Early Music 1991: Vol 19 Index

5 Pages·1991·0.93 MB·English

INDEX
VOLUME 19 1991
February 1-160
May 161—320
August 321-496
November: Performing Mozart’s Music I 497-688
Book review
Correspondence
Event
Music review
Observation
Recording review
Ad libitum procedures in instrumental duos Birth of the orchestra in Rome, The: an mysterium; O bone Jes; Gaude flore
and trios. By Sandra Mangsen iconographic study. By John Spitzer 9 virginali (RR)
Alleluia Nativitas: Music and Carols for a Book reviews 107, 281, 445, 635 Collegium musicum (MR)
Medieval Christmas (RR) Born is the Babe: Renaissance Music for Companion to Baroque Music (ed. Julie Anne
Analysis and the performer: Introduction. By Christmas (RR) 306 Sadie) (BR)
James Webster Bowles, Edmund A. The double, double, Composers of the Low Countries. By Willem
Anerio, Felice. Six Motets (RR) double beat of the thundering drum: the Elders (BR)
Anerio, Giovanni Francesco. Requiem (RR) timpani in early music Concerti di Andrea et di Gio. Gabrieli (ed.
Arcadelt, Jacques, Venti Madrigali (ed. Luigi Boyd, Malcolm. Recording review David Bryant) (Edizione nazionale delle
Lera) (MR) Bray, Roger. Music review opere di Andrea Gabrieli, xi/1-2) (MR)
Ars Nova [series] (MR) Brown, Clive. Historical performance, Continuo Playing According to Handel: his
Awake Sweet Love: Songs and Lute Solos by metronome marks and tempo in Figured Bass Exercises (ed. David
John Dowland and his Contemporaries Beethoven’s symphonies (Obs) Ledbetter) (MR)
(RR) Burden, Michael. Music review Cooper, Barry. Book review
Burgundian Court Song in the time of — — Music review
Bach, Johann Sebastian. Cantatas (RR) Binchois: the Anonymous Chansons of El Copeman, Harold. Singing in Latin, or
— — Magnificat; Cantatas (RR) Escorial MS V.III.24. By Walter Kemp (BR) 115 Pronunciation Explor’d; The Pocket Singing
— — Das wohltemperirte Klavier, i (ed. Burrows, Donald. Book review 635 in Latin (BR) 281
Alfred Diirr) (Neue Bach-Ausgabe, V/6/1) — — Recording review 486 Correspondence 153, 317, 492
(MR) Burrows, Donald, and Robert D. Hume. Counterblast on English trumpets. By Andrew
— — The Works for Lute in Original Keys George I, the Haymarket Opera Company Pinnock and Bruce Wood (Obs) 436
and Tunings (RR) and Handel’s Water Music 323 Craig-McFeely, Julia. Music review 296
— — See also Bach Interpretation: Butt, John. Bach Interpretation: Articulation Crawford, Tim. Music review 293
Articulation Marks in the Primary Sources Marks in the Primary Sources of J.S. Bach — — Recording reviews 308, 303, 482
of J.S. Bach. By John Butt (BR) (BR) 285 Cristofori, Bartolomeo. See Bartolomeo
Barbieri, Patrizio. Violin intonation: a Byrd, William. Gradualia I (1605): All Saints Cristofori: a list and historical survey of his
historical survey and Corpus Christi (ed. Philip Brett) (Byrd instruments. By Giuliana Montanari 383
