Early Music 2010: Vol 38 Index

2010·3.1 MB·English

ballet “War
This annual index follows the same principles by Olivia Blo
of arrangement as the Early Music 25-year Barker, NA
index (Oxtord, 1998 .
Baroque music
performance
MAIN INDEX
‘A Chinese Air’ ‘An encounter with Chine
i8th-century Londor
alternatim
by Juan Rui Basei Collegium Musicum
Anonymouso f St Emmeram “Two | was almost besid
ury hockets on A re the Basel Colleg pstaging the voice: dies
Mary Wolinski an Kintze 113 t interventionsi r
Beauchamp, Richard “Fit for a King
hard Beauchamp
anxiety of influence “Thous
legetic sound
the Musique ntions in the
Artusi, Giovanni Maria ““Quasi unz Musique de
turr th
Bernier, Nicolas
Babington plot “Unlay g”: Byrd ound and
e Bab
abr
Binchois, Gilles
Bach, Johann Sebastian new manaee SONS OF
Binkley, Thomas
otudic
chanson, combinative
a ae UN VOIX contr
Bloom, Harold
y SM4 Pi ?
the lat
Book reviews
brass band ‘Mu
( €
Trevor Chirbury, Robert ““f
Briggs, John
Dy Vougla
DROWN, 4
cnamber
Detweel
Sebastian Bz i h h musi historical evide
by Andrea Bruhns, Nicolaus ‘Bu
Bach-Archiv ‘Bach’s chorus: the Leipzig lit Ce semen pee church music ‘Or
:\ response tt o Andreas Gléck|n er , } by Dv " Geoftir . Johann Sebastitaia r
Andrew Parrott Buckle Alexandra
Badia. , Carlo Agosti. no “A lovely and perfect —n d no
ISIC Anna von R, aschenau and chaanrty ry Ccahya pel
at the Viennese convent of ACK Bull, William ‘The and Bart Ha
é Hulben Granam N NicI Clarinet Concerto (W. A. Mozart)
Bainbridge, William “The English f lageolet 3URN, Davip J > SOLOIS C ng the tuttis of
1800 1900, by Douglas MacMillan personal’ (BR
balade Guillaume de Machaut, roy noner Buxtehude, Dieterich
te, p id Donnez, signe in and the sor
eth Eva Leach Geottrey Wet
640 EARLY MUSIC NOVEMBER 2010
ballet “War
This annual index follows the same principles by Olivia Blo
of arrangement as the Early Music 25-year Barker, NA
index (Oxtord, 1998 .
Baroque music
performance
MAIN INDEX
‘A Chinese Air’ ‘An encounter with Chine
i8th-century Londor
alternatim
by Juan Rui Basei Collegium Musicum
Anonymouso f St Emmeram “Two | was almost besid
ury hockets on A re the Basel Colleg pstaging the voice: dies
Mary Wolinski an Kintze 113 t interventionsi r
Beauchamp, Richard “Fit for a King
hard Beauchamp
anxiety of influence “Thous
legetic sound
the Musique ntions in the
Artusi, Giovanni Maria ““Quasi unz Musique de
turr th
Bernier, Nicolas
Babington plot “Unlay g”: Byrd ound and
e Bab
abr
Binchois, Gilles
Bach, Johann Sebastian new manaee SONS OF
Binkley, Thomas
otudic
chanson, combinative
a ae UN VOIX contr
Bloom, Harold
y SM4 Pi ?
