Table Of Content

Early Music FOUNDED BY J. M. THOMSON EDITOR: TESS KNIGHTON Volume xxI 1993 Oxford University Press conducting. See “Maitre d’orchestre ... conducts (A)”: new and old evidence on INDEX VOLUME XxXI 1993 French practice’, by David Charlton 340 Cooper, Barry: Music review 284 Corelli, Arcangelo. See Recording review 307 February 1-176 Correa de Arauxo, Francisco. See Recording May: French Baroque I 177-336 review 143 Correspondence 171, 333, 510, 670 August: French Baroque II 337-512 Couperin, Francois. See Recording review 317 November: Monteverdi I 513-672 Crawford, Tim: Book review 637 ——- Obituary of Howard Mayer Brown 507 : Recording review 312 Adams, Martin: ‘More on dating Dido’ Brumel, Antoine. See Recording review 297 Croft, William. See Recording reviews 303, 645 (Corr.) Burrows, Donald: Recording reviews Cross, Eric: Recording reviews 157, 307, 311, 655 Agrell, Johan Joachim. See Recording 153, 320, 504 review Busnoys, Antoine. See ‘Antoine Busnoys dance. See Book review 477 Anderson, Nicholas: “Rameau in the Quincentenary Conference’ (Event), Desprez, Josquin. See Recording recording studio: a survey of recordings by Fabrice Fitch reviews 297, 643 of French Baroque opera’ Byrd, William. See “Byrd’s Gradualia’ ‘D’Indy (Vincent) and the Rameau ‘Antoine Busnoys Quincentenary Confer- (Corr.), by Richard Turbet Oeuvres completes: a case of forgery?’, ence’ (Event), by Fabrice Fitch —— ‘Byrd’s Gradualia’ (Corr.), by Graham Sadler Arne, Thomas. See Recording review by Philip Brett Dixon, Graham: Book review —— ‘Byrd on record: an anniversary ‘Dots and strokes in late 18th and Bach, J. C. See Recording review survey’, by John Milsom igth-century music’, by Clive Brown Bach, C. P. E. See Recording reviews 157, 502 See also Book review ‘Dots and strokes in Mozart’, Bach, J. S. See ‘Boyvin, Grigny, D’Anglebert, Recording review by Frederick Neumann and Bach’s assimilation of French Classical “Doucement and légérement: tempo in organ music’, by George French Baroque music’, by Lionel B. Stauffer 83 Cabezon, Antonio de. See Recording Sawkins 365 —— ‘Two case studies in performance review 143 Downey, Peter: “Mozart’s orchestral brass’ practice and the details of notation, 1: Caldwell, John: Recording review 489 (Corr.) J. S. Bach and 2/4 time’, by Peter Campra, André.See ‘Link between opera and Dufay, Guillaume. See Music review Williams 613 cantata in France (A): tonal design in the Duphly, Jacques. See Recording review —— See also Book review 115 music of André Campra’, by Greer —— Recording reviews Garden 397 ‘Early instruments by Canadians’ (Event), 155, 312, 318, 499, 502, 504, 657 —— ‘Staging a tragédie en musique: a 1748 by Kevin James 329 Balbastre, Claude Bénigne. See Recording promptbook of Campra’s Tancréde’, by ‘Early pianos’ (Corr.), by Michael Latcham 5 reviews 317, 502 Antonia Banducci 180 Earp, Lawrence: Recording review 289 Banducci, Antonia: ‘Staging a tragédie en Carter, Tim: Book review 277 Eccles, John. See Recording review 645 musique: a 1748 promptbook of Campra’s : Possente spirto: on taming the power Eckard, Johann Gottfried. See ‘New French Tancréde’ 180 of music’ 517 harpsichord source of the mid-18th Bartlett, Clifford: Recording review 497 : Recording review 299 century with an Eckard connection (A)’, Beethoven, Ludwig van. See “Beethoven’s Carver, Robert. See Recording review 297 by David Fuller 423 Broadwood: the restorer replies’ (Corr.), Chambonnieres, Jacques Champion de. Editorials 3, 178, 338, 514 by David Winston 173 See “Sous les doits de Chambonniere”’, Edwards, Warwick: Music review 641 Bent, Margaret: Book review 474 by David Fuller 191 Elcombe, Keith: Recording review 138 —— ‘Reflections on Christopher Page’s See also Recording review 502 “Elusive world of the French Baroque Reflections’ 625 Charlton, David: “Maitre d’orchestre ... (The)’, by William Christie 262 Best, Terence: Recording review 649 conducts (A)”: new and old evidence on ‘English a cappella renaissance (The)’, by Binchois, Gilles. See Music review 282 French practice’ 340 Christopher Page 452 Blow, John. See Recording reviews 303, 645 ——: ‘Mozart’s originality’ (Corr.) 510, 669 Eton Choirbook. See Recording review 297 Boismortier, Joseph Bodin de. See : Recording review 147 Events 167, 329, 665 Recording review 152 “Check in some early pianos and the Bonport, Francesco. See Recording review 499 Faenza Codex. See ‘More on the Faenza development of piano technique around Book reviews 111, 273, 473, 634 Codex’ (Corr.), by Mark Lindley the turn of the 18th century (The)’, by ‘Boston Early Music Festival and Exhibition’ Michael Latcham “Fairy Queen (The): a fresh look at the (Event), by Howard Schott 665 issues’, by Bruce Wood & Andrew Cheetham, Richard: ‘Spanish minstrels’ Bowers, Roger: Book reviews 114 Pinnock 44 (Corr.) Boyd, Malcolm: Recording reviews 318, 504 Falconer, Keith: Music review 129 ‘Boyvin, Grigny, D’Anglebert, and Bach’s Chopin, Frédéric. See Recording review Fallows, David: Music review 282 assimilation of French Classical organ Christie, William: ‘Elusive world of the —— Obituary of