Bach-Mühle-Fuchs Dubai Open Data, Upload, Scan, Repro, Online, PDF, Download Version 06.12.2017 Keywords: Dubai Architectural Stories, Abu Dhabi, United Arab Emirates, Architectural Stories, Story-Lines Map, 2017, Art in the city, thejamjar, WTD Magazine, Architectural Biennale, Open call, participate, trip to dubai, architecture, sightseeing, film, sketches, texts, sharing, photos [email protected] Dubai Architectural Stories. 2017 - . ... w4,LS..> J.) , I· \V ·<4Jl~oo..ll ·. ma1 ., ;.. qCi.h.J . 0 P 1 .u -u-i .• U'i'l1 I ARTMAP SVENIM •• Culture <UJULW Contents uL.. -"- - II - -- ~~· Introduction Q&A with Sonia Brewin-Mi.iller 4 Dubai Architectural Stories Dubai Story-Lines Map 22 Dubai Architecture on Film 1+0 Draw Your Dubai Story-Lines Map Share Your Stories ._;1,4Jt.,. Hetal Pawani Director 6>!..1.4 SWariritae Ar nsari ....S. JLAii ~.~.JlL,S, Luma Darowich ~,9j.l._,A.) Project Assistant ~)L.!..od.A.....w Dianne Polkarpio ~)~9-/..:.iY.b Vrinda Bhandula :il9~4 l.1..4>9 Designers .:,......,.. Dianne Policarpio ~J~~..:.i41) Noor Alsaqqa LA....JIJ9-1 Illustrator ,j~l....J SVENM ~' .:,,,;.. Content .:.4,_;:,.,.ll cl;.>J WTD Magazine .l.i9~ Images )~1t1Pb>t~ Published with ArtMap Issue 26, 26 n.JI .;All 4h.,> '""'4 October 2017~ 20"17 ,.,,si The ArtMap is published by u.c~lil:y,P,~~ ArtintheCity in strategic partnership ~l;i• • dl <51,.:.14 ._.,.WI j .:,All with Dubai Culture & Arts Authority. .,j~l9d.9li!JJ~.l~~ For regular updates direct to your <.!J..1.,1.~ J:!> 0-<1 w1~1;.:..T r~ll email sign up for our fortnightly Art J5 '0-0JI w~ U... Je.-. .. i.;<(Jil Alert on artinthecity.com. artinthecity.com~ ~s+Wl T ! +9714 3417303 TI +9714 3417303 [email protected] info@artinthecitycom www artinthecity.com www.artinthecity.com PO BOX 27554, ,2755n4. 1y .,~p Dubai, UAE All Rights Reserved © thejamjar ,~~~li©;;J;,,,,.,.,...o.-,JI~ Introduction Dubai's identity can be best defined through storytelling. No longer new, and not quite a sage yet, J~9 .>f:R:tJ ~;i...JI ;:,! ,jb.J4_ ~ <tklg .~I ~I J)l;. v.o J..oi"~I <t.?,11 ...,.1L Jl ~~ -l.l..l.:><i ~ the city is constantly evolving, morphing through different stages and personalities. People often J¥> .:i.o ~.i.o.ll ...,.1L .J.>Jll)~ ;.,,1.c ..>lfiill 1'~9 .~)~ ..:.~ ~s a..;J,;:;.., J>'l~ .><>J9 iaJG Jui experience the city through advice and anecdotes passed on by colleagues, friends, taxi drivers and ~ ~ .u.. .:..09 ··li,>.R:llg ~I ._,zl{..., ...,;>g ·~~)9 •r>&'!S ...... I f;;4 ~$SJ~ ~I YJ~l9 ~WI even strangers. DUBAI ARCHITECTURAL STORIES is a concept built entirely on these foundations. ~~ E,9A.o J:.I> ,j.o ~Jl~I o.l.. .:if.l.! ..>ig .. .:.l,lli,.,;,..Jf o.U. .).c ~.; jUi ~ "~t.o......JI oJ..l ..:.