Table Of Content

Classical era—‘A Classical sacred miscellany’ MR) |Abos, Stabat mater,; Salieri, Mass in D minor, Schwerdt, Missa St. Florian, Three Masses from Vienn|, by David Wyn Jones 134 Recent recordings from the Classical period’ RR), by Peter Branscombe 732 ABRAM, RICH clavichord—‘Clavichord recordings’ (RR) C. P. E. Bach; J. S. Bach; Buxtehude; ADLAM, DEREK Miithel; Ritter; Scheidemann; Sweelinck], by Francis Knights 354 ( Coton, Lisa—The earliest songbook in Cr England’ (BR) | The Later Cambridge Songs, Altbachisches Archiv ed. Stevens 707 Ay concert—Concerts in English society’ (BR) p Concert life in 18th-century Britain, ed. ALBERTYN, § Wollenberg & McVeigh], by Barra Boydell 518 concertina—‘A 41-cent emendation: a textual Artaria problem in Wheatstone’s publication of Giulio Regondi’s Serenade for English concertina and piano’, by Allan W Atlas 609 concerto—The one-to-a-part concerto’ (BR) Maunder, The scoring of Baroque concertos}, by Andrew Manze 506 Austria conservation of instruments—Conservation versus use’ (BR) [Barclay, The preservation Bach, Johann Sebastian and use of historic musical instruments], by Jeremy Montagu 510 continuo—See thoroughbass copyright—‘Questions of copyright’ (Report), by Tess Knighton 543 Copyright issues’ (Corr.), by Lionel Sawkins 548 ‘Correspondence’ 155) 545) 749 Counter-Reformation—Counter-Reformation pI iety’ (RR) [V ictoria; Lassus], by StepF hen Rice 350 ristofori, Bartolomeo—What did Cristofori BalLes, AN call his invention?’, by Edwin Good 95 ouperin, Frangois—Couperin in context’ Baker, GE BR) |Tunley, Frangois Couperin and ‘the le perfection of music’|, by Graham Sadler 516 Baroque era ouperin, Louis—Louis Couperin at the keyboard’ (MR) [ Piéces d’orgue, ed. Oldham; Préludes non mesurés, ed. Wilson], by Bruce Gustafson 132 OwGILL, Racnet—““The cradle of music in Ireland’” (BR) [Boydell, A historyo f music at Ruftc hrist Church Cathedral, Dublin) 514 Beer, Johann reator festival—Baroque music in Faenza’ Bee Report) [Creator festival], by Giovanni Tasso 743 Kose crowd—The Welsh bowed lyre’ (RR) [Bragod; Biblioteca Nazionale Cen Cass Meurig}, by Phyllis Kinney 145 crwth—The Welsh bowed lyre’ (RR) [Bragod; Cass Meurig], by Phyllis Kinney 145 Cummincs, GranaM—‘Handel and the confus’d shepherdess: a case study of stylistic eclecticism’ dance—‘Eloquent bodies: humanist and grotesque dance’ (BR) [Nevile, The eloquent body, The grotesque dancer on the 18th- century stage, ed. Harris-Warrick and Brown], by Jennifer Thorp 702 Dennis, Frora—Italian survivals’ (MR) [Allegri, Music for an academic defense, ed. John; Luzzaschi, Complete unaccompanied madrigals, i, ed. Newcomb OVEMBER 2005 759 dissonance ERHARDT, TASSILO the ay BR) [Drescl Escorial, El—| Dotata, Davip—V - © a Faenza Gilles, Jean 5%, ; Fayrfax, Robert an Domincuez, Jost Maria shiar ii ay \ Goepe, THErése De Repor EI Esco Dowland, John—\ ibbons and | rretwork; | GOLDBERG, CLEMENS Drake, Josnua F orentine ex} Goldberg Foundation—‘A Bibhiote Acad Goop, Epwin DRENNAN, JONATHAN Rovett Grillo, El—( Druce, DuNCAN | Boccherir Gross, GUILLAUME Gyrowet t Sutcliffe; Qua que FLYNN, JANE GusTAFsoNn, Bruct Oleskiewi Vic iartet ‘ _— fortepiano Dublin—See ( Phat . ‘Editorial’ GUTKNECHT, DieTER England—Th« 760s , Dy tR Learning | England . 