Barth, George. Mozart performance in the Edition, vi/a) (MR) 649 Cross, Eric. Recording review 313
igth century Cummings, Lawrence. Music review 460
Bartlett, Clifford. Recording review — — Gradualia I (1605): The Marian Masses Curtis, Gareth. Recording review 468
Bauman, Thomas. Musicians in the (ed. Philip Brett) (Byrd Edition, v) (MR) — 127
marketplace: the Venetian guild of — — Mass for four voices with the Propers Davey, Laura. Recording review 31
instrumentalists in the later 18th century for the Feast of Corpus Christi (RR) 667 Day, Timothy. A Discography of Tudor
Bauman, Thomas. Mozart’s Belmonte Byrd Edition (MR) 127, 649 Church Music (BR) 288
Beethoven, Ludwig van. Missa solemnis (RR) Caccini, Francesca. La liberazione di Ruggiero De musica mensurata: the Anonymous of St
— — See also Historical performance, dall’ Isola d Alcina (RR) 141 Emmeram: Complete Critical Edition. By
metronome marks and tempo in Caimo, Gioseppe. Madrigali and Canzoni (ed. Jeremy Yudkin (BR)
Beethoven’s symphonies. By Clive Brown Leta E. Miller) (Recent Researches in the Dean, Jeffrey. Book review
(Obs) Music of the Renaissance, Ixxxiv—Ixxxv) Deathridge, John. Recording review
Beyond temperament: non-keyboard (MR) 455 Destination Prague. By Poppy Holden (C)
intonation in the 17th and 18th centuries. Campana, Allessandra. Mozart’s Italian buffo Deutsche Barock Kammermusik, iii (RR)
By Bruce Haynes singers 580 Di Veroli, Claudio. Violin intonation: more
Bezuidenhout, Morné P. An Italian Office Cardoso, Frei Manuel. Requiem (RR) 142 on tempered sths (C)
Book of the Late Thirteenth Century (BR) Carter, Tim. Music review 126 Discography of Tudor Church Music, A. By
Biber, Heinrich. See Scherzi musicali: Biber, — — Recording reviews 312, 472 Timothy Day (BR)
Schmelzer, Walther (RR) Carter, Stewart. The string tremolo in the 17th Dixon, Graham. Book review
Bilson, Malcolm. Tripping over the triplets century B — — Recording review
(C) Carver, Robert. Mass Dum sacrum Doe, Paul. Music review
INDEX
VOLUME 19 1991
February 1-160
May 161—320
August 321-496
November: Performing Mozart’s Music I 497-688
Book review
Correspondence
Event
Music review
Observation
Recording review
Ad libitum procedures in instrumental duos Birth of the orchestra in Rome, The: an mysterium; O bone Jes; Gaude flore
and trios. By Sandra Mangsen iconographic study. By John Spitzer 9 virginali (RR)
Alleluia Nativitas: Music and Carols for a Book reviews 107, 281, 445, 635 Collegium musicum (MR)
Medieval Christmas (RR) Born is the Babe: Renaissance Music for Companion to Baroque Music (ed. Julie Anne
Analysis and the performer: Introduction. By Christmas (RR) 306 Sadie) (BR)
James Webster Bowles, Edmund A. The double, double, Composers of the Low Countries. By Willem
Anerio, Felice. Six Motets (RR) double beat of the thundering drum: the Elders (BR)
Anerio, Giovanni Francesco. Requiem (RR) timpani in early music Concerti di Andrea et di Gio. Gabrieli (ed.
