Ethnomusicology 1993: Vol 37 Index

5 Pages·1993·0.84 MB·English

Vot. 37, No. 3 ETHNOMUSICOLOGY Fatt 1993
Index to Volume 37
A Chris Strachwitz, and Marc and Ann, by
“Analyses and Interpretations of Chinese Les Blank, 1:149-51.
Seven-string Zither Music: The Case of “Briefly Noted,” rev. by Anne Dhu McLucas,
the Lament of Empress Chen,” by Joseph 1:130-32.
S. C. Lam, 3:353-85. “Briefly Noted,” rev. by Dale Olsen, 1:143—
ASOCIACION CRAVO NORTE, Cantan los 48.
Alcaravanes, rev. by Laura Larco, 3:429-
31. Cc
Az di furst avek: Lifshe Schaechter-Widman, “Call and Response: A Reply to Mark Slobin,”
A Yiddish Folksinger from the Bukovina by Veit Erlmann, 2:265-68.
(Global Village Music C111), rev. by Alex “Call and Response: A Reply to Veit Erlmann,”
Lubet, 2:306-8. by Mark Slobin, 2:269-72.
Cangoner Tradicional del Baix Camp i el
B Montsant, by Gabriel Ferré, Salvador
BABIRACKI, CAROL, rev. of Chant the Names Rebés, and Isabel Ruiz, rev. by M. Antonia
of God: Musical Culture in Bhojpuri- Juan i Nebot, 3:431-33.
Speaking India, by Edward O. Henry, Cantan los Alcaravanes, by Asociacion Cravo
2:297-300. Norte, rev. by Laura Larco, 3:429-31.
Bayram: Turkish Folk Songs and Sufi Melo- Capoeira, Samba, Candomble, Babia, Brasil
dies for Baglama and Voice (Music of the (Museum Collection, Berlin CD 16), rev.
World, CDT-122), rev. by Yildiray Erdener, by Gerard Béhague, 3:449-52.
1:139-40. CAPWELL, CHARLES, rev. of Festival of In-
BEALLE, JOHN, “Self Involvement in Musical dia: A Hindustani Sampler (Music of the
Performance: Stage Talk and Interpretive World, CDT-121), and Modern Mandolin
Control at a Bluegrass Festival,” 1:63-86. Maestro: U. Srinivas(GlobeStyle CDORBD
BEHAGUE, GERARD, rev. of Capoeira, 068), 1:142-43.
Samba, Candomblé, Bahia, Brasil (Mu- CARLIN, RICHARD, rev. of The Celts Will Rise
seum Collection, Berlin CD 16), 3:449-52. Again (Green Linnet GLCD 104), 1:133—
BLANK, LES, and CHRIS STRACHWITZ, J'ai 34.
Eté au Bal (I Went to the Dance): The “Catching Rhymes: Generative Musical Pro-
Cajun & Zydeco Music of Louisiana, rev. cesses in the Compositions of a French
by C. Ray Brassieur, 1:149-51. Newfoundland Fiddler,” by Colin Quigley,
BLANK, LES, Marc and Ann, rev. by C. Ray 2:155-200.
Brassieur, 1:149-51. Chant the Names of God: Musical Culture in
BRADTKE, ELAINE, rev. of Don’t Mourn— Bhojpuri-Speaking India, by Edward O.
Organize! (Smithsonian Folkways CD SF Henry, rev. by Carol Babiracki, 2:297-
400026), and Sing for Freedom (Smith- 300.
sonian Folkways CD SF 400032), 3:452- “Cognitive Aspects of amadinda Xylophone
55. Music from Buganda: Inherent Patterns
BRASSIEUR, C. RAY, rev. of J’ai Eté au Bal (I Reconsidered,” by Ulrich Wegner, 2:201—
Went to the Dance): The Cajun & Zydeco 42.
Music of Louisiana, by Les Blank and COHEN, JUDITH R., rev. of Judeo-Spanish
474 Ethnomusicology, Fall 1993
Moroccan Songs for the Life Cycle, by A History of Country Music in Atlanta,
Susana Weich-Shahak, 3:442-45. Georgia, by Wayne W. Daniel, 1:112-14.
Colin McPhee: Composer in Two Worlds, by Frontier Fiddler, by Kenner Casteel Kartchner,
Carol Oja, rev. by Larry Polansky, 3:437- rev. by Carl Rahkonen, 3:433-34.
41.
COOKE, PETER, rev. of Drum Damba: Talk- G
ing Drum Lessons, by David Locke, 1:120- GART, GALEN, First Pressings: Rock History
21. as Chronicle in Billboard Magazine, rev.