Howard Mayer Brown 507 music’, by George B. Stauffer 83 French Baroque (The)’ ‘False impressions’ (Corr.), by Peter brass instruments. See ‘Mozart’s orchestral Clarke, Jeremiah. See Recording review Holman 671 brass’ (Corr.), by Peter Downey 171 Clérambault, Louis-Nicolas. See Recording Fenlon, Iain: ‘St Mark’s before Willaert’ 547 Bray, Julie: Music review 121 review Ferrabosco, Alfonso, the younger. See Music Brett, Philip: ‘Byrd’s Gradualia’ (Corr.) 173 Cole, Michael: ‘Handel harpsichord (A)’ review 641 Brown, Clive: ‘Dots and strokes in late ““Col nobilissimo esercitio della vivuola”: Finger, Godfrey. See Recording review 303 18th- and 19th-century music’ 593 Monteverdi’s string writing’, by Peter Fitch, Fabrice: ‘Antoine Busnoy Brown, Howard Mayer. See Obituary, Holman Quincentenary Conference’ (Event) 330 by David Fallows, Tim Crawford & ‘Concert Spirituel in the Tuileries palace ——-: Music review 486 J. M. Thomson (The)’, by Daniel Heartz —— Recording reviews 135, 297, 643 flute. See ‘“Grenser’s flutes’ (Corr.), ‘Grenser’s flutes’ (Corr.), by Dale Higbee —_ 335 Pascual, Beryl: ‘Handel’s by Dale Higbee Guerrero, Francisco. See Recording review 491 hords’ (Corr.) —— ‘Hotteterre le Romain (Jacques) ard G.: Recording review and his father, Martin: a re-examination Hali, Henry. See Recording review Andrew: Music review based on recently found documents’, Handel, George Frideric. See ‘Handel hn: Recording reviews by Tula Giannini harpsichord (A)’, by Michael Cole ss: Editorials Forqueray, Antoine. See Recording review —— ‘Handel harpsichord (A)’ (Corr.), French Baroque. See ‘Concert Spirituel in by Mimi S. Waitzman Fredrick. See Recording the Tuileries palace (The)’, by Daniel — ‘Handel’s harpsichords’ (Corr.), 649 Heartz by Beryl Kenyon de Pascual smith, Richard: Book review 473 —— ‘Doucement and légérement: tempo — See also Recording reviews review 131 in French Baroque music’, by Lionel 153, 163, 320, 504, 649, de. See Music review 479 Sawkins Harper, John: “Western liturgy (The)’ rding review 135 —— ‘Elusive world of the French Baroque (Corr. ) ind de. See Recording review 136 (The)’, by William Christie harpsichord. See ‘Handel harpsichord (A)’, Michael: ‘Check in some early —— ‘From score into sound: questions of by Michael Cole nd the development of piano scoring in Lully’s ballets’, by Rebecca —— ‘Handel harpsichord (A)’ (Corr.), ie around the turn of the 18th Harris- Warrick by Mimi S. Waitzman he)’ —— ‘Hotteterre le Romain (Jacques) and his father, Martin: a re-examination —— ‘Handel’s harpsichords’ (Corr.), pianos’ (Corr.) by Beryl Kenyon de Pascual avid: Book review based on recently found documents’, by Tula Giannini —— ‘New French harpsichord source of rdo. See Recording review 307 —— ‘Indy (Vincent d’) and the Rameau the mid-18th century with an Eckard irk: ‘More on the Faenza Codex’ Oeuvres completes: a case of forgery?’, connection (A)’, by David Fuller by Graham Sadler See also Book reviews 118, mas. See Recording review —— ‘Link between opera and cantata in —— Music review n opera and cantata in France France (A): tonal design in the music of Harrison, Bernard: Recording reviews 161, | design in the music of André André Campra’, by Greer Garden Harris-Warrick, Rebecca: “From score by Greer Garden 397 —— “Maitre d’orchestre ... conducts (A)”: into sound: questions of scoring In tro Antonio. See Recording new and old evidence on French Lully’s ballets’ 307 practice’, by David Charlton 340 Hasse, Johann Adolph. See Recording holas. See Recording review 643 —— ‘Making connections some thoughts reviews 157; Baptiste. See ‘From score into on Lully’s entr’actes’, by Lois Rosow Haydn, Joseph. See ‘Minuets of Haydn and juestions of scoring in Lully’s —— ‘Music and the self-fulfilling prophecy Mozart (The): goblins or elephants?’, by Rebecca Harris- Warrick 354 in Moliére’s Le mariage forcé’, by John S. by William Malloch g connections: some thoughts Powell —— See also Recording reviews s entr’actes’, by Lois Rosow 231 —— ‘New French harpsichord source of Haynes, Bruce: ‘Nova Music’ (Corr.) ) Recording review 497 the mid-18th century with an Eckard Heartz, Daniel: ‘Concert Spirituel in the inings and transpositions in the connectiva (A)’, by David Fuller Tuileries palace (The)’ 7th-century French lute air’, —— ‘Rameau in the recording studio: a Heinichen, Johann David. See Recording 1 Tunley 203 survey of recordings of French Baroque review Book reviews 274, 637 opera’, by Nicholas Anderson Higbee, Dale: “Grenser’s flutes’ (Corr.) uzzasco. See Recording review 493 —— ‘Staging a tragédie en musique: a 1748 Holman, Peter: ““Col nobilissimo esercitio promptbook of Campra’s Tancréde’, by della vivuola”: Monteverdi's string Margaret: Recording reviews 136, 493 Antonia Banducci writing’ Simon: Book review 117 —— ““Sous les doits de Chambonniere”’, —— ‘False impressions’ (Corr.) rchestre ... conducts (A)”: new by David Fuller Hotteterre, Jacques. See ‘Hotteterre le vidence on French practice’, —— ‘Tunings and transpositions in the Romain (Jacques) and his father, Martin: i Charlton early 17th-century French lute air’, by a re-examination based on recently inections: some thoughts on David Tunley found documents’, by Tula Giannini 3 ntr’actes’, by Lois Rosow ‘From score into sound: questions of Humphrey, Pelham. See Recording review 645 Villiam: ‘Minuets of Haydn and scoring in Lully’s ballets’, lhe): goblins or elephants?’ 