Arcadelt, Jacques, Venti Madrigali (ed. Luigi Boyd, Malcolm. Recording review David Bryant) (Edizione nazionale delle
Lera) (MR) Bray, Roger. Music review opere di Andrea Gabrieli, xi/1-2) (MR)
Ars Nova [series] (MR) Brown, Clive. Historical performance, Continuo Playing According to Handel: his
Awake Sweet Love: Songs and Lute Solos by metronome marks and tempo in Figured Bass Exercises (ed. David
John Dowland and his Contemporaries Beethoven’s symphonies (Obs) Ledbetter) (MR)
(RR) Burden, Michael. Music review Cooper, Barry. Book review
Burgundian Court Song in the time of — — Music review
Bach, Johann Sebastian. Cantatas (RR) Binchois: the Anonymous Chansons of El Copeman, Harold. Singing in Latin, or
— — Magnificat; Cantatas (RR) Escorial MS V.III.24. By Walter Kemp (BR) 115 Pronunciation Explor’d; The Pocket Singing
— — Das wohltemperirte Klavier, i (ed. Burrows, Donald. Book review 635 in Latin (BR) 281
Alfred Diirr) (Neue Bach-Ausgabe, V/6/1) — — Recording review 486 Correspondence 153, 317, 492
(MR) Burrows, Donald, and Robert D. Hume. Counterblast on English trumpets. By Andrew
— — The Works for Lute in Original Keys George I, the Haymarket Opera Company Pinnock and Bruce Wood (Obs) 436
and Tunings (RR) and Handel’s Water Music 323 Craig-McFeely, Julia. Music review 296
— — See also Bach Interpretation: Butt, John. Bach Interpretation: Articulation Crawford, Tim. Music review 293
Articulation Marks in the Primary Sources Marks in the Primary Sources of J.S. Bach — — Recording reviews 308, 303, 482
of J.S. Bach. By John Butt (BR) (BR) 285 Cristofori, Bartolomeo. See Bartolomeo
Barbieri, Patrizio. Violin intonation: a Byrd, William. Gradualia I (1605): All Saints Cristofori: a list and historical survey of his
historical survey and Corpus Christi (ed. Philip Brett) (Byrd instruments. By Giuliana Montanari 383
Barth, George. Mozart performance in the Edition, vi/a) (MR) 649 Cross, Eric. Recording review 313
igth century Cummings, Lawrence. Music review 460
Bartlett, Clifford. Recording review — — Gradualia I (1605): The Marian Masses Curtis, Gareth. Recording review 468
Bauman, Thomas. Musicians in the (ed. Philip Brett) (Byrd Edition, v) (MR) — 127
marketplace: the Venetian guild of — — Mass for four voices with the Propers Davey, Laura. Recording review 31
instrumentalists in the later 18th century for the Feast of Corpus Christi (RR) 667 Day, Timothy. A Discography of Tudor
Bauman, Thomas. Mozart’s Belmonte Byrd Edition (MR) 127, 649 Church Music (BR) 288
Beethoven, Ludwig van. Missa solemnis (RR) Caccini, Francesca. La liberazione di Ruggiero De musica mensurata: the Anonymous of St
— — See also Historical performance, dall’ Isola d Alcina (RR) 141 Emmeram: Complete Critical Edition. By
metronome marks and tempo in Caimo, Gioseppe. Madrigali and Canzoni (ed. Jeremy Yudkin (BR)
Beethoven’s symphonies. By Clive Brown Leta E. Miller) (Recent Researches in the Dean, Jeffrey. Book review
(Obs) Music of the Renaissance, Ixxxiv—Ixxxv) Deathridge, John. Recording review
Beyond temperament: non-keyboard (MR) 455 Destination Prague. By Poppy Holden (C)
intonation in the 17th and 18th centuries. Campana, Allessandra. Mozart’s Italian buffo Deutsche Barock Kammermusik, iii (RR)
By Bruce Haynes singers 580 Di Veroli, Claudio. Violin intonation: more
Bezuidenhout, Morné P. An Italian Office Cardoso, Frei Manuel. Requiem (RR) 142 on tempered sths (C)
Book of the Late Thirteenth Century (BR) Carter, Tim. Music review 126 Discography of Tudor Church Music, A. By
Biber, Heinrich. See Scherzi musicali: Biber, — — Recording reviews 312, 472 Timothy Day (BR)
Schmelzer, Walther (RR) Carter, Stewart. The string tremolo in the 17th Dixon, Graham. Book review
Bilson, Malcolm. Tripping over the triplets century B — — Recording review
(C) Carver, Robert. Mass Dum sacrum Doe, Paul. Music review
Double, double, double beat of the Music of the Baroque Era, xlii) (MR) — — — Performance of Josquin’s Lhomme
thundering drum, The: the timpani in early George I, the Haymarket Opera Company and armé Masses. By Richard Sherr (Obs) 261
music. By Edmund A. Bowles Handel's Water Music. By Donald Burrows
Dowland, John. See Awake Sweet Love: Songs and Robert D. Hume Kargel, Sixt and Johan Dominico Lais. Toppel
and Lute Solos by John Dowland and his German Funeral Cantatas (RR) Cythar: nova eaque artificiosa et valde
Contemporaries (RR) Gidwitz, Patricia Lewy. ‘Ich bin die erste re da ratio ludendae cytharae.