the lat
Book reviews
brass band ‘Mu
( €
Trevor Chirbury, Robert ““f
Briggs, John
Dy Vougla
DROWN, 4
cnamber
Detweel
Sebastian Bz i h h musi historical evide
by Andrea Bruhns, Nicolaus ‘Bu
Bach-Archiv ‘Bach’s chorus: the Leipzig lit Ce semen pee church music ‘Or
:\ response tt o Andreas Gléck|n er , } by Dv " Geoftir . Johann Sebastitaia r
Andrew Parrott Buckle Alexandra
Badia. , Carlo Agosti. no “A lovely and perfect —n d no
ISIC Anna von R, aschenau and chaanrty ry Ccahya pel
at the Viennese convent of ACK Bull, William ‘The and Bart Ha
é Hulben Granam N NicI Clarinet Concerto (W. A. Mozart)
Bainbridge, William “The English f lageolet 3URN, Davip J > SOLOIS C ng the tuttis of
1800 1900, by Douglas MacMillan personal’ (BR
balade Guillaume de Machaut, roy noner Buxtehude, Dieterich
te, p id Donnez, signe in and the sor
eth Eva Leach Geottrey Wet
640 EARLY MUSIC NOVEMBER 2010
concerted music the voice: diegetic sound Freemasonry (18th-century) ‘A music club for
nterventions in the Freemasons: Philo-musicae et Architecturae
ntata’, by Michele Societas Apollini, London, 1727’, by
73 Andrew Pink 523
Bibliothéque Municipal, Ms.447 “Two French Baroque ‘Early autograph manuscripts
t hockets on Manere of Marin Marais’, by Stuart Cheney 59
y Wolinski and Barbara “‘Upstaging the voice: diegetic sound and
3 instrumental interventions in the French
la taciturnita”: the Baroque cantata’, by Michele Cabrini
of dissonance according “War, peace and the ballet in Le soir’, t
orists’, by Simon Van Olivia Bloechl 91
French cantata ‘Upstaging the voice: diegetic
rhythm w perspective on the sound and instrumental interventions in
jotted rhythms’, by the French Baroque cantata’, by Michele
and Emery Schubert 585 Cabrini
flageolet English flageolet 1800 French overture ‘A new perspective on
is MacMillan 559 the performance of dotted rhythms’, by
por ‘Music for King Dorottya Fabian and Emery Schubert
291 Gaffurius, Franchinus “Quasi una
dinburgh University Collection of Historic taciturnita”: the silence and salience of
Musical Instruments ‘Music for the dissonance according to 16th-century
ts of brass bands entering theorists’, by Simon Van Damme
s Crystal Palace contests Gahory, Jerome Francis “The testament and
vor Herbert and Arnold last will of Jerome Francis Gahory’, by
571 Moira Goff
ial 1, 179, 333, 495 GaMESON, PauL ‘French and Belgian sacred
glish flageolet 1e English flageolet 1800. music’ (MR 138
s MacMillan 559 GEERT ROBBERECHTS AND Dirk
wurff rus: against the wall’, by SNELLINGS ‘Editorial 179
437 Geminiani, Francesco ‘A music club for
the Leipzig line. A Freemasons: Philo-musicae et -Architecturae
s Gléckner’, by Andrew Societas Apollini, London, 17
223 Andrew Pink 523
rces of Johann gender ‘Voice, decorum and seduction in
ig church music Florigerio’s Music Lesson’, by Tim
Shephard 361
Early Music ‘Guillaume de Machaut, royal almoner:
he role of Honte, paour and Donnez, signeurs in
lusic programmes’, context’, by Elizabeth Eva Leach 21
relli, Arcangelo —e, The Hague, gift-aglimvoinnegr : ‘GHuointlel,a umpea oudre aMnadc haDuotnn,e z,r oyasli gneurs
» EMERY SCHUBERT in context’, by Elizabeth Eva Leach 21
the performance of Glareanus, Henricus “Quasi una taciturnita”:
585 the silence and salience of dissonance
music in Italy in 2009 according to 16th-century theorists’, by
Simon Van Damme
erfect music” Gléckner, Andreas ‘Bach’s chorus: against
chenau and music at the wall’, by Joshua Rifkin
t of St Jacob auf der — ‘Bach’s chorus: the Leipzig line. A
403 response to Andreas Gléckner’, by Andrew
ageolet eolet 1800-1900 Parrott 223
559 GLOCKNER, Andreas ‘On the performing forces
yrigerio, Sebastiano Voice, decorum and of Johann Sebastian Bach’s Leipzig church
rigerio’s Music Lesson’, by music 215
361 Gorr, Moira ‘The testament and last will of
te-flageolet tlish flageolet 1500 Jerome Francis Gahory’ 537
cMillan 559 Goldberg Variations ‘A new perspective on
Formé, Nicolas llaborations between the the performance of dotted rhythms’, by
umbre and the Musique Dorottya Fabian and Emery Schubert
t the court of Louis XIII: Go ome, URI AND ALON SCHAB ‘Baroque
s ternae Henrici Magni in Belfast’ [Biennial International
decorum yrigins of the grand motet’, CBeolnffaestr en20c1e0 on ReBpaorrotq ue Music,
e nigmatic souvenir Gotoms, Uri ‘Choral Bach’ (RR
pera: Alessandro Piazza’s GoopwIn, CHRISTOPHER ‘More lute
masterpieces, mostly’ (RR 146
France (i7th-century) ‘War, peace and the ‘The Weissfest goes on ...’ (RR 463
t r’, by Olivia Bloechl grand motet ‘Collaborations between the
irces of texts for Byrd’s Musique de la Chambre and the Musique
de la Chapelle at the court of Louis XIII:
MUSIC NOVEMBER 2010 641
Nicolas Formé’s 4ternae Henrici Jacobean music ‘New perspectiveos n lute-playing ‘A new portrait of Nicholas
Magni (1638) and the originso f the Thomas Myriell’s Tristitiae remedium Lanier’, by Benjamin M. Hebbert
grand motet’, by Peter Bennett by Donna Di Grazia Machaut, Guillaume de ‘Guillaume de
Happen, Nancy ‘Flute music from the Jenamy “The secrets « Machaut, royal almoner: Honte, paour and
Bach circle’ (MR by Michael Loren 17 Donnez, signeurs in context’, by Elizabet!