~~ • It started out as a small sociological experiment by the Dubai based architectural firm SVENM where ~1.:.ltl,{;,JI f::4'l'I u.oli ~ .a.i.,t...:-11 ~l..o..ill ~I a5>o!JI (SVENM) "pj ~",:.... ..,.c:~I they collected personal narratives of a few residents discussing their favourite location, building or 1"3 .>89 ··~·P .) ..iJ<>l:.o Jll .j4o .:.ilS :19-> ~,),).,;JI .:,~~I .:.S{.o~I u~I.:.! 1,;iS .Jllll uts....ii ~ area of Dubai. The compiled texts were then exhibited in the SVENM Alserkal Avenue space, titled .".j~l .:,.9 :4"91. ..:..li~I" :,:hi.<: w.,,,:; va.>->JJ ~I <iS'~l 4.>L....a .j ~~I u4l5.;JI ._,,;->" Everyday Masterpieces: The Art of Buildings •,:,ti.JI ah._»"~ i~ Ugt..J ~I ~9 •. ).aill E_g;..t...JJ ol~ Lo ~ "~L...a.o.ll .,.P uli.IS.>" ~ J~ DUBAI ARCHITECTURAL STORIES, the booklet, builds upon the original project and is a unique 1&19ti;,\ .....,1..:..1.b...cJI w.J ~I~~~ .. :.ti,~..>>'?'-" v.o _,.:si ,i. ~~•"pl~· ~_,..:ig collaboration between ArtMap and SVENM that celebrates more of such stories. It also lays l!i" yl.;;J asr~ J)l;. .,).cg ."pl~" as~ Ji9 .,).o 2018 pWI .j ~ f;;4}4ll -~~I t":l"Wi .,)~" out the conceptual footprints for the Dubai-based Architectural Biennale 2018, founded by the ~~1.-l.<JJI ~ p.lii .~lg ~.IJ&.o.)I 01!! .>lg.:JJ Ci..Al.o ~.g:;9 ':P y.o .>~~I ~I •" .>39" <14.o team of SVENM. In a further partnership, the visuals for this supplement have been provided by • ~I •9-> ~ .j .1.cl...J .:ii ~~I >"'l.tsJl9 4_1S.oJI olt. .:.il'f' ~9 fa l;,i:J.<> J dJ..o....0..4.ll WTD Magazine, a Dubai-based publication that provides a platform for discourse for Architects ~>" ~9 a;.....1.> .::........& ~~:II ~ls:... Y.>~ .)9 6,k~9 ~;.. ~ a.i-~1 o.l.. li,l.S.> u~ J~ .,,sill and Designers. These stories and visuals help to repudiate the popular misconception that every J~I ~I~ .,?11 l°'!"'l.Aill ~:~I .Jlo..JI ~.fa ~I ~~1_6.it. ~9 .~~ U~,>A! storyteller in this city Is transient and that their experiences aren't tied to anything concrete. And .~ u.9~1.j ~ -9~ J=.;9 ;;~~I C'.:919.l.! ~ ~~ ~.i.o.l they encourage us to understand the semantics of design that make up the fabric of a dynamic city that has equally mounting and challenging needs. ~~19 "pl~" as~ ..sJ.J d_,i. . t,..:JI >.i.>..oJJ .;,.!~ om! ~~ f;;4 a.li!A.o ~11.l.. J)l;. vo /1.i.iij9 ul,ilh" C.~ .j a....i.t......Jt W :Jv ~IA..JI J)l;. ~~ t;;....,.,;9 .''aut.......JI p¥>t-jl .)~" J <!lJl..:.411 M The supplement includes an Interview with Sonia Brewin-Milller, Co-director at SVENM and o.)4_j9 .)~I .sJ.J .,,,.c~I ..s~ &) J .)l.oJI p6Ul '\:.bf t"'"'~" ul.!Jw ·~I JI ut.o;~ ~4.t,bt.o.11 ..P Co-founder of the Architectural Biennale. She talks about how they hope the DUBAI .2018 4....1~1 ~WI .)ll,ii ~ 41114 atb~ ~ -,?iJI >0lil .