— — — My Lady’s Tears: a pair of songs by Sangerin’: vocal profiles of two Mozart Facsimile (MR) 296
John Dowland. By Daniel Leech-Wilkinson sopranos Kemp, Walter. Burgundian Court Song in the
Drabkin, William. Recording review Gilles, Jean. Motet a Saint Jean Baptiste; Trois time of Binchois; the Anonymous
Dufay, Guillaume. Missa Se la face ay pale lamentations; Requiem; Beatus quem Chansons of El Escorial MS v.iii.24 (BR)
(RR) elegisti; Te Deum; Diligam te, Domine (RR Kenyon, Nicholas. Some Mozart exhibitions
Dutch Recorders of the 18th century. By Rob Goscelin of Canterbury. See Words and music (E)
van Acht, Vincent van den Ende, Hans by Goscelin of Canterbury. By Richard Keyboards. See Flemish keyboards. By Allen
Schimmel (BR) Sharpe (Obs) James (C)
Gregorian Chant Discography. By Jerome F — — — Giovanni Ferrini and his
Early English Church Music [series] (MR) Weber (BR) harpsichord ‘a penne e a martelletti. By
Early Romantic Overtures (RR) Grigny, Nicolas de. Livre d’orge (ed. Charles- Luigi Ferdinando Tagliavini 398
Early Viennese Chamber Music with Léon Koelhoeffer) (Le pupitre, Ixviii) (MR — — — A Zenti harpsichord rediscovered.
Obbligato Keyboard, i, ii (ed. Michelle By Denzil Wraight (Obs)
Fillion) (MR) Hammond, Frederick. Recording review Kinderman, William. Subjectivity and
Early violins: problems and issues. By Handel, George Frideric. Cantatas; Sonatas; objectivity in Mozart performance
Laurence Libin Italian Duets (RR) Kirkman, Andrew. Book review
Earp, Lawrence. Texting in 15th-century — — See also Continuo Playing According to
French chansons: a look ahead from the Handel: his Figured Bass Exercises (ed. Langham Smith, Richard. Music review
14th century 194 David Ledbetter) (MR) Late 19th-century viol revivals. By John B.
Edizione nazionale delle opere di Andrea — — — George I, the Haymarket Opera Rutledge
Gabrieli (MR) 126 Company and Handel’s Water Music. By Leech-Wilkinson, Daniel. Book review
Eisen, Cliff. The old and new Mozart editions 513 Donald Burrows and Robert D. Hume — — Machaut’s Mass: an Introduction (BR)
Elcombe, Keith. Book review 285 Harrison, Bernard. Recording review — — My Lady’s Tears: a pair of songs by
Elders, Willem. Composers of the Low Haydn, Joseph. See Hayden’s tempos in The John Dowland
Countries (BR) 446 Creation: By Nicholas Temperley — — Recording review
Elizabethan Christmas Anthems (RR) 306 Haynes, Bruce. Beyond temperament: non- Libin, Laurence. Early violins: problems and
English trumpets—a response. By Peter keyboard intonation in the 17th and 18th issues
Holman (Obs) 443 centuries Lieti amanti, I: madrigali di venti musicisti
Events 157, 494, 683 Heartz, Daniel. Susanna’s hat ferraresi e non (ed. Marco Giuliani) (Studi
