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ERIC ED380091: The Impact of Electronic Visualization: Concerns and Delimitations. PDF

8 Pages·1995·0.29 MB·English
by  ERIC
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DOCUMENT RESUME IR 017 012 ED 380 091 Buck, Mary AUTHOR The Impact of Electronic Visualization: Concerns and TITLE Delimitations. [95] PUB DATE 8p.; In: Imagery and Visual Literacy: Selected NOTE Readings frbm the Annual Conference of the International Visual Literacy Association (26th, Tempe, Arizona, October 12-16, 1994); see IR 016 977. Speeches/Conference Papers (150) PUB TYPE MFO1 /PCO1 Plus Postage. EDRS PRICE *Bias; Business; Computer Graphics; Computer Uses in DESCRIPTORS Educatiox; *Cultural Background; Design Requirements; Educational Background; *Educational Media; Graphic Arts; *Imagery; Instructional Design; Multimedia Materials; *Production Techniques; Training Methods; Visual Arts; *Visual Learning; Visual Literacy Gender Issues IDENTIFIERS ABSTRACT In response to the challenge of media technology and (1) presents classroom cultural and educational diversity, this paper literature on the suggestive powers of a brief overview of historical (2) analyzes the influence visual images in business and education, production/selection of of audience diversity and biases during the of new visual presentations, and (3) considers the delimiting form have media presentations. Pedagogical and technological concerns enhanced learning environments grown since the emergence of visually in the allied fields of business and education. Newly formed and businesses which specialize in the creation of computergenerated growing new media controlled images are examples of profitable and consultation for companies, which provide production, training, and costeffectiveness are their clients. Production and training, and sophisticated electronic concerns for educational institutions as of using new tools are implemented in classrooms. The advantages include easy technology for creation and display of visual images manipulation to fit the customized needs of the user and saved that production time and energy. In contrast, research suggests media images are also able to detract from learning, so new training in design productions can prove detrimental without proper principles and awareness o" related issues. Media producers can sensitivity to obtain positive results not only by skill but also by reflection, along with such issues as adverse reflection, equal cultural background, gender, and awareness of target audience's (MAS) ethnir. biases. (Contains 16 references.) *********************************************************************** be made Reproductions supplied by EDRS are the best that can from the original document. ******************************************************-g**************** Visualization: The Impact of Electronic Concerns and Delimitations THIS "PERMISSION TO REPRODUCE U S DEPARTMENT OF EDUCATION BY MATERIAL HAS BEEN GRANTED Once of Educahont Research and Improvement EDUCATIONAL RESOURCES INFORMATION Alice Walkcr CENTER tERICI This document has Peen reproduced as Mary Buck received from tne person Or orgarurabon OfOinal.ng Min Or changes have been mare to improve reproduction quality RESOURCES TO THE EDUCATIONAL Potn Is of view or opinions slaIed'n inis docu INFORMATION CENTER (ERIC)." ment do not necessarily represent otfictal OE RI position or policy In contrast to traditional Old testament proverbs, chil- media, computer-generated presen- dren's well-loved bedtime stories, tations have extended abilities. and The Wall Street Journal hold Computers incorporate and manipu- several things in commonstrange late video, photography, audio, happenings, news, hard to explain special sound effects, animation, and visual images which can per- or perplex the line art, gray-scale images, color reader. turb photos, and text. Graphical images can, additionally, influence, teach, inform, motivate, Moreover, new media produc- persuade, and captivate audiences. tion can receive and control input from devices including telephones, In telling our human stories,. satellites, compact and laser disks, we practice the science and art of electronic pens, touch screens, high blending illustration and words for and low resolution scanners, and audience impact. The desire for par- (Allen, 1994) even "smart agents" ticular audience reactions and which permit multiaodal entry of results has led to a growing interest data. Thus, pedagogical and techno- in a specialized mixture of class- logical concerns have enlarged along room pedagogy, computers, since the emergence of these visual- with oral and visual communication ly enhanced learning environments theories and practices during pre- in the allied fields of education and sentations. business. Background Business Visual presentations generat- Newly formed businesses ed and controlled by computers which specialize in the creation of pattern traditional media presenta- images generated and controlled by tions in several ways. Both seek to computers such as Graphix Zone in produce and incorporate visual Santa Ana, California and New information for their audiences; Horizon Computer Learning Center both require time, investments, located in Irvine, California, are skills, and competencies. examples of profite'-.'