of Kio- Hindu Trinidad, by Helen Myers, 1:174- wa Song, by Luke E. Lassiter, 1:170-172 Index DUDLEY, SHANNON, rev. of The Political k kugak Rwanbyonak) Calypso: True Opposition in Trinidad BS gy, and Tobago, 1962-1987, by Lewis inomusicology,” by Bar Regis, 3:550-51 1:152-149 E Emotional Dimensions of Ritual Music imensions of Ritual Mu- among the Kotas, a South Indian Tribe Kotas, a South Indian by Richard K. Wolf, 3:379-422 ird K. Wolf, 4:379-422 ERLMANN, VEIT, Music, Modernity, and the lindustani Music: A Re- Global Imagination: South Africa and view essay), by Peter the West, rev. by Margaret Sarkissian 2:355-356 nts of Power: Sudanese melan in New Order In F drew N. Weintraub, 2 Fifteen CDs of Hindustani Music: A Review Qur'an in Indonesian Essay” (review essay), by Peter Manuel blic Project of Musical 2:370-375 ne K. Rasmussen, 1:30- Folk Music of China: Living Instrumental Traditions, by Stephen Jones, rev. by wer: Sudanese ‘Multi- Frederick Lau, 2:365-367 1 New Order Indonesia From Here On, I Will Be Praying to You Weintraub, 2:197-227 Indian Churches, Kiowa Hymns, and s Not Given Is Lost: Irish wNeatsitveer n AmOekrlaihcoamna ,”C hrisbtyi anitLuyk e inE ricS outLahs sic, Ib y CoApnytrhigohnty, aMndc CanCnom - siter, 2:338-352 G GOERTZEN, CHRIS, *~Powwows and Identi k Music of China: Liv- ty on the Piedmont and Coastal Plains of ! Traditions, rev. by Fre North Carolina,” 1:58-88 307 GOOSMAN, STUART, rev. of A Blues Life, by Henry Townsend, and Wrife Me a Few of Your Lines: A Blues Reader, by Steven ¢ l, “The Classification lracey (ed.), 2? :362-365 nents: Changing Trends the Late Nineteenth H Special Reference to the HANNA, JUDITH LYNNE, rev. of Dance in ’ l : the Field: Theory, Methods, and Issues in Khanda cal Heritage of Shujaat Dance Ethnography, by Theresa J. Buck Kha ev. by George Ruckert land (ed.), 1:177-180 1:194 Harmonic Experience, by W. A. Mathieu Kbyal: ¢ ing of Vorth India (vid- rev. by Daniel Atesh Sonneborn, 2:367 co) yhen Slawek, 2:377-378 469 KLIGMA® rev. of The Music of Arab Historical Recordings by Hugh Tracey (4 1772¢ Retrospective ¢ ollection CDs) (recording), rev. by Ruth M. Stone (rec 186-188 The Bible 1:181-184 am: Extra-Musical Asso- jews.” 3:443-79 Hosay Trinidad (video), rev. by Peter Man uel, 3:535-37 f Korean Traditional HOWARD, KEITH, rev. of Anthology of Ko euk minyo taejon) (re rean Traditional Folksongs (Han'guk Keith Howard, 3:521- minyo taejon) (recording), 3:521-24 24 rev. of Creative Traditional Orchestral KOSKRDOD OFOIK S‘ Niinnedt iesD:E BOA RCAoHll abWorOaNtGiv,e 556 Ethnomusicology, Fall 2001 Review Essay—Part II” (review essay) Vusical Instruments of Kacch and Its 3:538-48 Veighbors (video), rev. by Peter Manuel ) 376-3 L Musical Time Organization and Space Con LANGE, BARBARA ROSE, “Hypermedia and cept: A Model of Cross-Cultural Analogy Ethnomusicology,” 1:132-149 by Amatzia Bar-Yosef, 3:423-42 LASSITER, LUKE ERIC, 7hbe Power of Kiowa Vusic, Modernity, and the Global Imagina Song, rev. by Tara Browner, 1:170-172; tion: South Africa and the West, by Veit From Here On, I Will Be Praying to Erlmann, rev. by Margaret Sarkissian 2:355-4356 You: Indian Churches, Kiowa Hymns, and Native American Christianity in The Musico f Arab Americans: A Retrospec- Southwestern Oklahoma,” 2:338-452 tive Collection (recording), ev. by Mark LAU, FREDERICK, rev. of Folk Music of Chi- Kligman, 1:186-188 na: Living Instrumental Traditions, by Vusic of Hindu Trinidad, by Helen Myers Stephen Jones, 2:365-3067 rev. by Gregory Diethrich, 1:174-177 LEVINE, VICTORIA LINDSAY, “Briefly Not- Vusic of the Warao of Venezuela, by Dale ed: Performance Instruction Manuals \. Olsen, rev. by Robin Moore, 2:359- Song Books and Music Anthologies” (re 361 view article), 3:552-56; (and RUSSELL MYERS, HELEN, Music of Hindu Trinidad. MELINDA, and SAKATA, HIROMI LOR- rev. by Gregory Diethrich, 1:174-177 RAINE), “Books in the Nineties: A Collab- orative Review Essay—Part I” (review essay), 1:157-169 Narcocorridos: An Emerging Micromusic of Nuevo L.A by Helena Simonett, 2:315- 33 M MAKUBUYA, JAMES, rev. of Uganda: Village Vo. 17 Cotton Mill Shanghai Blues (video), Ensembles of Busoga (recording), rev. by J. Lawrence Witzleben, 1:189- 1:184-186 193 MANUEL, PETER, “Fifteen CDs of Hindustani Music: A Review Essay” (review essay), O 2:370-375; rev. of Musical Instruments OLIVIER, EMMANUELLE, and HERVI of Kacch and Its Neighbors (video), RIVIERE, “Reflections on Musical Catego- 2:376-377; rev. of Joep Bor (ed.), The rization,” 3:480-88 Raga Guide: A Survey of 74 Hindustani OLSEN, DALE A., Music of the Warao of Songs (recording), 3:527-28; rev. of Ho- Venezuela, rev. by Robin Moore, 2:359- say Trinidad (video), 3:535-37 361; rev. of Qoyllur Riti: A Woman's MATHIEU, W. A., Harmonic Experience, rev Journey (video), 3:532-35 by Daniel Atesh Sonneborn, 2:367-369 McCANN, ANTHONY, “All That Is Not Giv- P en Is Lost: Irish Traditional Music, Copy- Pamungkas, a Dance by S. Ngaliman (vid- right, and Common Property,” 1:89-106 eo), rev. by Sumarsam, 3:529-32 McCARTHY, MARIE, Passing It On: The Passing It On: The Transmission of Music Transmission of Music in Irish Culture, in Irish Culture, by Marie McCarthy, rev rev. by Kari Veblen, 3:548-50 by Kari Veblen, 3:548-50 McLEAN, MERVIN, Weavers of Song, rev. by The Political Calypso: True Opposition in Richard Moyle, 1:172-174 Trinidad and Tobago, 1962-1987, by Vonkey King Looks West (video), rev. by J Lewis Regis, rev. by Shannon Dudley, Lawrence Witzleben, 1:189-193 3:550-52 MOORE, ROBIN, rev. of Music of the Warao POST, JENNIFER C., “Annual List of Theses of Venezuela, by Dale A. Olsen, 2:359- and Dissertations,” 1:150-156 461 The Power of Kiowa Song, by Luke Eric Las- MOYLE, RICHARD, rev. of Weavers of Song, siter, rev. by Tara Browner, 1:170-172 by Mervin McLean, 1:172-174 “Powwows and Identity on the Piedmont Index and Coastal Plains of North ¢ Narcocorrido Chris Goertzen, 1:58-88 sic Of Nuevo L.A Q f Kbyal: Classical Ooyllur Riti: A Woman's Jou India (video), 2:377 rev. by Dale A. Olsen, 3:53 The Qur'an in Indonesian Dai by Patricia Shehan Public Project of Musical Kari Veblen, 2:453 Anne K. Rasmussen, 1:30 ns of Nationalism in isical Representation R on »9y Sue Tuohy The Raga Guide: A Surve) 74 Hin dustani Songs (recording), by Joep Bor EL