Everett, Paul. The Manchester Concerto Hillier, Paul. Book review e testi per la storia della musica, ix) (MR) 651
Partbooks (BR) 643 Historical performance, metronome marks Locke, Matthew. Anthems, Motets and the
Everist, Mark. Recording review 665 and tempo in Beethoven's symphonies. By Oxford Ode (RR) 329
Clive Brown (Obs) Lockwood, Lewis. Performance and
Falconer, Keith. Book reviews 287, 450 Holden, Poppy. Destination Prague (C) ‘authenticity’ 501
Fallows, David. Music review Holman, Peter. English trumpets—a response Lowinsky, Edward E. Music in the Culture of
Fenlon, Iain (ed.). The Renaissance: from the (Obs) the Renaissance and Other Essays (BR) 108
1470s to the End of the 16th century (Man Hume, Robert D., and Donald Burrows. Lucca Codex (Codice Mancini). Facsimile
and Music, ii) (BR) George I, the Haymarket Opera Company with introductory study by John Nadas and
Ferrini, Giovanni. See Giovanni Ferrini and and Handel’s Water Music Agostino Ziino (Ars Nova, i) (MR) 1g
his harpsichord ‘a penne e a martelletti. By Humphreys, David. Recording review
Luigi Ferdinando Tagliavini Mabbett, Margaret. Music reviews 456, 651
Festive Troped Masses from the Eleventh ‘Ich bin die erste Sangerin’: vocal profiles of — — Recording review 141
Century: Christmas and Easter in the two Mozart sopranos. By Patricia Lewy Macey, Patrick. Josquin’s Misericordias Domini
Aquitaine (ed. Charlotte Roederer) Gidwitz and Louis XI 163
(Collegium musicum, xi) (MR) I lieti amanti: madrigali di venti musicisti Machaut, Guillaume de. See Machaut’s Mass:
Flemish keyboards. By Allen James (C) ferraresi e non (ed. Marco Giuliani) (Studi an Introduction. By Daniel Leech-
Flothuis, Marius. The Neue Mozart-Ausgabe: e testi per la storia della musica, ix) (MR Wilkinson (BR) 107
a retrospect II trionfo di Dori (ed. Harrison Powley) Man and Music [series] (BR) 12
Frescobaldi, Girolamo. Toccate e partite (Renaissance Voices, iv) (MR) Manchester Concerto Partbooks. By Paul
d’intavolatura di cimbalo et organo, ii; In support of‘ heresy’: manuscript evidence Everett (BR) 643
harpsichord pieces, 1637 (RR) for the a cappella performance of early 15th- Mangsen, Sandra. Ad libitum procedures in
century songs. By Dennis Slavin instrumental duos and trios
Gabrieli, Andrea and Giovanni. Concerti di Instrumentation and genre in Italian music, Marais, Marin. Alcyone (RR)
Andrea et di Gio. Gabrieli (ed. David 1600-1670. By Eleanor Selfridge-Field Marcello, Benedetto and Al dro. See
Bryant) (Edizione nazionale delle opere di Italian Office Book of the Late Thirteenth Works of Benedetto and Alessandro
Andrea Gabrieli, xi/1-2) (MR) Century. By Morné P. Bezuidenhout (BR) Marcello: a Thematic Catalogue. By Eleanor