é |
Hapiock, Hearuer ‘Pleasure, patronage KINTZEL, ROBERT so | sautiful | was Eva Leach
and the castrato’ (BR 446 almost beside myself”: Vivaldi and the MacMIiLi he1e |E nglish h flafl agec
HaGGH, BARBARA AND Mary WoLINsK!I “Two Basel Collegium Musicum
thirteenth-century hocketso n Manere KNIGHTON, Tess “‘Ruffo and z (MR Mapeur, JEAN-FrRaANcois “The revivoaf lth e
recovered KNIGHTS, FRANCIS ‘Editorial natural trumpet in the Baroque repertory
HAMMOND, Freperick “The hidden world The German Baroque’ (RR utoIp iano r not
of Frescobaldi manuscripts’ (BR K UIJKEN S IGISWALD a4 bac h odyssey Manere ‘Two thirteenth-century hocke- tso n 7
Hesspert, BENJAMIN M \ new portrait of 5 — Manere recovered’, by Mary Wolinski an
Nicholas Lanier La Petite Bande ‘A Bach odyssey’, by Barbara Haggh
HERBERT, TREVOR AND ARNOLD Myers Sigiswald Kuijker manuscript “Corps contre corps”, voix
Music for the multitude: accountso f The unnatural ullip wraham VOIX conflictin codes of discourse in the
brass bands entering Enderby Jackson’s Nicholson 193 combinative chanson’, by Emily Zazulia
Crystal Palace contests in the 1860s Lanier, Nicholas ‘A new Ip ortrait of Nicholas Early autograph manuscriptso f Marin
historiography “Thomas Binkley and the Lanier’, by Benjamin M. Hebbert 509 Marais , by Stuart Cheney
Studio der Frithen Musik: challenging “t Largesse ‘Guillaume de Machaut, royal [wo thirteenth-century hocketso n
myth of Westernness”’, by Kirsten Yri almoner: Honte rand Donne Manere recovered’, by Mary Wolinskia n
hocket “Two thirteenth-century hockets in context’, by Elizabeth Eva Lea 3arbara Haggh
on Manere recovered’, by Mary Le Seur, Hubert ‘A nev Marais, Marin ‘Early autograph manuscripts
Wolinski and Barbara Haggh Lanier’, by Benjat of Marin Marais’, by Stuart Cheney
Hoepricn, Eric ‘Low clarinets’ (BR Le > Soir ‘War, peace aannda thtel baIlle lienntl L e sosoiir Marsh, Dana ‘Text and musiconctexat iln t he
Ho.ick, DouGtas ‘Bruhns and his by Olivia B2l) oec~ch} English. R2 eformations’ (B2DR 125
instruments’ (MR Leacn, EvizapetH Eva ‘Guillaume de masculinity “A music club for Freemasons
Ho_MAN, Peter “Consort manuscripts Machaut, royal almoner: Honte nusicae et -A itecturae Societas
and Donnez context Apollini, London, 1725 >’ by Andrew
catalogued’ (BR
Leavis, RALPH ‘Vivaldi in question rT 5 Pink
Purcell’s orchestra’ (Cort
Howarpb, ALAN ‘Croft the craftsman LEHMAN, BRADLEY al temper masonic musicians ‘A music club for
MRO n editing Blow’ (MR Leiapcz Aii rgrc euslpa‘toBenac she'as gationc Andreas Gl1eé cLkenieprz’i,g 'l inbe y F§A roncedieermteaawss onPsApi:onl kli nPi,h iloL-omnudsoinc,a e 1 7e2t -Architec
Hunter, Davip ‘The earliest piano in Andrew Parrott 3 Mc yhilipemanuel
London (Corr
On the performing fc
iconography ‘An enigmatic souvenir of Sebastian Ba I McGeary, THOMAS ‘Music and scie
Venetian opera ssandro Piazza’s by Andreas Gléckner 1 Restoration London’ (BR
l 2)’, by Bruno Forment 38
Leopold I (Emperor) perfect AND ELEANOR
for a King Music and iconography music : Maria Ann von Raschenau and UTHERFORD ‘Medl Xen 2010
yard Beauchamp’s chantry chapel music at the Vie vent of St Jacol ott 1y niverosf iLotndyon , July 2010
Alexandra Buckle auf der Hilbert
innovation processes ‘Bach's chorus revisited LinGas, ANN Medieval and Renaissance Music
historically informed performance practice LLEWELLYN conference ‘MedRen 2010’ | Royal