COWDERY, JAMES R., The Melodic Tradition by Raymond F. Kennedy, 2:301-5.
of Ireland, rev. by Micheal O Stilleabhain, GEORGE, KENNETH M., “Music-Making,
1:109-12. Ritual, and Gender in a Southeast Asian
Hill Society,” 1:1-27.
D GIGLIO, VIRGINIA, rev. of Music, Gender,
DANIEL, WAYNE W., Pickin’ on Peachtree: A and Culture, edited by Marcia Herndon,
History of Country Music in Atlanta, Geor- Susanne Ziegler, and Max Peter Baumann,
gia, rev. by Aaron A. Fox, 1:112-14. 1:115-17.
Discoursing Sweet Music, by Kenneth Kreitner, GOERTZEN, CHRIS, rev. of Now That’s a
rev. by Emma S. Rocco, 3:435-36. Good Tune (Grey Eagle Records 101),
Don'’tMourn—Organize! (Smithsonian Folk- 3:467-69.
ways CD SF 400026), rev. by Elaine Bradtke, GROESBECK, ROLF, rev. of Inde du Sud (Le
3:452-55. Chant du Monde LDX 274910), 3:458-61.
“Drone, Melody, and Decoration—Paradigm
Lost,” by Richard M. Moyle, 3:387—405. H
Drum Damba: Talking Drum Lessons, by HENRY, EDWARD O., Chant the Names of
David Locke, rev. by Peter Cooke, 1:120- God: Musical Culture in Bhojpuri-Speak-
21. ing India, rev. by Carol Babiracki, 2:297—
300.
E HERNDON, MARCIA, SUSANNE ZIEGLER,
ERDENER, YILDIRAY, rev of Bayram: Turk- and MAX PETER BAUMAN, eds, Music,
ish Folk Songs and Sufi Melodies for Gender, and Culture, rev. by Virginia
Baglama and Voice (Music of the World, Giglio, 1:115-17.
CDT-122), 1:139-40.
ERLMANN, VEIT, “Call and Response: A
Reply to Mark Slobin,” 2:265-68. I
EVANS, DAVID, rev. of Lightnin’ Hopkins “!’m a Yankee Doodle Dandy?”: Identity and
(Smithsonian Folkways CD SF 40019), Melody at an American Simfat Torah
3:465-67. Celebration,” by Jeffrey A. Summit, 1:41—
62.
Inde du Sud (Le Chant du Monde LDX
F
FERRE, GABRIEL, SALVADOR REBES, and 274910), rev. by Rolf Groesbeck, 3:458-
ISABEL RUIZ, Cangoner Tradicional del 61.
Baix Camp i el Montsant, rev. by M.
Antonia Juan i Nebot, 3:431-33.
Festival of India: A Hindustani Sampler(Mu- Jai Eté au Bal (I Went to the Dance): The
sic of the World, CDT-121), rev. by Charles Cajun & Zydeco Music of Louisiana, by
Capwell, 1:142-43. Les Blank and Chris Strachwitz, rev. by C.
First Pressings: Rock History as Chronicle in Ray Brassieur, 1:149-51.
Billboard Magazine, by Galen Gart, rev. Japon: L’épopée des Heike—Junko Ueda: Sat-
by Raymond F. Kennedy, 2:301-5. suma-biwa (Archives Internationales de
Flaco Jimenéz: Arriba El Norte (Rounder Musique Populaire, AIMP XXI, VDE-Gallo
6032), rev. by Steven Loza, 3:455-57. CD-650), rev. by Tone Takahashi, 1:134-
FOX, AARON A., rev. of Pickin’on Peachtree: 38.
Index 475
JUAN I NEBOT, M. ANTONIA, rev. of Can- Schaechter-Widman, A Yiddish Folksinger
¢oner Tradicional del Baix Camp i el from the Bukovina (Global Village Music
Montsant, by Gabriel Ferré, Salvador C111), 2:306-8.
Rebés, and Isabel Ruiz, 3:431-33.
Judeo-Spanish Moroccan Songs for the Life M
Cycle, by Susana Weich-Shahak, rev. by MALM, KIRSTER, “Music on the Move: Tradi-
Judith R. Cohen, 3:442-45. tions and Mass Media,” 3:339-52.
Marc and Ann, by Les Blank, rev. by C. Ray
K Brassieur, 1:149-51.
KARTCHNER, KENNER CASTEEL, Frontier MCALLESTER, DAVID P., “Obituary—Willard
Fiddler, rev. by Carl Rahkonen, 3:433-34. Rhodes (1901-1922),” 2:253-63.