437 by Rebecca Harris- Warrick India, Sigismondo d’. See Recording review rin. See Recording review 152 Frye, Walter. See Recording reviews 135, “Indy (Vincent d’) and the Rameau vid: Recording review 138 Fuller, David: ‘New French harpsichord Oeuvres completes: a case of forgery?’, hn: ‘Byrd on record: an source of the mid-18th century with an by Graham Sadler rsary survey’ 446 Eckard connection (A)’ ——: ‘“Sous les doits de Chambonniere”’ ‘Interpreting the Roman de Fauvel’ (Corr review 479 by Hans Tischler r pitch’ (Corr.) 335 Garden, Greer: ‘Link between opera and Spanish minstrels’ (Corr.), cantata in France: tonal design in the ‘Jacques Hotteterre le Romain and his rd Cheetham 334 music of André Campra (A)’ father, Martin: a re-examination based f Haydn and Mozart (The): Giannini, Tula: ‘Jacques Hotteterre le on recently found documents’, »r elephants?’, Romain and his father, Martin: a by Tula Giannini am Malloch 437 re-examination based on recently Jacquet de la Guerre, Elizabeth-Claude. See Music and the self-fulfilling found documents 377 Recording review in Moliére’s Le mariage forcé’, Gibbons, Christopher. See Music review 121 James, Kevin: ‘Early instruments by S. Powell 213 Gibbons, Orlando. See Recording review —_ 138 Canadians’ (Event remy: ‘Muted oboe (The)’ Gombert, Nicholas. See Recording review 297 Jenkins, John. See Recording review 335 ‘Gonzagas visit Venice (The)’, by John Johnston, Gregory S.: Recording reviews rooms—Instruments 269, 661 Whenham 525 142, Michel Pignolet de. See Recording Graun, Carl Heinrich. See Recording review 157 Jones, Richard D. P.: Recording review 152 Monteverdi, Claudio. See “Col nobilissimo organ. See ‘Boyvin, Grigny, D’Anglebert, —— ‘Vincent d’Indy and the Rameau esercitio della vivuola”: Monteverdi's and Bach’s assimilation of French Oeuvres completes: a case of forgery?’ string writing’, by Peter Holman Classical organ music’, by George B. “St Mark’s before Willaert’, by Iain Fenlon —— ‘Gonzagas visit Venice (The)’, Stauffer Salerooms 269, by John Whenham — See also Recording review Samson, Jim: Recording review —— ‘Monteverdiana 1993’, by Denis Sandon, Nick: Music review 3 Stevens Page, Christopher: ‘English a cappella Sawkins, Lionel: “Doucement and légérement: — ‘Possente spirto: on taming the power renaissance (The)’ tempo in French Baroque music’ of music’, by Tim Carter 517 Page, Daniel B.: “Twentieth Annual Scarlatti, Domenico. See Recording review — ‘St Mark’s before Willaert’, Conference on Medieval and Scheibe, Johann Adolph. See Recording by Iain Fenlon 547 Renaissance Music’ (Event) 167 review — See also Book review 277 Page, Janet K.: “ “To soften the sound of the Schott, Howard: Book review — Recording reviews 299, 493 hoboy”: the muted oboe in the 18th and —— ‘Boston Early Music Festival and ‘Monteverdiana 1993’, by Denis Stevens 565 early 19th centuries’ 65 Exhibition’ (Event) Moody, Ivan: Recording review 491 Pandolfi Mealli, G. A. See Recording review 497 Schubert, Franz. See Recording review Morales, Cristébal de. See Recording review 491 Performing matters 262, 452, 57 Schiitz, Heinrich. See Recording Morehen, John: Music review 127 Philips, Peter. See Music review 127 reviews 142, ‘More on dating Dido’ (Corr.), piano. See ‘Beethoven’s Broadwood: the Segerman, Ephraim: Book review 118 by Martin Adams 510 restorer replies’ (Corr.), Senaillé, Jean Baptiste. See Recording review 152 ‘More on the Faenza Codex’ (Corr.), by David Winston 173 Sheppard, John. See Recording review 138 by Mark Lindley 172 — ‘Check in some early pianos and the Slavin, Dennis: Music review 482 Morgan, Thomas. See Recording review 303 development of piano technique around Sole, Elisabeth: Book review 112 Mossi, Giovanni. See Recording review 307 the turn of the 18th century (The)’, ““Sous les doits de Chambonniere””’, Mouret, Jean-Joseph. See Recording review 497 by Michael Latcham by David Fuller 191 Mozart, Leopold. See Recording review 161 —— ‘Early pianos’ (Corr.), “Spanish minstrels’ (Corr.), by Richard Mozart, W. A. See ‘Dots and strokes in by Michael Latcham Cheetham Mozart’, by Frederick Neumann 429 —— ‘Tuscan piano in the 1780s: some Spencer, Robert: Book review —— ‘Minuets of Haydn and Mozart (The): builders, composers and performers ‘Staging a tragédie en musique: a 1748 goblins or elephants?’, by William (The)’, by John A. Rice promptbook of Campra’s Tancréde’, Malloch 437 Pinnock, Andrew, & Bruce Wood: ‘Fairy by Antonia Banducci — ‘Mozart’s orchestral brass’ (Corr.), Queen (The): a fresh look at the issues’ Stauffer, George B.: “Boyvin, Grigny, by Peter Downey 171 pitch. See “Tudor pitch’ (Corr.), D’Anglebert, and Bach’s assimilation —— ‘Mozart’s originality’ (Corr.), by John Milsom of French Classical organ music’ by David Charlton 510, 669 ‘Possente