Galilei, Michelangnolo. II primo libro Selfridge-Field (BR)
dintavolatura di liuto. Facsimile with James, Allen. Flemish keyboards (C) Mateer, David. Recording review
introduction by Claude Chauvel (MR) Johnston, Gregory S. Textual symmetries and Mazzone, Marc’ Antionio. II primo libro delle
— — II primo libro d@’intavolatura di liuto the origins of Heinrich Schiitz’s canzoni a quattro voci (ed. Maria
(RR) Musikalische Exequien Antonietta Cancellaro) (Musiche del
Gaultier, Denis. La rhétorique des dieux (ed. Josquin Desprez. See Josquin’s Misericordias rinascimento italiano, ii) (MR)
David J. Buch) (Recent Researches in the Domini and Louis XI. By Patrick Macey Milsom, John. Book review
Molinaro, Simone. Intavolatura di liuto libro 17th Century (RR) 673 pie donne (ed. Marie Marley) (Recent
primo (RR) 308 Researches in the Music of the Classical
Monk, Christopher. Obituary. By J..M. O’Regan, Noel. Recording review 136 Era, xxxiv) (MR) 653
Thomson 687 Obituary 687 Sawkins, Lionel. Recording review 476
Mongtagu, Jeremy. Book review 636 Old and new Mozart editions, The. By Cliff Scarlatti, Alessandro. 9 Toccatas (ed. Luciano
— — Salerooms 103, 274, 629 Eisen 513 Sgrizzi) (Le pupitre, lxxii) (MR) 655
— — Sounding the trumpet (C) 153 Orchestra in Rome, The birth of the. By John Scarlatti, Domenico. See Scarlatti’s tremulo. By
Montanari, Giuliana. Bartolomeo Cristofori: a Spitzer 9 Barbara Sachs (Obs)
list and historical survey of his instruments 383 Schachter, Carl. 2oth-century analysis and
Montella, Giovan Domenico. II settimo libro Page, Christopher. Book reviews 107, 445 Mozart performance
de’ madrigali a cinque voci (ed. Iole Di Palestrina, Giovanni Pierluigi da. Scherzi musicali: Biber, Schmelzer, Walther
Gregorio) (Musiche del rinascimento Lamentations of Jeremiah the Prophet, iv; (RR) 474
italiano, i) (MR) Missa Assumpta Est Maria; Missa Sicut Schmelzer, Johann Heinrich. Scherzi musicali:
Monteverdi, Claudio. Lincoronazione di Lilium; Missa de Beata Virgine; Missa Ave Biber, Schmelzer, Walther (RR) 474
Poppea (RR) Maria (RR) 136 Schott, Howard. 1991 Boston Early Music
— — Il sesto libro de madrigali; II settimo Performance and ‘authenticity. By Lewis Festival (E) 683
libro de madrigali; I] ottavo libro de Lockwood 501 Schubert, Franz. Octet (RR) 677
madrigali; Balli (RR) 31 Performance of Josquin’s L’homme armé — — Winterreise (RR) 489
— — Vespro della Beata Vergine (1610) (RR) 472 Masses, The. By Richard Sherr (Obs) 261 Schiitz, Heinrich. See Textural symmetries and
Morehen, John. Music review 649 Performance: Revealing the Orpheus Within. the origins of Heinrich Schiitz’s
— — Recording review 306 By Anthony Rooley (BR) 451 Musikalische Exequien. By Gregory S.