ans d “Sbtouunn deVde rv ativi by BaVran tLo oy MR ; 26 HoRlelpowoaryt, | venorr sRouftih Letornfydoorn d, aJnuldy | 201
instruments ‘Recent re-evaluationso f the London ‘A m club for né Phil SPE ai
Baroque cello and what they might mean musicac
forming the music of J. S. Bach London
ischeeuwijck LoRENz, M
odyssey giswald Kuijken263 Cort Eva Leach
al of the natural trumpet in the Louis XIII °C = Milton, John ‘New pe ves on Thomas
epert u an or not‘ Musique de re and the Musique Myriell’s 7 by Donna
de Ia ¢ f Louis XIII Di Grazia
1638) and th igins of th 1 motet minstrel
by Peter Bennet
War, peace
Olivia Bloech 1 revisited (B
Viva Biber Louis XIV ‘Collaborations between the Montéclair, Michel Pignolet de ‘Upstaging
Isaac, Heinrich “Heinrich Isaac an Musique de la e and the Musique the voice: diegetic sound and instrument
world’ |J acobs School of Music, Univers le la Chapell rt of Louis XIII interventiionn sth e French Baroque
Indiana at Bloomington, May 2009 Nicolas Form Erernae Henrici , cantata , by Michele Cabrini
Report), by Ruth |. DeFord 1638) and the ori the grand me Moo IvAN ‘Recent Renaissance
Italy ‘Early: ¢ in Italy in 2009 byt eter Bent Morin, Jean-Baptiste {‘ Upstaging tl
Dinko Fabris Loum Kiqua ‘An ¢ voice: diegetic sound and instrumental
Jackson, John Enderby ‘Music for the music in mid-18th interventions in the French Baroque
multitude: accounts of brass bands entering by David Clarke cantata’, by Michele Cabrini
Enderby Jackson's Crystal Palace contests Lully, Jean-Baptiste ‘Early autograph motet “Unlawful song”: Byrd, the Babington
the 1860s’, by Trevor Herbert and Arnold manuscriptso f Marin Marais’, by plot and the Paget choir,’ by Jeremy I
MvA ivers 5 Stuart Cheney Smith 49
642 EARLY MUSIC NOVEMBER 2010
natic souvenir of Venetian piano “The earliest piano in London’ (Corr.),
indro Piazza’s Teatro (1702)’, by David Hunter 168
nent 387 Piazza, Alessandro ‘An enigmatic souvenir
rt, Woltg oratorio and perfect music”: of Venetian opera: Alessandro Piazza’s
on Raschenau and music at Teatro (1702)’, by Bruno Forment 387
onvent of St Jacob auf der pieces de violes ‘Early autograph manuscripts
net K. Page 403 of Marin Marais’, by Stuart Cheney 59
rgan music “Bi xtehude’s Praeludia and the Pincherle, Marc . So beautiful | was
at court itions of Corelli’, by Geoffrey almost beside myself”: Vivaldi and
249 the Basel Collegium Musicum’, by
Orientalism homas Binkley and the Robert Kintzel 113
en Musik: challenging Pink, ANDREW ‘A music club for Freemasons:
fW esternness”” Philo-musicae et -Architecturae Societas
273 Apollini, London, 1725 7 523
\ lovely and perfect music”: Pixérécourt Chansonnier ““Corps contre
yn Raschenau and music at corps”, voix contre voix: conflicting codes
Musique de la Chan vent of St Jacob auf der 403 obfy dEimsicloyu rsZea zuiln iat he combinative chanson’, 347
Paget, Charles Unlawful song”: Byrd, the politics and music “Unlawful song”: Byrd, the
lot and the Paget choir’, by Babington plot and the Paget choir’,
th 497 by Jeremy L. Smith 49
Viotti’s chequered life’ Pontio, Pietro “Quasi una taciturnita”: the
Musique dej la Chapelle Royale $49 silence and salience of dissonance according
Panmure Collection Early autograph to 16th-century theorists ,b y Simon Van
»f Marin Marais’, by Stuart Damme 237
59 portraits ‘A new portrait of Nicholas Lanier’,