~ ~.i.o.ll 1¥'L...;:JI yjl~ cl.o~I ARCHITECTURAL STORIES concept and the Arch. Season '17 programming will help educate, .....,I> ~ li.,..>b. . cJ 1"3 ~ Jkl d.l.i .j lo.i ,li_l,{;,JI o.it. f'!'.>A! 4.:t.i.o.ll Jv ~ .b:l!P ~I ~ W' inform and ignite interest in the urban landscape of Dubai and propel us towards a dynamic and ~9 ·~ C,J_,.t.,..o jl.o:JJ ~I ...... ~ Jp o.U'.l.....o .)l~g ul.fu.:.lo.i ~I~ w .. )WI li.u...I Inclusive Architectural Biennale 2018. Also included, is a visual mapping of these stories across the .~..>.cJ.J L.l.;JI ~19.> .~ ..S~ ~I ..:..LS).~I city, with artwork created specifically for this issue. The booklet ends with notes and materials on making a mapping project, collecting personal accounts and building your own narrative of the city. J~ .j ..>~ ~,,S,i;o .)..c ...9~ .;.l9 ·~I ~~:ii ~ •oJ:l J .l1,..:JI J:a5 lb~ ~ .iJ T""4 .;:.39 ~t-ill cw.,.....JI y;l~J, .a.ob.;:.. .; jl Jv h..JI ~ pgiU ,) .;,~ ~~I _,,, otjl W ,;;,,..,~11"6'"L...;:JI As another Fall season rolls in and Dubai gears up to host experts and showcase new influences in ~t.....o)lb~j :Jh;9. . .A9gll "-'' W <j;9,.....ill .;,.o il.i.19 .~ ~ ~~ lo.i ~lol~l d.l.i J ~ <i,\,lc.=JI contemporary design, It Is Important to encourage dialogue around sustainability, utility, function l.iJ> u~ J,oti ~9 .~I .j ~I~ ~I cllJ ~Log.~ .,;;JI -,.JIP.ll .'i"" Lo ·.J~ ~"'4) and form. It is time to pause, and ask: in a bid to build a modern society, what gets left behind and 4 JJ1> ~1·..s~ (})9 .>lg.o.JI ~ ~ ~g ~1.>AJI ..>o plstlf ;~I J9w...i .;,~ "'4'b.Jl...u.tll what is looked for in the future. We hope this special issue connects with the ordinary resident and .~r ~l.q ~ d;l..:J ,)9 •••p J4 v.ol> ~lb ul.i ~io .,,1.AJtl .:.1 ~ activates discussion, bringing In a higher understanding of what It means to live in and build a city like Dubai. Introduction Q&A with Sonia Brewin-Muller J9-0 ~9.H lt-i9--W C° <i_4Lli..o Co-director of SVENM and Co-founder of the Dubai ~La.;:JI J~ ~9.-<JI d!,~19 ~ ~).~l>!..4.11 Architectural Biennale <i!,J La.st.o..J I Artmap: Can you briefly Introduce yourself? What is the level of participation expected? ~I ~'\II~.) W' ·~ C::~ J~I .:,! ;;1~19 .:*9~ ~ J..2.>J -~l:;u>-?" ~ F---' Seven years ago I co-founded the Architecture As the aim is to illuminate Dubai's diverse architectural >1>9:.U ~lg.w ~IJ 4-~ .:,~ W .41 ~19 ~" 9'!.l.L....>I ~\; j US).~ ,..:J.;,. wl~ 7 ..iJ..o and Design Studio SVENM with my partner Sven landscape everyone in the city can participate. a.L,, ..:ii~ E-JL!..o a9~4 I'~ ~I wL......i9,cJI 9j .,J~ ~ ~~ l!;"~>~I .:.i~ls l"t°~ "pl Muller. We opened our business in Dubai because First-hand experience of the urban environment J~I &a ~I~ l!:" j.al_9.11] ...9~9 f""'~I J'.11> F-l..o.jl ~ JJ l.;hi .,,i-> .J l<IL.....c:I ~~ ~ J.99 the volume of contemporary architecture and here is all that is required to get involved. ·~·~~.:,~.i..9 U.