ebook img

Eco-Trauma Cinema PDF

272 Pages·2014·1.75 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Eco-Trauma Cinema

Eco-Trauma Cinema Film has taken a powerful position alongside the global environmental movement, from didactic documentaries to the fantasy pleasures of com- mercial franchises. This book investigates in particular fi lm’s complex role in representing ecological traumas. Eco-trauma cinema represents the harm we, as humans, infl ict upon our natural surroundings, or the injuries we sustain from nature in its unforgiving iterations. The term encompasses both circumstances because these seemingly distinct instances of ecological harm are often related and even symbiotic: The traumas we perpetuate in an ecosystem through pollution and unsustainable resource management inevitably return to harm us. Contributors to this volume engage with eco-trauma cinema in its three general forms: accounts of people who are traumatized by the natural world, narratives that represent people or social processes which traumatize the environment or its species and stories that depict the aftermath of eco- logical catastrophe. The fi lms they examine represent a central challenge of our age: to overcome our disavowal of environmental crises, to refl ect on the unsavoury forces reshaping the planet’s ecosystems and to restructure the mechanisms responsible for the state of the earth. Anil Narine is a junior faculty member in the Department of Visual Studies and the Institute of Communication, Culture, Information and Technology at the University of Toronto. He completed graduate studies in the School of Communication at Simon Fraser University, and in 2011–2012 he was a Postdoctoral Fellow in Film at Columbia University. His research exam- ines network theory and trauma theory in the context of globalization and thickening global connections. His publications appear in C ommunication , Culture & Critique, C ritical Studies in Media Communication, the J ournal of American Studies , Americana , Memory Studies and Theory, Culture & Society. Routledge Advances in Film Studies 1 Nation and Identity in the New 9 Neoliberalism and Global German Cinema Cinema Homeless at Home Capital, Culture, and Marxist Inga Scharf Critique Edited by Jyotsna Kapur and 2 Lesbianism, Cinema, Space Keith B. Wagner The Sexual Life of Apartments Lee Wallace 10 Korea’s Occupied Cinemas, 1893–1948 3 Post-War Italian Cinema The Untold History of the Film American Intervention, Vatican Industry Interests Brian Yecies with Ae-Gyung Shim Daniela Treveri Gennari 11 Transnational Asian Identities 4 Latsploitation, Exploitation in Pan-Pacifi c Cinemas Cinemas, and Latin America The Reel Asian Exchange Edited by Victoria Ruétalo and Edited by Philippa Gates & Dolores Tierney Lisa Funnell 5 Cinematic Emotion in Horror 12 Narratives of Gendered Dissent Films and Thrillers in South Asian Cinemas The Aesthetic Paradox of Alka Kurian Pleasurable Fear Julian Hanich 13 Hollywood Melodrama and the New Deal 6 Cinema, Memory, Modernity Public Daydreams The Representation of Memory Anna Siomopoulos from the Art Film to Transnational Cinema 14 Theorizing Film Acting Russell J.A. Kilbourn Edited by Aaron Taylor 7 Distributing Silent Film Serials 15 Stardom and the Aesthetics Local Practices, Changing Forms, of Neorealism Cultural Transformation Ingrid Bergman in Rudmer Canjels Rossellini’s Italy Ora Gelley 8 The Politics of Loss and Trauma in Contemporary Israeli 16 Postwar Renoir Cinema Film and the Memory of Violence Raz Yosef Colin Davis 17 Cinema and Inter-American 26 Spanish Cinema in the Relations Global Context Tracking Transnational Affect Film on Film Adrián Pérez Melgosa Samuel Amago 18 European Civil War Films 27 Japanese Horror Films and Memory, Confl ict, and Nostalgia Their American Remakes Eleftheria Rania Kosmidou Translating Fear, Adapting Culture 19 The Aesthetics of Antifascism Valerie Wee Radical Projection Jennifer Lynde Barker 28 Postfeminism and Paternity in Contemporary US Film 20 The Politics of Age and Framing Fatherhood Disability in Contemporary Hannah Hamad Spanish Film Plus Ultra Pluralism 29 Cine-Ethics Matthew J. Marr Ethical Dimensions of Film Theory, Practice, and 21 Cinema and Language Loss Spectatorship Displacement, Visuality and the Edited by Jinhee Choi and Filmic Image Mattias Frey Tijana Mamula 30 Postcolonial Film: History, 22 Cinema as Weather Empire, Resistance Stylistic Screens and Atmospheric Edited by Rebecca Weaver- Change Hightower and Peter Hulme Kristi McKim 31 The Woman’s Film of the 1940s 23 Landscape and Memory in Gender, Narrative, and History Post-Fascist Italian Film Alison L. McKee Cinema Year Zero Giuliana Minghelli 32 Iranian Cinema in a Global Context 24 Masculinity in the Policy, Politics, and Form Contemporary Romantic Edited by Peter Decherney and Comedy Blake Atwood Gender as Genre John Alberti 33 Eco-Trauma Cinema Edited by Anil Narine 25 Crossover Cinema Cross-cultural Film from Production to Reception Edited by Sukhmani Khorana This page intentionally left blank Eco-Trauma Cinema Edited by Anil Narine First published 2015 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2015 Taylor & Francis The right of the editor to be identifi ed as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Eco-trauma cinema / edited by Anil Narine. pages cm — (Routledge advances in fi lm studies ; 33) Includes bibliographical references and index. 1. Nature in motion pictures. 2. Ecology in motion pictures. 3. Environmental protection and motion pictures. I. Narine, Anil, editor. PN1995.9.N38E26 2014 791.43'66—dc23 2014016191 ISBN: 978-1-138-79139-8 (hbk) ISBN: 978-1-315-76281-4 (ebk) Typeset in Sabon by Apex Covantage, LLC To my parents, for showing me so many countries and so many movies. This page intentionally left blank Contents List of Figures xi Acknowledgements xiii Introduction: Eco-Trauma Cinema 1 ANIL NARINE 1 Evolution, Extinction and the Eco-Trauma Film: D arwin’s Nightmare (2004) and A Zed & Two Naughts (1985) 25 BARBARA CREED 2 Trauma, Truth and the Environmental Documentary 46 C HARLES MUSSER 3 Great Southern Wounds: The Trauma of Australian Cinema 72 MARK STEVEN 4 Into the Wilde? Art, Technologically Mediated Kinship, and the Lethal Indifference of Nature in Werner Herzog’s Grizzly Man 88 ALF SEEGERT 5 The Dangers of Biosecurity: T he Host (2006) and the Geopolitics of Outbreak 113 HSUAN L. HSU 6 Biting Back: America, Nature, and Feminism in Teeth 134 R OLAND FINGER 7 The Spirits of Globalization: Masochistic Ecologies in Fabrice Du Welz’s Vinyan 146 G EORGIANA BANITA

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.