spirto: on taming the power of Stevens, Denis: ‘Monteverdiana 1993’ —— Reply to David Charlton (Corr.), music’, by Tim Carter strinegs ericnisttior umdeelnltas . viSveueo la“”C:o lM onnotbeivleirsdsii'mso by John Platoff 5 Powell, John S.: “Music and the self-fulfilling string writing’, by Peter Holman See also Recording reviews 161, 164 prophecy in Moliére’s Le mariage forcé 213 Sweelinck, Jan Pieterszoon. See Recording “Music and the self-fulfilling prophecy -: Reply to David Charlton (Corr.) 5u review in Moliére’s Le mariage forcé’, Praetorius, Michael. See Recording review 138 “Symposium: Music in the Escorial’ by John S. Powell 213 Purcell, Henry. See ‘Fairy Queen (The): (Event), by Michael Noone Music reviews 121, 281, 479, 639 a fresh look at the issues’, by Bruce “Muted oboe (The)’ (Corr.), Wood & Andrew Pinnock 44 Talbot, Michael: Book review by Jeremy Montagu 335 —— ‘More on dating Dido’ (Corr.), — Recording reviews 499, by Martin Adams 510 Tallis, Thomas. See Recording review Nelson, Bernadette: Recording review 143 See also Recording reviews 147, 149, 645 Taverner, John. See Recording reviews 138, Neumann, Frederick: “Dots and strokes in tempo. See ‘Doucement and légérement: Mozart’ Rameau, Jean-Philippe. See “‘D’Indy tempo in French Baroque music’, “New French harpsichord source of the mid- (Vincent) and the Rameau Oeuvr by Lionel Sawkins 4 18th century with an Eckard connection completes: a case of forgery?’, —— ‘Minuets of Haydn and Mozart (The): (A)’, by David Fuller by Graham Sadler goblins or elephants?’, by William Noone, Michael: ‘Symposium: Music in the — ‘Rameau in the recording studio: a Malloch Escorial’ (Event) survey of recordings of French Baroque Thomson, J. M.: Obituary of Howard notation. See ‘Dots and strokes in late opera’, by Nicholas Anderson 251 Mayer Brown 18th- and 19th-century music’, Recording reviews 135, 289, 489, 643 rhorp, Jennifer: Book review by Clive Brown ‘Reflections on Christopher Page’s Tischler, Hans: ‘Interpreting the Roman de —— ‘Dots and strokes in Mozart’, Reflections’, by Margaret Bent 625 Fauvel’ (Corr.) by Frederick Neumann Reply to David Charlton (Corr.), Toller, Nicholas: Recording review —— ‘Two case studies in performance by John Platoff 5ul Torelli, Giuseppe. See Recording review practice and the details of notation, Rice, John A.: “Tuscan piano in the 1780s ‘“To soften the sound of the hoboy”: the 1: J. S. Bach and 2/4 time’, (The): some builders, composers and muted oboe in the 18th and early 19th by Peter Williams performers’ centuries’, by Janet K. Page See also Book review Robinson, Lucy: Recording review ‘Tudor pitch’ (Corr.), by John Milsom “Nova Music’ (Corr.), by Bruce Haynes Roman de Fauvel. See Tischler, Hans: ‘Tunings and transpositions in the early ‘Interpreting the Roman de Fauvel’ 17th-century French lute air’, oboe. See ‘Muted oboe (The)’ (Corr.), (Corr.) 670 by David Tunley 203 by Jeremy Montagu Rosow, Lois: ‘Making connections some Tunley, David: “Tunings and transpositions —— ‘“To soften the sound of the hoboy”: thoughts on Lully’s entr’actes’ 231 in the early 17th-century French lute air’ 203 the muted oboe in the 18th and early Rushton, Julian: Recording review 164 Turbet, Richard: ‘Byrd’s Gradualia’ (Corr.) 173 igth centuries’, by Janet K. Page ‘Tuscan piano in the 1780s (The): some Obrecht, Jacob. See Recording review Sadie, Julie Anne: Book review 636 builders, composers and performers’, Ockeghem, Johannes. See Music review Sadler, Graham: Editorials 178, 338 by John A. Rice “Twentieth Annual Conference on Medieval BOOKS REVIEWED MI SIC REVIEWED and Renaissance Music’ (Event), by Daniel B. Page Allsop, Peter: Italian ‘trio’ sonata: from its Gilles: Sacred music of Gilles “Two case studies in performance practice origins to Corelli (The) (Graham Dixon vis (The), ed. Philip Kaye and the details of notation, 1: J. S. Bach Arnold-Foster, Kate, & Héléne La Rue, d Fallows) ind 2/4 time’, by Peter Williams Museums of music: a review of musical nier de Jean de Montchenu, ed. collections in the United Kingdom bault (Dennis Slavin) Valentini, Giuseppe. See Recording review Julie Anne Sadie f Early Keyboard Music [series] Victoria, Tomas Luis de. See Recording Busse Berger, Anna Maria: Mensuration uillaume: Office hymns (The): review and proportion signs: origin and evolution ion, ed. Gareth Curtis, Musica “Vincent d’Indy and the Rameau Oeuvres (Margaret Bent 474 Andrew Kirkman) completes: a case of forgery?’, Butler, Gregory: Bach’s Clavier-Ubung III Alfonso, the younger: Four-part by Graham Sadler the making of a print. With a companion is for viols, ed. Andrew Ashbee Vivaldi, Antonio. See Recording reviews study of the canonic variationso n ‘Vom Bellingham, Musica Britan- 155) 311, 312, 499, 654, 655 himmel hoch’, swv769 (David Ledbetter) 11 xii (Warwick Edwards) 641 Byrd studies, ed. Alan Brown & Richard Christopher: Keyboard composi- Waitzman, Mimi S.: ‘Handel harpsichord Turbet (Roger Bowers d. Clare G. Rayner, rev. John (A)’ (Corr.) 671 Cambridge Studies in Performance Practice vell, Corpus of Early Keyboard Weelkes, Thomas. See