KENNEDY, RAYMOND FF., rev. of First MCLEAN, MERVYN, and MARGARET ORBELL,
Pressings: Rock History as Chronicle in Traditional Songs of the Maori, rev. by
Billboard Magazine, by Galen Gart, and Richard Nunns, 1:122-23.
The King Labels: A Discography, by Michel MCLUCAS, ANNE DHU, “Briefly Noted,”
Ruppli, 2:301-5. 1:130-32.
KREITNER, KENNETH, Discoursing Sweet MITCHELL, TONY, “World Music and the
Music, rev. by Emma S. Rocco, 3:435-—36. Popular Music Industry: An Australian
View,” 3:309-38.
L Modern Mandolin Maestro: U. Srinivas
LAM, JOSEPH S. C., rev. of New Perspectives (GlobeStyle CDORBD 068), rev. by Charles
on Chu Culture During the Eastern Zhou Capwell, 1:142-43.
Period, edited by Thomas Lawton, 1:117- MOYLE, RICHARD M., “Drone, Melody, and
20. Decoration—Paradigm Lost,” 3:387—405.
LAM, JOSEPH. S. C. “Analyses and Interpre- Music as Social Text, by John Shepherd, rev.
tations of Chinese Seven-string Zither by Janet L. Sturman, 1:124-27.
Music: The Case of the Lament of Empress “Music on the Move: Traditions and Mass
Chen, ” 3:353-85. Media,” by Kirster Malm, 3:309-52.
LARCO, LAURA, rev. of Cantan los Alcara- Music, Gender, and Culture, edited by Marcia
vanes, by Asociacion Cravo Norte, 3:429— Herndon, Susanne Ziegler, and Max Peter
31. Baumann, rev. by Virginia Giglio, 1:115—
LAWTON, THOMAS, ed., New Perspectives EF:
on Chu Culture During the Eastern Zhou “Music-Making, Ritual, and Gender ina South-
Period, rev. Joseph S. C. Lam, 1:117-20. east Asian Hill Society,” by Kenneth M.
Lightnin’ Hopkins (Smithsonian Folkways George, 1:1—27.
CD SF 40019), rev. by David Evans, Mystery Train (Rounder CD SS38), rev. by
3:465-67. Peter Roller, 3:461-65.
Little Milton: The Sun Masters (Rounder CD
$835), rev. by Peter Roller, 3:461-65. N
LOCKE, DAVID, Drum Damba: Talking Drum New Perspectives on Chu Culture During the
Lessons, rev. by Peter Cooke, 1:120-21. Eastern Zhou Period, edited by Thomas
LORNELL, KIP, rev. of The Early Minstrel Lawton, rev. Joseph S. C. Lam, 1:117—20.
Show 2:305-6. Now That's aG ood Tune(Grey Eagle Records
Los Caminos del Tiple, by David Puerta 101), rev. by Chris Goertzen, 3:467-69.
Zuluaga, rev. by Richard Pinnell, 3:446- NUNNS, RICHARD, rev. of Traditional Songs
48. of the Maori, by Mervyn McLean and
LOZA, STEVEN, rev. of Flaco Jimenéz: Arriba Margaret Orbell, 1:122-23.
El Norte (Rounder 6032), Santiago
Jimenéz, Jr.: Familiay T radicién(Rounder Oo
6033), and Steve Jordan: El Huracan “Obituary—Willard Rhodes (1901-1922),” by
(Rounder 6031), 3:455-57. David P. McAllester, 2:253-63.
LUBET, ALEX, rev. of Az di furst avek: Lifshe OJA, CAROL, Colin McPhee: Composer in
476 Ethnomusicology, Fall 1993
Two Worlds, rev. by Larry Polansky, 3:437- SLOBIN, MARK, “Call and Response: A Reply
41. to Veit Erlmann,” 2:269-72.
OLSEN, DALE, “Briefly Noted,” 1:143—-48. Sonny Burgess: We Wanna Boogie (Rounder
“On Rhythmical Marking in Music,” by Herve CD SS36), rev. by Peter Roller, 3:461-65.
Riviere, 2:243-51. Steve Jordan: El Huracdn (Rounder 6031),
rev. by Steven Loza, 3:455-57.
P STURMAN, JANET L., rev. of Music as Social
Pickin’ on Peachtree: A History of Country Text, by John Shepherd, 1:124—27.
Music in Atlanta, Georgia, by Wayne W. SUILLEABHAIN, MICHEAL O, rev. of The
Daniel, rev. by Aaron A. Fox, 1:112-14. Melodic Tradition of Ireland, by James R.
PINNELL, RICHARD, rev. of Los Caminos del Cowdery, 1:109-12.
