Eleanor of Aquitaine, by the Wrath of God, Queen of England

499 Pages·2016·1.71 MB·English

by  Weir Alison

Eleanor of Aquitaine
Alison Weir
This book is dedicated with heartfelt thanks to my agent, JULIAN
ALEXANDER and to JILL BLACK who has edited so many of my books.
Acknowledgments
I should like to extend very special thanks to my editor, Anthony Whittome,
for his creative input and his unflagging enthusiasm for this project, and to my
commissioning editor, Will Sulkin, for his tremendous support. Gratitude is also
due to Lily Richards for her indefatigable picture research.
As always, I must express my thanks to my agent Julian Alexander, without
whom this book would not exist: he kept faith with this project for many years
before its acceptance. I am grateful also to his former assistant, Kirstan Romano,
for all her kindness. Finally, as ever, thank you, Rankin, my husband, and John
and Kate, my children, for putting up with me while this book was in
preparation. I could never have done it without you.
Contents
Preface xix
Prologue: 18 May 1152 1
1 "Opulent Aquitaine" 3
2 "A Model of Virtue" 21
3 "Counsel of the Devil" 37
4 "To Jerusalem!" 55
5 "A Righteous Annulment" 73
6 "A Happy Issue" 89
7 "All the Business of the Kingdom" 104
8 "Eleanor, by the Grace of God, Queen of England" 120
9 "The King Has Wrought a Miracle" 141
10 "Conjectures Which Grow Day by Day" 158
11 "The Holy Martyr" 177
12 "The Cubs Shall Awake" 189
13 "Beware of Your Wife and Sons" 198
14 "Poor Prisoner" 211
15 "Shame, Shame on a Conquered King!" 231
16 "The Eagle Shall Rejoice in Her Third Nesting" 248
17 "The Admiration of Her Age" 260
18 "The Devil Is Loosed!" 279
19 "The Staff of My Old Age" 300
20 "The Most Reverend Eleanor" 314
21 "The Brood of the Wicked Shall Not Thrive" 326
22 "A Candle Goeth Out" 336
Notes on the Chief Sources 347
Bibliography 355
Notes and References 375
Genealogical Tables 407
Index 423
viii
A Note on Names and Spellings
Different variations of the names of people and places occur in twelfth-century
sources. For example, the names Matilda, Maud, and Mahalde are
interchangeable, as are Alice, Aaliz, and Alais.
For the sake of clarity, I have used different spellings of the same name to
identify different people. Eleanor's daughter is called Alix, Richard Is betrothed
of the same name Alys, and the Lord John's betrothed Alice. All are accurate
renderings. A similar differentiation has been used with the name
Amaury/Aymer/Aimery. Louis VII's daughter, often called Margaret in other
works, is here referred to by the French version of her name, Marguerite.
Eleanor, who would have called herself Alienore, is referred to by the more
familiar anglicised version of her name.
As in many other history books, William the Marshal is throughout referred to
as such, even though he did not acquire his office of Marshal until 1199.
Although Eleanor was Countess of Poitou and Duchess of Aquitaine, I have
occasionally used the name Aquitaine as a blanket term covering both her
domains, although I have tried to differentiate between them wherever possible.
Many place names have changed since the twelfth century, and where
appropriate I have given the modern name in parentheses. Some places no longer
exist; wherever possible, I have attempted to discover their exact or approximate
location.