Recording review 138 series xviii (Julie Bray) Wegman, Rob C.: Book review 273 Carter, Tim: Music in late Renaissance and odore: Polyphony of Saint Martial Weiss, Sylvius Leopold. See Recording review early Baroque Italy Michael Talbot ntiago de Compostela (The) 312 Chafe, Eric T.: Monteverdi’s tonal language Sandon) 639 ‘Western liturgy (The)’ (Corr.), (Tim Carter ierre de: Opera omnia, ii-iii, ed. by John Harper Dance and Music Series st John Davison, J. Evan Kreider Whenham, John: “The Gonzagas visit Harpsichord and i s repertoire The): proceed lerman Keahey, Corpus Venice’ ings of the International Harpsichord irabilis Musicae, xcvii/2—3 White, Robert. See Recording review Symposium Utrecht 1990, ed. Pieter Milsom) 479 Williams, Jonathan: Recording review Dirksen (Howard Schott irl-Allan, & Ann-Marie Nilsson, Williams, Peter: “Two case studies in Kirsch, Dieter, & Lenz Meierott, Berliner schen Hymnen in Schweden (Die), performance practice and the details Tabulaturen in Krakau (Tim Crawford) 6 Singweisen und ihre Varianten; of notation, 1: J. S. Bach and 2/4 time’ Page, Christopher: Discarding images dungen ausgewahlter Quellen- Winston, David: ‘Beethoven’s Broadwood: reflections on music and culture in hriften, Studia musicologica the restorer replies’ (Corr.) 173 medieval France (Margaret Bent nsia, nova series, xili:1—2 Wood, Bruce: Recording reviews 149, 303, 645 Philip, Robert: Early recordings and musical Falconer 129 ——., & Andrew Pinnock: ‘Fairy Queen style: changing tastes in instrumental tannica | series} 127, 641 (The): a fresh look at the issues’ performance (Richard Langham Smith ractica |s eries} 281 Wood, Caroline: Recording review Plainsong in the age of polyphony, ed 1 book of carols (The), ed. Hugh Thomas Forest Kelly, Cambridge Studies Andrew Parrott in Performance Practice, ii ooper Rob ¢ Wegman ine-Marie: Liturgical hymn Price, Curtis, Judith Milhous & Robert D in Sweden during the Middle Hume, Impresario’s Ten Commandment he), Skrifter fran Musik The): Continental recruitment for li ipliga institutionen, Géteborg, opera in London, 1763-64 Keith Falconer) Simon McVeigh 1, Johannes: Missa Cuiusvis toni Rose, Malcolm, & David Law, Handbook Fitch) of historical stringing practice for keyboard ter: Cantiones sacrae octonis instruments (A) (Ephraim Segerman ed. John Steele, Musica Stinson, Russell: Bach manuscripts of Johann ica, xi (John Morehen) Peter Kellner and his circle (The): a case n motets for solo voice and study in reception history io, ed. Lionel Pike David Ledbetter Morehen) Ward, John M.: Music for Elizabethan lute in Musikvetenskapliga Robert Spencer tionen, ¢ x6teborg | series 129 Wilson, Blake: Music and merchants isicologica Upsaliensia [series] 129 laudesi companies of republican Florence lin: Art of the unmeasured prelude Elisabeth Sole »sichord (The) (Richard Langham Work book by Kellom Tomlinson (A 131 commonplace book of an eighteenth century dancing master, facsimile, ed Jennifer Shennan, Dance and Music Series (Jennifer Thorp RECORDINGS REVIEWED —— Trio sonatas, Bwv525—30, John Butt Correa de Arauxo, Francisco: Organo (John Kitchen) 155 historico espaniol (El), ii, Bernard Agrell, Johan Joachim, et al.: Flute concertos, —— Wohltemperierte Klavier (Das), ii, Foccroulle (Bernadette Nelson) 143 Maria Bania, Irene Spranger, Concerto Anneke Uittenbosch (Malcolm Boyd) — 318 Couperin, Frangois: Pieces de clavecin, Copenhagen, dir. Andrew Manze , et al.: Lute works, Nigel North (Tim Gustav Leonhardt (John Kitchen) 317 (Michael Talbot) 499 Crawford) 312 Croft, William: Te Deurn & Jubilate in D; Airs de cour: French court music from the 17th , et al.: Violin concertos, Collegium Rejoice in the Lord; The burial service, century, Marie Claude Vallin, Max van Musicum 90, dir. Simon Standage Choir of St Paul’s Cathedral, Parley of Egmond, Lutz Kirchhof (Tim Crawford) 312 (Michael Talbot) Instruments, dir. John Scott Arne, Thomas, et al.: Arias, Emma Kirkby, Balbastre, Claude Bénigne: Pieces de (Bruce Wood) 645 Academy ofA ncient Music, dir. clavecin, premier livre, Ursula ——: Vocal and instrumental music, David Christopher Hogwood (Terence Best) 649 Duetschler (John Kitchen) Thomas, Parley of Instruments Bach, C. P. E.: Auferstehung und Himmel- ——: Pieces pour clavecin, ii: Airs choisis (Bruce Wood) fahrt Jesu (Die), Choir of Collegium d operas, Anne Robert (John Kitchen) Desprez, Josquin: Missa Ave maris stella; Vocale, Ghent, Orchestra of the Age of Birds, beasts and battles: music by virtuoso motets, Taverner Consort & Choir, Enlightenment, dir. Philippe Herre- violinists, European Community dir. Andrew Parrott (Fabrice Fitch) weghe (Eric Cross) 157 Baroque Orchestra, dir. Monica —— Missa Pange lingua; Vultum tuum; Sonatas, Colin Booth (John Kitchen) 502 Huggett (Michael Talbot) 499 Planxit autem David, Westminster Bach, J. C.: Sonata in D major, op.20 no.2; Blow, John, et al.: Mad songs, Bott, Roblou, Cathedral Choir, dir. James O’Donnell Keyboard concerto in Eb major, op.7 no.5, Levy, Pleeth, Chateauneuf, Finucane (Fabrice Fitch) BachL, onJ.d So.n: AcBhatrzoeqhune C(hBoeririnlaer df