7th-century Paul Hillier Holmar Concerts in life in 18tl McVeigh 4 pastoral 1 the cott ) MR : note fl . fusi Green Hanover Milsom Harpsichor = German French—' we ' harpsichord Gibbons Pachelbe Kitchen Froberger, Johann rt (MR Seeking « by Richard ; English Key Germany Aberdeer More on the Albert The earliest l¢ Later Can Lisa Colton A century of Engli gs, Kirkt Evera Lek Milso‘ m lice heel evs BR ) Haydn, Joseph ) <aSC itlOr Holman t Erha Hildegardo f Bingen—Afte See also Londor Harpsichord i I g ard 98 Enlightenment— | is t e 1 Germany’ (I Bach: Bull; Byrd inge der Liebhaber (BR \ ct t g Gibbons; Graupner; Hassler; Locke Honey M the German Eniig I t Pache bel; RRiitttt er; Strogers|, by J« Hotick,Do t Richards ; K} itcher \ t 760 EARLY MUSI¢ NOVEMBER 2005 LeHMAN, Brapiey—Bach’s extraordinary temperament: our Rosetta Stone’ 3, 211 HOLMAN Death and the Mayerin: German harpsichoid music’ (RR) [C. P. E., J. S. & W. F. Bach, Buxtehude, Froberger: Hambitzer, Karttunen, Vartolo, Wilson} 730 Leipzig—‘Daniel Vetter and the domestic keyboard chorale in Bach’s Leipzig’, by Stephen Rose 39 Bach in Leipzig’ (BR) [ Bach in Leipzig, ed. Leisinger|, by Tanya Kevorkian 121 HumpHri { 34 Levin, Micuaet J., AND SteveN ZOHN— Don Juan de Austria and the Venetian music trade 439 Linptey, Mark~“Tempering Bach’s Hunp, Ma temperament’ (Corr.) 545 hymn cycle Linporrr, Joyce—The sweet sound of cultures I clashing’ (RR) [18th-century European < € music in China; Musique des Lumieéres; iconography Fleur de Prunus LLEWELLYN, JeREMY—A correction’ (Corr.) London-—See St Paul’s Cathedral SERPOOVIARION Louis XIV—‘The Sun King at worship’ (BR) | Maral, La chapelle royale de Versailles sous Louis XIV\, by Lionel Sawkins ng Liibeck, Vincent—‘The “famous organist” Infunde am Vincent Liibeck’ (MR) [Liibeck, Neue Ausgabe sdmtlicher Orgel- und Clavierwerke, i-ii, ed. Rampe], by Douglas Hollick 713 Lusitano, Vicente—Point/counterpoint: intercultural contact Vicentino’s musical rebuttal to Lusitano’, by limothy R. McKinney 393 Irela; nd lute—The early lute’ (BR) [Smith, A history of the lute|, by Anthony Rooley 330 IrvinG, D ; MAcKENZIE OF Orp, ALEXANDER, & KENNETH Mosss—Tempering Bach’s temperament’ Isacorr, § Corr 545 McKinney, Timotuy R.—Point/counterpoint: italy Vicentino’s musical rebuttal to Lusitano 393 Madrid—‘Music-selling in Boccherini’s Madrid’, by Miguel-Angel Marin 165 Manze, ANprEw—The one-to-a-part concerto’ BR) [Maunder, The scoring of Baroque concertos 506 Margaret of Parma—““Madama”’ Margaret of Parma’s patronage of music’, by Seishiro Niwa Marin, MiGuet-ANGet—The soundworld of Toledo Cathedral’ (BR) [MartineGzil , La capilla de musica de la catedral de Toledo 17 Editorial:‘Luigi Boccherini, two centuries on 163 Music-selling in Boccherini’s Madrid’ 165 Jencka, D Mattheson, Johann—Johann Mattheson—the Russian connection: the rediscovery of Boris Jesuits Goudenow and his other lost operas’ Performing matters), by Stephen Stubbs Maunper, RicHarp—“Tempering Bach’s temperament’ (Corr.) 545 Mecont, Honey—‘After