>.!~ ~._.,All ..s_.>IJI F-l..o.jl9 ~~I av1.o.......11 design being developed here makes the city feel ~ ~g,p- wtA 4liu.ll .J..o ~ ..sill _.,,\JI ,1,;;,, actively full of human imagination; this is perennially What is happening this November? iti~~u.lljpWl~l~W'~.:,u...JI refreshing and we wanted to contribute. ~~.) ~)~ .:..1 ·~ t;,) ,l.il9 .~b ~ .)~ A taster 'Arch. Season' of activities is being showcased F-j~JYl~J'.11>.>o~)tl.;9.a .'4;4JI <i.:.WI oi<. What is your relationship to the stories In this this November for practitioners and public to ~ ~ 1.lJ9 •. ,p ~ ~Ji..,.,.,.JI ~~! Jts...:.!d.9lS supplement? connect with the Biennale and understand how "-*.WI ~I JL-;u> j ~I v~I ,:,I W' .4.SJl...!...JI .,,?ill "~Jl.a.......11, p wl..~" t2~ ~L.....o,,... La to contribute for 2018. .as;L. . ~. .J 19 )~¥ts~)~' .s.>J m.. . ~J<L.b~ The first SVENM exhibition at Alserkal Avenue, Everyday Masterpieces: The Art of Buildings, was We kick off the season on Saturday, November 11, ~ i'~lill &~a.;.) &~i \. ... La j "r! ~" as~ o..<.cJ:;; .,,s.DI J9~I ..,.;~1 .:.il developed through an open-call for stories about with a city-picnic for architectural practitioners, f3 .i..9 .:,LS •"J~I .:,.9 :~.91. wli~I" :~I JLS.,....JI favourite Dubai places. The positive public response while Saturdays, November 18 and 25, are all about f""'.!}-0" J'.11> •• . b.. .: ,/lll &a <.,;.;..!)-0 ~~ ~)L ~ J~I ~~ F. ~9 a,,~·~, J'.11> ,j..o O;t~ to this show has grown since then into our next learning opportunities for families with adventures '/'WI J~ls ~ .)b:ll ~Soi_....:. _j "<.OJ) ~4-!l '49t.,.; LL......J .i..99 .,p .;) a.L...o.i..cJI ~I Jp initiative to collectively begin the Architectural and student challenges. For Fridays, November 17 <i.SJL.t...JI ~ ~ p>lifl J~ ilbii> #ii u~ d.1~9 ~ ..iJ..o J~ ~.iJI ~µ>.a.JI Ii<. et' ,,~I~ .:,.o Biennale of Dubai. and 24, we 'go behind the scenes' at two Open House sites and Wednesday, November 22, sees ~I ('91. f""'~I ·~ p~9 .2018 pWI ~.» j ff."'b.LJI .)~ .;) J4u ¥Jl..1.; OJ>4o JI p~I ~ What is the Architectural Biennale? us inspired by the sounds of the city in a unique ~~~I.. ':.?".'9'!. )J I.:,, .;j,> Ja,. _·;;~ JJi'.,1.1,>., ,.:J,.I.o ~·l..>.#o.~j l 1J1 L~;..'o ~j ·<,l-'l <i.iJl.a.......11 sonic-experience. We close on November 26 with The city's architecture is the underlying fabric of an unforgettable survey and discussion between u<>>9 .