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Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty PDF

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ETHICS AND AESTHETICS IN CONTEMPORARY AFRICAN CINEMA Series Editors: Lúcia Nagib, Professor of Film at the University of Reading Julian Ross, Research Fellow at the University of Westminster Advisory Board: Laura Mulvey (UK), Robert Stam (USA), Ismail Xavier (Brazil), Dudley Andrew (USA) The World Cinema Series aims to reveal and celebrate the richness and complexity of film art across the globe, exploring a wide variety of cinemas set within their own cultures and as they interconnect in a global context. The books in the series will represent innovative scholarship, in tune with the multicultural character of contemporary audiences. Drawing upon an international authorship, they will challenge outdated conceptions of world cinema, and provide new ways of understanding a field at the centre of film studies in an era of transnational networks. Published and forthcoming in the World Contemporary New Zealand Cinema Cinema series: Edited by Ian Conrich and Stuart Murray Contemporary Portuguese Cinema: Allegory in Iranian Cinema: The Aesthetics Globalising the Nation of Poetry and Resistance Edited by Mariana Liz By Michelle Langford Cosmopolitan Cinema: Cross-cultural Animation in the Middle East: Practice and Encounters in East Asian Film Aesthetics from Baghdad to Casablanca By Felicia Chan By Stefanie Van de Peer Documentary Cinema: Contemporary Basque Cinema: A Cultural and Political Non-Fiction Film and Video Worldwide History By Keith Beattie By Rob Stone and Maria Pilar Rodriguez Documentary Cinema of Chile: Confronting Brazil on Screen: Cinema Novo, New History, Memory, Trauma Cinema, Utopia By Antonio Traverso By Lúcia Nagib East Asian Cinemas: Exploring The Cinema of Jia Zhangke: Realism and Transnational Connections on Film Memory in Chinese Film Edited by Leon Hunt and Leung Wing-Fai By Cecília Mello East Asian Film Noir: Transnational The Cinema of Sri Lanka: South Asian Film Encounters and Intercultural Dialogue in Texts and Contexts Edited by Chi-Yun Shin and Mark By Ian Conrich and Vilasnee Tampoe-Hautin Gallagher Film Genres and African Cinema: Queer Masculinities in Latin American Postcolonial Encounters Cinema: Male Bodies and Narrative By Rachael Langford Representations By Gustavo Subero Impure Cinema: Intermedial and Intercultural Approaches to Film Realism in Greek Cinema: From the Post- Edited by Lúcia Nagib and Anne Jerslev War Period to the Present By Vrasidas Karalis Latin American Women Filmmakers: Production, Politics, Poetics Realism of the Senses in World Cinema: The Edited by Deborah Martin and Deborah Experience of Physical Reality Shaw By Tiago de Luca Lebanese Cinema: Imagining the Civil War The Spanish Fantastic: Contemporary and Beyond Filmmaking in Horror, Fantasy and Sci-fi By Lina Khatib By Shelagh-Rowan Legg New Argentine Cinema Stars in World Cinema: Screen Icons and By Jens Andermann Star Systems Across Cultures Edited by Andrea Bandhauer and Michelle New Directions in German Cinema Royer Edited by Paul Cooke and Chris Homewood Theorizing World Cinema Edited by Lúcia Nagib, Chris Perriam and New Turkish Cinema: Belonging, Identity Rajinder Dudrah and Memory By Asuman Suner Viewing Film By Donald Richie On Cinema Glauber Rocha Queries, ideas and submissions to: Edited by Ismail Xavier Series Editor: Professor Lúcia Nagib – Palestinian Filmmaking in Israel: Narratives [email protected] of Memory and Identity in the Middle East Series Editor: Dr. Julian Ross – J.Ross1@ By Yael Friedman westminster.ac.uk Performing Authorship: Self-inscription and Publisher at Bloomsbury, Rebecca Barden – Corporeality in the Cinema [email protected] By Cecilia Sayad iv ETHICS AND AESTHETICS IN CONTEMPORARY AFRICAN CINEMA The Politics of Beauty James S. Williams BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © James S. Williams, 2019 James S. Williams has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. For legal purposes the Acknowledgements on p. xi constitute an extension of this copyright page. Cover image: Daratt, Ali Barkai (hand) and Youssouf Djaoro, (Mahamat-Saleh Haroun, 2006) (© Pyramide International/Courtesy Everett Collection) All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1-7845-3335-9 ePDF: 978-1-3501-0505-8 eBook: 978-1-3501-0506-5 Series: World Cinema Typeset by