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Emily Dickinson's Approving God: Divine Design and the Problem of Suffering PDF

273 Pages·2008·0.8 MB·English
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000 fm i-xvi 7/16/08 8:57 AM Page i E m i l y D i c k i n s o n ’s Approving God 000 fm i-xvi 7/16/08 8:57 AM Page ii This page intentionally left blank 000 fm i-xvi 7/16/08 8:57 AM Page iii E m i l y D i c k i n s o n ’s Approving God Divine Design and the Problem of Suffering Patrick J. Keane University of Missouri Press Columbia and London 000 fm i-xvi 7/16/08 8:57 AM Page iv Copyright © 2008 by The Curators of the University of Missouri University of Missouri Press, Columbia, Missouri 65201 Printed and bound in the United States of America All rights reserved 5 4 3 2 1 12 11 10 09 08 Library of Congress Cataloging-in-Publication Data Keane, Patrick J. Emily Dickinson's approving God : divine design and the problem of suffering / Patrick J. Keane. p. cm. Includes bibliographical references and index. Summary: “Focusing on Emily Dickinson's poem ‘Apparently with no surprise,’ Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontations between Darwinism and design, science and literal conceptions of a divine Creator”—Provided by publisher. ISBN 978-0-8262-1808-7 (alk. paper) 1. Dickinson, Emily, 1830-1886—Criticism and interpretation. 2. Dickinson, Emily, 1830-1886—Religion. 3. Dickinson, Emily, 1830–1886—Knowledge— Calvinism. 4. Theology in literature. 5. Belief and doubt in literature. 6.Religion and literature—United States—History—19th century. 7. Science and literature—United States—History—19th century. I. Title. PS1541.Z5K36 2008 811'.4—dc22 2008020814 This paper meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials, Z39.48, 1984. Designer: Jennifer Cropp Typesetter: BookComp, Inc. Printer and binder: Thomson-Shore, Inc. Typefaces: Palatino, Cochin, and Aquinas 000 fm i-xvi 7/16/08 8:57 AM Page v Contents Acknowledgments xi A Note on Dickinson Texts xiii Introduction: A Poem and Its Theological, Scientific, and Political Contexts 1 Part I Chapter 1. The Poem and Images of God 25 Chapter 2. Religion and Science: Einstein’s Spinozistic God 42 Chapter 3. God and Evolution: The Contemporary Debate 58 Chapter 4. Design, Challenged and Defended 76 Chapter 5. Emily Dickinson on Christ and Crucifixion 91 Part II Chapter 6. Destroyers and Victims: “Apparently with no Surprise” and Related Scenarios 107 Chapter 7. Design and Accident 118 Chapter 8. Frost, the Blonde Assassin 132 Chapter 9: Dickinson’s Death-Haunted Earthly Paradise 144 Chapter 10. Flowers, and Thoughts Too Deep for Tears 160 v 000 fm i-xvi 7/16/08 8:57 AM Page vi vi Contents Chapter 11. Questioning Divine Benevolence 174 Chapter 12. The Final Dialectic: Believing and Disbelieving 191 Conclusion: Multi-Perspectivism in Interpretation 205 Appendix: Derek Mahon’s “A Disused Shed in Co. Wexford” 215 Bibliography 225 Index of First Lines 237 General Index 241 000 fm i-xvi 7/16/08 8:57 AM Page vii Dedicated to Michele Christy and, in particularly loving memory, to Kay Farquhar Though nothing can bring back the hour Of splendour in the grass, of glory in the flower, We will grieve not, rather find Strength in what remains behind; In the primal sympathy Which having been must ever be; In the soothing thoughts that spring Out of human suffering 000 fm i-xvi 7/16/08 8:57 AM Page viii This page intentionally left blank 000 fm i-xvi 7/16/08 8:57 AM Page ix The whole truth about Emily Dickinson will elude us always. She seems almost willfully to have seen to that. —Richard Sewall, The Life of Emily Dickinson God offers to every mind its choice between truth and repose. Take which you please,—you can never have both. Between these, as a pendulum, man oscillates. He in whom the love of repose dominates will accept the first creed, the first philosophy, the first political party he meets,—most likely his father’s. He gets rest, commodity, and rep- utation; but he shuts the door to truth. He in whom the love of truth predominates will keep himself aloof from all moorings, and afloat. He will abstain from dogmatism, and recognize all the opposite negations, between which, as walls, his being is swung. He submits to the inconvenience of suspense and imperfect opinion, but he is a candidate for truth, as the other is not, and respects the highest law of his being. —Ralph Waldo Emerson, “Intellect” The question whether the universe and the place human beings have within it owe their origin to blind chance or to a supremely wise and good plan arouses us all. —Christoph Cardinal Schönborn, “Rea son able Science, Reasonable Faith” A god who is all-knowing and all-powerful and who does not even make sure that his creatures understand his intention—could that be a god of goodness? Who allows countless doubts and dubieties to per- sist, for thousands of years, as though the salvation of mankind were unaffected by them, and who on the other hand holds out the prospect of frightful consequences if any mistake is made as to the nature of the truth? Would he not be a cruel god if he possessed the truth and could behold mankind miserably tormenting itself over the truth? —Friedrich Nietzsche, Daybreak If we love Flowers, are we not “born again” every day? —Emily Dickinson, Letters There is no new thing under the sun. —Ecclesiastes

Description:
Keane examines Dickinson s perspectives on the role played by a supposedly omnipotent and all-loving God in a world marked by violence and pain. Keane provides close readings of many of Dickinson s poems and letters engaging God, showing how she addressed the challenges posed by her own experience a
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