>#~ ~ .:,,gil...i ~~ 259 18 ~J~ 1<L1i,.,.,,JI l"±"L.a.;:JI , JU.... ~ La our shared lived experiences here. Let's celebrate practitioners who make structures across the city. ·~s-i 249 17 ~I ....,.,91. Lal .. ...,W ·~ ~ that! The Biennale is not-for-profit and collaborative J'.11> &a "~'~'.I)~ La" 4u.9 ~ I'~ J.ol~ J9'\ll rJ!A ..J4 ~ ~:....li .,,s;t,.,wl E!lhJI .:,,J in spirit and is a city-wide summit for architecture Why is November such a good time for this? ~ I'~ .22 ~~ ~)~9 . .:,,.;,>~ ~.!)-0 E9~' '-"" .jl..b.;.; .l.iJ9 .4.p.JI YJ4-~JI .:,.0 ~ to be hosted every two years, beginning in 2018. ~9 ·~~&a ;;_,_,_,g ~ '4.>.::-1J'.11>&a4~ Jli.WI .15',! W' .U.;l>'J 9 y;4-VI 04! ~lA.i.>lll ~I .:,.o November makes perfect sense climate-wise as it .99+"'-" ,W:. ,:,~I J'.11> &a~~ 26 ~J~ L;J~I ~.) ~9 •. :,~I j ¥JL..tJ9 <t,p../J~ OJ>4o WhatdoestheArcl1itectural Biennale bring to Dubai? is a great time in the UAE to walk around buildings, .~,~~lJi.i9 ~i'~~.l..o.11..s~..,ka....al;>~l.Loiti~ places and spaces. Plus the Arch. Season has .2018 l'WI .:,.o <.i.i .:-.Le Jl5 OJ.Cl As a resource bringing people together to communicate symmetry with key events in local calendars, such ~..:il.Ji,,wl o.lii. ~~~.&4i &fol l~l.aJ about urban space, it champions a wide variety of as Abu Dhabi Art (8 - 11), Dubai Design Week architectural interests in-depth, but accessibly. It (13 - 18), and The Big 5 Construction Exhibition ~ .v.Jib.JI ~ i.;hi ~Lt.a T-'C~ ~~ ~ .>991. encompasses exhibitions, talks, tours and workshops (26 - 29). So this November will be an even richer (>S'La'\119 J~I Jp-~I wlJLa~I j J~ ~. ¥. J.al_9.11) <L.,_>9 J~l.>99'! •)~ a....a1.:-~ and I believe will extend knowledge of Dubai's time for audiences alert to contemporary culture I"""'~" 019 ,dJ; JI a91....o~4 -~~I .:.bL.....cJls .:,.o E~ ~ ~ W' ·"-*.l..o.11 .:.bL.......cJ4 ~ J profound impact on the architecture of the twenty and interested in trans-disciplinary dialogue. .::.L:!Jl....;JI o.>..:.;-1 .:,,.r....,;, ~J .:il:!Ju..9 f::" .:...o~ "d} ~ dl~9 <i.iJi,.,w! ~l..o.jl JL;..o ..:il.al.a.;:.,lll first Century, supporting further development of U-!-! o,,WI J'.11> ~ !"-'.! ,·~fil,.:,.9" J4 ~l ·rWl;~I ~&a ~I~ J.!1.9 <t.&9 ~ new philosophies and technologies. So, do you have a favourite Dubai building or ·(~.,; 18-13) ~ •:P E*"'l9 .(~~ 11-8) ~9 ~Jlp ..:.L....b9 ~;k.o ~ ~ W place yourself? u!9 ,l.iJ9 .(~~ 29-~6) .,,s;l.WI "..A,o.[g &!" ~>"'>9 cl~J .j ~ 4!~ .,jjf Lii9 .J,c.c .Pm ~1¥ .::.~, Who is your audience? ..,k ...9~ )~ ~') ~J[j ~ ~~ ~ J~I ..s..J ~ l~I ~.9 •u.> ,j Jµ>.<JI .,..;4JI Yes, it is a house SVENM designed. A meditation .;lp]J ..,.ii~ I <l.a.1.o _>991.9 ,;;.>.o<>LsuJI a9liWI .:,~ ~La.......Jl~l..o.jl Jp ;$i~ .j ~ Anyone can attend and every activity is free! on minimalism, I hope it stays here forever. ·~~ ..S9J>.!~ w~,91 f"-'*"" W' •0,!,..:....Jl9 ..1.>l~I The Biennale is a resource for professionals and ~ 4bJ..