Mozart, Wolfgang Amadeus. Idomeneo (RR) 661 Philip the Chancellor. Conductus, Lai, Johnston
— — Piano Concertos (RR) 488 Sequence, Rondellus (RR) 135 Searle, Arthur. Salerooms
— — See also Analysis and the performer: Philippe de Monte. Lundecimo libro delli Selfridge-Field, Eleanor. Instrumentation and
Introduction. By James Webster 591 madrigali a cinque voci (ed. Brian Mann) genre in Italian music, 1600-1670
— — — ‘Ich bin die erste Sangerin’: vocal (Philippi de Monte Opera, D/iv) (MR) — — The Works of Benedetto and
profiles of two Mozart sopranos. By Patricia Philippi de Monte Opera (MR) 455 Alessandro Marcello: a Thematic Catalogue
Lewy Gidwitz 565 Pinnock, Andrew, and Bruce Wood. A (BR)
— — — Mozart performance in the 19th counterblast on English trumpets (Obs) 436 Shakespeare’s Musicke sung in authentic
century. By George Barth 538 Pupitre, Le [series] (MR) 655 Elizabethan pronunciation (RR)
— — — Mozart’s Belmonte. By Thomas Purcell, Henry. Three Odes for St Cecilia’s Day Sharpe, Richard. Words and music by
Bauman (ed. Bruce Wood) (Purcell Society, x); Goscelin of Canterbury (Obs)
— — — Mozart’s first thoughts: the two Fantazias and Miscellaneous Instrumental Sherr, Richard. The performance of Josquin’s
versions of Mozart’s Sonata in D major, Music (ed. Thurston Dart, rev. Michael Lhomme armé Masses (Obs)
K284. By Laszl6 Somfai Tilmouth, with Alan Browning and Peter Singers. See ‘Ich bin die erste Sangerin’: vocal
— — — Moazart’s Italian buffo singers. By Holman) (Purcell Society, xxxi) (MR) profiles of two Mozart sopranos. By Patricia
Alessandra Campana Purcell Society Edition (MR) Lewy Gidwitz
— — — The Neue Mozart-Ausgabe: a — — — Moazart’s Belmonte. By Thomas
restrospect. By Marius Flothuis Rankin, Susan. Music review 123 Bauman
— — — The Old and new Mozart editions. Ratner, Leonard G. Topical content in — — — Mozart’s Italian buffo singers. By
By Cliff Eisen 513 Mozart’s keyboard sonatas 615 Alessandra Campana
— — — Performance and ‘authenticity. By Recent Researches in the Music of the Singing in Latin, or Pronunciation Explor’d;
Lewis Lockwood 501 Baroque Era [series] (MR) 293 The Pocket Singing in Latin. By Harold
— — — Some Mozart exhibitions. By Recent Researches in the Music of the Copeman (BR)
Nicholas Kenyon (E) 684 Classical Era [series] (MR) 653 Slavin, Dennis. Book review
— — — Subjectivity and objectivity in Recent Researches in the Music of the — — In support of ‘heresy’: manuscript
Mozart performance. By William Renaissance [series] (MR) 455 evidence for the a cappella performance of
Kinderman Recording reviews 135, 329, 465, 661 early 15th-century songs
— — — Susanna’s hat. By Daniel Heartz Rees, Owen. Medieval and Renaissance Music Somfai, Laszl6. Mozart’s first thoughts: the
— — — Topical content in Mozart’s Conference (E) 157 two versions of Mozart’s Sonata in D
keyboard sonatas. By Leonard G. Ratner 615 — — Recording reviews 142, 303 major, K284
— — — 2oth-century analysis and Mozart Renaissance, The: from the 1470s to the End Sounding the trumpet. By Jeremy Montagu
performance. By Carl Schachter 620 of the 16th Century (ed. Iain Fenlon) (Man (C)
Music in the Culture of the Renaissance and and Music, ii) (BR) 12 Spitzer, John. The birth of the orchestra in
Other Essays. By Edward E. Lowinsky (BR) 108 Renaissance Voices [series] (MR) Rome—an iconographic study
Music reviews 119, 291, 455, 649 Roche, Elizabeth. Music review 458 String tremolo in the 17th century, The. By
Musiche del rinascimento italiano [series] Roche, Jerome. Music review 455 Stewart Carter
(MR) 456 Rooley, Anthony. Performance: Revealing the Studi e testi per la storia della musica [series]
Musicians in the marketplace: the Venetian Orpheus Within (BR) 451 (MR)