iiHra Orrrgieslo na)u s 161 (B, reutc eal .:W Oodoeds) on the death of Henry 645 Duphwloyr,ks ,J aYcaqnuensi:c kC oLmep lGeatieli ahrad,r psRiycoh ord der Leipziger Originalhandschrift (Die), Purcell, Parley of Instruments, dir. Roy Terakado (John Kitchen) Jean-Claude Zehnder (Richard D. P. Goodman & Peter Holman ——: Pieces de clavecin, Gustav Leonhardt fHCJrheo:eoni uAiedddrseiv,)ng e nEeHtnue gcilchlia asnnethdma ,pt BoasarB:,rw ovNqB6uuw1env 3&6Sko, ol 6om2iM;ms o,tSns c,th dewedvriier nr.g dti 657 BBooinsps((mooLBornurrtacutt,ycia e se, rFR ,rWo aLbonaiJoc noedFsss)oeoc npnoth,)e gBeator daail .n:A mVdiseo:tl eiRnre dccoaormndc eerrt os, 152 EccleL((seBJ,vro yuh,Jcn oe h PKnlW,ie teocteohhtd ,e a)nl)C. : h aMtaeda unseonugfs,, BFoitnt,u caRnoeb lou, 634157 John Eliot Gardiner (Malcolm Boyd) 504 Collegium Musicum 90, dir. Simon Eighteenth-century music for two keyboard ——: Brandenburg concertos, Brandenburg Standage (Michael Talbot) 4 99 instruments, Bernard Brauchli, Estéban Consort, dir. Roy Goodman Brightest heaven of invention (The): Flemish Elizondo (Bernard Harrison) 161 (Malcolm Boyd) 318 polyphony of the High Renaissance, New English ladymass (An), Anonymous 4 —— Cantatas: Aus der Tiefen rufe ich, Herr, London Chamber Choir, dir. James (John Caldwell) 489 zu dir, Bwv131; Herr, wie du willt, so Wood (Fabrice Fitch) 97 English national songs: from ‘Greensieeves’ to schicks mit mir, Bwv73; Herr, gehe nicht Brumel, Antoine: Missa Et ecce terrae motus; ‘Home, sweet home’, John Potter, Lucie ins Gericht mit deinem Knecht, Bwvio5, Dies irae, Huelgas Ensemble, dir. Paul Skeaping, Broadside Band, dir. Jeremy Chorus & Orchestra of Collegium Van Nevel (Fabrice Fitch) Barlow (Bruce Wood) 645 Vocale, Ghent, dir. Philippe Herreweghe : Missa Et ecce terrae motus; Lament- Feast of fools (The), New London Consort, (Malcolm Boyd) 504 ations; Magnificat secundi toni, Tallis dir. Philip Pickett (John Caldwell) 489 —— Capriccio, Bwv992; Prelude & fugue in Scholars, dir. Peter Phillips Febus avant!: music at the court of Gaston A minor, Bwv894; etc., Kenneth Gilbert (Fabrice Fitch) 297 Febus, Huelgas Ensemble, dir. Paul Van (Richard D. P. Jones) 657 Byrd, William, et al.: Compline with anthems Nevel (John Caldwell) 489 —: Concertos for3 & 4 harpsichords, and motets, Clare College Chapel Choir, Finger, Godfrey, et al.: Odes on the death of Academy ofA ncient Music, dir. Cambridge, dir. Timothy Brown Henry Purcell, Parley of Instruments, Christopher Hogwood (John Kitchen) 155 (David Mateer) dir. Roy Goodman & Peter Holman ————;:A( sRpiHIectarharaelpirnsad,ni cMDhC.eoo lnraPcd.en rtJcteooo nn;ce Aesmr)Ft sroetsne,c rhdi ,a OBmvoe br tuvraen; 4 657 CCaanbceeX(izsXBoép,enan ren,ndor ailord,A .e ntditJte,ooe rKn MdiieimNo deb iSlenadsrvaeoalc:nlye l) lE ilM( aIérv(rEsaglnha) an,l oMl Ho ehosidspytéé)rr iicoon 419413 ForqTM(uoBaernrdu aacyKem, oe oW AopnFomtoodari)qnnu ee:r( aJyLo:ih vnr Seu Kiditeets c chleIa,nv )Ie Ic i&n Vd,e ——d uetIttia,l iaKne nCnoentcher tGoi;l beFrrte nc(hJ ohOnv erKtiutrceh;e n4) 155 Carv(eTrh,e )R, obCearptp: elCao mpNolveat,e dsiarc.r eAdl acnh orTaalv emnuesri c —— (JoPhine ceKsi tdceh ecnl)a vecin, Gustav Leonhardt duetti; Chromatic Fantasy & Fugue, (Fabrice Fitch) 297 Frye, Walter: Ave regina celorum, Dufay Christophe Rousset (John Kitchen) Chambonnieéres, Jacques Champion de: Consort, dir. Gary Cooper ——: Kunst der Fuge (Die), Marie-Claire Pieces de clavecin, Skip Sempé (Fabrice Fitch) 135 Alain (Richard D. P. Jones) 657 (John Kitchen) 502 —— Missa Flos regali; Trinitatis dies; etc., —— Mass in B minor, Collegium Musicum Chopin, Frédéric: Scherzi & ballades, Cyril Hilliard Ensemble (Fabrice Fitch) 643 90, dir. Richard Hickox (Malcolm Boyd) 318 Huvé (Jim Samson) 327 Gibbons, Orlando: Anthems and instru- ——-: Motetten, Choir & Orchestra, Petite Clarke, Jeremiah, et al.: Odes on the death mental music, Elizabethan Consort, Bande, dir. Sigiswald Kuijken (Malcolm ofH enry Purcell, Parley of Instruments, Adrian Lucas (organ), Choir ofS t John’s Boyd) 504 dir. Roy Goodman & Peter Holman College, Cambridge, dir. George Guest —— Rare pages for harpsichord, Diana (Bruce Wood) 303 (David Mateer) 138 Petech (John Kitchen) 502 Clérambault, Louis-Nicolas: French cantatas Gombert, Nicholas: Music from the court of ——: Secular cantatas, Bwv205 ¢ 214, of the 18th century, Julianne Baird, Charles V, Huelgas Ensemble, dir. Paul Orchestra & Choir oft he Age of American Baroque, dir. Stephen Schultz Van Nevel (Fabrice Fitch) Enlightenment, dir. Gustav Leonhardt (Lucy Robinson) 152 Graun, Carl Heinrich: Tod Jesu (Der), (Malcolm Boyd) 318 Corelli, Arcangelo: Concerti grossi, op.6, Kammerchor Cantamus, Halle, Capella —— Sonatas for violin and continuo, Trio Ensemble 415, dir. Chiara Banchini & Savaria, dir. Pal Németh (Eric Cross) 157 Sonnerie (Malcolm Boyd) 318 Jesper Christensen (Eric Cross) 307 Guerrero, Francisco: Sacrae cantiones, : Suites for violoncello solo, Anner —— Sonatafsor strings, iii, Jakob Lindberg, Capella Reial de Catalunya, Hespérion Bylsma (Malcolm Boyd) Purcell Quartet (Eric Cross) 307 XX, dir. Jordi