..) and growing IVLA - 331 0 4, new media companiesone in train- classroom environment. However, ing and not all teachers would become mul- in commercial one timedia producers. In addition to productions. They provide produc- time and budget, visualization uti- tion, training, and consultation for lizing new media technology their clients. Both companies rely requires the continuing recognition on the continued growth and viable of the many, often opposing issues applications of new media presen- of culture, class, ethnic background, tations. along with the individualized learn- ing styles of which all audiences are Education composed. Production and training Au (1993) defines the cul- issues alsc hold true for our educa- ture found in the classroom to tional institutions as implementa- include the ethnic biases of tion of the current sophisticated instructor and learner, in addition electronic tools in our classrooms to class or socio-economic status take hold. Like new media produc- and their learning language pref- tion companies, administrators face erence. This definition places the similar problems in instituting issue of cultural and educational change in the classroom. Incor- diversity as an important concern porating change in the classroom and challenge to all in the main- involves budget, instruction, and stream classroom environment: training issues. Population trends make it clear All teachers eventually face that the schooling z.If students of the challenge of incorporating to diverse backgrounds cannot be some degree the new media commu- seen as an issue to be addressed nications channels for use in their through special remedial programs Photography, Animation, Art, Black & White; Line Color Visuals Text Music, Sound, Television, Cable, Video, CD's, and other Special effects Electronic Transmission Data Sources Elements of a Computer-Cont oiled Multimedia Presentation figure 1 IVLA -332 3 and the Human Brain. In addition, that target just a small number of Hodes (1990) found that imagery Instead, students in each school. was a "prominent cognitive process we will need to make major changes in the approaches we use in the for the retention of information in regular classroom and throughout all learning situations" (p.3). Hodes the school system as a whole. (p. summarizes mental and visual 3) images as having the ability to act and as: (1) facilitator, (2) mediator, 111MIIINIMINOM Focus of Cha (3) historian. She suggests that images may provide the necessary link between a novice learner and In response to this challenge, successful completion of a new this paper will: (1) present a brief task. overview of historical literature on the suggestive powers of visual Visual communicators have images in business and education, historically understood the power of (2) analyze the influence of audience the image to motivate the viewer. diversity and biases during the pro- However, only in the last decade has duction/selection of visual presenta- research results suggested that tions, (3) consider the delimiting visuals themselves are highly form of new media presentations. biased in their very nature. For example, Berger (1989) writes: Literature Review The first thing we must recognize Past research suggests that is that we don't just "see" but visual images have the ability to have to learn how to see and what influence the viewers' emotional and what we decide to to see . responses. . and physiological . . see is determined by what we Ability, according to The World Book know and what we believe and Dictionary, emphasizes an inborn what we want. (p. 25) Its defini- talent or existing skill. tion reads "the power to do or act ... Thus, culture plays a major the power to do something special." role in the creation, understanding, and interpretation of visual images Graphical images affect how business and education. for ourselves we see and understand Houghton and Willows (1987) found and how we see, understand, and that: uniquely relate to the environment. Research suggests that images Presenting a picture of an unfa- processed by the brain muscle can miliar object or animal to a child in a be internally and/or externally stim- pictorially oriented culture can be -dated as proposed by Renate and educational; but in a context such as Geoffrey Caine (1991) in their book an agricultural extension scheme, titled Making Connections Teaching IVL,A - 333 not otherwise hod the mainstream familiarity with the depicted object view but watch a lot of television is basic to understanding. (p. 59) will be" influenced over time, in the direction of moving toward the Effective images are useful in the learning environment because mainstream" (p. 193). they