ATESH, rev. of Ha (ed.), rev. by Peter Manuel, 3:527-28 by W. A. Mathieu RASMUSSEN, ANNE K The Qur'an in Indo nesian Daily Life: The Public Project of Scale: From ‘Tone Mea Musical Oratory 1-30-57 ological Analysis in Eth Reflections on Musical Categorization.” by Albrecht Schneider Emmanuelle Olivier and Herve Riviere 3:480-88 of Historical Record- REGIS, LEWIS, The Political Calypso: True icey (4 CDs) (record Opposition in Trinidad and Tobago 1962-1987, rev. by Shannon Dudley ‘amu 1gkRas a Dance 3:550-51 Wabyu Senopati (The RIVIERE HERVE (and OLIVIER, EMMAN mmandership) (vid UELLE), “Reflections on Musical Catego rization,” 4:480-88 RUCKERT, GEORGE, rev. of Kbandan: The Musical Heritage of Sbhujaat Khan (vid eo), 1:194- 196 Sonic Dimensions of RUSSELL, MELINDA (and SAKATA, HIROMI Modern China: Musical LORRAINE, VICTORIA LINDSAY LEVINI ind Transformation 300ks in the Nineties: A Collaborative Review Essay—Part I” (review essay) isicology of the Early 1:157-169 rhoughts on Bridging Musical Worlds,” by Kay iy, 1:1-29 S TOWNS Y, A Blues Life, rev! by SAKATA, HIROMI LORRAINE, MELINDA S 2:3462-365 RUSSELL, and VICTORIA LINDSAY LI PTRACEY ed.), Write Me a Feu VINE, “Boin othek Ninsetie s: A Collabo i Blues Reader, rev. by rative Review Essay—Part I” (review 2:362-365 essay), 1:157-169 Music and Meaning SARKISSIAN, MARGARET, rev. of Music en Fans, by Daniel Vodernity, and the Global Imagina- Harris M. Berger tion: South Africa and the West, by Veit Erlmann, 2:355-356 SCHNEIDER, ALBRECHT, “Sound, Pitch, and Scale: From ‘Tone Measurements’ to So nological Analysis in Ethnomusicology isembles of Busoga (re- 3:489-519 »y James Makubuya SHELEMAY, KAY KAUFMAN, “Toward an Ethnomusicology of the Early Music On, I Will Be Praying to Movement: Thoughts on Bridging Disci irches, Kiowa Hymns plines and Musical Worlds, 1-29 nerican Christianity in 558 Ethnomusicology, Fall 2001 Southwestern Oklahoma,” by Luke Eric Flores: The Rise of All-Women Salsa Lassiter, 2:338-352; “Narcocorridos: An Bands,” 2:228-259 Emerging Micromusic of Nuevo L.A.,” by Weavers of Song, by Richard Moyle, rev. by Helena Simonet, 2:315-337 >; “Powwows Mervin McLean, 1:172-174 and Identity on the Piedmont and Coast- WEINTRAUB, ANDREW N., “Instruments of al Plains of North Carolina,” by Chris Power: Sudanese ‘Multi-Laras’ Gamelan in Goertzen, 1:58-88 New Order Indonesia,” 2:197-227 WITZLEBEN, J. LAWRENCE, rev. of Chinese Vv Opera; No. 17 Cotton Mill Shanghai VEBLEN, KARI, rev. of Songs in Their Heads, Blues; Monkey King Looks West (vid- by Patricia Shehan Campbell, 2:353-355; eos), 1:189-193 rev. of Passing It On: The Transmission WOLF, RICHARD K., “Emotional Dimensions of Ritual Music among the Kotas, a South of Music in Irish Culture, by Marie Mc- Carthy, 3:548-50 Indian Tribe,” 3:379-422 WONG, DEBORAH (and ELLEN KOSKOFF), Books in the Nineties: A Collaborative Review Essay—Part II” (review essay), Wabyu Senopati (The Divine Gift of Com- 3:538-48 mandership) (video), rev. by Sumarsam, Write Me a Few of Your Lines: A Blues 3:529-32 Reader, by Steven C. Tracey (ed.), rev. by WAXER, LISE, “Las Caletias Son Como Las Stuart Goosman, 2:362-365 a