Savall (Ivan Moody) 491 Hall, Henry, et al.: Odes on the death of Lancaster and Valois: French and English pold: Sonata da camera tre no.4, Henry Purcell, Parley of Instruments, music, 1350-1420, Gothic Voices, dir. Baroque (Bernard Harrison) 161 dir. Roy Goodman & Peter Holman Christopher Page (Lawrence Earp) 289 \.: Clemenza di Tito (La), (Bruce Wood) La Rue, Pierre de: Missa Cum iocunditate; Baroque Soloists, dir. John Eliot Handel, George Frideric: Chamber music Gaude virgo; Vexilla regis/Passio Domini; Julian Rushton) 164 (The), i-vi, LE cole d’Orphée Plorer gemier/Requiem; O salutaris hostia; tos, Kv107, London Baroque (Donald Burrows) Ave regina celorum; Delicta juventutis; i Harrison) 161 —— Clori, Tirsi e Fileno, Philharmonia Considera Israel, Hilliard Ensemble ynatas, K545 & K570; Fantasie, Baroque Orchestra, dir. Nicholas (Fabrice Fitch) ndos, K486 & K511, Andras Schiff McGegan (Caroline Wood) 163 Lassus, Roland de: Chansons et moresche, rd Harrison) —— Concerti grossi, op.3, Tafelmusik, Ensemble Clément Janequin (Margaret rfléte (Die), London Classical dir. Jeanne Lamon (Terence Best) 649 Mabbett) lir. Roger Norrington (Julian —— Giulio Cesare, Concerto K6ln, dir. Leo, Leonardo, et al.: Concerti, Musica René Jacobs (Richard G. King) Antiqua K6ln, dir. Reinhard Goebel —— Six concerti grossi, op.3, Brandenburg (Eric Cross) n Quixote: sons & dances of Consort, dir. Roy Goodman Linley, Thomas: Lyric ode on the fairies, ance Spain, Ana-Maria Rincon, (Terence Best) 649 aerial beings and witches of Shakespeare. rdia, dir. Mark Levy —— Teseo, Musiciens du Louvre, dir. Parley of Instruments Baroque {oody) Marc Minkowski (Donald Burrows) 504 Orchestra & Choir, dir. Paul Nicholson time of Christopher Columbus, ——: Theodora (Donald Burrows) 320 (Terence Best) 649 le Musica ‘Alfonso X el Sabio’, —— Trio sonatas, op.2, op.5, London Locatelli, Pietro Antonio, et al.: Concerti, Lozano Virumbrales Baroque (Donald Burrows) 153 Musica Antiqua K6ln, dir. Reinhard ody) —— Trio sonatas, op.5, La Stravaganza Goebel (Eric Cross) 307 ob: Missa Ave regina celorum; Salzburg, dir. Siegbert Rampe Ludford, Nicholas: Missa Videte miraculum; Dufay Consort, dir. Gary (Donald Burrows) 153 Ave cuius conceptio, Cardinall’s Musick, Fabrice Fitch) ——, arr. Mozart: Acis and Galatea, Handel dir. Andrew Skinner (Fabrice Fitch) 643 rico espanol (El), i-ii, iv—vii, and Haydn Society, dir. Christopher Lully, Jean-Baptiste: Alceste, Grande Ecurie iberly Marshall, Bernard Hogwood (Caroline Wood) 163 et Chambre du Roy, dir. Jean-Claude ille, Lionel Rogg, José Luis , et al.: Arias, Emma Kirkby, Academy Malgoire (Jonathan Williams) z Uriol, Guy Bovet, Josep M? of Ancient Music, dir. Christopher Lute in dance and dream (The): three sonet, Francis Chapelet, Elisa Hogwood (Terence Best) 649 centuries of lute masterpieces, Lutz Bernadette Nelson) Hare hare hye: Motetten des 13. Jahrhunderts, Kirchhof (Tim Crawford) lli, G. A.: Sonate a violino solo Schola Vocalis (John Caldwell) 489 Luzzaschi, Luzzasco: Secret music (The): e camera, op. 3 & 4, Martha Hasse, Johann Adolph: Cantate a due voci, madrigali a uno due e tre soprani (1601 ris Loeff (Clifford Bartlett) Véronique Dietschy, Alain Zaepffel, for the Ladies of Ferrara, Musica Secreta ternity (The): music from the Eton Ensemble Gradiva (Eric Cross) (Margaret Mabbett) 493 ok, iii, Sixteen, dir. Harry , et al.: Flute concertos, Maria Bania, Manuscrit du Puy (Le), Ensemble Gilles phers (Fabrice Fitch) Irene Spranger, Concerto Copenhagen, Binchois, dir. Dominique Vellard Michael: Magnificat; Aus tiefer dir. Andrew Manze (Michael Talbot) 499 (John Caldwell) 489 r Tag vertreibt; Venite exultemus; Haydn, Joseph: Harpsichord sonatas, Shirley Marais, Marin: Pieces de viole du troisiéme Magdalena; Peccavi Fateor; Der Mathews (Bernard Harrison) 161 livre, 1711, Jordi Savall, Ton Koopman, salm Davids, Huelgas Ensemble, —: Harpsichord sonatas from before 1770, Hopkinson Smith (Lucy Robinson) Van Nevel (Keith Elcombe) Jacques Ogg (Bernard Harrison) Medieval romantics (The): French songs and Complete anthems and —— Viennese harpsichord music, Gudrun motets, 1340-1440, Gothic Voices, dir. The), iii, King’s Consort, dir. Dengler (Bernard Harrison) Christopher Page (Lawrence Earp) King (Bruce Wood) Heinichen, Johann David: Dresden concerts, Musica Antiqua K6ln, dir. Reinhard Montéclair, Michel Pignolet de: French ete odes and welcome Songs, Goebel (Eric Cross) 655 Baroque cantatas and sonatas, Castalian King’s Consort, dir. Robert King Humphrey, Pelham: Verse anthems, Choir Band (Lucy Robinson) Wood) of Clare College, Cambridge, dir. ——: French cantatas of the 18th century, Arthur, English Concert, dir. Nicholas McGegan (Bruce Wood) Julianne Baird, American Baroque, dir. »innock (David Charlton) India, Sigismondo d’: Lamento d’Orfeo: Stephen Schultz (Lucy Robinson) for Queen Mary, Choir & musiche da cantar solo, Nigel Rogers, Monteverdi, Claudio: Ritorno d’Ulisse in ra of the Age of Enlightenment, Paul O’Dette, Andrew Lawrence-King patria (Il), Concerto Vocale, dir. René stav Leonhardt (Bruce Wood) (Margaret Mabbett) 493 