Bach’s chorus: the Leipzig by Benjamin M. Hebbert 509
nse to Andreas Gléckner’ =.2 2 3 PowELL, JoHN ‘Charpentier and the
Parry, John he I nglish flageolet 1800-1900’, performer’ (MR) 605
MacMillan 559 Praeludium ‘Buxtehude’s Praeludia and the
Is there room in the musical sonata publications of Corelli’, by Geoffrey
e early Lied and Singspiel?’ Webber 249
Myrireilell Thomas P" eerson, Martiri i] New perspectives on Thom6a0s8 propPolruts ioenn sp lus“:T ahnoxiuegtyh tasno dn Opcrkoepgohretimo’ns inM istshae
tiae remedium’, by Donna Di late 15th century’, by Richard Sherr 335
101 Purcell, Henry ‘Purcell’s orchestra’ (Corr.),
xerformance hi story Thomas Binkley by Peter Holman 167
natural trumpet +} ) de er myFtrhi tohfe nW eMsutseirkn:n ess”’, Rascpheerfneacut, muMsairci”a: AMnanraia voAnn na“ Av onl oveRlays cahnedn au
273 and music at the Viennese convent of St
»erformance Voice, decorum and seduction Jacob auf der Hiilben’, by Janet K. Page 403
s Music Lesson’,b y Tim RasTALL, RicHarp ‘Life, illustration and
361 parody’ (BR) 441
Performing ma tters 263, 273 Ravenscroft, Thomas ‘New perspectives on
yerforming pra ctice ‘Bach’s chorus revisited: Thomas Myriell’s Tristitiae remedium’, by
rmed performance practice Donna Di Grazia 101
rlieeeatt tivity”’, by Bart Van Looy2 05 RecenErta R[esesreiaers]c hes in the Music 1o3f6 , th2e9 4,B a4r5o4,q u6e0 3
valuationos f the Recent Researches in the Music of the Classical
ind what they might Era | series] 608
rming the music of
c Vanscheeuwijck 181 Recent Researches in the Music of the Middle
Ages and Early Renaissance [series 135
by Sigiswald Kuijken263
recitative ‘A new portrait of Nicholas Lanier’,
the Leipzig line. A by Benjamin M. Hebbert 509
reas Gléckner’, by Andrew
obbs cer i 3 ins‘tUrpusmteangtianlg itnhtee rvvoeicnet:i ondsie geint ict hes oFurnedn cha nd
yerforming forces of Johann Baroque cantata’, by Michele Cabrini 73
1's Leipzig church music’,
5 ( léckner 215 Recording reviews 141, 303, 459, 611
Observation il of the natural trumpet in the Reports 165, 481, 633
Ockeghe} m, Johann crotlosr y: VBiuatdSoeup ian or not?’ 203 rhytthhme ipce rpfeorrcmeapntcieo n of ‘Ad otnteewd prehrystphemcst’i,v e byo n
ural trumpet’, by Graham Dorottya Fabian and Emery Schubert —_5 85
Rick, JoHN A. ‘An Englishman in Vienna’
Pesenti, Michel e ‘Voice, decorum and (MR) 606
Florigerio’s Music Lesson’, Rice, STEPHEN ‘National treasures’ (RR) 617
Richter, Ferdinand Tobias ““A lovely and
ce, decorum and seduction perfect music”: Maria Anna von Raschenau
s Music Lesson’,b y Tim and music at the Viennese convent of St
Jacob auf der Hiilben’, by Janet K. Page 403
EARLY MUSIC NOVEMBER 2010 643
Riekin, JosHua ‘Bach's chorus: against the SNELLINGS, DiRK ANI Tristae remedium ‘New perspectives on
wall 3 ROBBERECHTS Thomas Myriell’s Tristitiae remediun
Rifkin, Joshua ‘Bach's chorus: the Leipzig line soloi. st-orchestra relat:i cuship ‘Should bbyy DDoonnnan a DDi i GrGraa z
\ response to Andreas Gléckner the soloist pl ittis of TRocME Lat
by Andrew Parrott Mozart's Clar lew sons
ripienist “Bach’s chorus: the Leipzig line Carey Campbe RICHARD
\ response to Andreas Gléckner’, by sonata Buxtehude s | University of Paris “Two thirteenth-centur)
Andrew Parrott publicationosf Coreih , by Geoffrey I 10cketso n Manere recovered , by Mar
ripieno “Bach's chorus: the Leipzig line. A \W eb> ber r 246 Wolinski and Barbara H h