ix
Illustrations
Palais de Justice, Poitiers © Roger-Viollet
William IX, Duke of Aquitaine. Manuscript illumination, fr. 12473 fol. 128 ©
Bibliotheque Nationale, Paris
Louis VII, King of France. Manuscript illumination from "Grands Chroniques
de France," fr. 2813 fol. 223 © Bibliotheque Nationale, Paris
Rock crystal vase, 12th c, from the Abbey of Saint-Denis, now in the Louvre ©
Reunion des Musees Nationaux-- Daniel Amaudet
Retable of St. Bernard of Clairvaux (detail), anon., 12th c, Museo de Mallorca,
on loan from the Sociedad Arqueologica Luliana
Count Geoffrey of Anjou. Enamel tombstone, c. 1152, Musee de Tesse, Le
Mans © Giraudon
Eleanor's seal, from a charter in the Archives de France © Atelier de
photographic du Centre historique des Archives nationales, Paris
Engaged capital, thought to portray Henry II and Eleanor of Aquitaine. © The
Metropolitan Museum of Art, The Cloisters Collection, 1934 (34.115.4ab)
Tomb of Matilda, daughter of Henry II, and Henry the Lion, Duke of Saxony,
Brunswick Cathedral, late 12th c. © AKG London
Effigy of Henry the Young King (detail), late 12th c, Rouen Cathedral ©
Roger-Viollet
Effigy of Henry II (detail), late 12th c, Fontevrault Abbey © AKG London
Effigy of Richard I (detail), 1199-1200, Fontevrault Abbey © AKG London
Effigy of Berengaria of Navarre (detail), after 1230, Le Mans Cathedral ©
Geoffrey Wheeler
Effigy of King John (detail), c. 1225-1230, Worcester Cathedral © Geoffrey
Wheeler
Mural from Sainte-Radegonde, Chinon, c. 1196 © By courtesy of Les Amis du
Vieux Chinon
x
Effigy of Isabella of Angouleme (detail), mid 13th c, Fontevrault Abbey ©
Geoffrey Wheeler
Effigy of Eleanor of Aquitaine (detail), c. 1204, Fontevrault Abbey © AKG
London
The tombs of the Plantagenets in the Abbey of Fontevrault © Bildarchiv Foto
Marburg
Maps
The Angevin Empire in 1154 xv
Europe and the Holy Land in the Twelfth Century xvi
England in the Twelfth Century xviii
xi
[map of the Angevin Empire in 1154 removed]
xii
[map of Europe and the Holy Land in the Twelfth Century removed]
xiii
[map of Richard I's route during the Third Crusade, 1190-1194 removed]
[map of Eleanor's journey, 1190-1191 removed]
xiv
[map of England in the Twelfth Century removed]
xv
Preface
When, after completing several books on the late mediaeval and Tudor periods,
I suggested writing a biography of Eleanor of Aquitaine, it was put to me that it
would be impossible for a biographer to do justice to a woman who lived eight
centuries ago: that so few of her utterances or letters have come down to us that I
would never be able to bring her to life as a real person to whom my readers
could relate.
It was a valid point, because for the earlier mediaeval period, the sources that
so vividly illuminate the characters of the Tudors-- diplomatic reports, letters,
memoirs, diaries, biographies-- rarely survive. And there is a perception,
common among those who are more familiar with the later period, that such
monkish chronicles as we do have are mostly credulous, biased, and ill
informed. In some cases, this is indeed so, particularly in respect of the period
covering the early years of Henry II's reign, for which there is a paucity of
contemporary sources; but there are a considerable number of English chronicles
of outstanding quality for the latter part of the twelfth century.
The twelfth century in general is readily accessible to us today because it was
an age of burgeoning scholarship that is now regarded as the first Renaissance,
an age that gave birth to a succession of outstanding and perceptive chroniclers,
whose relatively objective accounts of the personalities and events of their times
document a wealth of facts, detail, and contemporary opinion.
Many of these writers were eyewitnesses to the events they described; most
were well-educated, intelligent men, who were familiar with the court and the
great figures of their age. From the pages of their chronicles, as well as from
other surviving records, it is possible to garner a considerable amount of material
on Eleanor. It is true that there is a lot we still do not know about her-- for
example, no description of her appearance survives-- and that monkish
chroniclers in general did not consider women, even queens, sufficiently
important to merit much
xvi
space in their works; but her deeds speak for themselves, as do her surviving
charters and letters. I make no apology for quoting two of those letters at length,
as they give such insights into Eleanor's character, as well as her state of mind at
the time they were written.
There is much that is controversial about Eleanor, yet a great deal of the
evidence is independently corroborated by other sources, and while she
sometimes remains tantalisingly elusive, due to gaps in that evidence, we know
enough of the events surrounding her, and of what her contemporaries thought
about her, to draw some conclusions.
We must nevertheless understand that most mediaeval chronicles were not
written primarily as historical narratives or analyses, but as moral tales to
illustrate the mysterious workings of God in the events of the time. Almost
without exception, chroniclers expected their works to have an improving effect
upon their own generation and later ones, which would benefit spiritually from
the lessons to be learned from history.
Many chronicles, such as the Chronicles of the Counts of Anjou (dedicated to
Henry II and containing a flattering and stirring account of his father, Count
Geoffrey), also contain stimulating and popular accounts of mythical or
legendary persons and their exploits, making little or no attempt to distinguish
between fact and fiction. On occasion, such stories were even fabricated for the
enjoyment and edification of a credulous public. Furthermore, there are
discrepancies between accounts of real events in the works of different
chroniclers, and these oblige the historian to seek corroboration from as many
sources as possible, where others exist. Often, they do not, and a writer must
then use his or her own judgement as to which, on balance, is the most reliable
account-- never an easy decision, and one that must always take account of what
may be inferred from circumstantial evidence. Where this has happened, I have
explained in the text or in the notes how I arrived at my conclusions.