guild of instrumentalists in the later 18th Rushton, Julian. Recording review 661 Subjectivity and objectivity in Mozart
century. By Thomas Bauman Rutledge, John B. Late 19th-century viol performance. By William Kinderman
My Lady’s Tears: a pair of songs by John revivals 409 Susanna’s hat. By Daniel Heartz
Dowland. By Daniel Leech-Wilkinson
Sachs, Barbara. Scarlatti’s tremulo (Obs) 91 Tagliavini, Luigi Ferdinando. See Giovanni
Neue Bach-Ausgabe (MR) 291 Sadie, Julie Anne (ed.). Companion to Ferrini and his harpsichord ‘a penne e a
Neue Mozart-Ausgabe, The: a restrospect. By Baroque Music (BR) 635 martelletti’
Marius Flothuis 533 Sadler, Graham. Recording reviews 465, 489 Talbot, Michael. Music review
Newbould, Brian. Recording review 677 Salerooms 163, 269, 274, 629 — — Vivaldi conference (E)
Now What is Love?: Aspects of Love in the Sammartini, Giovanni Battista. II pianto delle Taverner, John. Five-part Masses (ed. Hugh
Benham) (Early English Church Music, xxxvi) (C) (RR)
(MR) Trumpet. See A Counterblast on English Voss, Angela. Book review
— — Missa Sancti Wilhelmi devotio; O trumpets. By Andrew Pinnock and Bruce
Wilhelme, pastor bone; Dum transisset Wood (Obs) Walther, Johann Jacob. See Scherzi musicali:
sabbatum; Ex eius tumba (RR) — — — English trumpets—a response. By Biber, Schmelzer, Walther (RR)
Temperament. See Beyond temperament: non- Peter Holman (Obs) Weber, Jerome F. A Gregorian Chant
keyboard intonation in the 17th and 18th — — — Sounding the trumpet. By Jeremy Discography (BR)
centuries. By Bruce Haynes Montagu (C) Webster, James. Analysis and the performer:
— — — Violin intonation: a historical 2oth-century analysis and Mozart Introduction
survey. By Patrizio Barbieri performance. By Carl Schachter Werl, Albrecht. Albrecht Werl’s Lutebook
— — — Violin intonation: more on Tye, Christopher. Sacred Music (RR) (c.1625-55). Facsimile with introductory
tempered sths. By Claudio Di Veroli (C) study by Robert Spencer. (MR)
Temperley, Nicholas. Haydn’s tempos in The van Acht, Rob, Vincent van den Ende, Hans Wilson, Christopher R. Recording review
Creation Schimmel. Dutch Recorders oft he 18th Wood, Bruce. Recording review
Texting in 15th-century French chansons: a Century (BR) Wood, Bruce, and Andrew Pinnock. A
look ahead from the 14th century. By Victoria, Tomas Luis de. Tenebrae counterblast on English trumpets (Obs)
Lawrence Earp responsories (RR) Wood, Caroline. Recording review
Textual symmetries and the origins of Viol. See Late 19th-century viol revivals. By Words and music by Goscelin of Canterbury.
Heinrich Schiitz’s Musikalische Exequien. By John B. Rutledge By Richard Sharpe (Obs)
Gregory S. Johnston Violin. See Early violins: problems and issues. Works of Benedetto and Al dro Marcello,
Thomson, J. M. Christopher Monk By Laurence Libin The: a Thematic Catalogue. By Eleanor
(Obituary) — — — Violin intonation: a historical Selfridge-Field (BR)
Timpani. See The double, double, double beat survey. By Patrizio Barbieri Wraight, Denzil. A Zenti harpsichord
of the thundering drum: the timpani in — — — Violin intonation: more on rediscovered (Obs)
early music. By Edmund A. Bowles tempered sths. By Claudio Di Veroli (C) Yudkin, Jeremy. De musica mensurata: the
Topical content in Mozart’s keyboard sonatas. Vivaldi, Antonio. Chamber concertos; Sonatas Anony of St E Complet
By Leonard G. Ratner for strings (RR) Critical Edition (BR)
Trionfo di Dori, Il (ed. Harrison Powley) — — See also Vivaldi conference. By Michael
(Renaissance Voices, iv) (MR) Talbot (E) Zenti, Girolamo. See A Zenti harpsichord
Tripping over the triplets. By Malcolm Bilson Voice and Lute in Venice in the 16th Century rediscovered. By Denzil Wraight (Obs)
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