@ ',.;:JI ,·,sLalJI .i ~)'-ll La .Loli:> .4i ~.» w~ >lo..;:cll J4--<JI ~9 .J4--<JI Ii<. .j curious non-professionals alike. It would be super I .... ~d..;.,.l..o.11.Jp ,·,.. for individuals or institutions hosting projects 1, JLu.JI , 1:11> ,·,.. u~I M~ 2"' 1ro during the season to reach out to audiences that ~"r!~"a.s~.::....ot.9~.uJ.~J,f.:.i9> are new to them. ..i.i:.U '=p J l.4lb ~.:ii Joi l,;f9 .''ab~! J J.o\;" iJ.11>9 Q&A with Sonia Brewin-Muller A passage in between two houses The Emirates Macaroni Factory My favourite place in Dubai is a passage in between two houses that JUMEIRAH BEACH Between the seemingly endless car showrooms and the overblown SHEIKH ZAYED ROAD leads to the Jumeirah beach. Every time I try to enter the beach from l~t):>L.:. Muscovite classicism of the JW Marriott hotel stands the Emirates .>.ilJ~IE_JL!. that exact point. Park the car, take of my shoes and step onto the sand Macaroni Factory. It is in entirely the wrong place on the Sheikh Zayed of the sidewalk. It colours my beginning. Road, in a spot where you often get stuck in traffic. Those enforced There is a serene tropical feel about it. An old Jumeirah beach house intervals have forced me to contemplate this relic on the edge of the on the right has its garden extended onto the beach, with surf boards, Al Quoz Industrial Area. The building isn't much, a group of grain silos fisherman's nets and hammocks shaded by palms. There is something beside a representational building in a late modern, slightly sub-Richard fragile about it. Not sure how long it will last. Meier style. I love passages, these mystical transition zones that connect and reveal, Although, with production facilities dating from 1979, this pretty much w~ counts as heritage here. But in the way the industrial forms crash into the commercial, and in the way the building stands as a reminder of how Nemanja Valjarevic the city has exploded -swelling up what was once an industrial quarter into its new downtown -it supplies a sense of the soeed of architectural history here. One day, perhaps it will make way for a cultural building, a Bentley showroom or a block of luxury apartments. Till then, it will make me smile every time. JS .jg-~ t)ol..!i J! "'5-'~ .;W_µ,, .J:!.! .>-'>" 91> ~_, .j J...:WJI .)li.o .;J E_).<i p~lg .,.iJ~ .:.SJ JI ~I .. ;~I vu-Ai .:..a t,..bl.:11J P.lo! r,~1 o>" Edwin Heathcote ~ 4-!>.::-J o.P! ~! .. _,.c.>A)I ~,>hll J-!<C j.o)I .).c. ~J.:,. .,..t..a~ Ji.i.> - - ]-"!,.g j)~ wl).o~I dJ9~ ~ """"~9 •. \.i~I ~ ..s~ ._,.;:II Jlv~I Jl~'l!l.>~I j di.) ~9 t_,..bl..!JI ~ .>.i..oJ ~~~~I ~i.:-.).c..I~ t)ol..!i ~ .j M~ Jj.i.o ~ u<Jl p~l ..:.t:..P.)19 .Y-->~I ..:.~9 •• w1 vie ~1_>;:11 c:i~I ti.~9 .jit. l..!J I • U+f I 0,\i 9 ,..:. l;l-t. .. JI ..,.0; Ut.o 0.o ~ lii.a >t);. i ~ 9 ¥. la 0,\l ~-~t.; ~lg .:...J t;f9 .