Deanta Global Publishing Services, Chennai, India To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters. CONTENTS List of illustration credits viii Acknowledgements xi 1 The trouble with beauty: Reimagining African film aesthetics 1 2 On the front line: In/visible violence, formations of style, and aesthetic resistance 39 3 Screening Dakar: Locating beauty in the afropolis 91 4 Voice, language, mystery: From ideological struggle to aesthetic shudder 139 5 Queering the Baobab: Male intimacy, the erotics of abstraction, and the right to beauty 173 6 On the border, becoming world: Migrant beauty, migratory narratives, and the transmigration of cinematic form 211 7 The afropolitan present 263 Notes 273 Bibliography 320 Filmography 341 Index 347 ILLUSTRATION CREDITS Figure 1.1 Mandabi directed by Ousmane Sembene © Comptoir Français du Film Production (CFFP), Grove Press, and New Yorker Films 1968. All rights reserved 6 Figure 1.2 La Vie sur terre directed by Abderrahmane Sissako © Centre National de la Cinématographie (CNC), Haut et Court, and La Sept-Arte 1998. All rights reserved (Courtesy of Elise Finielz / Jump Cut) 20 Figure 2.1 Moolaadé directed by Ousmane Sembene © Filmi Doomireew, Direction de la Cinématographie Nationale, Centre Cinématographique Marocain, Cinétéléfilms, Les Films Terre Africaine, Ciné-Sud Promotion, and Artificial Eye 2004. All rights reserved 47 Figure 2.2 The Night of Truth directed by Fanta Régina Nacro © Acrobates Film, Les Films du Defi France 3 Cinéma, and BFI 2004. All rights reserved 57 Figure 2.3 Bamako directed by Abderrahmane Sissako © Archipel 33, Chinguitty Films, Mali Images, Arte France Cinéma, and Artificial Eye 2006. All rights reserved 66 Figure 2.4 Bamako directed by Abderrahmane Sissako © Archipel 33, Chinguitty Films, Mali Images, Arte France Cinéma, and Artificial Eye 2006. All rights reserved 69 Figure 2.5 Bamako directed by Abderrahmane Sissako © Archipel 33, Chinguitty Films, Mali Images, Arte France Cinéma, and Artificial Eye 2006. All rights reserved 72 Figure 2.6 Bamako directed by Abderrahmane Sissako © Archipel 33, Chinguitty Films, Mali Images, Arte France Cinéma, and Artificial Eye 2006. All rights reserved 78 Figure 2.7 Timbuktu directed by Abderrahmane Sissako © Les Films du Worso, Dune Vision, Arches Films, Arte France Cinéma, Orange Studio & Le Pacte 2014. All rights reserved 87 Figure 3.1 Borom Sarret directed by Ousmane Sembene © Cinema 16 (World Short Films, 2008) and World Cinema Foundation 1963. All rights reserved 96 Figure 3.2 The Silent Monologue directed by Khady Sylla and Charlie Van Damme © ArtMattan Productions (Great African Films – Vol. 4), Athénaïse, Iota Production, and Karoninka 2008. All rights reserved 105 Figure 3.3 Aujourd’hui (Tey) directed by Alain Gomis © Granit Films, Maïa Cinéma, Cinekap, Agora Films, and Jour2Fête 2012. All rights reserved 108 Figure 3.4 Aujourd’hui (Tey) directed by Alain Gomis © Granit Films, Maïa Cinéma, Cinekap, Agora Films, and Jour2Fête 2012. All rights reserved 112 Figure 3.5 Mille Soleils directed by Mati Diop © Anna Sanders Films 2013. All rights reserved 124 Figure 3.6 Mille Soleils directed by Mati Diop © Anna Sanders Films 2013. All rights reserved 127 Figure 3.7 Mille Soleils directed by Mati Diop © Anna Sanders Films 2013. All rights reserved 135 Figure 4.1 Le Franc directed by Djibril Diop Mambety © Waka Films, and La Médiathèque des Trois Mondes 1994 and 2002. All rights reserved 145 Figure 4.2 Yeelen directed by Souleymane Cissé © Les Films Cissé, and Kino Video 1987. All rights reserved 151 Figure 4.3 La Vie sur terre directed by Abderrahmane Sissako © Centre National de la Cinématographie (CNC), Haut et Court, and La Sept-Arte 1998. All rights reserved (Courtesy of Elise Finielz / Jump Cut) 153 Figure 4.4 Waiting for Happiness directed by Abderrahmane Sissako © Arte France Cinéma, Duo Films, and Artificial Eye 2002. All rights reserved 155 Figure 4.5 Waiting for Happiness directed by Abderrahmane Sissako © Arte France Cinéma, Duo Films, and Artificial Eye 2002. All rights reserved 159 Figure 4.6 Bamako directed by Abderrahmane Sissako © Archipel 33, Chinguitty Films, Mali Images, Arte France Cinéma, and Artificial Eye 2006. All rights reserved 166 Figure 5.1 Dakan directed by Mohamed Camara © Film Du 20ème Créations Cinématographiques, René Féret, and M.F.D 1997. All rights reserved 184 ILLUSTRATION CREDITS ix

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