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Earth and Ocean: The Terrestrial World in Early Byzantine Art (Monographs on the Fine Arts) PDF

177 Pages·1987·67 MB·English
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Earth and Ocean The Terrestrial World in Early Byzantine Art BLANK PAGE HENRY MAGUIRE Earth and Ocean The Terrestrial World in Early Byzantine Art Published for THE CoLLEGE ART AssociATION oF AMERICA by THE PENNSYLVANIA STATE UNIVERSITY PRESS UNIVERSITY PARK AND LONDON Monographs on the Fine Arts sponsored by THE COLLEGE ART ASSOCIATION OF AMERICA XLIII Editor, Carol F. Lewine Library of Congress Cataloging-in-Publication Data Maguire, Henry, 1943- Earth and ocean. (Monographs on the fine arts; 43) Bibliography: p. Includes index. r. Pavements, Mosaic-Byzantine Empire--Themes, motives. 2. Mosaics, Byzantine--Themes, motives. 3. Nature (Aesthetics) I. Title. II. Series. NA3780.M34 1987 729'.7'09495 86-22551 ISBN o-271-00477-0 Copyright © 1987 The College Art Association of America All rights reserved Printed in the United States of America Contents List of Illustrations vu Acknowledgments xm Introduction I I The Language of Symbols 5 II The Literal Sense I 7 III Partial Allegory 3 I IV The Gathering of the Waters 4I v The Creatures of the Fifth Day 57 VI Nature and Humanity 67 VII King and Creator 73 Conclusion 8 I Notes 85 Bibliography IOI Index I05 Illustrations I I I BLANK PAGE List of Illustrations r. Butrinto, baptistery, pavement, inserted motifs romischen Mosaiken der kirchlichen Bauten vom IV. (from Luigi M. Ugolini, "II battistero di Butrinto," XIII.]ahrhundert [Freiburg im Breisgau], I976, plate Rivista di Archeologia Cristiana, xr [1934], fig. 2) roi) 2. Ancona, Christian tomb, pavement, The Vineyard of 8. Antioch, Bath "E", large hall, pavement (detail), Isaiah (from Bullettino di Archeologia Cristiana, 3rd Earth (photo: Department of Art and Archaeology, Princeton University) series, vol. IV [1879], plate 9) 9. Antioch, Bath "E", large hall, pavement, The Earth 3. Kato Paphos-Chrysopolitissa, basilica, nave pave and the Water (after Doro Levi, Antioch Mosaic ment (detail), "I am the True Vine" (photo: Dr. A. Pavements, I [Princeton, I947], fig. roo) Papageorghiou, Cyprus Museum, Nicosia) IO. Nikopolis, Basilica of Dumetios, north transept, 4· Gerasa, funerary chapel, nave pavement (detail), pavement, Earth and Ocean (photo: Archaeological Vine with Commemorative Inscription (photo: Yale Society, Athens) University and Dumbarton Oaks) I I. Nikopolis, Basilica of Dumetios, north transept, 5. Christ and His Flock, silver reliquary from Henchir pavement (detail), Earth and Ocean (photo: Archaeo Zirara. Vatican, Biblioteca Apostolica Vaticana logical Society, Athens) (photo: Biblioteca Vaticana) 12. Nikopolis, Basilica of Dumetios, north transept, 6. Mount Sinai, St. Catherine, apse mosaic (reproduced pavement, Ocean, detail, Duck in Lotus Plant (photo: through the courtesy of the Michigan-Princeton author) Alexandria Expedition to Mount Sinai) r 3. Map of the World According to Cosmas Indicopleustes. 