response to Andreas Gléckner’, by Andrew Soursby, John Fit for a King”: Music an Simon ““Quasi una taciturnita
Parrott 2 iconography in Richard Beauchamp’s nce and salience of dissonance
ucy “Bouquet francais chantr' y chhaappeel’l.’ , | by i1 BB uckle| } ordins st‘ h-century theorists
Canonic Bach for viols’ (RR Spataro, Giovanni taciturnita anscheeuwijck, Marc ‘Recent re-evaluations
the silenancd esa lience of dissonance of the Baroque cello and what thev
Rebel’s ballets’ (MR
accerding to 16th-century tl ISS , DY I it mean for forming the music of
‘BETH ‘Seven Handel oratorios SimVoann Damme Bach
Spreng, Johann Jacob Vavoul_is, Vassitis “Una stella” is born’ (RR
moral oratorio I was almost besid Vivaldi —
JUAN ‘Music and minstrels and the B» asel Col' legium " Musicum Venicel ori‘gVoeicre,i o’Mduses ciocr uLems son’a,n d bsye duTcitmi on in
169 Robert Kintzel
Shephard
Rule of Three “Thoughts on Ockeghem’s Missa St Mary’s Warwick it for x”: Music An enigmatic souvenir of Venetian
Plus en plus: anxiety and proportion in the and iconography in Richard Beauchamp's
late 15th century’, by Richard Sher 33 chantry chapel’, by Alexandra Bauck le obpy Yeroa :b runoA lesrsoarnmderno t Piazza’s Teatro (1702
RUTHERFORD, ELEAANND OLoRuis ! Steenwick, Hendrick van ‘A new vent-holes “The revival of the natural trumpe
McInnes ‘MedRen 2010’ |R oyal Holloway portraito f Nicholas : :
University of London, July 2010! (Report B‘ enjamin M. Hebbert é 509 biny tJhee anB-aFrroaqnuci eo isr eprM eartdoeruy:t utopiI an or not?
633 STEWART-MacDon ) HAN ‘Anniversary .
VERVLiET, STIJN AND Bart VAN Looy
R, GRAHAM <Ac entury of tragedie ¢ reftiections: Chop: in, Schumann and B:a ch’s ch: orus revisited: historicall' y
que (RR
nformed performance practice as
Bourbon devotions (BR bounded { creativity
ch opera, ballet and cantz MM ontevewrenddl Vi.e nna (17th- and 18th-century) A olodve ly
and perfect music’: Maria avon
RICQ GAEL Organum and memory DMORE Raschenau and music at the Viennese
Cavalli's Erismer all convento f St Jacob auf der Hiilben
Sainte-Colombe, Sieur de ‘Early autograph and Erisme W z Janet K. Page
nuscriptso f Marin Marais’, by Stuart June 2010) (repor Vingt-quatre violins du Roi ‘Vi
Studio der Friihen Musik nas Binkley from Versailles’ |R oyal College of
French voices recovered and the Studio de ih usik Music Report), by Diane
MR challenging Winklet
SCHAB, ALON AND Uri GOLoMB ‘Baroque by Kirster utograph manuscripts of Marin
in Beltast’ | Biennial International SUTCLIFFE N Plaving wit! ais , Dy Stuart Cheney
Conference on Baroque Music viol and the viol in
Belfast 2010 Report symphonie, early 18th-century “Upstaging Jamie Mulherron
SCHUBERT, EMERY AND DororTrya FABIAN the voice: diegeti nd instrun violin ‘The vioanld t he violin
new perspective on the performance of nterventions int ench Baroque Jamie Mulherron
dotted rhythms cantata ick ibrini vi. oloncello da spalla “Recent re-evaluations
Schulze, Hans-Joachim ‘Bach's chorus TaLtp: ot, MICHAoEn I of the Baroque cello and what they
the Leipzig line. A response to Andreas Lullists BR might mean for performing the music
Gléckner’, by Andrew Parrott Motets for Naples and Flor f J. S. Bach’, by Marc Vanscheeuwijck
IR 2 J
SCHWALBACH, BURKHARD ‘Bach's musical MR A Bach odyssey’, by Sigiswald
norizons Tallis, Thomas Kuijken
Jabinetor ‘ :