Eleanor has been a popular figure with historical biographers for many decades
now, and people often react with enthusiasm when her name is mentioned. I
realise that I am going to upset some with the theories put forward in this book,
but I would point out that these theories have been arrived at only after extensive
scrutiny of the evidence and much thought. I have deliberately avoided falling
into the romantic mode of some earlier biographies, and have looked afresh at
every controversial issue in Eleanor's life, in some cases taking a new approach.
Above all, I have derived great enjoyment from researching and writing this
book, although I have to admit that it has felt more like a piece of detective work
than a conventional historical biography. I
xvii
hope that what emerges in the following pages is a credible and balanced
account, stripped of the myths, suppositions, and misunderstandings that have
obscured the real Eleanor of Aquitaine, in both the distant and the recent past.
Alison Weir
Carshalton, July 1999
1
Prologue: 18 May 1152
In the Romanesque cathedral of Poitiers a man and a woman stood before the
high altar, exchanging wedding vows. It was a simple ceremony. The young
man, aged nineteen, was stocky, with red hair, and restless with pent-up energy,
knowing he was doing a daring thing. The woman, eleven years his senior and
with long auburn locks, was exceptionally beautiful, very sophisticated, and a
willing accomplice in this furtive ceremony.
Few would have guessed, from the lack of pomp and splendour, that the
marriage of this couple was to change the face of Europe. Yet the bridegroom
was Henry, later called Plantagenet, Count of Anjou and Duke of Normandy,
who had already established a reputation as one of the most formidable princes
in Europe. Not only did he hold strategically important domains in what is now
France, but he was also the heir to his mother Matilda's claim to the kingdom of
England-- a claim that few doubted he would prosecute successfully.
Now Henry of Anjou was about to extend his territories even farther, by
marriage to one of the greatest heiresses of the Middle Ages. The woman who
stood beside him was Eleanor, Duchess of Aquitaine and Countess of Poitou in
her own right, and former Queen of France. Not only did she own most of the
land between the Loire and the Pyrenees, but she was also renowned for her
loveliness. In every way, she was a great prize for an aspiring ruler.
However, it was as well that Henry of Anjou was a young man of strong
character, since his bride was also headstrong and wilful. Nor had she reached
the age of thirty without acquiring a reputation for scandalous behaviour.
Rumours of her affairs and unconventional conduct, both in France and abroad
during the Second Crusade, were notorious throughout Christendom. Her
marriage to Louis VII of France had recently been annulled, ostensibly on the
grounds of consanguinity, but in reality because Eleanor had failed to produce a
male heir. In
2
those days, this would have been regarded as entirely the woman's fault,
although Eleanor would have had good grounds for disagreeing with that. The
evidence suggests, moreover, that it was she, and not Louis, who had been the
prime mover in the dissolution of their marriage.
Henry of Anjou was prepared to overlook the shady details of his bride's past
so long as he could secure her desirable person and, more important, her great
inheritance. In marrying her, hastily and without any display of appropriate
ceremonial, the young Duke was aware that both he and his bride were defying
their common overlord, King Louis of France himself, for neither had sought his
permission for their union, as was customary. Nor would it have been
forthcoming had they done so, since even the saintly Louis would have foreseen
the consequences of such a marriage. Through it, and Henry's subsequent
accession to the English throne in 1154, was founded the vast Angevin empire,
which comprised England and much of what is now France and stretched from
the Scottish border to the Pyrenees. Such an empire would pose a deadly threat
to the much smaller kingdom of France.
But when Louis VII found out about the marriage, it was too late: the pattern of
western European diplomacy and warfare had been set for the next four
centuries.
This is Eleanor's story.
3
1. "Opulent Aquitaine"
Eleanor of Aquitaine was born into a Europe dominated by feudalism. In the
twelfth century there was no concept of nationhood or patriotism, and subjects
owed loyalty to their ruler, rather than the state.
Europe was split into principalities called feudatories, each under the rule of a
king, duke, or count, and personal allegiance, or fealty, was what counted. This
was expressed in the ceremony of homage, in which a kneeling vassal would
place his hands between those of his overlord and swear to render him service
and obedience.