act as signals to the- learner. The learner utilizes effective visuals Moreover, Liebert and Spraf- as clues and cues in the classroom kin after reviewing the work of during the learning process. Huesmann and his associates (1986) Research suggests that training found that televised images showed which includes visualization of clear and significant relation- . a Ct. . ship between exposure to TV material content provides "... signif- icant improvement in teachers' violence at age 8 and the serious- clarity and ability to produce stu- ness of criminal acts performed by dent learning" (Metcalf and these individuals 22 years later, at Cruickshank, 1991). age 30." Thus, electronic televised images affect viewers of all ages. Audience Diversity With new media technology, televisions and computers now have One picture can hold thou- the ability to share those same sands of individualized interpreta- images. In addition, computers, tions. Current research suggests through simulations, allow users that a broader awareness of the dif- access to an environment that mod- ferences and biases in personalized els real and imaginary microworlds image-meaning is extremely valu- (Rieber, 1994). able for multimedia presenters (Au, Past research suggests that 1993; Gollnick & Chinn, 1994). visuals in computer simulations can Further research shows tele- also have a positive impact and vision provides major contributions enhance instruction and the learn- to the bank of visual information ing process. However, additional available to the masses (Biagi, findings indicate that visuals can 1990). For example, studies in the have no effect or may even detract field television suggest that stereo- from the learning experience for the typical images influenced a frequent user. viewers social understandings more than non-frequent viewer according Over the years, a wide array to Liebert and Sprafkin (1988). of literature has proven the effec- of using visuals tiveness in Findings on televised images presentations. Today's technology and the influence on viewers sug- takes us even further by opening gest that "individuals who would new avenues and applications. Past IVLA - 334 ways to render 2 dimensional and 3 research provides a foundation for dimensional static and animated encouraging graphical images in learning environments. Current text and objects. research is concerned with how new Users and creators of visual media images are selected, manipu- graphics are no longer bound by tra- lated, and applied for improved labor and methods ditional effectiveness and enhancement of intensive work. Instead, computer learning. software easily permits electronic manipulation of photographs along Creation Methods with page layouts to users after a short instructional introduction. Illustration programs offer enhance- Although the image-making ment techniques practiced by process is recorded as far back as skilled artisans and trained special- the pictograph painted on the stone ists. walls of early man, images for insti- tutionalized educational purposes in Computers provide a quick the United Sates appeared only in the past 300 hundred years and easy way to produce high quali- for business and visuals ty (Diringer, 1982). Methods of creat- educational uses. How ev er,n ew ing and incorporating visual images technology holds both advantages into presentations oftentimes required the mastery of various and disadvantages. skilled visual artists. Advantages The first illustrated text used The application for computer- for educational purposes in early generated images are many and colonial times included black and Electronic images are eas- white drawings and an illustrated diverse. ily manipulated thus fitting the alphabet intended to instruct the customized needs of the user. For These young learners of the time. example one multi-platform soft- images were created using the program, presentation ware available materials such as plant PowerPoint, produced by Microsoft dyes, inks, and other nature-sup- Corporation for use in business and plied media. education, offers many advantages for both the occasional and In contrast, today's electronic advanced presenters. imagemaking and reeording con- sists of positive and negative PowerPoint provides the abil- electron charges recorded in a cath- ity to the multimedia producer of ode ray tube. New image rendering presenting in various modes--black software enters the market every and white, gray-scale, as well as month touting better, faster, easier IVLA - 335 training in design principles and access to a full range 16.7 million awareness of related issues from colors. In contrast to the traditional methods which utilize pen, paper, other fields such as education, new and available inks to display infor- media technology, and visual litera- mation, electronic presentation cy, computer presentations may programs can also prove cost effec- have no effect or worse yet harm the tive in the long run since the viewer's learning experience. presenter often