Jacobs (Tim Carter 299 Mad songs, Bott, Roblou, Levy, In morte di Madonna Laura: madrigal cycle —— Sesto libro de madrigali (Il), Concerto Chateauneuf, Finucane after texts of Petrarca, Huelgas Ensemble, Italiano, dir. Rinaldo Alessandrini Wood) dir. Paul Van Nevel (Margaret Mabbett) 136 (Margaret Mabbett 493 music from the courts of Mantua Italia mia: musical imagination of the Morales, Cristébal de: Officium defunctorum; rara, Circa 1500 Renaissance, Huelgas Ensemble, dir. Missa pro defunctis as, Capella Reial de ret Mabbett) ItaliEPaannu sleR meVbnalanie s sNa(enMvcaeerl g am(raMedatrr iggMaaarlbse,bt e tHMtia)lbl biaertdt ) MorgCSaaavntaa,ll lu Tn(hyIaov,ma na sH,Me ospoeétd ryail).o :n OdXeXs, odni r.t heJ orddeia th 491 JJoomhenn iKciot:c heSno)na tas, ii, Andreas Jacquet de la Guerre, Elizabeth-Claude: of Henry Purcell, Parley of Instruments, yhann Adolph, et al.: Flute Music for solo harpsichord, John Metz dir. Roy Goodman & Peter Holman , Maria Bania, Irene Spranger, (John Kitchen) 317 (Bruce Wood) rto Copenhagen, dir. Andrew Jenkins, John: Vocal and instrumental music, Mossi, Giovanni, et al.: Concerti, Musica Michael Talbot) David Thomas, Parley of Instruments Antiqua K6ln, dir. Reinhard Goebel Franz: Symphonies nos.4 & 6, (Bruce Wood) 303 (Eric Cross) »n Classical Players, dir. Roger Lampe, John Fredrick, et al.: Arias, Emma Mouret, Jean-Joseph: Amours de Ragonde ngton (Nicholas Toller) Kirkby, Academy of Ancient Music, dir. (Les), Musiciens du Louvre, dir. Marc phonies nos.5 & 6, Classical Band, Christopher Hogwood (Terence Best) 649 Minkowski (Jonathan Williams) Bruno Weil (Nicholas Toller) —— Sympho.. ‘es nos.5 & 8; Rosamunde; Sweelinck, Jan Pieterszoon: Pseaumes de —: Four Seasons and other concertos (The), Incidental music, Orchestra of the Age David, Choir of Trinity College, Connecticut Early Music Festival of Enlightenment, dir. Sir Charles Cambridge, dir. Richard Marlow Ensemble, dir. Igor Kipnis Mackerras (Nicholas Toller) (Gregory S. Johnston) (Michael Talbot) Schiitz, Heinrich: Cantiones sacrae, 1625, Tallis, Thomas, et al.: Compline with —: Montezuma, Grande Ecurie et Vocal Ensemble Currende, dir. Erik Van anthems and motets, Clare College Chambre du Roy, dir. Jean-Claude Nevel (Gregory S. Johnston) Chapel Choir, Cambridge, dir. Timothy Malgoire (Michael Talbot) 654 —— Psalmen Davids, Choir of Trinity Brown (David Mateer) ——: Oboe concertos, Academy of Ancient College, Cambridge, His Majesties Taverner, John: Western wynde Mass, Music, dir. Christopher Hogwood Sagbutts and Cornetts, dir. Richard Sixteen, dir. Harry Christophers (Eric Cross) 655 Marlow (Gregory S. Johnston) (David Mateer, Fabrice Fitch) 138, —— Six concertos from ‘L’estro armonico’, —: Psalmen Davids, Kammerchor Torelli, Giuseppe, et al.: Concerti, Musica op.3, Arcangeli Baroque Strings, dir. Stuttgart, Musica Fiata K6ln, dir. Antiqua K6ln, dir. Reinhard Goebel Michael Sands (Eric Cross) Frieder Bernius (Gregory S. Johnston) (Eric Cross) ——,, et al.: Lute works, Nigel North ——: Psalms; motets; concertos, Cantus Valentini, Giuseppe, et al.: Concerti, Musica (Tim Crawford) Célln, Musica Fiata, Knabenchor Antiqua K6ln, dir. Reinhard Goebel , et al.: Violin concertos, Collegium Hannover (Gregory S. Johnston) (Eric Cross) Musicum 90, dir. Simon Standage ——: Schwanengesang (Der), Tapiola (Michael Talbot) 499 Victoria, Tomas Luis de: Cantica beatae Chamber Choir, dir. Paul Hillier Vox Iberica III: songs for King Alfonso X of (Gregory S. Johnston) virginis, Capella Reial de Catalunya, Castile and Leon, Sequentia, dir. Barbara —— Symphoniae sacrae I, Concerto Hespérion XX, dir. Jordi Savall Thornton & Benjamin Bagby Palatino (Gregory S. Johnston) (Ivan Moody) (Ivan Moody) Senaillé, Jean Baptiste: French Baroque Vivaldi, Antonio: XII suonate a violino solo, Weelkes, Thomas: Cathedral music, cantatas and sonatas, Castalian Band e basso per il cembalo, Biondi, Winchester Cathedral Choir, dir. David (Lucy Robinson) Alessandrini, Naddeo, Pandolfo, Hill (David Mateer) Sheppard, John: Church music, iii, Sixteen, Lislevand (Eric Cross) Weiss, Sylvius Leopold: Lute works, i-ii, dir. Harry Christophers (David Mateer) ——: Concerti a due, RV531, 533, 537; 542, 545, Lutz Kirchhof (Tim Crawford) , et al.: Compline with anthems and 583, Wiener Akademie, dir. Martin , etal.: Lute works, Nigel North motets, Clare College Chapel Choir, Haselbéck (Michael Talbot) (Tim Crawford) : Cambridge, dir. Timothy Brown ——: Concerto for3 violins, Academy of White, Robert, et al.: Compline with anthems (David Mateer) Ancient Music, dir. Christopher and motets, Clare College Chapel Choir, Study of love (The): French songs and motets Hogwood (John Kitchen) 155 Cambridge, dir. Timothy Brown of the 14th century, Gothic Voices, dir. —— Double concertos, Collegium Musicum (David Mateer) Christopher Page (Lawrence Earp) 90, dir. Simon Standage (Eric Cross) 311 Cover illustration: Title-page of Marin Marais, Pieces de violes, 1° livre (1686) Printed in Great Britain by Headley Brothers Ltd The Invicta Press Ashford Kent and London ize 28 us 32 22 ma lle = ue [zo ile. We, ls.