7· Rome, SS. Cosmas and Damian, apse mosaic (from Rome, Biblioteca Vaticana, MS. gr. 699, fol. 40v. Joseph Wilpert, Walter N. Schumacher, Die (photo: Biblioteca Apostolica Vaticana) vm LIST OF ILLUSTRATIONS 14. The Creation of Land Animals. Istanbul, Seraglio the courtesy of the Michigan-Princeton-Alexandria Library, MS. 8, fol. 32v. Expedition to Mount Sinai) 15. Tegea, Basilica of Thyrsos, nave pavement, Earth 28. Mount Sinai, St. Catherine, nave, sixth ceiling and Ocean (from A. K. Orlandos, "Palaiochristia beam, Beasts of the Land (reproduced through the nika kai byzantina mnemeia Tegeas-Nykliou," Ar courtesy of the Michigan-Princeton-Alexandria Ex cheion ton Byzantinan Mnemeion tes Hellados, xu pedition to Mount Sinai) [1973], plate A) 29. Mount Sinai, St. Catherine, nave, sixth ceiling 16. Tegea, Basilica ofThyrsos, nave pavement (detail), beam (detail), Boar and Elephant (reproduced Tigris (photo: G. Hougen) through the courtesy of the Michigan-Princeton Alexandria Expedition to Mount Sinai) 17. Tegea, Basilica ofThyrsos, nave pavement (detail), 30. Mount Sinai, St. Catherine, nave, ninth ceiling july (photo: G. Hougen) beam, Birds (reproduced through the courtesy of the Michigan-Princeton-Alexandria Expedition to 18. Tegea, Basilica ofThyrsos, nave pavement (detail), Mount Sinai) August (photo: G. Hougen) 3 r. Mount Sinai, St. Catherine, nave, ninth ceiling 19. Tegea, Basilica ofThyrsos, nave pavement (detail), beam (detail), Birds (reproduced through the cour February (photo: G. Hougen) tesy of the Michigan-Princeton-Alexandria Expedi tion to Mount Sinai) 20. Tegea, Basilica ofThyrsos, nave pavement (detail), May (photo: G. Hougen) 32. Mount Sinai, St. Catherine, nave, twelfth ceiling beam, Nilotic Scenes (reproduced through the cour 21. Tegea, Basilica ofThyrsos, nave pavement (detail), tesy of the Michigan-Princeton-Alexandria Expedi Marine Creatures in Border (photo: G. Hougen) tion to Mount Sinai) 22. Antioch, building north of St. Paul's Gate, pave 33. Mount Sinai, St. Catherine, nave, twelfth ceiling ment, "Renewal" and the Seasons (photo: Department beam (detail), Crocodile, Boat, and Ostrich (repro of Art and Archaeology, Princeton University) duced through the courtesy of the Michigan-Prince ton-Alexandria Expedition to Mount Sinai) 23. Mount Sinai, St. Catherine, nave, ceiling beams (reproduced through the courtesy of the Michigan 34· Karl1k, basilica, pavement (detail), Animal Paradise Princeton-Alexandria Expedition to Mount Sinai) of Isaiah (from Michael Gough, "«The Peaceful Kingdom>>: An Early Christian Mosaic Pavement in 24. Mount Sinai, St. Catherine, nave, first ceiling Cilicia Campestris," Melanges Mansel, I [Ankara, beam, Land Creatures (reproduced through the 1974], fig. 63) courtesy of the Michigan-Princeton-Alexandria Ex pedition to Mount Sinai) 35. Khalde, basilica, nave pavement, Earth and Ocean (from Maurice H. Chehab, Mosai"ques du Liban 25. Mount Sinai, St. Catherine, nave, first ceiling beam [Bulletin du Musee de Beyrouth, xiv-xv, Beirut, (detail), Antelope and Plants (reproduced through the 1958-59], plate 66) courtesy of the Michigan-Princeton-Alexandria Ex pedition to Mount Sinai) 36. Khalde, basilica, nave pavement (detail), "Ship of Peace" (photo: Erica Dodd) 26. Mount Sinai, St. Catherine, nave, third ceiling beam, Marine Creatures (reproduced through the 37. Khalde, basilica, nave pavement (detail), One Crea courtesy of the Michigan-Princeton-Alexandria Ex ture Devours Another (photo: Erica Dodd) pedition to Mount Sinai) 38. Gerasa, SS. Cosmas and Damian, nave pavement, 27. Mount Sinai, St. Catherine, nave, third ceiling Terrestrial Creation (from Carl H. Kraeling, Gerasa: beam (detail), Marine Creatures (reproduced through City of the Decapolis [New Haven, 1938], plate 73) LIST OF ILLUSTRATIONS 1x 39· Gerasa, SS. Cosmas and Damian, nave pavement John Ward-Perkins, justinianic Mosaic Pavements in (detail), Vine (photo: author) Cyrenaican Churches [Monografie di Archeologia Libica, XIV, Rome, I98o], fig. IO) 