the party: Hildegard JOHNSTONE, AN since 1998’ (BR) [Stiihlmeyer, Die Geséinge Hay der Hildegard von Bingen| 693 Jones, Davip W 35 Middle Ages— Medieval improvisation’ (BR) misce recor | Improvisation in the arts of the Middle Ages Bondir Musgt & and Renaissance, ed. McGee}, by Jane Hett : ! Flynn EARLY MUSIC NOVEMBER 2005 Visions« patronage Antequera patron Falsobordon Cortezia; Loch ‘Reports unUsualis Bake rhetoric Mitsom, JoHN Puitiips, Perer | 1 Ip piano See Te Piguet, Michel Obi y Ant Pinto, Davip’—\ pitch Mossas, Kennetu, & ALEXANDER Orv— Temper I Corr PLEASANTS, VIRGIN MontTacu, Jeremy—S PonsPorD, Daniel popular culture Monteverdi, Claudio Mont publishing Moopy, Ivan Antequ Falsobor Purcell, Henry Mutter, PRans AND JULIA early o Rameau, Jean-Philippe “Music reviews Niwa, Se&isHiro Rawson, Ros recitative Holma recorder O’ReGan, Nort Kidg \ Rovetta, Giovanni organum— |! ROWLAND-JONES, ANTHONY Recording reviews . } P Reformation fe lal 1 po Ruiz JIMENEZ, JUAN PaGaNno, Roper Scarlatti’ (« 49 Regondi, Giulio 1-cent t Russia n Matthesor partbooks—"| textua ! heat nect redisco expatriate 1 his oth Nazionale Centr by Joshua F. Drak pastorella—‘Gotttried | Renaissance Musical offering pt astorellas’, by Re Renaissanc v Rob C. Wegn ) 762 EARLY MUSI¢ NOVEMBER 2005 Don Juan de Austria and the Venetian music trade’, by Michael J. Levin and Steven St Paul’s Cathedral Zohn 439 Versailles—The Sun King at worship’ (BR) |Maral, La chapelle royale de Versailles sous ‘Salerooms Louis XIV\, by Lionel Sawkins 19 Sammartini, Giovanni B Vicentino, Nicola—‘Point/counterpoint: Vicentino’s musical rebuttal to Lusitano’, by Timothy R. McKinney 393 Vienna— Artaria’s music shop and Boccherini’s music in Viennese musical life’, by Rupert Ridgewell 179 viol—Phantasms sweet’ (RR) [Charivari Agreable; Ensemble Jerome Hantai; Scarlatti, Francesco Phantasm], by Lucy Robinson 528 violin—The south German violin’ (BR) |Drescher, Spielmannische Tradition und héfische Virtuositat\, by Tassilo Erhardt 51 Vivaldi, Antonio—‘Vivaldi in madness and Schott, I mirth’ (RR) [Orlando furioso; cantatas, concertos, sonatas], by Michael Talbot 536 Varieties of Vivaldi’ (RR) [Vivaldi, concertos: Zefiro, La Serenissima, II Giardino Armonico Arco Baleno, Steinmann], by Peter Holman Wales—The Welsh bowed lyre’ (RR) |B ragod; Cass Meurig}, by Phyllis Kinney Seville Weoman, Ros C.—Musical offerings in the Renaissance’ 42 singing Wheatstone & Co.—‘A 41-cent emendation: a textual problem in Wheatstone’s publication of Giulio Regondi’s Serenade for English concertina and piano’, by Allan W. Atlas 609 Willaert, Adrian—A guide to Willaert’ (BR) Kidger, Adrian Willaert: a guide to research|, by Noel O’Regan 695 WitiAMson, MaGnus—‘The enigmatic Taverner’ song BR) [Benham, John Taverner 321 Renaissance polyphony’ (RR) [Browne, 3rumel, Dufay, Peerson 717 women—‘The power of song?’ (BR) [Gordon, Monteverdi’s unruly women)\, by Tim Carter 696 Disclosing women’s voices’ (BR) |M usical voices of early modern women, ed. LaMay}, by Margaret Yelloly 704 soprano Woobprtetp, [An—‘Intercultural contact’ Report) [Study day: Music and intercultural contact in the early modern period 745 Spain Yetioty, MarGaret—““The ingenious Miss Turner”: Elizabeth Turner (d 1756), singer, harpsichordist and composer’ 65 Disclosing women’s voices’ (BR) | Musical voices of early modern women, ed. LaMay 704 YupkIn, Jeremy—‘Riches of organum’ (MR) [Le magnus liber organi de Notre-Dame de Paris, ii-iv, ed. Everist 708 SPINK,I ( ZOHN, STEVEN, AND Micnaet J. Levin—Don Juan de Austria and the Venetian music string quartet trade 439 Be Books Bach in Leipzig—Bach und Leipzig: Konferenzbericht Leipzig 2000, ed. Ulrich STuBBS, STEPHEN Leisinger, Leipziger Beitrage zur Bach Rus Forschung, v (Tanya Kevorkian) LY MUSIC NOVEMBER 2005 Martinez ¢ 764 EARLY MUSI¢ NOVEMBER Du Fay, Guillaume: Mass for St Anthony Abbot, Che Binchois Consort (Magnus Williamson 717 ish fancy, Masques (Peter Holman) pe, La Voce Umana (Francis Knights) Farnaby, Giles: Farnaby’s Dreame, Timothy Roberts (John Kitchen) kon, fiddler och finlir, Falsobordone (Ivan Moody Fiorenza, Nicola: Concerti per flauto, Festa Rustica (Francis Knights 532 ite du roy |L a\, Michael Form (Francis Knights 532 ur temperaments, Phantasm |W illiam Byrd, Alfonso Ferrabosco I, Robert Parsons, Thomas Tallis} (Lucy Robinson 528 ch harpsichord | The\, David Pollock (David Chung 728 Froberger: Toccatas and partitas, Sergio Vartolo Bradley Lehman 730 sualdo, Carlo: Tenebrae responsories for Maundy Thursday, The King’s Singers (John Milsom 348 Gibbons, Orlando: Consorts for viols, Phantasm David Pinto 137 With a Merrie Noyse, Choir of Magdalen College, Oxford; Fretwork (David Pinto 13 Bach, Bull, Byrd, Gibbons, Hassler, Pachelbel, Ritter and Strogers, Gustav Leonhardt (John Kitchen 530 Giordani, Tommaso: Harpsichord concertos, Rita Peiretti, Accademia dei Solinghi (Peter Branscombe 732 from my window: English Renaissance ballad tunes for the lute by John Dowland and his ontemporaries, Nigel North (Peter Holman 352 Graupner, Christoph: Partitas for harpsichord, vol.1, Genevieve Soly (John Kitchen) 530 Hassler, Hans Leo: Bach, Bull, Byrd, Gibbons, Hassler, Pachelbel, Ritter and Strogers, Gustav Leonhardt (John Kitchen) 530 Haydn, Joseph: Die Jahreszeiten, RIAS- Kammerchor, Freiburg Barockorchester, dir. Rene Jacobs (Peter Branscombe) —__732 Die Schépfung, VokalEnsemble K6ln, Capella Augustina, dir. Andreas Spering (Peter Branscombe) 732 Symphonies 91 and 92, Freiburg Barockorchester, dir. René Jacobs (Peter Branscombe 732 Haydn, Michael: Requiem pro defuncto Archiepiscopo Sigismundo; Missa in honorem Sanctae Ursulae, The King’s Consort, dir. Robert King (Peter Branscombe) 732 Hook, James: The world’s first piano concertos, David Owen Norris, Sonnerie (Derek Adlam 734 Jenkins, John: Fantazia, Ensemble Jerome Hantai (Lucy Robinson) Kaingc, Bragod (Phyllis Kinney) 145 Kapsberger, Johann Hieronymus: The Jesuit operas: operas by Kapsberger & Zipoli, Ensemble Abendmusik, dir. James David Christie (David Irving) 358 Lassus, Orlande de: Lagrime di San Pietro, Capella Ducale Venetia, dir. Livio Picotti Stephen Rice) 350 EARLY MUSIC NOVEMBER 2005 765 ocke, Matthev Terence ( Scarlatti, Alessandr wren, Baroques, M lalbot Moody Scariatti, | Tilney 10.1093 766 EARLY MUSI¢ NOVEMBER 2005