takes on the various Instruction and training in production roles. The presenter may design principles is essential even adopt the roles of producer, writer, artist, and editor thus maintaining for advanced computer users who complete control instead of hiring are now entering the field of visual graphic display and who themselves out, thus, cutting expenses. are motivated by the emotional Other advantages of using appeal of images created by current advertising. new technology for creation and dis- play of visual images include saving production time and energy. Summar Presentation programs frequently provide pre-produced clipart and In Hollywood, a good picture access to hundreds of images includ- holds the power to weave a story, ed on compact discs. capture the audiences' attention, and provide specific results. The CD's containing clipart files are, even for first time users, easily same holds true for today's electron- ic learning environments utilizing accessed, often with a few clicks of new media production tools and the mouse. If no pre-packaged art is included, drawing tools such as devices. Well-designed images lead, lines, squares, circles, elliptical and along with practice and the develop- ment of production skills, to specialized shapes and color fills are available along with an issortment presentations which generate audi- of patterns, fills, and gradients to ence interest and participation, and add the necessary elements of visu- an enriched learning experience. al variety and interest. High-impact and persuasive Disadvantages images make a difference in the As is the learning environment. In contrast, new media pro- case with traditional media presen- ductions can however prove visually tations, the use of well chosen and disastrous. As research suggests placed visual illustrations in multi- images are able to (1) enhance, (2) media presentations can lead to have no effect, or (3) detract from better productivity and increased learning. Thus, without the proper effectiveness in the classroom as 7 IVLA - 336 Blackstock, 3. & Miller L. (1992). The impact of well as the meeting room (Kupsh & new information technology on young Graves, 1993). children's symbol-weaving efforts. Computers Educ, 18 (I-3), 209-221. Balance, proportion, unity, Caine, R., & Caine, G. (1991). Making and symmetry continue as ear- connections. Teaching and the human marks of pleasing visual design. brain. Virginia: ASCD. Both past and present research also Diringer, D. (1982) The book before printing suggest that visual images whether Ancient. medieval and oriental. New York: mentally or visually stimulated can Dover. lead to an enhanced learning expe- Gollnick, D. & Chinn, P. (1994). Multicultural rience particularly for the novice education in a.,ph.iralistic society. New learner when a hands-on learning York: Macmillan College Publishing. environment is not available. Hodes, C. (1990). Symbol-weaving and young children reading and writing practices. What we see with our mind is Dissertation Abstracts International, 42, known to be more complex than 4370A-4371A. (University Microfilms N. what we see with our optical sensor, 82-06, 181) the eye. Research suggests that Houghton, H. A. & Willows D. M. (Eds.) (1987). graphical images can affect the The psycholoev of illustration. New York, viewer in several ways--positive, New York: Springer-Verlag. negative, and ineffectual. For new Huesmann, L.R. (1986). Psychological processes media producers, positive results promoting the relation between exposure skill but by are obtained not only by to media violence and aggressive behavior sensitivity to such issues as adverse by the viewer. Journal of Social Issues, 42, reflection, equal portrayal, along 125-139. with awareness of target audience's Kupsh, J. & Graves, P. (1993). I-low to create cultural background, gender, and high impact bu,sness presentations. These issues become ethnic biases. Chicago: NTC. major considerations when selecting Liebert, R. & Sprafkin, J. (1988). The early and dei=gning images for inclusion window: F.:ffects of television on children in computer-controlled new media and youth,. New York, New York: presentations. Pergamon Press. References Metcalf, K. and D. Cruickshank. (1991). Can teachers be trained to make clear Journal of Educational presentations? "Human-centered Allen, D (Ed.) (1994, April). Research,. Vol. 85 (2), 107-115. computing." Byte Magazine. pp. 66-67. Mulcahy, P. and Samuels, S. (1987). "Three Au, K. (1993). Literacy- ngtruction in hundred years of illustrations in american multicultural settings. Orlando: Harcourt textbooks." In Houghton, H. & Willows. Brace & Company. D.. (Eds). The psvcholoey of illustration.. Biagi, S. (1990). Media Impact. Belmont, New York: Springer-Verlag. Wadsworth. Rieber, L. (1994). Computers. graphics, and Berger, A. (1989). Seeing is believing. learning. Madison: Brown and Benchmark. Mountain View: Mayfield Publishing. IVLA - 337 AVAILABLE BEST COPY

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