The Emperor Jones, The Hairy Ape & Mourning Becomes Electra : Notes, Including O'Neill's Life and Background, title: Brief Synopses, Scene-by-scene Summaries and Commentaries, Character Analyses, Critical Notes, Questions for Review, Selected Bibliography author: Clark, Peter.; Roberts, James Lamar publisher: John Wiley & Sons, Inc. (US) isbn10 | asin: print isbn13: 9780822009108 ebook isbn13: 9780764513183 language: English O'Neill, Eugene,--1888-1953.--Emperor Jones, O'Neill, Eugene,--1888-1953.--Hairy subject ape, O'Neill, Eugene,--1888-1953.-- Mourning becomes Electra. publication date: 1966 lcc: ddc: 812.09 O'Neill, Eugene,--1888-1953.--Emperor Jones, O'Neill, Eugene,--1888-1953.--Hairy subject: ape, O'Neill, Eugene,--1888-1953.-- Mourning becomes Electra. Page i Page 1 The Emperor Jones, The Hairy Ape & Mourning Becomes Electra Notes by Peter Clark, Ph.D. Department of English Newark College of Engineering and James L. Roberts, Ph.D. Department of English University of Nebraska including O'Neill's Life and Background Brief Synopses Scene-by-Scene Summaries and Commentaries Character Analyses Critical Notes Questions for Review Selected Bibliography INCORPORATED LINCOLN, NEBRASKA 68501 Page 2 Editor Gary Carey, M.A. University of Colorado Consulting Editor James L. Roberts, Ph.D. Department of English University of Nebraska ISBN 0-8220-0910-2 © Copyright 1966 by Cliffs Notes, Inc. All Rights Reserved Printed in U.S.A. 1995 Printing The Cliffs Notes logo, the names "Cliffs" and "Cliffs Notes," and the black and yellow diagonal-stripe cover design are all registered trademarks belonging to Cliffs Notes, Inc., and may not be used in whole or in part without written permission. Cliffs Notes, Inc. Lincoln, Nebraska Page 3 CONTENTS O'Neill's Life and Background 5 Naturalism 6 Expressionism 7 The Emperor Jones List of Characters 9 A Brief Synopsis 9 Summaries and Commentaries 10 A General Evaluation 23 Questions for Review 26 The Hairy Ape List of Characters 27 A Brief Synopsis 27 Summaries and Commentaries 28 A General Evaluation 52 Questions for Review 57 Page 4 Mourning Becomes Electra List of Characters 58 A Brief Synopsis 59 Summaries and Commentaries 61 Character Analyses 96 Naturalism 102 The Greek Myth 103 O'Neill's Use of the Greek Myth 106 Questions for Review 108 Selected Bibliography 109 Page 5 O'NEILL'S LIFE AND BACKGROUND Eugene Gladstone O'Neill was born in New York City October 16, 1888. O'Neill's father, James, was a matinee idol of the melodrama school who specialized in portraying the count of The Count of Monte Cristo. Together with his family James O'Neill toured the entire country for sixteen years in this production. Baptized into the theater in this manner, Eugene utilized the technological background in becoming America's pioneer of expressionistic and naturalistic drama. O'Neill entered Princeton University in 1906, but left shortly thereafter to work on a tramp steamer at sea. During this period of travel, O'Neill formulated many of the ideas and characterizations which are found in his works. His obsession with the mystical attractiveness of the sea plays a central role in the S.S. Glencairn tetralogy and in Anna Christie. It was not until O'Neill was stricken with tuberculosis in 1913, however, that his thoughts turned to playwriting. The following year he studied the art of playwriting under George Pierce Baker at Harvard University. In 1916 Bound East for Cardiff was produced at the Wharf Theatre in Massachusetts by the Provincetown Players. Four years later, O'Neill was on Broadway with the Provincetown production of Beyond the Horizon, for which he received both popular acclaim and the Pulitzer Prize. In the course of his profuse dramatic career (47 plays) O'Neill was the recipient of three more Pultitzer Prizes (Anna Christie, 1922; Strange Interlude, 1928; and Long Day's Journey Into Night, posthumously) and the coveted Nobel Prize for Literature in 1936. Desire Under the Elms, perhaps the greatest of his works, represents a milestone in American Drama. Shortly before he died of bronchial pneumonia in 1953, O'Neill set out to destroy all of his remaining manuscripts. Fortunately for the world of the theather, three completed plays were uncovered among his papers: Long Day's Journey Into Night: Hughie: and A Touch of the Poet.
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