Tiple, by David Puerta Zuluaga, 3:446—-48. SUMMIT, JEFFREY A., “I’m a Yankee Doodle
POLANSKY, LARRY, rev. of Colin McPhee: Dandy?”: Identity and Melody at an Ameri-
Composer in Two Worlds, by Carol Oja, can Simhat Torah Celebration,” 1:41-62.
3:437-41. Sur Rockabilly: The Classic Recordings
(Rounder CD S$S37), rev. by Peter Roller,
3:461-65.
QUIGLEY, COLIN, “Catching Rhymes: Gen-
erative Musical Processes in the Compo-
T
sitions of a French Newfoundland Fid-
The Celts Will Rise Again(Green Linnet GLCD
dler,” 2:155—200.
104), rev. by Richard Carlin, 1:133-34.
The Early Minstrel Show, rev. by Kip Lornell,
R
2:446-48.
RAHKONEN, CARL, rev. of Frontier Fiddler,
The King Labels: A Discography, by Michel
by Kenner Casteel Kartchner, 3:433-34.
Ruppli, rev. by Raymond F. Kennedy,
RIVIERE, HERVE, “On Rhythmical Marking
2:301-5.
in Music,” 2:243-51.
The Melodic Tradition of Ireland, by James R.
ROCCO, EMMA 6., Discoursing Sweet Music,
Cowdery, rev. by Micheal O Sdilleabhain,
by Kenneth Kreitner, 3:435-36.
1:109-12.
ROLLER, PETER, rev. of Little Milton: The Sun
“Theory in Institutional Pedagogy and ‘Theory
Masters(Rounder CD SS35), Mystery Train
in Practice’ for Sundanese Gamelan Mu-
(Rounder CD SS38), Sonny Burgess: We
sic,” by Andrew N. Weintraub, 1:29-39.
Wanna Boogie (Rounder CD $S36), and
Thomas W. Talley’s Negro Folk Rhymes: A
Sun Rockabilly: The Classic Recordings
New, Expanded Edition, with Music, ed-
(Rounder CD S$S37), 3:461-65.
ited by Charles K. Wolfe, rev. by Paul F.
RUPPLI, MICHEL, The King Labels: A Discog-
Wells, 1:127-30.
raphy, rev. by Raymond F. Kennedy,
THOMPSON, GORDON , rev. of Shobha Gurtu
2:301-5.
(CMP Records, CMP CD 3004), 1:140—41.
TONE TAKAHASHI, rev. of Japon: L’épopée
S
des Heike—Junko Ueda: Satsuma-biwa
Santiago Jimenéz, Jr.: Familia y Tradicion
(Archives Internationales de Musique
(Rounder 6033), rev. by Steven Loza,
Populaire, AIMP XXI, VDE-Gallo CD-
3:455-57.
650), 1:134-38.
“Self Involvement in Musical Performance:
Traditional Songs of the Maori, by Mervyn
Stage Talk and Interpretive Control at a
McLean and Margaret Orbell, rev. by
Bluegrass Festival,” by John Bealle, 1:63—
Richard Nunns, 1:122-23.
86.
SHEPHERD, JOHN, Music as Social Text, rev.
by Janet L. Sturman, 1:124—27. W
Shobha Gurtu (CMP Records, CMP CD 3004), WEGNER, ULRICH, “Cognitive Aspects of
rev. by Gordon Thompson, 1:140-41. amadinda Xylophone Music From
Sing for Freedom (Smithsonian Folkways CD Buganda: Inherent Patterns Reconsidered,
SF 400032), rev. by Elaine Bradtke, 3:452- 2:201-42.
pps WEICH-SHAHAK, SUSANA, Judeo-Spanish
Index 477
Moroccan Songs for the Life Cycle, rev. by Negro Folk Rhymes: A New, Expanded
Judith R. Cohen, 3:442-45. Edition, with Music, rev. by Paul F. Wells,
WEINTRAUB, ANDREW N., “Theory in Insti- 1:127-30.
tutional Pedagogy and ‘Theory in Prac- “World Music and the Popular Music Indus-
tice’ for Sundanese Gamelan Music,” 1: try: An Australian View,” by Tony Mitchell,
29-39. 3:309-38.
WELLS, PAUL F., rev. of Thomas W. Talley’s
Negro Folk Rhymes: A New, Expanded Z
Edition, with Music, edited by Charles K. ZULUAGA, DAVID PUERTA, Los Caminos
Wolfe, 1:127-30. del Tiple, rev. by Richard Pinnell, 3:446—
WOLFE, CHARLES K, ed., Thomas W. Talley’s 48.