~I LU.~ ~J ...,..1.....>J .J?;..~)lI. ;S.~.oji ,L.a) 4):J;!Ii.. il~l 9¥ .. j~ ~9 lj. u~l;lIa~I E4_.JiLg!_i µ...),...c, . ~,LaW -L~bJI ,_.;.;;,9L'S-1....oJJlIa . j~ .~>I .~,r. -~.jJJI.A.I _pi J) .;1.S..o 0.o l.;il;; ._,.;:JI ~~I Jbl.<..JI o-" .. .:.l~I ..,_..,.j ~ ...,.4.<JI l..i• .a . J.ohi .,,,5 pb.>jlll .wl ...ii~I wl.>)'.9.l .>~-.tP> .lm.W>.->0I L,adb.l>i.lil ~i)<\;9 .W a.........:Jl.i ·~"""" e)ISJO ~9 ~ ll .i.99 .~LA...:JI .i~I iiJih.i.o 496. ._,k ~ ~ .>_;A.Wig ~WI ~; ~ Y!4-JI E"l~I 0.o Ci..c~ ctip J9~1 a.L.gll 04.;:illl ~I ~I ~ .:.ii 0.o ~)I .).c.9_..H.La -'J~J .,,s;~I y~I1 E!lb ~. ~~9 .~ E" 4.i;lA.a .;ill ~I_µ ~ .l"1! ctil llj .1979 pWI JI -'~ Jv o~.iJ 4.i~ ~I 0~ .., ,s;l.:;.111 l!" .,,.cu...,JI ~I ~.i.i.i ..s?I gl 0~ 01 ..,.09>-"uJI .:><> .;IS La yl.....> ._,k Ci..c;L....to o;.;ig.A:i ~.i...cJI ..::......; ...Ji.t5 a.c..., Jc~.) .. ~ La ~9 .~.i...cJI JS>-0 l'~I .l"1! La JI ~LA...,JI 4JibJ...JI I .4,u.i...cJI .j ._s1Lcu..o..ll iz,!JWI ~~ ._)tA; ?~ ~11.i.a. Jl~I ~ 01 ~I .:>.o ctil 'l'~~l .1.>l.) ~~I 1.ilg .~~I di.) .._,;::,.9 .o_plA.11 ,jA..!JJ ~ 9J <U.JWI ~ .:.l.,l-t-J ..,.0.>'>4! 9! .01.5..cJI di.) 0.o .>Al. o>" JS .j _µ;w1 ~9 ._,k a,;'L....1il ~I I.iii. .!l~ Dubai Architectural Stories National Bank of-Dubai Headquarters Emirates NBD Headquarters I will always have a soft spot for the National Bank of Dubai headquarters DUBAI CREEK, DEIRA Apart from the old favorites, which disappear on a daily basis to provide DUBAI CREEK, DEIRA in Deira. It is the building we moved to Dubai for. My dad was a structural o~.)1.J..lJP. space for glitzy new developments, my favourite site must of course be 0.>t.l '':.PJ~ engineer and was called over from Canada to project manage the one of the projects where I was involved as the co-designer and executive construction. We'd kind of just heard of Dubai. It was 1993. Architect. The most famous of these is the Emirates NBD Headquarters, By 1998 the building was complete and at 125m it was the fifth tallest a daring design which was internationally recognised and praised as the structure in Dubai. At the time no building was allowed to be taller than most beautiful building of its time. Dubai World Trade Center at 158m. The buildings is iconic and appeared on the one Dirham coins of the UAE Elegantly timeless. Sitting right on the edge of the Creek, it was inspired to celebrate the 30th Anniversary of the establishment of the bank. by the dhow with its three parts: the hull, the mast and the sail, The Dubai's early economy, and therefore the financial strength of the bank, curved golden glass facade reflects the sun's rays and distorts the Creek's was based on the trading route of the Creek and its boats, which is why movements. It