Elective affinities : testing word and image relationships PDF
Preview Elective affinities : testing word and image relationships
Elective Affinities Testing Word and Image Relationships Word & Image Interactions 6 Word & Image Interactions is a series of scholarly books consisting of thematic collections of articles as well as outstand- ing monographs, in English and French, dealing with a wide variety of areas, problems, and applications within the broad field of word and image studies (http://www.iawis.org/). Series editors: Michèle Hannoosh, University of Michigan, Ann Arbor Véronique Plesch, Colby College, Waterville, Maine Charlotte Schoell-Glass, University of Hamburg International Association of Word and Image Studies Association Internationale pour l’Etude des Rapports entre Texte et Image Elective Affinities Testing Word and Image Relationships Edited by Catriona MacLeod, Véronique Plesch and Charlotte Schoell-Glass Amsterdam - New York, NY 2009 Cover image: Edgar Fahs Smith Collection Rare Book and Manuscript Library University of Pennsylvania Cover Design: Rachel S. Tobie The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN: 978-90-420-2618-6 E-Book ISBN: 978-90-420-2619-3 © Editions Rodopi B.V., Amsterdam - New York, NY 2009 Printed in the Netherlands _T___ __ C____________________________________ ABLEOF ONTENTS I NTRODUCTION C M L 11 ATRIONA AC EOD S 19 UMMARIES UNION MICHAEL R. TAYLOR Consulting the Manual: Word and Image in Marcel Duchamp’s Étant donnés 31 ADRIANA DRAGOMIR Living and Dying in the Limelight: Performing the Self in Frida Kahlo’s Diary and Paintings 47 L W AURENCE UIDAR Imbrication de l’image, du texte et de la musique dans un corpus de prières énigmatiques à la Vierge 61 C G ORDULA REWE The Künstlerroman as Romantic Arabesque: Parody, Collaboration, and the Making of The Modern Vasari (1854) 77 K E. B AREN ROWN The “Inscapes” of Louis le Brocquy 99 ROBERT GRANT American Scenery/Canadian Scenery: Conflicting Views of Indigenes in Mid-Nineteenth-Century British Portrayals of the American Continent 113 MIRIAM HARRIS Cartoonists as Matchmakers: The Vibrant Relationship of Text and Image in the Work of Lynda Barry 129 CONFLICT S C TEEN HRISTIANSEN The Truth of the Word, the Falsity of the Image: Transmetropolitan’s Critique of the Society of the Spectacle 147 D L ANIELLE EENAERTS Le magazine français Vu (1928–40): Naissance de l’information visuelle et utopie de la substitution de l’image photographique au texte écrit 159 H L UBERT OCHER From Ekphrasis to History: Verbal Transformations of the Display of Picture Galleries—Wilhelm Heinse and Friedrich Schlegel 173 L S. W AUREN EINGARDEN Modernizing History and Historicizing Modernity: Baudelaire and Baudelairean Representations of Contemporaneity 187 V N ALENTIN USSBAUM Serial Künstler: Portrait of the Artist as a Malefactor 205 J M ONATHAN ARSHALL Hypnotic Performance and the Falsity of Appearances: The Aesthetics of Medical Spectatorship and Axel Munthe’s Critique of Jean-Martin Charcot 221 EXPERIMENT SUSANA OLIVEIRA New Light and Old Shadows: Industrial Illumination and its Imaginaire 243 J A. G ENNIFER REENHILL Illustrating the Shadow of Doubt: Henry James, Blindness, and “The Real Thing” 261 E T. H RIC ASKELL Picturing Paradise: Baudelaire’s “L’Invitation au voyage” 281 J F ULIA RIEDMAN The Writing-Drawing Continuum of Alexei Remizov 299 S P PYROS APAPETROS Aby Warburg as Reader of Gottfried Semper: Reflections on the Cosmic Character of Ornament 317 C C -W RISTINA UEVAS OLF John Heartfield’s Insects and the “Idea” of Natural History 337 M D G ARÍA E UZMÁN The Photographic Thought of Latina/o Literature and Cultural Critique 355 S N -S USAN URMI CHOMERS Diderot, Brecht, Eisenstein, Fassbinder: Découpage Aesthetics on the Divide 369 B M IRGIT ERSMANN (Ideo-)Logical Alliances between Image and Script: Calligraphic Reconfigurations in Contemporary Chinese Art 387 C 401 ONTRIBUTORS I 409 NDEX A__CK_N_O_W_LE_D_GE_M_E_N_TS_____________________________ The essays contained in this volume are based on papers presented at the Seventh Triennial Conference on Word and Image Studies, “Elective Affinities,” which was held from 23 to 27 September 2005 in Philadelphia, U.S.A. We would like to express our thanks, above all, to Richard “Tres” Lambert III, who worked tirelessly on the layout of this volume and also read the copy and offered numerous valuable suggestions. Rachel S. Tobie generously answered technical queries and designed the cover. For practical and logistical help, we are also grateful to Paul Guyer, Martina Bale, and Philip Miraglia at the University of Pennsylvania. Finally, our sincere thanks to Esther Roth at Rodopi for her patience and support. Catriona MacLeod, University of Pennsylvania Véronique Plesch, Colby College Charlotte Schoell-Glass, University of Hamburg
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