40. Gerasa, SS. Cosmas and Damian, nave pavement (detail), Birds, Beasts, and Acanthus Plant (photo: 53· Qasr-el-Lebia, East Church, nave pavement (de Courtesy of Yale University and Dumbarton Oaks) tail), The "New Town Theodorias" (photo Audio Visual Center, Benghazi) 41. Gerasa, SS. Cosmas and Damian, nave pavement (detail), Birds, Beasts, and Water Creatures (photo: 54· Qasr-el-Lebia, East Church, nave pavement (de Courtesy of Yale University and Dumbarton Oaks) tail), "Ktisis" (photo: Department of Antiquities of Cyrenaica) 42. Heraklea Lynkestis, Large Basilica, narthex pave ment, Earth and Ocean (from G. Cvetkovic 55. Qasr-el-Lebia, East Church, nave pavement (de Toma5evic, Heraclea, III, Mosaic Pavement in the tail), "Kosmesis" (photo: Department of Antiquities Narthex of the Large Basilica at Heraclea Lyncestis of Cyrenaica) [Bitola, I 967]) 56. Qasr-el-Lebia, East Church, nave pavement (de 43. Heraklea Lynkestis, Large Basilica, narthex pave tail), "Ananeosis" (photo: Department of Antiquities ment, central composition (photo: author) of Cyrenaica) 44. Heraklea Lynkestis, Large Basilica, narthex pave 57· Qasr-el-Lebia, East Church, nave pavement (de ment (detail), Goat under Cedar Tree (photo: author) tail), "Phison" (photo: Department of Antiquities of Cyrenaica) 45. Heraklea Lynkestis, Large Basilica, narthex pave ment (detail), Lion and Bull under Apple Tree (photo: author) 58. Qasr-el-Lebia, East Church, nave pavement (detail), Eagle Rending Deer (from Elisabeth Alfoldi-Rosen baum and John Ward-Perkins justinianic Mosaic 46. Heraklea Lynkestis, Large Basilica, narthex pave Pavements in Cyrenaican Churches [Monografie di ment (detail), Dog under Fig Tree (photo: author) Archeologia Libica, XIV, Rome, I98o], plate 5) 47. Heraklea Lynkestis, Large Basilica, narthex pave 59. Qasr-el-Lebia, East Church, nave pavement (detail), ment (detail), Leopard and Hind under Pomegranate Stag and Serpent (from Elisabeth Alfoldi-Rosenbaum Tree (photo: author) and John Ward-Perkins, Justinianic Mosaic Pavements in Cyrenaican Churches [Monografie di Archeologia 48. Heraklea Lynkestis, Large Basilica, narthex pave Libica, XIV, Rome, I98o], plate 6) ment (detail), Cross of Fish in the Border (photo: author) 60. Qasr-el-Lebia, East Church, nave pavement (de tail), "Castalia" (photo: Department of Antiquities 49· Heraklea Lynkestis, Large Basilica, narthex pave of Cyrenaica) ment (detail), Ducks and Tree in Winter (photo: author) 6r. Qasr-el-Lebia, East Church, nave pavement (de tail), Facade (photo: Department of Antiquities of 50. Skhira, basilica, sanctuary pavement (detail), Stags Cyrenaica) Flanking Vase (from Mohamed Fendri, Basiliques chretiennes de Ia Skhira [Paris, I96I], plate I4) 62. Qasr-el-Lebia, East Church, nave pavement (detail), 5 r. Nicaea, painted tomb, Peacocks Flanking Cantharos Musician (photo: Audio-Visual Center, Benghazi) (photo: Ihor Sevcenko) 63. Qasr-el-Lebia, East Church, nave pavement (de 52. Qasr-el-Lebia, East Church, nave pavement, Earth tail), "The Lighthouse" (photo: Department of Anti and Ocean (from Elisabeth Alfoldi-Rosenbaum and quities of Cyrenaica)

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One of the most distinctive characteristics of Byzantine art of the later fifth and the sixth centuries AU. is its fondness for imagery drawn from natural history. Wherever the visitor looks in churches of this period, whether it be to the floors, the walls, the furnishing, or the ceilings and the v
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