is quite a striking spectacle every day at dusk. the building's form symbolises the open sail of a dhow. Locally however this buildings is familiarly referred to as 'the pregnant building' and. or Nina Valjarevic 'the electric shaver' among other names. Although people beyond the UAE perhaps know little about the significance of this work (which I spent seven years of my life from concept to completion working on) the design of the Emirates NBD Headquarters has brought me lifelong creative acknowledgment, In the local community. ,;;>.!-' .j ~~1-Jl d4J ~)l~I ......4-o?.i a....1> >"L.:...o .,,s..>.J .:,lSWl.bJ LJi......... L...,""4<> .,,s..>.Jlg •.: .its Ug ."-4-1" "" <::P JI WA.;:;! .,,s.iJI ~I .u! ~ Amir Rahbar .u-¥J.J .:.ilcLI..i~I Jlo..c.1 ~ Jg~I v-o>~~0~ ~I~ .).o~g .199~ pu.JI .j dl.i .:,lS9 ~l ~ .:.l.o~l 0.a ~ i;.l.i J.»tJ LiS .~ j 9 J~l ..,...ol.:. .:,lSg ,_,;.a 125 E_LiJ;4 1998 pu.JI J~ ~ .l.49 .~I j~J-Loi 00 J~l 0~ .:,!; >T ..,J+G .,,s's <:~I .:,.o ~ ~ ..:..i~I dl.i .j9 ·~..>./ ~ &. J;L.:...o ...,.1£ i:...at....;:.L .>.i i1.a5 •80 .4a..<iJ:Jl. 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WTO Mogazlno Dubai ArchllC!Ctural Stories Bani Vas Square The Courtyard There are very few public spaces or squares in Dubai (malls don't count). The PREVIOUSLY NASR SQUARE A brave move by its founder Dariush Zandi, when it opened in 1998, ALQUOZ most notable and oldest one is Bani Yas Square previously called Nasr Square, ~L...>"'U .:,I~ the Courtyard is a community business centre that marks the beginning j~I and it's my favourite space in Dubai. of arts and creativity in Dubai in general and in Al Quoz in particular. Fantastic for people watching especially with a shawarma and cocktail juice in I love exploring the various creative spaces and concepts it houses as hand. It is vibrant, alive and a reminder of the Dubai that I grew up in. well as feasting on its beautiful aesthetics, greenery and many pretty Like the people in and around the square (without whom the city would things. What is most striking about it for me though is the undeniable not be possible) it i~ a part of town not celebrated and largely unnoticed. feeling of zen I get as soon as I step into the Courtyard. Jj; is a welcome escape from hectic pace beyond. Mohamed Somji Hala Salhi 4. 0-" ~ 01-¥.-<> .('0~1 jSl.>-<>11 ~JI>) ,.p ..j ~.>~I 9i d..ou.JI wbl.....JI 0-o .>9.b.a .>u ~9! .,:,1¥ tAil... ~ ~0 .,:,IS ..s.ill9 <>"~ ..,.il ..JI¥ g.a. LQ.a.i.ilg ti.,;>!1 J».lg i>S.><> ~9, \ '\'\i\ l'WI j <t:>t.:.:91.>..Lc. .s.l.il; _;,9'!;1.> ct.........J~ <kl:;...:. OJ,)i+a - .. J.> j al..:uWI ...,;::.L....o g.a.9 ._,..,u .j9 •pl.c ~ ~.) .j ~l.J./119 ~-I -=lip.JI ~I.lo! ~. 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