SHEPHARD, Tim ‘Voice, decorum and Babington } violoncello piccolo ent re-evaluations
sed'u ctit on ' inr Flloorr iger> io’s Muf sic; L] es of the Baroque cello and what they might
SHERR, RICHARD houghts on Ockeghem's temperament Ur ju my t mean for performing the music of
M en plus: anxiety and proportio c, irculate again J. S. Bach’, by Marc Vanscheeuwijck
late 15th century ehman violone ‘A Bach odyssey’, by Sigiswald
Signoaprnerdif neicm,tu siMmcau sricacot thAen Mta\o Vrinieian on eAs“nen Aa colvnoovvnee lnyt R aasnocfd h eStn au ThommJuaoshshana iascnc aSh ,ueSl b} ybee b aaAssntd‘itOran eina asth BB naacc !tG l orcfkonrerm ins ( VivalaKdluimi,oj skteA nn tboesniidoe myself”:so bVeivaaludti iafnIud wlat she
Jacob auf der Hiilben’, by Janet K. Page Thorpe, Francis “The testamet Basel Collegium Musicum’, by Robert
SIMMONDS Bach keyboard last will of Jerome Francis Gahory Kintzel
music (RR by Moira Goff Vivaldi in question’ ((
Wilhelm Friedemann Bach’s keyboard Tims, Couin ‘Rebuildi Ralph Leavis
music (RR 624 Tinctoris, Johannes “Quasi una taciturnita WEBBER, GEOFFREY ‘Bertoucl 1anc |
SKIDMORE, GREG AND Davip STUART the sifence and salience of dissonance Havemann’ (MR
Cavalli's Erismena’ | Cavalli, his circle asccccoorrddiinngg to 166tthh -cenntfui ry tthheeoorriissttss , Dy B»u xtehude’s 1D Praeludia and the sonata
and Erismena, New College, Oxford Siimm on VVaan n DamDammeme publ' icationosf Corelli
June 2010] (report 482 TR. ENDELL.. , DaD avip ‘A Tudolro ri miscell| any’ (2R We, elkes, Thomas ‘New perspectiveso n
SMITH, JEREMY | Unlawful song”: Byrd, the triple flageolet “The English flageolet 1800 Thomas Myrieil’s Tri tiae remedium
Babington plot and the Paget choir 497 1900’, by Douglas MacMillan by Donna Di Grazia
644 EARLY MUSIC NOVEMBER 2010
and Laura Moretti: Blow, John: Selected verse anthems, ed.
in Renaissance Venice Fredrick Tarrant (Alan Howard)
Westernness Bruhns, Nicolaus: Samtliche Orgelwerke, ed.
uvre en filigrane: Harald Vogel (Douglas Hollick) 452
gique des manuscrits de Charpentier, Marc-Antoine: Histoires sacrées:
ier 2 Rome au XVIle siécle vol.6, ed. C. Jane Gosine and Xavier Bisaro
nmond 589 (John S. Powell) 605
ism and the reform Charpentier, Marc-Antoine: Motets a six voix,
arly modern England. deux dessus instrumentaux et basse continue
Wolff, Christoph Orator and The (Annuntiate superi 4333, Litanies de la Vierge
10n Praier noted (1550 H83, Miserere mei Deus 4193, Canticum
Zacharie 4345, Bonum est confiteri
ompendium of musical Domino 195), ed. Théodora Psychoyou
s.t rumental terminolo, gy (Lionel Sawkins) 296
ny Montagu Croft, William: Complete chamber music,
o: the life of Giovanni ed. H. Diack Johnstone (Alan Howard) 298
Fiona M. Palmer) Du Mont, Henry: Motets a II, III et IV parties
ical exoticism: images pour voix et instruments avec la basse
David R. M. Irving) continue (1681), ed. Laurence Decobert
rhe ceremonial musicians (Lionel Sawkins) 296
yrence (Susan Weiss) 121 Erster Theil Geistlicher Concerten (Berlin/Jena
manipulations in Haydn 1659). Sammeldruck des Berliner Domkantors
nber music for strings, Johannes Havemann, ed. Ekkehard Kriiger
Dean Sutcliffe 600 (Geoffrey Webber) 294
e Reformation in rhyme. Festa, Andrea—Vincenzo Ruffo: Completorium
ns and the English metrical cum quinque vocibus. Otto salmi e un cantico
Dana Marsh) 125 a cinque voci per l’ora di Compieta, ed.
10, Gioseffo the clarinet d’amour Maurizio Tarrini (Tess Knighton
Eric Hoeprich) Kusser, Johann Sigismund: Adonis, ed.
rtly consort suite Samantha K. Owens (Colin Timms
, 1650-1706 Le grand livre de cheeur de la cathédrale
Saint-Lambert de Liége, 1645, ed. Vincent
Besson, Eugen Schreurs and Philippe
Vendrix in collaboration with Centre
David J. Burn d’Etudes Supérieures de la Renaissance
(Paul Gameson) 138
pa 1 to Monteverdi, ed.
ind Richard Wistreich Levens, Charles: Messe des morts pour la
cathédrale de Bordeaux, ed.
Jean-Christophe Maillard
Society index of (Paul Gameson)
taining consort music
»y Andrew Ashbee, Robert Monophonic tropes and conductus of \
1 Jonathan Wainwright tenth fascicle », ed. Jann Cosart (Jeremy
129 Llewellyn)
Sebastian Bach, Music for King Henry. Facsimile of Royal
1k son Choirbook, British Library Royal MS 11
valbach E.xi, with introductory commentary by
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»s du Psautier by Alamire dir. David Skinner
sance (Daniel Theodor Dumitrescu) 291
Pérez, Ginés: Set motets inédits, ed. Esperanza
Rodriguez (Tess Knighton 451
Perti, Giacomo Antonio: Five- Voice Motets for
Music
the Assumption of the Virgin Mary,
Emanuel: Complete works, ed. Rodolfo Zitellini (Michael Talbot) 136
ocal chamber music Rebel, Jean-Féry: Les Caractéres de la Dance,
ongs, ed. Darrell M. Berg facsimile and edition, ed. Stefan Fuchs
608 (Lucy Robinson 456
» Emanuel: Complete works, Rebel, Jean-Féry: Les Eléments, facsimile
ind vocal chamber music. and new edition, ed. Stefan Fuchs (Lucy
&» Sturm songs, ed. Anja Robinson) 456
es Parsons) 608 Reichardt, Johann Friedrich: Claudine
manuel: The von Villa Bella (Berlin, 1789), ed.
series II, volume 1: Robert Meikle and David Hill
Mary Oleskiewicz James Parsons) 608
300 Ruffo, Vincenzo—Andrea Festa: Completorium
tian (¢): Sonata in C mayor cum quinque vocibus. Otto salmi e un cantico
and basso continuo, ed. a cinque voci per l’ora di Compieta, ed.
n (Nancy Hadden) 300 Maurizio Tarrini (Tess Knighton) 451
von: Three sacred Scarlatti, Alessandro: Concerti sacri opera
Michael Nordbakke seconda, ed. Luca Della Libera (Michael
»ber Talbot)
EARLY MUSIC NOVEMBER 2010 64
Storace, Stephen: Gli equivoci,e d. Richard Well-tempered Clavier Be Masaaki Polone pp-4 53; Mazurki; Noktur
Platt (John A. Rice Suzuki (Paul Simmo Walc a-moll o no.2, Janusz Olejniczak
Bach, W. F.: Keyboard Works vol.1, Robert Rohan Stewart-MacDonald 62
Hill (Paul Sim i re ertos, Veronika Winter
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Spanyi, Opus X Ensemble (Dan McCoy) 31 ‘ David R. M man
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Robinson) (Jasmin Cameron)
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Noel O’ Regan) Place, Rebecca Hickey, Dorothy
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EARLY MUSIC NOVEMBER 2010 647
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